{"title":"Autumn leaves","description":"\u003cp data-start=\"168\" data-end=\"361\"\u003e🍁 Autumn in Japan is a season of golden light and fiery leaves.\u003c\/p\u003e\n\u003cp data-start=\"168\" data-end=\"361\"\u003eThe \u003cem data-start=\"245\" data-end=\"251\"\u003ekōyō\u003c\/em\u003e, the contemplation of red maple leaves (momiji), transforms mountains and gardens into ephemeral paintings. Chrysanthemums (\u003cem data-start=\"382\" data-end=\"388\"\u003ekiku\u003c\/em\u003e), blooming in temples, symbolize elegance and longevity.\u003c\/p\u003e\n\u003cp data-start=\"460\" data-end=\"684\"\u003e🍂 This collection is an autumnal stroll between maple red, lacquered brown, and patinated gold.\u003cbr data-start=\"551\" data-end=\"554\"\u003eAntique objects, handicrafts, kokeshi dolls, prints, warm silk haori, tea bowls... A selection of authentic items inspired by the beauty of our favorite season.\u003c\/p\u003e\n\u003cp data-start=\"1148\" data-end=\"1219\"\u003e🍁 \u003cstrong data-start=\"1151\" data-end=\"1219\"\u003eFind your unique piece before the leaves fly away.\u003c\/strong\u003e\u003c\/p\u003e","products":[{"product_id":"petite-assiette-ancienne-en-porcelaine-imari-epoque-meiji-15-cm-kogedo","title":"Vintage Tokkuri","description":"\u003cp\u003e Antique vintage ceramic tokkuri sake jar. Used in the past to fill your sake carafe directly at the store.\u003c\/p\u003e\n\n \u003cp\u003eInscription of the sake shop name and address on the jar.\u003c\/p\u003e\n\n\u003cp\u003e Condition: good general condition\u003c\/p\u003e\n\n\u003cp\u003e Our opinion: magnificent vintage decorative object, can be used as a vase.\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan\u003e♡ Tôma's favorite ♡\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e Size: 25 cm\u003c\/p\u003e\n\n\u003cp\u003e Weight: 1.2 kg\u003c\/p\u003e\n\n\u003cp\u003e Product reference: DT01\u003c\/p\u003e","brand":"KOGEDO","offers":[{"title":"Default Title","offer_id":50650421199187,"sku":"TAP07","price":49.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0937\/8562\/0819\/files\/assiette-imari-meiji-vue-dessus-kogedo.jpg?v=1742977729"},{"product_id":"kushi-kogai-showa-motif-kiku","title":"Kushi \u0026 Kogai Set – Tortoiseshell Style, 菊 (Kiku) Motif – Shōwa Period","description":"\u003ch3 data-end=\"1106\" data-start=\"1081\"\u003e\u003cstrong data-end=\"1106\" data-start=\"1084\"\u003eFeatures:\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp class=\"\" data-end=\"1146\" data-start=\"1109\"\u003e📅\u003cstrong\u003e Era\u003c\/strong\u003e: \u003cstrong data-end=\"1146\" data-start=\"1121\"\u003eShōwa (1926–1989)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\" data-end=\"1201\" data-start=\"1149\"\u003e🧵 \u003cstrong\u003eMaterial\u003c\/strong\u003e: Synthetic resin (tortoiseshell imitation) \u0026amp; wood (Kogai central rod)\u003c\/p\u003e\n\u003cp class=\"\" data-end=\"1253\" data-start=\"1204\"\u003e🎨 \u003cstrong\u003eMotifs\u003c\/strong\u003e: \u003cstrong data-end=\"1228\" data-start=\"1216\"\u003eKiku\u003c\/strong\u003e – Japanese chrysanthemums\u003c\/p\u003e\n\u003cp class=\"\" data-end=\"1373\" data-start=\"1279\"\u003e\u003cstrong\u003eCondition\u003c\/strong\u003e: Very good vintage condition – minor signs of wear visible on the comb teeth (see photos)\u003c\/p\u003e\n\u003cp class=\"\" data-end=\"1418\" data-start=\"1376\"\u003e📏\u003cstrong\u003e Dimensions\u003c\/strong\u003e: \u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-end=\"1418\" data-start=\"1376\"\u003eKushi Comb: 10x5cm\u003c\/li\u003e\n\u003cli data-end=\"1418\" data-start=\"1376\"\u003eKogai: L: 15cm\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eOrigin\u003c\/strong\u003e: Japan, found in Hyōgo Prefecture.\u003c\/p\u003e\n\u003cp class=\"\" data-end=\"606\" data-start=\"368\"\u003eElegant Japanese \u003cstrong data-end=\"439\" data-start=\"425\"\u003eShōwa era\u003c\/strong\u003e set consisting of a traditional \u003cstrong data-end=\"486\" data-start=\"473\"\u003eKushi\u003c\/strong\u003e comb and a matching \u003cstrong data-end=\"526\" data-start=\"513\"\u003eKogai\u003c\/strong\u003e hairpin, made of tortoiseshell imitation resin in beautiful \u003cstrong data-end=\"605\" data-start=\"588\"\u003eamber and black\u003c\/strong\u003e shades.\u003c\/p\u003e\n\u003cp class=\"\" data-end=\"936\" data-start=\"608\"\u003eThe comb features a finely engraved \u003cstrong data-end=\"666\" data-start=\"654\"\u003ekiku\u003c\/strong\u003e (chrysanthemum) motif, the imperial chrysanthemum – a symbol of longevity and refinement. The openwork gilded and silvered lace adorning the top of the comb testifies to meticulous and delicate craftsmanship. The ends of the \u003cstrong data-end=\"856\" data-start=\"847\"\u003eKogai\u003c\/strong\u003e are decorated with matching floral motifs, in perfect harmony with the set.\u003c\/p\u003e\n\u003cp class=\"\" data-end=\"1079\" data-start=\"938\"\u003eA rare piece, a testament to the feminine aesthetic of the Shōwa era, ideal for display or to wear with a vintage or modern \u003cstrong data-end=\"1078\" data-start=\"1064\"\u003ehaori\u003c\/strong\u003e made by Atelier Kogedo!\u003cstrong data-end=\"1106\" data-start=\"1084\"\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch3 data-end=\"233\" data-start=\"213\"\u003e\u003cstrong data-end=\"233\" data-start=\"219\"\u003e🦝 Our opinion: \u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-end=\"233\" data-start=\"213\"\u003eAt KOGEDO, we love this \u003cstrong data-end=\"308\" data-start=\"291\"\u003eKushi \u0026amp; Kogai\u003c\/strong\u003e set because it combines \u003cstrong data-end=\"349\" data-start=\"322\"\u003etraditional elegance\u003c\/strong\u003e with \u003cstrong data-end=\"375\" data-start=\"353\"\u003emodern consciousness\u003c\/strong\u003e. Made from \u003cstrong data-end=\"420\" data-start=\"392\"\u003etortoiseshell imitation resin\u003c\/strong\u003e, it replicates the aesthetic of tortoiseshell accessories – \u003cstrong data-end=\"531\" data-start=\"500\"\u003ewithout using the material itself\u003c\/strong\u003e, making it a \u003cstrong data-end=\"583\" data-start=\"557\"\u003erespectful and ethical choice\u003c\/strong\u003e 🐢❌.\u003c\/p\u003e\n\u003cp class=\"\" data-end=\"909\" data-start=\"590\"\u003eWorn in a \u003cstrong data-end=\"636\" data-start=\"610\"\u003emodern or low bun\u003c\/strong\u003e, the comb can become a \u003cstrong data-end=\"695\" data-start=\"664\"\u003ehair jewel\u003c\/strong\u003e, adding a \u003cstrong data-end=\"737\" data-start=\"717\"\u003echic Japanese\u003c\/strong\u003e touch to a contemporary outfit.\u003c\/p\u003e","brand":"KOGEDO","offers":[{"title":"Default Title","offer_id":50673810014547,"sku":"DK03","price":79.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0937\/8562\/0819\/files\/kogedo-kushi-kogai-showa-motif-kiku-ensemble.jpg?v=1743617384"},{"product_id":"estampe-japonaise-sharaku-ichikawa-komazo-shiga-daishichi-kabuki-showa","title":"Hiroshige 53 stations of Tokaido, Showa era","description":"\u003cp\u003e Ukiyo-e woodblock print. [Reproduction of the Shôwa era using traditional Ukiyo-e woodblock printing techniques]\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan style=\"text-decoration: underline;\"\u003eType of print\u003c\/span\u003e : Landscape print with scene (Fûkei-ga)\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan style=\"text-decoration: underline;\"\u003eArtist\u003c\/span\u003e : Utagawa Hiroshige\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan style=\"text-decoration: underline;\"\u003eDate of publication\u003c\/span\u003e : Shôwa period, 1960s. Reproduction of the original Hôheidô edition. The original edition dates from 1833-1834.\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan style=\"text-decoration: underline;\"\u003ePublisher\u003c\/span\u003e : Unknown\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan style=\"text-decoration: underline;\"\u003eFormat\u003c\/span\u003e : Chûban 18.5x26 with margins and 15x22.5 without margins\u003c\/p\u003e\n\n \u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eTitle\u003c\/span\u003e : The 53 stations of Tôkaidô ( \u003ci lang=\"ja-Latn-alalc97\" class=\"lang-ja-Latn-alalc97\" title=\"Hepburn Transcription\"\u003eTōkaidō Gojūsan-tsugi no uchi)\u003c\/i\u003e . No. 18, 17th Okitsu station: Okitsu River. Grand Tôkaidô version\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan style=\"text-decoration: underline;\"\u003eSubject\u003c\/span\u003e : Two \u003cspan\u003esumo wrestlers\u003c\/span\u003e \u003cspan\u003ecarried across the Okitsu River, located in present-day Shizuoka City. One is on horseback, the other in a rudimentary palanquin carried by four men.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan style=\"text-decoration: underline;\"\u003eCondition\u003c\/span\u003e : Print in excellent condition with marie-louise. Glued to the marie-louise with 2 glue dots on the upper corners. Beautiful colors and good print quality\u003c\/p\u003e\n\n \u003cp\u003e🦝 \u003cspan style=\"text-decoration: underline;\"\u003eOur opinion\u003c\/span\u003e : This is the most printed series of prints in the history of ukiyo-e. Nice gradient of blue in this lively scene. A real print, reprint of the Showa era making a work of the great master Hiroshige accessible! At this price, we go for it!\u003c\/p\u003e","brand":"KOGEDO","offers":[{"title":"Default Title","offer_id":50686743839059,"sku":"E47","price":115.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0937\/8562\/0819\/files\/sharaku-ichikawa-komazo-shiga-daishichi-estampe-kabuki.jpg?v=1743425534"},{"product_id":"bol-laque-aizu-shukiku-kikumon","title":"Japanese lacquered bowl “Shūkiku” (朱菊) – Aizu crafts","description":"\u003ch3 data-start=\"1106\" data-end=\"1133\" class=\"\"\u003e📋 \u003cstrong data-start=\"1113\" data-end=\"1133\"\u003eFeatures\u003c\/strong\u003e\n\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli data-start=\"1137\" data-end=\"1214\"\u003e\n\u003cstrong data-start=\"1137\" data-end=\"1150\"\u003eOrigin:\u003c\/strong\u003e Aizu (Fukushima prefecture), manufactured in Ashikaga (Tochigi), found in Osaka prefecture.\u003c\/li\u003e\n\u003cli data-start=\"1217\" data-end=\"1264\"\u003e\n\u003cstrong data-start=\"1217\" data-end=\"1237\"\u003eEstimated era:\u003c\/strong\u003e Showa (~1960s-1980s)\u003c\/li\u003e\n\u003cli data-start=\"1267\" data-end=\"1325\"\u003e\n\u003cstrong data-start=\"1267\" data-end=\"1280\"\u003eMaterial:\u003c\/strong\u003e Treated wood, urushi lacquer finish (うるし塗装)\u003c\/li\u003e\n\u003cli data-start=\"1328\" data-end=\"1414\"\u003e\n\u003cstrong data-start=\"1328\" data-end=\"1339\"\u003eDecor:\u003c\/strong\u003e Scattered imperial chrysanthemum (kikumon) motif in gold, silver on an orange and black background\u003c\/li\u003e\n\u003cli data-start=\"1417\" data-end=\"1471\"\u003e\n\u003cstrong data-start=\"1417\" data-end=\"1433\"\u003eDimensions:\u003c\/strong\u003e Ø ~13 cm; H (with lid) ~10 cm\u003c\/li\u003e\n\u003cli data-start=\"1417\" data-end=\"1471\"\u003e\n\u003cstrong\u003eCondition\u003c\/strong\u003e: \u003cstrong data-start=\"1635\" data-end=\"1663\"\u003eVintage – excellent condition\u003c\/strong\u003e\u003cbr data-start=\"1663\" data-end=\"1666\"\u003eNo visible scratches, lacquer is shiny and intact.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-start=\"1473\" data-end=\"1610\" class=\"\"\u003eAuthentic product licensed by the \u003cstrong data-start=\"1512\" data-end=\"1543\"\u003eNihon Tōgei Chain (日本陶芸チェーン)\u003c\/strong\u003e – Japanese cooperative of ceramic and lacquer artisans.\u003c\/p\u003e\n\u003cp data-start=\"239\" data-end=\"638\" class=\"\"\u003eDiscover this superb individual lacquered bowl, crafted in the tradition of the \u003cstrong data-start=\"289\" data-end=\"294\"\u003eAizu (会津)\u003c\/strong\u003e region, renowned for its urushi lacquer expertise for centuries. This model, adorned with silver and gold \u003cstrong data-start=\"383\" data-end=\"410\"\u003echrysanthemums (kikumon 菊紋)\u003c\/strong\u003e, evokes both imperial elegance and the warmth of Japanese hospitality. An ideal bowl for special occasions, or to elevate an everyday moment.\u003c\/p\u003e\n\u003ch3 data-start=\"645\" data-end=\"668\" class=\"\"\u003e\u003cstrong data-start=\"655\" data-end=\"668\"\u003eManufacturer\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-start=\"670\" data-end=\"924\" class=\"\"\u003e\u003cstrong data-start=\"670\" data-end=\"694\"\u003eJōshūya Honten 上州屋本店\u003c\/strong\u003e\u003cbr data-start=\"694\" data-end=\"697\"\u003eCompany founded in Ashikaga, specializing in tableware and refined gifts. This bowl is a product of the \u003cstrong data-start=\"836\" data-end=\"865\"\u003eNihon Tōgei Chēn 日本陶芸チェーン\u003c\/strong\u003e artisan chain, guaranteeing the quality of traditional Japanese craftsmanship.\u003c\/p\u003e\n\u003ch3 data-start=\"1732\" data-end=\"1765\" class=\"\"\u003e🧽 \u003cstrong data-start=\"1739\" data-end=\"1763\"\u003eCare Instructions\u003c\/strong\u003e\n\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli data-start=\"1768\" data-end=\"1820\"\u003eWash gently by hand with a soft sponge\u003c\/li\u003e\n\u003cli data-start=\"1823\" data-end=\"1866\"\u003eDry immediately with a soft cloth\u003c\/li\u003e\n\u003cli data-start=\"1869\" data-end=\"1942\"\u003eDo not soak, or expose to sun or heat source\u003c\/li\u003e\n\u003cli data-start=\"1945\" data-end=\"1995\"\u003eDo not use in microwave or dishwasher\u003c\/li\u003e\n\u003cli data-start=\"1998\" data-end=\"2034\"\u003eAvoid very greasy or acidic foods\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 data-start=\"2186\" data-end=\"2220\" class=\"\"\u003e🦝 \u003cstrong data-start=\"1085\" data-end=\"1101\"\u003eOur opinion:\u003c\/strong\u003e\n\u003c\/h3\u003e\n\u003cp data-start=\"2077\" data-end=\"2440\" class=\"\"\u003eThis \"Shūkiku\" bowl perfectly embodies the refinement of the Japanese table. Its rounded shape, deep luster, vibrant orange, and delicately hand-placed imperial motifs make it a very elegant and chic bowl.\u003c\/p\u003e","brand":"KOGEDO","offers":[{"title":"Default Title","offer_id":50770913821011,"sku":"TL15","price":45.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0937\/8562\/0819\/files\/bol-laque-aizu-kikumon-joshuyahonten-couvercle-decale.jpg?v=1744445532"},{"product_id":"haori-soie-violet-prune-motifs-floraux-momiji","title":"Vintage Haori in murasaki silk (purple plum) – Japanese kimono jacket with floral patterns \u0026 momiji lining","description":"\u003cp class=\"\"\u003e🌸 \u003cstrong\u003eExterior Pattern\u003c\/strong\u003e: This antique haori \u003cstrong\u003e羽織\u003c\/strong\u003e, a type of traditional Japanese kimono jacket, is made from an \u003cstrong\u003eextremely light and fluid silk\u003c\/strong\u003e, pleasant to the touch and to wear. The plum purple \u003cstrong\u003e紫 (murasaki)\u003c\/strong\u003e fabric is adorned with a delicate ivory floral pattern, enhanced with small red and yellow accents.\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eInterior Lining\u003c\/strong\u003e: The lining reveals a vibrant composition: \u003cstrong\u003estylized clouds\u003c\/strong\u003e, \u003cstrong\u003eflowers\u003c\/strong\u003e, and \u003cstrong\u003e紅葉 (momiji, maple leaves)\u003c\/strong\u003e in shades of orange, yellow, and green. An autumnal scene full of contrast, typical of the visual refinement of the Shōwa era.\u003c\/p\u003e\n\u003cp class=\"\"\u003e📏 \u003cstrong\u003eDimensions\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cul\u003e\n\n\u003cli\u003eWingspan (sleeve to sleeve): 126 cm\u003c\/li\u003e\n\n\u003cli\u003eHeight (shoulder to bottom): 81 cm\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003cp\u003eThanks to its loose and straight cut, this haori suits many body types.\u003c\/p\u003e\n\u003cp\u003eOur model in the photos, Loony, is 1m60 tall.\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eMaterial\u003c\/strong\u003e: Very fine habutae silk 羽二重.\u003cbr\u003e\u003cstrong\u003eCondition\u003c\/strong\u003e: Excellent – Fabric intact, supple, and luminous. No notable defects, probably never worn.\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eOrigin:\u003c\/strong\u003e Japan, found in Tokyo prefecture.\u003c\/p\u003e\n\u003cp class=\"\"\u003e🦝 \u003cstrong\u003eOur Opinion\u003c\/strong\u003e: Light as a spring breeze, this haori is a true textile gem. To be worn over a simple outfit to let the material and subtle patterns speak for themselves. Ideal for everyday wear as well as for dressier occasions.\u003c\/p\u003e","brand":"KOGEDO","offers":[{"title":"Default Title","offer_id":50772606583123,"sku":"H11","price":100.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0937\/8562\/0819\/files\/haori-violet-momiji-et-fleurs-kogedo.jpg?v=1758729614"},{"product_id":"haori-nohara-no-tsuru-by-kogedo-latelier-grues-prairies-d-hokkaido","title":"Haori \"Nohara no Tsuru\" - modern kimono jacket by KOGEDO l'Atelier – Cranes \u0026 Hokkaido prairies - SM","description":"\u003cp data-start=\"272\" data-end=\"349\" class=\"\"\u003e\u003cstrong data-start=\"272\" data-end=\"349\"\u003eSize: SM – Unique piece, hand-sewn in our Parisian workshop.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-end=\"821\" data-start=\"495\"\u003eNamed \u003cstrong\u003e\u003cem data-end=\"520\" data-start=\"503\"\u003eNohara no Tsuru\u003c\/em\u003e (野原の鶴 – cranes of the prairies)\u003c\/strong\u003e by Mikan, this haori pays tribute to the peaceful landscapes of Hokkaido, where Japanese cranes take flight over vast green plains bathed in light. A rare and silent scene, emblematic of the northern archipelago in summer, inspired this garment.\u003c\/p\u003e\n\u003cp data-end=\"1249\" data-start=\"823\"\u003eThe body of the haori is made from a \u003cstrong\u003etraditional Japanese fabric with an \u003cem data-end=\"911\" data-start=\"902\"\u003easanoha\u003c\/em\u003e pattern\u003c\/strong\u003e (hemp leaf) in a soft \u003cstrong\u003epistachio green\u003c\/strong\u003e. This pattern symbolizes growth and protection, like a promise of renewal. \u003cstrong\u003eThe beige yoke in the back\u003c\/strong\u003e, as well as the \u003cstrong\u003ecollar\u003c\/strong\u003e and sleeves, features \u003cstrong\u003ewhite cranes\u003c\/strong\u003e spreading their wings among \u003cstrong\u003egolden clouds\u003c\/strong\u003e, as if viewed from the ground, gliding across the sky above the fields.\u003c\/p\u003e\n\u003cp data-end=\"1355\" data-start=\"1251\"\u003eA beige \u003cem data-end=\"1275\" data-start=\"1263\"\u003ehaori himo\u003c\/em\u003e tie selected in Japan completes this lightweight piece.\u003c\/p\u003e\n\u003cp data-end=\"1422\" data-start=\"1357\"\u003eA haori full of breath and poetry, between nature and elegance.\u003c\/p\u003e\n\u003cp data-end=\"1616\" data-start=\"1429\"\u003e📏 \u003cstrong data-end=\"1450\" data-start=\"1432\"\u003eSize \u0026amp; Fit\u003c\/strong\u003e:\u003cbr data-end=\"1455\" data-start=\"1452\"\u003eThis haori corresponds to a size \u003cstrong\u003eSM\u003c\/strong\u003e. Its fluid cut adapts easily:\u003cbr data-end=\"1530\" data-start=\"1527\"\u003e– slightly oversized for XS to S silhouettes\u003cbr data-end=\"1577\" data-start=\"1574\"\u003e– a more fitted drape for a size M\u003c\/p\u003e\n\u003cp data-end=\"1738\" data-start=\"1618\"\u003eIt is unisex and adapts to all genders and styles.\u003c\/p\u003e\n\u003cp data-end=\"1994\" data-start=\"1855\"\u003e📐 \u003cstrong data-end=\"1872\" data-start=\"1858\"\u003eDimensions\u003c\/strong\u003e:\u003cbr data-end=\"1877\" data-start=\"1874\"\u003eLength: 72 cm\u003cbr data-end=\"1896\" data-start=\"1893\"\u003eSleeve to sleeve length: 127 cm\u003cbr data-end=\"1932\" data-start=\"1929\"\u003eSleeve length: 30 cm\u003cbr data-end=\"1963\" data-start=\"1960\"\u003eWidth under armpit: 29 cm\u003c\/p\u003e\n\u003cp data-end=\"1994\" data-start=\"1855\"\u003eOur models in the photos are 1m58 (Female: Mikan) and 1m71 (Male: Tôma).\u003c\/p\u003e\n\u003cp data-end=\"2107\" data-start=\"1996\"\u003e🧵 \u003cstrong data-end=\"2033\" data-start=\"1999\"\u003eHand-sewn Japanese fabric\u003c\/strong\u003e, with back yoke, collar, and sleeves. This is not a vintage product.\u003c\/p\u003e\n\u003cp data-end=\"2171\" data-start=\"2109\"\u003e🧺 \u003cstrong data-end=\"2135\" data-start=\"2112\"\u003eMaterial \u0026amp; Care\u003c\/strong\u003e: 100% cotton. Gentle wash at 30 °C.\u003c\/p\u003e\n\u003cp data-end=\"2404\" data-start=\"2178\"\u003e💡 \u003cstrong data-end=\"2201\" data-start=\"2181\"\u003eMikan's recommendation\u003c\/strong\u003e: wear it with cream, sand, or light khaki tones to find the gentle balance of northern landscapes. \u003c\/p\u003e\n\u003cp data-end=\"2590\" data-start=\"2406\"\u003e♡ \u003cem data-end=\"2431\" data-start=\"2408\"\u003eMikan's Favorite\u003c\/em\u003e: \"I imagined the cranes soaring over the Hokkaido prairies, their silent, almost ceremonial flight. This haori is a moment of suspended calm.\"\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"KOGEDO","offers":[{"title":"Default Title","offer_id":51397786337619,"sku":null,"price":125.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0937\/8562\/0819\/files\/haori-nohara-no-tsuru-detail-motif-asanoha-kogedo.jpg?v=1752411626"},{"product_id":"ensemble-kushi-kogai-bois-noir-laque-motifs-fleuris-kiku-nacres-epoque-showa","title":"Kushi \u0026 Kogai Set – Black lacquered wood, mother-of-pearl chrysanthemum (kiku) floral motifs – Shōwa period","description":"\u003ch3 data-start=\"1072\" data-end=\"1094\"\u003eFeatures:\u003c\/h3\u003e\n\u003cp data-start=\"1095\" data-end=\"1256\"\u003e📅 \u003cstrong data-start=\"1098\" data-end=\"1108\"\u003ePeriod\u003c\/strong\u003e: Shōwa (1926–1989) – estimated 1950s–70s\u003cbr data-start=\"1156\" data-end=\"1159\"\u003e🧵 \u003cstrong data-start=\"1162\" data-end=\"1174\"\u003eMaterial\u003c\/strong\u003e: Black lacquered wood (urushi 漆), mother-of-pearl inlay (螺鈿 raden)\u003cbr data-start=\"1238\" data-end=\"1241\"\u003e🎨 \u003cstrong data-start=\"1244\" data-end=\"1254\"\u003eMotifs\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-start=\"1259\" data-end=\"1305\"\u003e菊 (kiku) – Chrysanthemum, longevity and nobility\u003c\/li\u003e\n\u003cli data-start=\"1308\" data-end=\"1369\"\u003eStylized ornamental flowers (iridescent blue, pink, green mother-of-pearl)\u003c\/li\u003e\n\u003cli data-start=\"1372\" data-end=\"1437\"\u003eSinuous curves evoking water or wind, fluidity and elegance\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-start=\"1439\" data-end=\"1458\"\u003e📏 \u003cstrong data-start=\"1442\" data-end=\"1456\"\u003eDimensions\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-start=\"1461\" data-end=\"1490\"\u003eKushi comb: 10 x 5 cm\u003c\/li\u003e\n\u003cli data-start=\"1493\" data-end=\"1556\"\u003eKogai pin: 16 cm long\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eOrigin\u003c\/strong\u003e: Japan, unearthed in Hyōgo Prefecture.\u003c\/p\u003e\n\u003cp data-start=\"1558\" data-end=\"1790\"\u003e📸 \u003cstrong data-start=\"1561\" data-end=\"1569\"\u003eCondition\u003c\/strong\u003e: Vintage, good overall condition. Some micro-traces of use and slight imperfections in the inlay visible in the photos, without impacting the overall aesthetic. Complete set, rare in this double-sided configuration.\u003c\/p\u003e\n\u003cp data-start=\"172\" data-end=\"434\"\u003e\u003cstrong data-start=\"172\" data-end=\"221\"\u003eElegant Japanese Shōwa-era set\u003c\/strong\u003e consisting of a traditional comb 櫛 (Kushi) and a matching hair pin 笄 (Kogai), made of black lacquered wood (urushi-nuri 漆塗り) and finely decorated with mother-of-pearl floral motifs in blue, green, pink, and ivory hues.\u003c\/p\u003e\n\u003cp data-start=\"436\" data=\"763\"\u003eThe floral composition, delicately inlaid on both sides, evokes the stylized efflorescence of 菊 (kiku), the imperial emblem, and other ornamental flowers cherished in Japanese decorative art. The iridescent reflections of the mother-of-pearl create a subtle play of light on the deep black lacquer background, bringing each motif to life and making each color burst when exposed to outdoor light.\u003c\/p\u003e\n\u003cp data-start=\"765\" data=\"1065\"\u003eThe comb is decorated front and back with floral arabesques and sinuous curves, while the Kogai pin's stem features continuous floral decoration, visible from both front and back – a precious detail that reveals the artisanal care put into this set.\u003c\/p\u003e\n\u003ch3 data-start=\"1797\" data-end=\"1820\"\u003e🦝 \u003cstrong data-start=\"1804\" data-end=\"1818\"\u003eOur opinion\u003c\/strong\u003e:\u003c\/h3\u003e\n\u003cp data-start=\"1821\" data-end=\"2217\"\u003eAt \u003cstrong data-start=\"1826\" data-end=\"1836\"\u003eKOGEDO\u003c\/strong\u003e, we are particularly fond of this set for its refinement and the harmony of its colors. The raden inlay, a traditional Japanese mother-of-pearl inlay technique, gives this object a soft and precious light. To collect, offer, or wear with a \u003ca href=\"https:\/\/kogedo.com\/collections\/kimono\"\u003evintage kimono\u003c\/a\u003e – or for a refined contrast, with a contemporary creation by \u003ca href=\"https:\/\/kogedo.com\/collections\/atelier-haori-modernes\"\u003e\u003cstrong data-start=\"2196\" data-end=\"2216\"\u003eKogedo l’Atelier\u003c\/strong\u003e\u003c\/a\u003e.\u003c\/p\u003e","brand":"KOGEDO","offers":[{"title":"Default Title","offer_id":51453051404627,"sku":"DK02","price":95.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0937\/8562\/0819\/files\/peigne-epingle-japonaise-kushi-kogai-epoque-showa-kogedo.jpg?v=1753191022"},{"product_id":"maru-obi-ancien-en-soie-paysages-fleuris-pont-rouge-et-fils-dores","title":"Antique Silk Maru Obi – Phoenix and Imperial Flowers","description":"\u003cp class=\"\" data-end=\"821\" data-start=\"538\"\u003e Beautiful antique \u003cstrong data-end=\"584\" data-start=\"566\"\u003esilk\u003c\/strong\u003e \u003cstrong data-start=\"1003\" data-end=\"1020\"\u003emaru obi (丸帯)\u003c\/strong\u003e (kinu orimono) probably dating from the late Showa period. Woven with gold threads, it features rich motifs of \u003cstrong data-end=\"695\" data-start=\"675\"\u003ephoenixes 鳳凰 (Hōō)\u003c\/strong\u003e , \u003cstrong data-end=\"717\" data-start=\"700\"\u003echrysanthemums\u003c\/strong\u003e\u003cstrong\u003e菊 (kiku)\u003c\/strong\u003e and \u003cstrong data-end=\"746\" data-start=\"723\"\u003efloral arabesques\u003c\/strong\u003e , in circular medallions inspired by Japanese imperial symbols.\u003c\/p\u003e\n\n \u003cp class=\"\" data-end=\"821\" data-start=\"538\"\u003eA more sober \u003cstrong data-start=\"1477\" data-end=\"1487\"\u003e113 cm\u003c\/strong\u003e section, woven in a geometric herringbone pattern, extends from \u003cstrong data-start=\"1568\" data-end=\"1584\"\u003e265 to 378 cm.\u003c\/strong\u003e This slightly off-center arrangement is typical of maru obi intended for specific knotting (see photos).\u003c\/p\u003e\n\n\u003cp class=\"\" data-end=\"1068\" data-start=\"823\"\u003e The \u003cstrong data-end=\"845\" data-start=\"826\"\u003ereverse of the obi\u003c\/strong\u003e is entirely adorned with a subtle \u003cstrong data-end=\"907\" data-start=\"876\"\u003echerry blossom pattern \u003cstrong data-end=\"746\" data-start=\"723\"\u003e(sakura)\u003c\/strong\u003e\u003c\/strong\u003e on a gold background, offering a \u003cstrong data-end=\"972\" data-start=\"935\"\u003esecond side that is just as elegant\u003c\/strong\u003e and refined. A precious detail that allows for a variety of uses. (see photos)\u003c\/p\u003e\n\n\u003ch3 class=\"\" data-end=\"1287\" data-start=\"1270\"\u003e \u003cstrong data-end=\"1287\" data-start=\"1274\"\u003e📐 Features:\u003c\/strong\u003e\n\u003c\/h3\u003e\n\n\u003cul\u003e\n\n\u003cli data-end=\"1314\" data-start=\"1290\"\u003e Length: approx. 440 cm\u003c\/li\u003e\n\n\u003cli data-end=\"1339\" data-start=\"1317\"\u003e Width: approx. 31 cm\u003c\/li\u003e\n\n\u003cli data-end=\"1339\" data-start=\"1317\"\u003e Herringbone pattern area (鱗文様):\u003cstrong\u003e \u003c\/strong\u003e113 cm, from 265 to 378 cm\u003c\/li\u003e\n\n \u003cli data-end=\"1372\" data-start=\"1342\"\u003eMaterial: \u003cstrong data-end=\"1370\" data-start=\"1352\"\u003esilk\u003c\/strong\u003e (brocade)\u003c\/li\u003e\n\n\u003cli data-end=\"1418\" data-start=\"1375\"\u003e Main motifs: phoenix, chrysanthemums\u003c\/li\u003e\n\n\u003cli data-end=\"1458\" data-start=\"1421\"\u003e Back: sakura patterns on a gold background\u003c\/li\u003e\n\n\u003cli data-end=\"1493\" data-start=\"1461\"\u003e Period: Estimated Shôwa (circa 1960–80)\u003c\/li\u003e\n\n\u003cli data-end=\"1526\" data-start=\"1496\"\u003e Condition: Very good vintage condition, no stains or tears\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"KOGEDO","offers":[{"title":"Default Title","offer_id":51457406009683,"sku":"OB02","price":125.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0937\/8562\/0819\/files\/ceinture-kimono-maru-obi-chemin-de-table.jpg?v=1753266888"},{"product_id":"haori-vintage-en-soie-motifs-dautomne-momiji-et-kiku","title":"Vintage Chirimen silk Haori – Japanese kimono jacket with autumn motifs (momiji 紅葉 \u0026 kiku 菊)","description":"\u003cp\u003eThis vintage haori, a type of traditional Japanese kimono jacket, is made of \u003cstrong\u003e100% lightly crinkled chirimen 縮緬 silk\u003c\/strong\u003e. It captivates with its luminous white sheen, entirely adorned with autumn motifs: \u003cstrong\u003echrysanthemums 菊 (\u003cem\u003ekiku\u003c\/em\u003e)\u003c\/strong\u003e and \u003cstrong\u003emaple leaves 紅葉 (\u003cem\u003emomiji\u003c\/em\u003e)\u003c\/strong\u003e, in a warm palette of reds, ochres, greens, and purples. A delicate and joyful piece, perfect for mid-season.\u003c\/p\u003e\n\u003cp\u003e🔶 \u003cstrong\u003eOuter Pattern\u003c\/strong\u003e:\u003cbr\u003eDense patterns of \u003cstrong\u003echrysanthemum flowers 菊\u003c\/strong\u003e and \u003cstrong\u003emaple leaves 紅葉\u003c\/strong\u003e, intertwined with delicate light blue stems that structure the whole. The contrast of autumnal colors on a white background brings freshness and dynamism.\u003c\/p\u003e\n\u003cp\u003e🌸 \u003cstrong\u003eInner Lining\u003c\/strong\u003e:\u003cbr\u003eWhite damask silk, decorated with \u003cstrong\u003elarge chrysanthemums 菊\u003c\/strong\u003e woven in tone-on-tone, for subtle and refined elegance.\u003c\/p\u003e\n\u003cp\u003e📏 \u003cstrong\u003eDimensions\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cul\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eSleeve-to-sleeve width\u003c\/strong\u003e: 118 cm\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eHeight (shoulder to hem)\u003c\/strong\u003e: 74 cm\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eOrigin:\u003c\/strong\u003e Japan, found in Shizuoka prefecture.\u003c\/p\u003e\n\u003cp\u003eIn the photos, our female model Mikan is 1.58m tall. Our male model, Tôma, is 1.71m tall.\u003c\/p\u003e\n\u003cp\u003eThanks to its loose and straight cut, this haori suits many body types.\u003c\/p\u003e\n\u003cp\u003e🧵 \u003cstrong\u003eMaterial\u003c\/strong\u003e: 100% chirimen 縮緬 silk\u003cbr\u003e\u003cstrong\u003eCondition\u003c\/strong\u003e: Very good – fluid and light silk, impeccable drape. Note: \u003cstrong\u003esome slight yellowish marks on the shoulders\u003c\/strong\u003e, barely visible and not affecting the overall aesthetic.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePractical detail\u003c\/strong\u003e:\u003cbr\u003ePresence of its \u003cstrong\u003etraditional tie (羽織紐 \u003cem\u003ehaori himo\u003c\/em\u003e)\u003c\/strong\u003e, discreet and matching.\u003c\/p\u003e\n\u003ch3\u003e🦝 \u003cstrong\u003eOur opinion\u003c\/strong\u003e:\u003c\/h3\u003e\n\u003cp\u003eA luminous and refined haori that celebrates the beauty of Japanese autumn, our favorite season! Its rich patterns and vibrant colors make it easy to pair with a simple outfit for an elegant and unique effect.\u003c\/p\u003e","brand":"KOGEDO","offers":[{"title":"Default Title","offer_id":51777310228819,"sku":"H13","price":95.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0937\/8562\/0819\/files\/haori-vintage-soie-blanc-automne-kiku-momiji-angle.jpg?v=1756823475"},{"product_id":"estampe-japonaise-originale-utagawa-kunisada-toyokuni-3-okaru-kanahedon-edo-1862","title":"Original Japanese woodblock print – Utagawa Kunisada Toyokuni 3 – Okaru – Kanahedon Chushingura – Edo 1862","description":"\u003cp\u003eTraditional \u003cstrong\u003eoriginal\u003c\/strong\u003e Ukiyo-e print, woodblock print. \u003cspan style=\"text-decoration: underline;\"\u003e[This print is not a modern reproduction]\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-end=\"594\" data-start=\"524\"\u003e\u003cstrong\u003ePrint type\u003c\/strong\u003e: \u003cem data-end=\"556\" data-start=\"545\"\u003eYakusha-e\u003c\/em\u003e \u003cem\u003eOnnagata \u003c\/em\u003e(portrait of a kabuki actor playing a female role)\u003c\/p\u003e\n\u003cp data-start=\"478\" data-end=\"697\"\u003e🎨 \u003cstrong data-end=\"612\" data-start=\"599\"\u003eArtist:\u003c\/strong\u003e Utagawa Kunisada 歌川国貞 \u003cem data-end=\"674\" data-start=\"637\"\u003esigned: 七十七翁豊國画 — Kio Toyokuni ga\u003c\/em\u003e\u003cbr data-end=\"677\" data-start=\"674\"\u003e\u003cem data-end=\"719\" data-start=\"677\"\u003eSignature used by Kunisada at 77 years old!\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-start=\"699\" data-end=\"776\"\u003e📅 \u003cstrong data-start=\"702\" data-end=\"722\"\u003ePublication date:\u003c\/strong\u003e March 1862 (2nd month of the Year of the Dog — late Edo period)\u003c\/p\u003e\n\u003cp data-start=\"778\" data-end=\"843\"\u003e📜 \u003cstrong data-start=\"781\" data-end=\"794\"\u003ePublisher:\u003c\/strong\u003e 丸屋徳造 (\u003cem data-start=\"801\" data-end=\"816\"\u003eMaruya Tokuzō\u003c\/em\u003e) — black oval seal \"丸徳\"\u003c\/p\u003e\n\u003cp data-start=\"845\" data-end=\"984\"\u003e🔪 \u003cstrong data-start=\"848\" data-end=\"871\"\u003eEngraver (Horishi):\u003c\/strong\u003e 横川彫岩 (\u003cem data-start=\"878\" data-end=\"897\"\u003eYokokawa Hori-iwa\u003c\/em\u003e)\u003cbr data-start=\"898\" data-end=\"901\"\u003e👉 Engraver known for his regular collaborations with Kunisada during the same period.\u003c\/p\u003e\n\u003cp data-start=\"986\" data-end=\"1052\"\u003e📏 \u003cstrong data-start=\"989\" data-end=\"1001\"\u003eFormat:\u003c\/strong\u003e Ôban Tate-e (vertical print — approx. 25 × 36 cm)\u003c\/p\u003e\n\u003ch3 data-start=\"1059\" data-end=\"1087\"\u003e📌 Scene Title:\u003c\/h3\u003e\n\u003cp data-start=\"1088\" data-end=\"1180\"\u003e\u003cstrong data-start=\"1088\" data-end=\"1103\"\u003e仮名手本忠臣蔵 七段目\u003c\/strong\u003e (\u003cem data-start=\"1105\" data-end=\"1137\"\u003eKanadehon Chūshingura – Act 7\u003c\/em\u003e)\u003cbr data-start=\"1138\" data-end=\"1141\"\u003eLocation: \u003cstrong data-start=\"1148\" data-end=\"1180\"\u003e祇園一力茶屋 (Kyōto, Gion, Ichiriki Teahouse)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"1182\" data-end=\"1339\"\u003e👤 \u003cstrong data-start=\"1185\" data-end=\"1212\"\u003eCharacter depicted:\u003c\/strong\u003e Okaru (おかる), courtesan\u003cbr data-start=\"1236\" data-end=\"1239\"\u003e🎭 \u003cstrong data-start=\"1242\" data-end=\"1254\"\u003eActor:\u003c\/strong\u003e Sawamura Tanosuke III (沢村田之助), famous \u003cstrong data-start=\"1294\" data-end=\"1306\"\u003eonnagata\u003c\/strong\u003e (specialist in female roles)\u003c\/p\u003e\n\u003cp data-start=\"1182\" data-end=\"1339\"\u003e\u003cstrong\u003eOrigin\u003c\/strong\u003e: Japan, found in Hyōgo prefecture.\u003c\/p\u003e\n\u003ch3 data-start=\"1346\" data-end=\"1360\"\u003e🏮 Subject:\u003c\/h3\u003e\n\u003cp data-start=\"1362\" data-end=\"1490\"\u003eThe print illustrates the 7th act of \u003cem data-start=\"1395\" data-end=\"1418\"\u003eKanadehon Chūshingura\u003c\/em\u003e, a flagship play of the kabuki repertoire, inspired by the legend of the 47 rōnin.\u003c\/p\u003e\n\u003cp data-start=\"1492\" data-end=\"1945\"\u003eWe are in \u003cstrong data-start=\"1148\" data-end=\"1180\"\u003eKyōto,\u003c\/strong\u003e in the \u003cstrong data-start=\"1509\" data-end=\"1535\"\u003eIchiriki teahouse, \u003c\/strong\u003ean emblematic place in Gion, where Okaru — a courtesan — chats, reads, and dreams, unaware of the dramas to come.\u003cbr data-start=\"1626\" data-end=\"1629\"\u003e\u003cstrong data-start=\"1629\" data-end=\"1666\"\u003eThe role is played here by a man\u003c\/strong\u003e, one of the most famous \u003cstrong data-start=\"1691\" data-end=\"1703\"\u003eonnagata\u003c\/strong\u003e of the time: \u003cstrong data-start=\"1715\" data-end=\"1740\"\u003eSawaruma Tanosuke III\u003c\/strong\u003e, whose feminine appearance is \u003cstrong data-start=\"1772\" data-end=\"1820\"\u003eso convincing that it deceives the modern eye\u003c\/strong\u003e. Gentle gaze, delicate mouth, graceful pose — everything in this print seems to express femininity, although it is an actor.\u003c\/p\u003e\n\u003ch3 data-start=\"1952\" data-end=\"1976\"\u003e✨ Notable details:\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli data-start=\"1980\" data-end=\"2131\"\u003e\n\u003cstrong data-start=\"1980\" data-end=\"1992\"\u003eFan\u003c\/strong\u003e finely adorned with motifs of \u003cstrong data-start=\"2019\" data-end=\"2049\"\u003eautumn maples (momiji)\u003c\/strong\u003e and \u003cstrong data-start=\"2055\" data-end=\"2076\"\u003eriver foam\u003c\/strong\u003e, with vibrant solid colors and a delicate asymmetrical composition.\u003c\/li\u003e\n\u003cli data-start=\"2134\" data-end=\"2247\"\u003e\n\u003cstrong data-start=\"2134\" data-end=\"2144\"\u003eKimono\u003c\/strong\u003e richly decorated with traditional motifs: flowers, stylized birds, waves, and good luck symbols.\u003c\/li\u003e\n\u003cli data-start=\"2250\" data-end=\"2379\"\u003e\n\u003cstrong data-start=\"2250\" data-end=\"2283\"\u003eEmbossing effects (karazuri)\u003c\/strong\u003e visible on the white collar of the garment, bringing \u003cstrong data-start=\"2333\" data-end=\"2363\"\u003erelief and texture\u003c\/strong\u003e to the print.\u003c\/li\u003e\n\u003cli data-start=\"2382\" data-end=\"2469\"\u003eVery fine engraving of the hair, and beautiful color variation in the textile patterns.\u003c\/li\u003e\n\u003cli data-start=\"2472\" data-end=\"2569\"\u003eCalm and intimate composition, rare in kabuki portraits which are often more dramatic or exaggerated.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 data-start=\"2576\" data-end=\"2589\"\u003e📦 Condition:\u003c\/h3\u003e\n\u003cp data-start=\"2591\" data-end=\"2655\"\u003eOriginal period print, in good overall conservation condition.\u003c\/p\u003e\n\u003cp data-start=\"2657\" data-end=\"3045\"\u003e➕ Well-preserved colors, original pigments still vibrant\u003cbr data-start=\"2715\" data-end=\"2718\"\u003e➕ Old Japanese paper (washi), unlined, supple and sound\u003cbr data-start=\"2778\" data-end=\"2781\"\u003e➕ No visible repairs or restoration\u003cbr data-start=\"2820\" data-end=\"2823\"\u003e➕ Karazuri well present, especially on the collar\u003cbr data-start=\"2868\" data-end=\"2871\"\u003e➖ \u003cstrong data-start=\"2873\" data-end=\"2923\"\u003eBrown stain visible on the white collar of the kimono\u003c\/strong\u003e\u003cbr data-start=\"2923\" data-end=\"2926\"\u003e➖ \u003cstrong\u003eHoles from old binding on the left side\u003c\/strong\u003e (see photos)\u003cbr data-start=\"2962\" data-end=\"2965\"\u003e➖ Some soiling and slightly blunted corners and edges\u003c\/p\u003e\n\u003ch3 data-start=\"3052\" data-end=\"3071\"\u003e🦝 Our opinion:\u003c\/h3\u003e\n\u003cp data-start=\"3073\" data-end=\"3182\"\u003eA print that exudes delicacy and refinement, far from the usual tension-filled kabuki scenes.\u003c\/p\u003e\n\u003cp data-start=\"3184\" data-end=\"3699\"\u003eThe \u003cstrong data-start=\"3203\" data-end=\"3215\"\u003eonnagata\u003c\/strong\u003e actor's performance is so subtle that it \u003cstrong data-start=\"3236\" data-end=\"3273\"\u003echallenges our perception\u003c\/strong\u003e — Okaru's feminine elegance takes precedence here, and only historical context reminds us that it is a man.\u003cbr data-start=\"3389\" data-end=\"3392\"\u003eWe are particularly touched by the finesse of the fan and the textures of the kimono, worthy of the most beautiful textiles of the era. The \u003cstrong data-start=\"3534\" data-end=\"3554\"\u003ediscreet but present karazuri\u003c\/strong\u003e on the collar adds a \u003cstrong data-start=\"3594\" data-end=\"3612\"\u003etactile relief\u003c\/strong\u003e that does not deceive: it is a \u003cstrong data-start=\"3643\" data-end=\"3664\"\u003emaster print\u003c\/strong\u003e, in all its technical mastery at the end of his life.\u003c\/p\u003e\n\u003cp data-start=\"3184\" data-end=\"3699\"\u003ePlus: the scene takes place in our favorite Japanese city, Kyōto!\u003c\/p\u003e\n\u003cp data-start=\"3184\" data-end=\"3699\"\u003eKunisada, famous for his portraits of actors and beautiful women, is one of the great masters of ukiyo-e. Explore more similar works in our collection of \u003ca href=\"https:\/\/kogedo.com\/collections\/estampes-japonaises\" title=\"Original Japanese prints available for sale\"\u003e\u003cstrong data-start=\"1357\" data-end=\"1391\"\u003eoriginal Japanese prints\u003c\/strong\u003e.\u003c\/a\u003e\u003c\/p\u003e","brand":"KOGEDO","offers":[{"title":"Default Title","offer_id":51877315543379,"sku":"E20","price":210.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0937\/8562\/0819\/files\/estampe-kunisada-okaru-kanadehon-chushingura-1862.png?v=1757692733"},{"product_id":"natsume-japonais-laque-noire-paulownia-chrysantheme","title":"Black lacquer Natsume tea caddy – Paulownia (桐 kiri) and chrysanthemum (菊 kiku) design","description":"\u003cp\u003eThe natsume is a small, luxurious tea caddy traditionally used to present matcha in the tea ceremony (\u003cspan\u003e茶の湯) in Japan.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3 data-end=\"810\" data-start=\"385\"\u003e\u003cstrong data-end=\"408\" data-start=\"388\"\u003e📐Features\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-end=\"810\" data-start=\"385\"\u003e\u003cstrong\u003eOrigin\u003c\/strong\u003e: Japan, unearthed in Shizuoka Prefecture.\u003cbr data-end=\"429\" data-start=\"426\"\u003e\u003cstrong\u003eEstimated period\u003c\/strong\u003e: Between the Shōwa period (昭和) and the modern era\u003cbr data-end=\"493\" data-start=\"490\"\u003e\u003cstrong\u003eMaterial\u003c\/strong\u003e: Lightweight wood (most likely Paulownia), glossy black lacquer finish\u003cbr data-end=\"551\" data-start=\"548\"\u003e\u003cstrong\u003eDecoration\u003c\/strong\u003e: Red Paulownia (桐 kiri) and golden chrysanthemums (菊 kiku), stencil-applied decoration with painted highlights in slight relief on some motifs\u003cbr data-end=\"618\" data-start=\"615\"\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e: Ø ~7 cm; H (with lid) ~7 cm\u003cbr data-end=\"686\" data-start=\"683\"\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e: 46g\u003cbr data-end=\"698\" data-start=\"695\"\u003e\u003cstrong\u003eCondition\u003c\/strong\u003e: Excellent condition – no scratches, chips, or defects. Perfect interior, smooth and shiny surface.\u003c\/p\u003e\n\u003ch3 data-end=\"835\" data-start=\"817\"\u003e 🍵 \u003cstrong data-end=\"835\" data-start=\"820\"\u003eDescription\u003c\/strong\u003e\n\u003c\/h3\u003e\n\u003cp data-end=\"1098\" data-start=\"837\"\u003eThis \u003cstrong data-end=\"917\" data-start=\"902\"\u003enatsume (棗)\u003c\/strong\u003e in black lacquer embodies discreet elegance and harmonious forms. Designed to hold \u003cstrong data-end=\"1025\" data-start=\"1010\"\u003ematcha (抹茶)\u003c\/strong\u003e — powdered green tea — it combines \u003cstrong data-end=\"1097\" data-start=\"1058\"\u003efunctionality and decorative beauty\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp data-end=\"1195\" data-start=\"1100\"\u003eIts refined decoration highlights two flowers deeply rooted in Japanese culture:\u003c\/p\u003e\n\u003cp data-end=\"1668\" data-start=\"1197\"\u003eThe \u003cstrong data-end=\"1222\" data-start=\"1200\"\u003epaulownia (桐 kiri)\u003c\/strong\u003e, here stylized as bold red leaves, is an ancient symbol of \u003cstrong data-end=\"1332\" data-start=\"1293\"\u003enobility and benevolent power\u003c\/strong\u003e. Long used by the \u003cstrong data-end=\"1380\" data-start=\"1359\"\u003eimperial family\u003c\/strong\u003e, it was later adopted by \u003cstrong data-end=\"1437\" data-start=\"1408\"\u003eToyotomi Hideyoshi (豊臣秀吉)\u003c\/strong\u003e, an emblematic figure in the unification of Japan in the 16th century.\u003c\/p\u003e\n\u003cp data-end=\"1889\" data-start=\"1670\"\u003eAlongside it, the \u003cstrong data-end=\"1711\" data-start=\"1686\"\u003echrysanthemum (菊 kiku)\u003c\/strong\u003e, painted in delicate gold, evokes \u003cstrong data-end=\"1757\" data-start=\"1744\"\u003elongevity\u003c\/strong\u003e, \u003cstrong data-end=\"1800\" data-start=\"1781\"\u003einner calm \u003c\/strong\u003eand has been associated with the Emperor of Japan for centuries.\u003c\/p\u003e\n\u003cp data-end=\"2096\" data-start=\"1891\"\u003eThe lid, adorned with green kiri leaves and small white kiku, completes the ensemble in a subtle balance of forms and symbols.\u003c\/p\u003e\n\u003cp data-end=\"2228\" data-start=\"2098\"\u003eThe decoration combines a regular application of large motifs with \u003cstrong data-start=\"905\" data-end=\"944\"\u003epainted highlights on certain details \u003c\/strong\u003ethat have a \u003cstrong data-start=\"1015\" data-end=\"1054\"\u003eslight relief perceptible to the touch\u003c\/strong\u003e. This mixed technique, common in Japan in the mid-20th century, combines graphic precision and decorative finesse.\u003c\/p\u003e\n\u003ch3 data-end=\"2264\" data-start=\"2235\"\u003e🧽 \u003cstrong data-end=\"2262\" data-start=\"2238\"\u003eCare instructions\u003c\/strong\u003e\n\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli data-end=\"2323\" data-start=\"2267\"\u003eHand wash in lukewarm water, without aggressive detergents\u003c\/li\u003e\n\u003cli data-end=\"2368\" data-start=\"2326\"\u003eUse a soft sponge, without scratchers\u003c\/li\u003e\n\u003cli data-end=\"2422\" data-start=\"2371\"\u003eWipe immediately with a soft, dry cloth\u003c\/li\u003e\n\u003cli data-end=\"2449\" data-start=\"2425\"\u003eDo not soak\u003c\/li\u003e\n\u003cli data-end=\"2502\" data-start=\"2452\"\u003eDo not use in a dishwasher or microwave\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 data-end=\"2588\" data-start=\"2551\"\u003e\n\u003cstrong data-end=\"2588\" data-start=\"2553\"\u003e🦝 W\u003c\/strong\u003e\u003cstrong data-end=\"2588\" data-start=\"2553\"\u003ee love\u003c\/strong\u003e\n\u003c\/h3\u003e\n\u003cp data-end=\"2906\" data-start=\"2590\"\u003eWe love this natsume for the \u003cstrong data-end=\"2649\" data-start=\"2617\"\u003edepth of its lacquered black\u003c\/strong\u003e, a discreet mirror that subtly reflects light. We adore the \u003cstrong data-end=\"2769\" data-start=\"2720\"\u003enobility of its motifs — kiri (桐) and kiku (菊)\u003c\/strong\u003e — which alone tell part of Japan's history, between imperial power, aesthetic refinement, and spiritual symbolism.\u003c\/p\u003e\n\u003cp data-end=\"2906\" data-start=\"2590\"\u003e👉 \u003cem data-start=\"99\" data-end=\"210\"\u003eDiscover this piece alongside other treasures in our \u003ca href=\"https:\/\/kogedo.com\/collections\/decoration-objets-art\" title=\"KOGEDO collection of Japanese art objects and decoration: lacquers, Noh masks, tsuba and much more!\"\u003e\u003cstrong\u003eJapanese Decoration \u0026amp; Art Objects\u003c\/strong\u003e\u003c\/a\u003e collection.\u003c\/em\u003e\u003cem data-start=\"99\" data-end=\"210\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-end=\"2906\" data-start=\"2590\"\u003e\u003cem data-start=\"99\" data-end=\"210\"\u003eor Explore the entire world of tea in our \u003cstrong\u003e\u003ca title=\"tableware collection at KOGEDO Japanese antique shop: ceramics, lacquers, porcelains and much more\" href=\"https:\/\/kogedo.com\/collections\/arts-de-la-table\"\u003e\"Tableware\" collection.\u003c\/a\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e","brand":"KOGEDO","offers":[{"title":"Default Title","offer_id":51938916630867,"sku":"T14","price":109.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0937\/8562\/0819\/files\/natsume-laque-noire-accessoire-matcha-artisanat-japonais.jpg?v=1758447446"},{"product_id":"yakusha-e-kunisada-soga-kabuki-1857","title":"Original Japanese print – Utagawa Kunisada (Toyokuni III) – Soga Brothers – Odori keiyō gaidai zukushi – 1857","description":"\u003cp\u003eTraditional \u003cstrong\u003eoriginal\u003c\/strong\u003e Ukiyo-e woodblock print. \u003cspan style=\"text-decoration: underline;\"\u003e[This print is not a modern reproduction]\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-end=\"556\" data-start=\"487\"\u003e\u003cstrong data-end=\"507\" data-start=\"487\"\u003ePrint type:\u003c\/strong\u003e Yakusha-e (portraits of kabuki actors)\u003c\/p\u003e\n\u003cp data-end=\"692\" data-start=\"558\"\u003e🎨 \u003cstrong data-end=\"574\" data-start=\"561\"\u003eArtist:\u003c\/strong\u003e Utagawa Kunisada 歌川国貞 Signed: 豊国画 (\u003cem data-end=\"626\" data-start=\"613\"\u003eToyokuni ga\u003c\/em\u003e) \u003c\/p\u003e\n\u003cp data-end=\"814\" data-start=\"694\"\u003e📅 \u003cstrong data-end=\"717\" data-start=\"697\"\u003ePublication date:\u003c\/strong\u003e 1857 (6th month of the Serpent year – based on the \u003cstrong data-end=\"795\" data-start=\"784\"\u003earatame\u003c\/strong\u003e censorship seal and \u003cstrong data-end=\"812\" data-start=\"799\"\u003ezodiacal date\u003c\/strong\u003e)\u003c\/p\u003e\n\u003cp data-end=\"899\" data-start=\"816\"\u003e📚 \u003cstrong data-end=\"832\" data-start=\"819\"\u003ePublisher:\u003c\/strong\u003e 湊屋小兵衛 (\u003cem data-end=\"856\" data-start=\"840\"\u003eMinatoya Kohei\u003c\/em\u003e) (publisher's seal partially cut off in the margin)\u003c\/p\u003e\n\u003cp data-end=\"972\" data-start=\"901\"\u003e📏 \u003cstrong data-end=\"916\" data-start=\"904\"\u003eFormat:\u003c\/strong\u003e Ôban Tate-e (approx. \u003cstrong data-end=\"971\" data-start=\"955\"\u003e35.5 × 24 cm\u003c\/strong\u003e)\u003c\/p\u003e\n\u003cp data-end=\"1042\" data-start=\"974\"\u003e📌 \u003cstrong data-end=\"1000\" data-start=\"977\"\u003eSeries title:\u003c\/strong\u003e\u003cbr data-end=\"1003\" data-start=\"1000\"\u003e踊形容外題尽 (\u003cem data-end=\"1039\" data-start=\"1011\"\u003eOdori keiyō gaidai zukushi\/gedai jin\u003c\/em\u003e)\u003c\/p\u003e\n\u003cblockquote data-end=\"1257\" data-start=\"1043\"\u003e\n\u003cp data-end=\"1257\" data-start=\"1045\"\u003e\u003cstrong data-end=\"1061\" data-start=\"1045\"\u003eTranslation:\u003c\/strong\u003e \u003cem data-end=\"1119\" data-start=\"1062\"\u003eDancing parade of kabuki play illustrations\u003c\/em\u003e\u003cbr data-end=\"1122\" data-start=\"1119\"\u003e(Literally: \"complete series of titles in pictures and in dancing style\" – a common pun in Kunisada's series titles)\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp data-end=\"1292\" data-start=\"1264\"\u003e📜 \u003cstrong\u003eScene title:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-end=\"1312\" data-start=\"1293\"\u003e鏡池俤曽我 第一番目大詰 対面の場\u003c\/p\u003e\n\u003cblockquote data-end=\"1406\" data-start=\"1313\"\u003e\n\u003cp data-end=\"1406\" data-start=\"1315\"\u003e\u003cem data-end=\"1406\" data-start=\"1315\"\u003eMemories of the Soga at the Mirror Pond – Final scene of the first act – The Confrontation\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp data-end=\"1445\" data-start=\"1413\"\u003e\u003cstrong\u003e🎭 Characters depicted:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-end=\"1536\" data-start=\"1449\"\u003e\n\u003cstrong data-end=\"1459\" data-start=\"1449\"\u003e曽我十郎祐成\u003c\/strong\u003e (\u003cem data-end=\"1481\" data-start=\"1461\"\u003eSoga Jūrō Sukenari\u003c\/em\u003e) Performed by \u003cstrong data-end=\"1514\" data-start=\"1505\"\u003e市川高麗蔵\u003c\/strong\u003e (\u003cem data-end=\"1535\" data-start=\"1516\"\u003eIchikawa Kōrakurō\u003c\/em\u003e)\u003c\/li\u003e\n\u003cli data-end=\"1624\" data-start=\"1540\"\u003e\n\u003cstrong data-end=\"1550\" data-start=\"1540\"\u003e曽我五郎時致\u003c\/strong\u003e (\u003cem data-end=\"1572\" data-start=\"1552\"\u003eSoga Gorō Tokimune\u003c\/em\u003e) Performed by \u003cstrong data-end=\"1605\" data-start=\"1596\"\u003e市川八百蔵\u003c\/strong\u003e (\u003cem data-end=\"1623\" data-start=\"1607\"\u003eIchikawa Yaozō\u003c\/em\u003e)\u003c\/li\u003e\n\u003cli data-end=\"1716\" data-start=\"1628\"\u003e\n\u003cstrong data-end=\"1639\" data-start=\"1628\"\u003e工藤左衛門祐経\u003c\/strong\u003e (\u003cem data-end=\"1664\" data-start=\"1641\"\u003eKudō Saemon Suketsune\u003c\/em\u003e) Performed by \u003cstrong data-end=\"1696\" data-start=\"1688\"\u003e中村仲蔵\u003c\/strong\u003e (\u003cem data-end=\"1715\" data-start=\"1698\"\u003eNakamura Nakazō\u003c\/em\u003e)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eOrigin:\u003c\/strong\u003e Japan, found in Tokyo Prefecture.\u003c\/p\u003e\n\u003ch3 data-end=\"1736\" data-start=\"1723\"\u003e🏮 Subject:\u003c\/h3\u003e\n\u003cp data-end=\"1965\" data-start=\"1738\"\u003eThis print depicts one of the most popular episodes of the classic kabuki repertoire: the legend of the \u003cstrong data-end=\"1866\" data-start=\"1851\"\u003eSoga brothers\u003c\/strong\u003e, Soga Jūrō and Soga Gorō, seeking to avenge the assassination of their father, killed by \u003cstrong data-end=\"1964\" data-start=\"1946\"\u003eKudō Suketsune\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp data-end=\"2352\" data-start=\"1967\"\u003eIn this scene called \u003cstrong data-end=\"2008\" data-start=\"1992\"\u003etaimen no ba\u003c\/strong\u003e (the confrontation), the two brothers meet Kudō Suketsune for the first time, and the dramatic intensity is at its peak. Kudō, depicted here with authority, holds a \u003cstrong data-end=\"2219\" data-start=\"2199\"\u003efox mask\u003c\/strong\u003e (kitsune-men) in his hand.\u003c\/p\u003e\n\u003cp data-end=\"2611\" data-start=\"2354\"\u003eThe Soga are depicted kneeling, in richly decorated garments with \u003cstrong data-end=\"2437\" data-start=\"2424\"\u003ebutterflies\u003c\/strong\u003e, \u003cstrong data-end=\"2450\" data-start=\"2439\"\u003ebirds\u003c\/strong\u003e, \u003cstrong data-end=\"2462\" data-start=\"2452\"\u003ewaves\u003c\/strong\u003e, and \u003cstrong data-end=\"2476\" data-start=\"2466\"\u003eflowers\u003c\/strong\u003e, symbols of nobility and \u003cstrong data-end=\"2542\" data-start=\"2528\"\u003eephemerality\u003c\/strong\u003e – a reminder that their quest for revenge will lead to their own deaths.\u003c\/p\u003e\n\u003ch3 data-end=\"3691\" data-start=\"3679\"\u003e📦 Condition:\u003c\/h3\u003e\n\u003cp data-end=\"3757\" data-start=\"3693\"\u003eOriginal period print, in \u003cstrong data-end=\"3756\" data-start=\"3724\"\u003eaverage overall condition\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp data-end=\"3964\" data-start=\"3759\"\u003e➕ Complete composition\u003cbr data-end=\"3798\" data-start=\"3795\"\u003e➕ Colors still present, despite some fading\u003cbr data-end=\"3859\" data-start=\"3856\"\u003e➕ Old Japanese paper (washi), not lined\u003cbr data-end=\"3906\" data-start=\"3903\"\u003e➕ Signatures, censorship and publisher's seals visible\u003c\/p\u003e\n\u003cp data-end=\"4279\" data-start=\"3966\"\u003e➖ Paper very thinned in places\u003cbr data-end=\"4034\" data-start=\"4031\"\u003e➖ Visible restoration marks on the back (washi paper reinforcements)\u003cbr data-end=\"4221\" data-start=\"4218\"\u003e➖ Small visible creases, restored wormholes\u003c\/p\u003e\n\u003ch3 data-end=\"4304\" data-start=\"4286\"\u003e🦝 Our opinion:\u003c\/h3\u003e\n\u003cp data-end=\"4611\" data-start=\"4306\"\u003eKunisada, a great master of actor portraits, delivers here a \u003cstrong data-end=\"4495\" data-start=\"4464\"\u003every lively interpretation\u003c\/strong\u003e of the most famous scene of the Soga narrative, blending tradition, tension, and almost choreographic staging.\u003c\/p\u003e\n\u003cp data-end=\"4948\" data-start=\"4613\"\u003eDespite some age-related flaws, this piece remains magnificent and offers a beautiful synthesis of kabuki art in print.\u003c\/p\u003e\n\u003cp data-end=\"5114\" data-start=\"4950\"\u003eAnd we love the Kitsune mask!\u003c\/p\u003e\n\u003cp data-end=\"5114\" data-start=\"4950\"\u003e👉 Explore the rest of our \u003ca title=\"Old Japanese Prints – Ukiyo-e\" href=\"https:\/\/kogedo.com\/collections\/estampes-japonaises\"\u003ecollection of Japanese ukiyo-e, yakusha-e prints and kabuki engravings\u003c\/a\u003e signed by great masters like Kunisada and more.\u003c\/p\u003e","brand":"KOGEDO","offers":[{"title":"Default Title","offer_id":51991567958355,"sku":"E69","price":149.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0937\/8562\/0819\/files\/kunisada-yakusha-e-kabuki-estampe-detouree.png?v=1758969212"},{"product_id":"haori-aki-to-samekomon-pointilles-d-automne-veste-kimono-moderne-by-kogedo-latelier-lxl","title":"Haori \"Aki no samekomon\" 秋の鮫小紋 – Autumn Dots - modern kimono jacket by KOGEDO l'Atelier - L\/XL","description":"\u003cp\u003e\u003cstrong data-start=\"272\" data-end=\"349\"\u003eSize: L\/XL – Unique piece, hand-sewn in our Parisian workshop.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-end=\"974\" data-start=\"563\"\u003eNamed \u003cstrong\u003e\u003cem data-end=\"589\" data-start=\"571\"\u003eAki no Samekomon\u003c\/em\u003e\u003c\/strong\u003e (秋の鮫小紋 – Autumn Dots), this haori is inspired by the understated elegance of the \u003cem data-end=\"681\" data-start=\"670\"\u003eSamekomon\u003c\/em\u003e (鮫小紋) pattern, historically associated with samurai kimonos.\u003cbr data-end=\"740\" data-start=\"737\"\u003eThis pattern is composed of \u003cstrong data-end=\"795\" data-start=\"764\"\u003etiny, regular dots\u003c\/strong\u003e, rigorously arranged, forming almost invisible arcs and curves from a distance. It evokes the \u003cstrong data-end=\"925\" data-start=\"893\"\u003etexture of shark skin\u003c\/strong\u003e, a symbol of strength, resistance, and mastery.\u003c\/p\u003e\n\u003cp data-end=\"1305\" data-start=\"976\"\u003eThe collar is adorned with \u003cstrong data-end=\"1005\" data-start=\"995\"\u003emomiji\u003c\/strong\u003e (maple leaves), the quintessential symbol of Japanese autumn.\u003cbr data-end=\"1057\" data-start=\"1054\"\u003eThe back features a contrasting yoke with traditional motifs:\u003cbr data-end=\"1147\" data-start=\"1144\"\u003e– \u003cstrong data-end=\"1166\" data-start=\"1149\"\u003eClouds (kumo)\u003c\/strong\u003e: movement and impermanence\u003cbr data-end=\"1197\" data-start=\"1194\"\u003e– \u003cstrong\u003eSakura and kiku\u003c\/strong\u003e \u003cstrong\u003eflowers\u003c\/strong\u003e\u003cbr data-end=\"1243\" data-start=\"1240\"\u003e– \u003cstrong data-end=\"1276\" data-start=\"1245\"\u003eTraditional motifs: \u003c\/strong\u003eyagasuri arrows, asanoha, etc.\u003c\/p\u003e\n\u003cp data-end=\"1483\" data-start=\"1307\"\u003eA sober and graphic haori, inspired by warrior traditions, with seasonal reminders. A piece that is both discreet and elaborate, easy to wear every day.\u003c\/p\u003e\n\u003cp data-end=\"1678\" data-start=\"1485\"\u003e📏 \u003cstrong\u003eSize \u0026amp; Fit\u003c\/strong\u003e :\u003cbr data-end=\"1507\" data-start=\"1504\"\u003eThis haori corresponds to an \u003cstrong\u003eL\/XL\u003c\/strong\u003e size, with a slightly longer cut at the back and 3\/4 sleeves:\u003cbr data-end=\"1600\" data-start=\"1597\"\u003e– oversized on an M silhouette\u003cbr data-end=\"1644\" data-start=\"1641\"\u003e– slightly loose and structured for an XL\u003c\/p\u003e\n\u003cp data-end=\"1678\" data-start=\"1485\"\u003eOur model in the photos is 1.71m tall. He is very comfortable in this haori, which will suit taller individuals. \u003c\/p\u003e\n\u003cp data-end=\"1837\" data-start=\"1680\"\u003e📐 \u003cstrong\u003eMeasurements\u003c\/strong\u003e :\u003cbr data-end=\"1698\" data-start=\"1695\"\u003e– Length (shoulder to hem): 82 cm\u003cbr data-end=\"1735\" data-start=\"1732\"\u003e– Sleeve to sleeve length: 136 cm\u003cbr data-end=\"1773\" data-start=\"1770\"\u003e– Sleeve length: 35 cm\u003cbr data-end=\"1806\" data-start=\"1803\"\u003e– Width under armpit: 31 cm\u003c\/p\u003e\n\u003cp data-end=\"2006\" data-start=\"1839\"\u003e\u003cspan\u003e🧵 \u003c\/span\u003e\u003cstrong data-end=\"1858\" data-start=\"1824\"\u003eHand-sewn Japanese fabrics\u003c\/strong\u003e\u003cspan\u003e, with back, collar, and sleeve yoke. This is not a vintage product.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-end=\"2006\" data-start=\"1839\"\u003e3 different Japanese fabrics: main samekomon fabric \/ collar in \"momiji\" fabric (stylized maple leaves) \/ back yoke with traditional Japanese motifs.\u003c\/p\u003e\n\u003cp data-end=\"2110\" data-start=\"2008\"\u003e🧺\u003cstrong\u003e Material \u0026amp; Care\u003c\/strong\u003e :\u003cbr data-end=\"2035\" data-start=\"2032\"\u003e100% cotton. Gentle wash at 30°C. Do not tumble dry. Iron inside out.\u003c\/p\u003e\n\u003cp data-end=\"2308\" data-start=\"2112\"\u003e\u003cspan\u003e🌸\u003c\/span\u003e\u003cstrong\u003eMikan's recommendation\u003c\/strong\u003e :\u003cbr data-end=\"2136\" data-start=\"2133\"\u003eThe same samekomon pattern as on the \u003ca href=\"https:\/\/kogedo.com\/products\/haori-samekomon-to-sensu\"\u003ered\u003c\/a\u003e model, but here in a deep, textured blue. The back adds a real surprise. Superb with raw denim. Very easy to wear for lovers of sobriety and traditional colors \u0026amp; patterns. \u003c\/p\u003e","brand":"KOGEDO","offers":[{"title":"Default Title","offer_id":52124860318035,"sku":"AK12","price":125.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0937\/8562\/0819\/files\/kogedo-veste-kimono-haori-aki-no-samekomon-zoom-col.jpg?v=1760532723"},{"product_id":"haori-homme-kimono-vintage-soie-bleu-indigo-doublure-koshi","title":"Vintage men's silk haori 絹 indigo blue – antique Japanese kimono jacket with kōshi (格子) lining","description":"\u003cp data-start=\"418\" data-end=\"736\"\u003e\u003cstrong data-start=\"421\" data-end=\"434\"\u003eExterior\u003c\/strong\u003e: Thick, textured tsumugi 紬 silk of very high quality, in a deep indigo blue shade. The fabric has a structured, almost rigid drape, suggesting a tsumugi silk weave possibly blended with wool. The fall is firm and gives a contemporary, sober look. The basting threads (temporary white sewing threads used to baste the garment) are still present. They should be removed before wearing the haori. This antique haori has therefore never been worn.\u003c\/p\u003e\n\u003cp data-start=\"738\" data-end=\"1065\"\u003e\u003cstrong data-start=\"741\" data-end=\"753\"\u003eLining\u003c\/strong\u003e: Interior silk adorned with a \u003cstrong data-start=\"783\" data-end=\"803\"\u003ekōshi (格子) motif\u003c\/strong\u003e, a traditional Japanese grid pattern, in beige, grey, and dark blue. The lining is in excellent condition, with no defects.\u003c\/p\u003e\n\u003cp data-start=\"1067\" data-end=\"1086\"\u003e📏 \u003cstrong data-start=\"1070\" data-end=\"1084\"\u003eDimensions\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-start=\"1090\" data-end=\"1128\"\u003eSpan (sleeve to sleeve): 138 cm\u003c\/li\u003e\n\u003cli data-start=\"1131\" data-end=\"1168\"\u003eHeight (shoulder to bottom): 92 cm\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eIn the photos, our male model, Tôma, is 1m71 tall. This haori will be very suitable for taller people (up to 1m80) thanks to its loose, straight cut.\u003c\/p\u003e\n\u003cp data-start=\"1170\" data-end=\"1241\"\u003e🧵 \u003cstrong data-start=\"1173\" data-end=\"1184\"\u003eMaterial\u003c\/strong\u003e: Silk (thick textured tsumugi type exterior with possible wool blend, smooth silk lining)\u003c\/p\u003e\n\u003cp data-start=\"1243\" data-end=\"1391\"\u003e🌸 \u003cstrong data-start=\"1246\" data-end=\"1257\"\u003eOrigin\u003c\/strong\u003e: Japan – discovered in Toyama Prefecture.\u003c\/p\u003e\n\u003cp data-start=\"1562\" data-end=\"1886\"\u003e⭐️ \u003cstrong data-start=\"1565\" data-end=\"1573\"\u003eCondition\u003c\/strong\u003e:\u003cbr\u003e– Exterior silk in \u003cstrong data-start=\"1597\" data-end=\"1614\"\u003every good condition\u003c\/strong\u003e overall\u003cbr data-start=\"1622\" data-end=\"1625\"\u003e– Lining \u003cstrong data-start=\"1636\" data-end=\"1662\"\u003eperfectly preserved\u003c\/strong\u003e, no snags or stains\u003cbr data-start=\"1684\" data-end=\"1687\"\u003e– \u003cstrong data-start=\"1689\" data-end=\"1715\"\u003eThree stains\u003c\/strong\u003e present on the exterior: two on the back of the haori and one on the left sleeve (see photos)\u003cbr data-start=\"1800\" data-end=\"1803\"\u003e– \u003cstrong data-start=\"1805\" data-end=\"1821\"\u003eBasting threads\u003c\/strong\u003e still in place: proof that this haori \u003cstrong data-start=\"1862\" data-end=\"1886\"\u003ehas never been worn. To be removed before wearing the haori.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"1888\" data-end=\"2365\"\u003e🦝 \u003cstrong data-start=\"1891\" data-end=\"1905\"\u003eOur opinion\u003c\/strong\u003e:\u003cbr data-start=\"1907\" data-end=\"1910\"\u003eAn antique haori of great quality, with a rich texture and thick tsumugi-type fabric, ideal for cooler weather. Its deep indigo blue is magnificent. Perfect for a refined urban style, to wear over loose trousers or raw denim jeans.\u003c\/p\u003e\n\u003cp data-start=\"1888\" data-end=\"2365\"\u003e\u003cstrong data-end=\"381\" data-start=\"341\"\u003eWant to discover more pieces?\u003c\/strong\u003e Browse our complete selection of \u003ca title=\"Discover our collection of antique Japanese haori and kimonos for men and women: authentic silk kimono jackets, refined linings, and unique pieces.\" href=\"https:\/\/kogedo.com\/collections\/kimono\"\u003eantique Japanese haori and kimonos\u003c\/a\u003e\u003c\/p\u003e","brand":"KOGEDO","offers":[{"title":"Default Title","offer_id":52129841283411,"sku":"H36","price":75.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0937\/8562\/0819\/files\/col-doublure-soie-carreaux-haori-veste-japonaise-detail.jpg?v=1770625815"},{"product_id":"maru-obi-ancien-soie-pavillons-traditionnels-jardins-beige-ivoire","title":"Antique Maru Obi - Japanese Pavilions and Gardens on a Luminous Ivory Beige Background","description":"\u003cp data-start=\"351\" data-end=\"376\"\u003e📐 \u003cstrong data-start=\"354\" data-end=\"374\"\u003eFeatures\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-start=\"379\" data-end=\"407\"\u003e\n\u003cstrong data-start=\"379\" data-end=\"391\"\u003eLength\u003c\/strong\u003e: approx. 372 cm\u003c\/li\u003e\n\u003cli data-start=\"410\" data-end=\"436\"\u003e\n\u003cstrong data-start=\"410\" data-end=\"421\"\u003eWidth\u003c\/strong\u003e: approx. 31 cm\u003c\/li\u003e\n\u003cli data-start=\"410\" data-end=\"436\"\u003e\n\u003cstrong\u003eWeight\u003c\/strong\u003e: 1 kg\u003c\/li\u003e\n\u003cli data-start=\"439\" data-end=\"483\"\u003e\n\u003cstrong data-start=\"439\" data-end=\"447\"\u003eType\u003c\/strong\u003e: maru obi 丸帯 (double-sided pattern)\u003c\/li\u003e\n\u003cli data-start=\"486\" data-end=\"520\"\u003e\n\u003cstrong data-start=\"486\" data-end=\"497\"\u003eMaterial\u003c\/strong\u003e: brocade silk (絹織物)\u003c\/li\u003e\n\u003cli data-start=\"523\" data-end=\"591\"\u003e\n\u003cstrong data-start=\"523\" data-end=\"544\"\u003eMain motifs\u003c\/strong\u003e: Japanese pavilions, bridges, gardens, flowers\u003c\/li\u003e\n\u003cli data-start=\"594\" data-end=\"679\"\u003e\n\u003cstrong data-start=\"594\" data-end=\"615\"\u003eDominant color\u003c\/strong\u003e: ivory beige with silky reflections, old rose, bronze, silver, gold\u003c\/li\u003e\n\u003cli data-start=\"682\" data-end=\"730\"\u003e\n\u003cstrong data-start=\"682\" data-end=\"700\"\u003eEstimated period\u003c\/strong\u003e: late Shōwa (circa 1960–80)\u003c\/li\u003e\n\u003cli data-start=\"733\" data-end=\"916\"\u003e\n\u003cstrong data-start=\"733\" data-end=\"741\"\u003eCondition\u003c\/strong\u003e: good vintage condition. Some \u003cstrong data-start=\"771\" data-end=\"792\"\u003ecrease marks\u003c\/strong\u003e visible on the silk (see photos), due to storage, but no snags or stains. The fabric remains very bright and supple.\u003c\/li\u003e\n\u003cli data-start=\"919\" data-end=\"1023\"\u003e\n\u003cstrong data-start=\"919\" data-end=\"931\"\u003eFinish\u003c\/strong\u003e: visible final seam line at one end, typical of authentic maru obi.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-start=\"1030\" data-end=\"1368\"\u003eThis antique maru obi captivates with the \u003cstrong data-start=\"1063\" data-end=\"1091\"\u003esubtlety of its hues\u003c\/strong\u003e and the richness of its \u003cstrong data-start=\"1114\" data-end=\"1132\"\u003enarrative decor\u003c\/strong\u003e: a classic Japanese landscape composed of \u003cstrong data-start=\"1176\" data-end=\"1203\"\u003etraditional pavilions\u003c\/strong\u003e, \u003cstrong data-start=\"1205\" data-end=\"1229\"\u003earched wooden bridges\u003c\/strong\u003e, \u003cstrong data-start=\"1231\" data-end=\"1243\"\u003ehills\u003c\/strong\u003e, \u003cstrong data-start=\"1245\" data-end=\"1262\"\u003estylized pines\u003c\/strong\u003e and \u003cstrong data-start=\"1266\" data-end=\"1286\"\u003eseasonal flowers\u003c\/strong\u003e, in a style reminiscent of \u003cstrong data-start=\"1315\" data-end=\"1342\"\u003epainted scrolls\u003c\/strong\u003e (emaki) or \u003cstrong\u003eJapanese ukiyo-e prints of everyday life\u003c\/strong\u003e (fuzoku-ga).\u003c\/p\u003e\n\u003cp data-start=\"1370\" data-end=\"1725\"\u003eIts ivory beige background, enhanced with \u003cstrong data-start=\"1405\" data-end=\"1433\"\u003esilver and copper threads\u003c\/strong\u003e, catches the light elegantly, creating a vibrant and lively silk effect. The pattern, \u003cstrong data-start=\"1522\" data-end=\"1551\"\u003erepeated on both sides\u003c\/strong\u003e, allows for a wide variety of presentations, whether worn as a kimono or repurposed as a \u003cstrong data-start=\"1640\" data-end=\"1669\"\u003edecorative table runner\u003c\/strong\u003e, \u003cstrong data-start=\"1671\" data-end=\"1689\"\u003ewall hanging\u003c\/strong\u003e, or \u003cstrong data-start=\"1694\" data-end=\"1724\"\u003etextile art piece\u003c\/strong\u003e.\u003c\/p\u003e","brand":"KOGEDO","offers":[{"title":"Default Title","offer_id":52186289340755,"sku":"OB03","price":110.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0937\/8562\/0819\/files\/maru-obi-soie-ancien-paysage-japonais-ton-creme-cuivre.jpg?v=1757501985"},{"product_id":"masque-no-japonais-susanoo-ceramique-kutani-matsuda-sokawa","title":"Japanese Nô mask Susanoo no Mikoto (須佐之男命) in Kutani ceramic – signed 松田蘇川 (Matsuda Sokawa)","description":"\u003ch3 data-end=\"570\" data-start=\"545\"\u003e📏 \u003cstrong data-end=\"568\" data-start=\"548\"\u003eFeatures\u003c\/strong\u003e\n\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli data-end=\"627\" data-start=\"573\"\u003e\n\u003cstrong data-end=\"581\" data-start=\"573\"\u003eType\u003c\/strong\u003e: Traditional Japanese mask – Noh theater\u003c\/li\u003e\n\u003cli data-end=\"674\" data-start=\"630\"\u003e\n\u003cstrong data-end=\"644\" data-start=\"630\"\u003eCharacter\u003c\/strong\u003e: Susanoo no Mikoto (須佐之男命)\u003c\/li\u003e\n\u003cli data-end=\"714\" data-start=\"677\"\u003e\n\u003cstrong data-end=\"688\" data-start=\"677\"\u003eArtisan\u003c\/strong\u003e: 松田蘇川 (Matsuda Sokawa)\u003c\/li\u003e\n\u003cli data-end=\"769\" data-start=\"717\"\u003e\n\u003cstrong data-end=\"728\" data-start=\"717\"\u003eMaterial\u003c\/strong\u003e: Kutani-yaki (九谷焼) glazed ceramic\u003c\/li\u003e\n\u003cli data-end=\"805\" data-start=\"772\"\u003e\n\u003cstrong data-end=\"786\" data-start=\"772\"\u003eDimensions\u003c\/strong\u003e: 21 × 16 × 9 cm\u003c\/li\u003e\n\u003cli data-end=\"836\" data-start=\"808\"\u003e\n\u003cstrong data-end=\"817\" data-start=\"808\"\u003eWeight\u003c\/strong\u003e: Approximately 1.1 kg\u003c\/li\u003e\n\u003cli data-end=\"912\" data-start=\"839\"\u003e\n\u003cstrong data-end=\"850\" data-start=\"839\"\u003eOrigin\u003c\/strong\u003e: Japan – Found in Fukuoka Prefecture\u003c\/li\u003e\n\u003cli data-end=\"959\" data-start=\"915\"\u003e\n\u003cstrong data-end=\"933\" data-start=\"915\"\u003eEstimated Era\u003c\/strong\u003e: Shōwa or early Heisei (1970-2000)\u003c\/li\u003e\n\u003cli data-end=\"1039\" data-start=\"962\"\u003e\n\u003cstrong data-end=\"970\" data-start=\"962\"\u003eCondition\u003c\/strong\u003e: Excellent condition; iridescent glaze intact, details well preserved\u003c\/li\u003e\n\u003cli data-end=\"1119\" data-start=\"1042\"\u003e\n\u003cstrong data-end=\"1054\" data-start=\"1042\"\u003eAttachment\u003c\/strong\u003e: Thick braided cords, in perfect condition (purple \u0026amp; gold)\u003c\/li\u003e\n\u003cli data-end=\"1189\" data-start=\"1122\"\u003e\n\u003cstrong data-end=\"1135\" data-start=\"1122\"\u003eSignature\u003c\/strong\u003e: Painted inscription inside the mask: 九谷蘇川\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 data-end=\"1258\" data-start=\"1196\"\u003e🌀 \u003cstrong data-end=\"1258\" data-start=\"1199\"\u003eSusanoo: Impetuous and Protective God\u003c\/strong\u003e\n\u003c\/h3\u003e\n\u003cp data-end=\"1508\" data-start=\"1260\"\u003eSusanoo no Mikoto (須佐之男命) is one of the greatest figures in the Japanese Shinto pantheon. Brother of Amaterasu, goddess of the sun, he is the Okami (god) of storms, raging seas, but also an avenging hero who slays the Yamata no Orochi serpent.\u003c\/p\u003e\n\u003cp data-end=\"1824\" data-start=\"1510\"\u003eIn Noh theater, his character embodies \u003cstrong data-end=\"1573\" data-start=\"1556\"\u003edivine fury\u003c\/strong\u003e, raw, virile energy, but also the ability to \u003cstrong data-end=\"1647\" data-start=\"1627\"\u003econquer chaos\u003c\/strong\u003e. This mask, with its tense and determined expression, powerful features, and semi-open mouth, conveys a \u003cstrong data-end=\"1778\" data-start=\"1757\"\u003evibrant presence\u003c\/strong\u003e, at the boundary between the supernatural and the human.\u003c\/p\u003e\n\u003ch3 data-end=\"1920\" data-start=\"1831\"\u003e🧑🎨 \u003cstrong data-end=\"1920\" data-start=\"1837\"\u003e松田蘇川 (Matsuda Sokawa):\u003c\/strong\u003e\n\u003c\/h3\u003e\n\u003cp data-end=\"2250\" data-start=\"1922\"\u003eMatsuda Sokawa is a \u003cstrong data-end=\"1964\" data-start=\"1944\"\u003erenowned Kutani ceramic artisan\u003c\/strong\u003e, whose work can be found regularly on various ceramic pieces. Here, he signs a powerful mask, vigorously modeled, true to the aesthetic of men-ushi (Noh mask sculptors).\u003c\/p\u003e\n\u003cp data-end=\"2501\" data-start=\"2252\"\u003eThe significant weight of the piece and the quality of finish confirm a demanding artistic production.\u003c\/p\u003e\n\u003ch3 data-end=\"2561\" data-start=\"2508\"\u003e🎨 \u003cstrong data-end=\"2561\" data-start=\"2511\"\u003eKutani-yaki (九谷焼): A Ceramic of Excellence\u003c\/strong\u003e\n\u003c\/h3\u003e\n\u003cp data-end=\"2793\" data-start=\"2563\"\u003eThis mask was made according to the \u003cstrong data-end=\"2616\" data-start=\"2606\"\u003eKutani\u003c\/strong\u003e tradition, a famous ceramic school in Japan. The surface of the mask features a \u003cstrong data-end=\"2736\" data-start=\"2688\"\u003edeep brown glaze with iridescent reflections\u003c\/strong\u003e, typical of certain modern Kutani finishes.\u003c\/p\u003e\n\u003cp data-end=\"3023\" data-start=\"2795\"\u003eThe gilding around the eyes and teeth, the enameled black whiskers, and the richness of the textures reflect a \u003cstrong data-end=\"2958\" data-start=\"2912\"\u003edecorative mastery typical of Kutani-yaki\u003c\/strong\u003e, while remaining subservient to the dramatic intensity of the face.\u003c\/p\u003e\n\u003ch3 data-end=\"3062\" data-start=\"3030\"\u003e🔍 \u003cstrong data-end=\"3060\" data-start=\"3033\"\u003eFlaws and Authenticity\u003c\/strong\u003e\n\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli data-end=\"3098\" data-start=\"3065\"\u003eNo chips or cracks detected\u003c\/li\u003e\n\u003cli data-end=\"3126\" data-start=\"3101\"\u003eIridescent enamel intact\u003c\/li\u003e\n\u003cli data-end=\"3180\" data-start=\"3129\"\u003eArtisan's signature clearly legible inside\u003c\/li\u003e\n\u003cli data-end=\"3259\" data-start=\"3183\"\u003eAttachment cords in perfect condition\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 data-end=\"3283\" data-start=\"3266\"\u003e🦝 \u003cstrong data-end=\"3283\" data-start=\"3269\"\u003eOur Opinion\u003c\/strong\u003e\n\u003c\/h3\u003e\n\u003cp data-end=\"3518\" data-start=\"3285\"\u003eSusanoo is one of the most mythical gods in Japanese Shintoism. We love his expression, his pom-poms, and his iridescent reflections! He is magnificent and of impeccable quality!\u003c\/p\u003e\n\u003cp data-end=\"2344\" data-start=\"2063\"\u003e\u003cb\u003e🔎 Discover \u003c\/b\u003eother traditional masks and unique treasures in our \u003ca title=\"Collection of traditional Japanese art objects – Noh masks, sculptures, ancient crafts\" href=\"https:\/\/kogedo.com\/collections\/decoration-objets-art\"\u003e\"Japanese Art Objects\" collection\u003c\/a\u003e\u003ca href=\"#\" rel=\"noopener\" class=\"decorated-link\" data-end=\"283\" data-start=\"244\"\u003e\u003cspan class=\"ms-0.5 inline-block align-middle leading-none\" aria-hidden=\"true\"\u003e\u003csvg class=\"block h-[0.75em] w-[0.75em] stroke-current stroke-[0.75]\" data-rtl-flip=\"\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" fill=\"currentColor\" viewbox=\"0 0 20 20\" height=\"20\" width=\"20\"\u003e\u003cpath d=\"M14.3349 13.3301V6.60645L5.47065 15.4707C5.21095 15.7304 4.78895 15.7304 4.52925 15.4707C4.26955 15.211 4.26955 14.789 4.52925 14.5293L13.3935 5.66504H6.66011C6.29284 5.66504 5.99507 5.36727 5.99507 5C5.99507 4.63273 6.29284 4.33496 6.66011 4.33496H14.9999L15.1337 4.34863C15.4369 4.41057 15.665 4.67857 15.665 5V13.3301C15.6649 13.6973 15.3672 13.9951 14.9999 13.9951C14.6327 13.9951 14.335 13.6973 14.3349 13.3301Z\"\u003e\u003c\/path\u003e\u003c\/svg\u003e\u003c\/span\u003e\u003c\/a\u003e, each object embodies a fragment of history and the artisan's touch.\u003c\/p\u003e","brand":"KOGEDO","offers":[{"title":"Default Title","offer_id":52216948752723,"sku":"DN06","price":240.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0937\/8562\/0819\/files\/masque-no-japonais-susanoo-kutani-matsuda-sokawa-face.jpg?v=1761491929"},{"product_id":"kushi-kogai-japonais-bekko-grues-chrysanthemes-maki-e-showa","title":"Japanese Kushi \u0026 Kogai Set – Cranes (Tsuru) and Chrysanthemums (Kiku), Tortoiseshell Style – Showa","description":"\u003ch3 data-start=\"547\" data-end=\"571\"\u003eFeatures:\u003c\/h3\u003e\n\u003cp data-start=\"573\" data-end=\"614\"\u003e\u003cstrong data-start=\"576\" data-end=\"588\"\u003eEra:\u003c\/strong\u003e 昭和 (\u003cem data-start=\"593\" data-end=\"600\"\u003eShōwa\u003c\/em\u003e, 1926–1989)\u003c\/p\u003e\n\u003cp data-start=\"616\" data-end=\"735\"\u003e\u003cstrong data-start=\"619\" data-end=\"633\"\u003eMaterial:\u003c\/strong\u003e Celluloid or cellulose resin (imitation \u003cem data-start=\"682\" data-end=\"689\"\u003ebekko\u003c\/em\u003e tortoiseshell) and wooden central shaft (for the \u003cem data-start=\"725\" data-end=\"732\"\u003eKogai\u003c\/em\u003e)\u003c\/p\u003e\n\u003cp data-start=\"737\" data-end=\"863\"\u003e\u003cstrong data-start=\"740\" data-end=\"752\"\u003eMotifs:\u003c\/strong\u003e 鶴 (\u003cem data-start=\"756\" data-end=\"763\"\u003eTsuru\u003c\/em\u003e – cranes) and 菊 (\u003cem data-start=\"779\" data-end=\"785\"\u003eKiku\u003c\/em\u003e – chrysanthemums), symbols of longevity, fidelity, and imperial beauty\u003c\/p\u003e\n\u003cp data-start=\"865\" data-end=\"968\"\u003e\u003cstrong data-start=\"868\" data-end=\"894\"\u003eDecorative technique:\u003c\/strong\u003e Finely applied \u003cem data-start=\"911\" data-end=\"919\"\u003emaki-e\u003c\/em\u003e gilding and colored lacquer.\u003c\/p\u003e\n\u003cp data-start=\"970\" data-end=\"1046\"\u003e📏 \u003cstrong data-start=\"973\" data-end=\"989\"\u003eDimensions:\u003c\/strong\u003e\u003cbr data-start=\"989\" data-end=\"992\"\u003eComb \u003cem data-start=\"999\" data-end=\"1006\"\u003eKushi\u003c\/em\u003e: 10 × 5 cm\u003cbr data-start=\"1018\" data-end=\"1021\"\u003eHairpin \u003cem data-start=\"1029\" data-end=\"1036\"\u003eKogai\u003c\/em\u003e: 15 cm\u003c\/p\u003e\n\u003cp data-start=\"1048\" data-end=\"1135\"\u003e\u003cstrong data-start=\"1051\" data-end=\"1064\"\u003eOrigin:\u003c\/strong\u003e Japan – unearthed in an antique market in Hyōgo Prefecture\u003c\/p\u003e\n\u003cp data-start=\"1137\" data-end=\"1248\"\u003e\u003cstrong data-start=\"1139\" data-end=\"1149\"\u003eCondition:\u003c\/strong\u003e Very good vintage condition\u003c\/p\u003e\n\u003ch3 data-start=\"1255\" data-end=\"1274\"\u003eDescription:\u003c\/h3\u003e\n\u003cp data-start=\"1276\" data-end=\"1667\"\u003eElegant Japanese set from the \u003cstrong data-start=\"1311\" data-end=\"1325\"\u003eShōwa (昭和)\u003c\/strong\u003e era, consisting of a traditional comb \u003cstrong data-start=\"1359\" data-end=\"1374\"\u003e櫛 (\u003cem data-start=\"1364\" data-end=\"1371\"\u003eKushi\u003c\/em\u003e)\u003c\/strong\u003e and its matching hairpin \u003cstrong data-start=\"1402\" data-end=\"1417\"\u003e笄 (\u003cem data-start=\"1407\" data-end=\"1414\"\u003eKogai\u003c\/em\u003e)\u003c\/strong\u003e.\u003cbr data-start=\"1418\" data-end=\"1421\"\u003eMade of \u003cstrong data-start=\"1433\" data-end=\"1471\"\u003eimitation tortoiseshell resin (\u003cem data-start=\"1461\" data-end=\"1468\"\u003ebekko\u003c\/em\u003e)\u003c\/strong\u003e, this duo features delicate \u003cstrong data-start=\"1501\" data-end=\"1540\"\u003ecrane and chrysanthemum motifs\u003c\/strong\u003e created in gold and silver \u003cstrong data-start=\"1553\" data-end=\"1563\"\u003emaki-e\u003c\/strong\u003e, on a translucent amber background reminiscent of the natural shades of genuine tortoiseshell.\u003c\/p\u003e\n\u003cp data-start=\"1669\" data-end=\"1956\"\u003eThe \u003cstrong data-start=\"1672\" data-end=\"1688\"\u003eKushi comb\u003c\/strong\u003e reveals a refined decoration: two cranes with outstretched wings among stylized flowers, symbolizing prosperity and timeless beauty.\u003cbr data-start=\"1823\" data-end=\"1826\"\u003eThe \u003cstrong data-start=\"1830\" data-end=\"1853\"\u003eends of the Kogai\u003c\/strong\u003e harmoniously repeat the same motifs, creating a perfect visual balance between the two pieces.\u003c\/p\u003e\n\u003cp data-start=\"1958\" data-end=\"2182\"\u003eA \u003cstrong data-start=\"1962\" data-end=\"1988\"\u003erare and poetic piece\u003c\/strong\u003e, a testament to the feminine refinement of the Shōwa era.\u003c\/p\u003e\n\u003ch3 data-start=\"2189\" data-end=\"2214\"\u003e🦝 Our opinion:\u003c\/h3\u003e\n\u003cp data-start=\"2216\" data-end=\"2515\"\u003eMade of \u003cstrong data-end=\"420\" data-start=\"392\"\u003eimitation tortoiseshell resin\u003c\/strong\u003e, it reproduces the aesthetic of tortoiseshell accessories – \u003cstrong data-end=\"531\" data-start=\"500\"\u003ewithout using the material itself\u003c\/strong\u003e, which makes it a \u003cstrong data-end=\"583\" data-start=\"557\"\u003erespectful and ethical\u003c\/strong\u003e choice 🐢❌\u003c\/p\u003e\n\u003cp data-start=\"2216\" data-end=\"2515\"\u003ePerfect for a refined hairstyle or as a gift. Pairs beautifully with a \u003ca href=\"https:\/\/kogedo.com\/collections\/kimono\" title=\"Vintage kimono and haori from the KOGEDO collection\"\u003evintage kimono\u003c\/a\u003e – or with a contemporary creation by \u003ca href=\"https:\/\/kogedo.com\/collections\/atelier-haori-modernes\"\u003e\u003cstrong data-start=\"2196\" data-end=\"2216\"\u003eKogedo l’Atelier\u003c\/strong\u003e\u003c\/a\u003e.\u003c\/p\u003e","brand":"KOGEDO","offers":[{"title":"Default Title","offer_id":52277502738771,"sku":"DK04","price":79.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0937\/8562\/0819\/files\/set-kushi-kogai-japonais-imitation-bekko-maki-e-grues-showa.jpg?v=1762158668"},{"product_id":"bol-a-the-japonais-chawan-iwakuni-yaki-yamada-shotou-kikko-gama-piece-rare","title":"Japanese Chawan Iwakuni-yaki (岩国焼) Teabowl – Rare – Yamada Shōtō (山田象陶)","description":"\u003ch3 data-start=\"402\" data-end=\"427\"\u003e📐 \u003cstrong data-start=\"405\" data-end=\"425\"\u003eSpecifications\u003c\/strong\u003e\n\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli data-start=\"430\" data-end=\"455\"\u003e\n\u003cstrong data-start=\"430\" data-end=\"443\"\u003eHeight:\u003c\/strong\u003e approx. 8 cm\u003c\/li\u003e\n\u003cli data-start=\"458\" data-end=\"485\"\u003e\n\u003cstrong data-start=\"458\" data-end=\"472\"\u003eDiameter:\u003c\/strong\u003e approx. 13 cm\u003c\/li\u003e\n\u003cli data-start=\"488\" data-end=\"535\"\u003e\n\u003cstrong data-start=\"488\" data-end=\"499\"\u003eWeight:\u003c\/strong\u003e approx. 293 g\u003c\/li\u003e\n\u003cli data-start=\"538\" data-end=\"614\"\u003e\n\u003cstrong data-start=\"538\" data-end=\"549\"\u003eStyle:\u003c\/strong\u003e Iwakuni-yaki (岩国焼), rustic stoneware with textured natural glaze\u003c\/li\u003e\n\u003cli data-start=\"617\" data-end=\"668\"\u003e\n\u003cstrong data-start=\"617\" data-end=\"638\"\u003eEstimated period:\u003c\/strong\u003e Late Shōwa – early Heisei\u003c\/li\u003e\n\u003cli data-start=\"671\" data-end=\"728\"\u003e\n\u003cstrong data-start=\"671\" data-end=\"691\"\u003eKiln \/ Artisan:\u003c\/strong\u003e 吉香窯 Kikkō-gama — 山田象陶 Yamada Shōtō, rare!\u003c\/li\u003e\n\u003cli data-start=\"731\" data-end=\"816\"\u003e\n\u003cstrong data-start=\"731\" data-end=\"744\"\u003eOrigin:\u003c\/strong\u003e Japan, Iwakuni region (Yamaguchi) — discovered in Yamaguchi Prefecture.\u003c\/li\u003e\n\u003cli data-start=\"819\" data-end=\"912\"\u003e\n\u003cstrong data-start=\"819\" data-end=\"830\"\u003eShape:\u003c\/strong\u003e free-form, slightly flared silhouette, finger marks, unglazed foot\u003c\/li\u003e\n\u003cli data-start=\"915\" data-end=\"978\"\u003e\n\u003cstrong data-start=\"915\" data-end=\"925\"\u003eCondition:\u003c\/strong\u003e Very good vintage condition. No chips, no cracks.\u003c\/li\u003e\n\u003cli data-start=\"981\" data-end=\"1013\"\u003e\n\u003cstrong data-start=\"981\" data-end=\"992\"\u003eBox:\u003c\/strong\u003e \u003cstrong data-start=\"993\" data-end=\"1013\"\u003eNo tomobako.\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 data-end=\"1495\" data-start=\"1478\"\u003e\u003cstrong data-end=\"1495\" data-start=\"1480\"\u003eDescription\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-start=\"247\" data-end=\"599\"\u003eThis Iwakuni-yaki chawan, a rare piece signed by Yamada Shōtō (山田象陶), exemplifies the Iwakuni style, which is characterized by deep glazes, distinctive textures, and a deliberate emphasis on raw material.\u003c\/p\u003e\n\u003cp data-start=\"601\" data-end=\"1012\"\u003eThe bowl's silhouette is \u003cstrong data-start=\"626\" data-end=\"646\"\u003efreely flared\u003c\/strong\u003e, not conforming to a codified shape: balanced proportions, unglazed foot, and \u003cstrong data-start=\"727\" data-end=\"759\"\u003efinger marks\u003c\/strong\u003e that highlight its wabi-sabi character. The speckled and slightly irregular glaze enhances the Iwakuni clay. \u003c\/p\u003e\n\u003ch3 data-start=\"1073\" data-end=\"1345\"\u003eAbout the artisan\u003c\/h3\u003e\n\u003cp data-start=\"1073\" data-end=\"1345\"\u003eYamada Shōtō is the potter who \u003cstrong data-start=\"1106\" data-end=\"1146\"\u003erevitalized the Iwakuni-yaki tradition\u003c\/strong\u003e, originally founded in 1700 by an artisan from Kyōto. He relaunched it in \u003cstrong data-start=\"1182\" data-end=\"1186\"\u003e1973\u003c\/strong\u003e with the opening of the Kikkō-gama kiln. He is a recognized artist who has won several awards and is the author of several works found in Iwakuni buildings. His son has now taken over the kiln, and Yamada Shōtō now runs an Udon noodle restaurant!\u003c\/p\u003e\n\u003ch3 data-end=\"3097\" data-start=\"3078\"\u003e🦝 \u003cstrong data-end=\"3097\" data-start=\"3083\"\u003eOur opinion\u003c\/strong\u003e\n\u003c\/h3\u003e\n\u003cp data-end=\"3384\" data-start=\"3099\"\u003eThis organic chawan is simply sublime. We love the rare and unique Iwakuni-yaki style with its magnificent glaze.\u003c\/p\u003e\n\u003cp data-end=\"2696\" data-start=\"2388\"\u003eDiscover the entire world of tea in our \u003ca title=\"tableware collection at KOGEDO Japanese antique shop: ceramics, lacquerware, porcelain, and much more\" href=\"https:\/\/kogedo.com\/collections\/arts-de-la-table\"\u003e\u003cstrong data-end=\"2430\" data-start=\"2372\"\u003e\"Tableware\" collection.\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e","brand":"KOGEDO","offers":[{"title":"Default Title","offer_id":52556994609491,"sku":"T43","price":105.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0937\/8562\/0819\/files\/kogedo-chawan-iwakuni-yaki-yamada-shoutou-vue-trois-quarts.webp?v=1765352239"},{"product_id":"haori-vintage-en-soie-shibori-kanoko-rouge-veste-japonaise-kimono","title":"Vintage red shibori silk haori – Japanese kimono jacket with pine matsu lining","description":"\u003cp data-start=\"234\" data-end=\"444\"\u003eThis 100% silk vintage Japanese haori features a \u003cstrong data-start=\"291\" data-end=\"328\"\u003efine and regular kanoko shibori 絞り\u003c\/strong\u003e throughout the jacket, in a \u003cstrong data-start=\"375\" data-end=\"421\"\u003edeep, slightly raspberry red hue.\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch3 data-start=\"451\" data-end=\"471\"\u003e\u003cstrong\u003eOuter Patterns\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-start=\"473\" data-end=\"658\"\u003eThe outer fabric features a full \u003cstrong data-start=\"524\" data-end=\"548\"\u003ekanoko shibori 鹿の子絞り\u003c\/strong\u003e, recognizable by its thousands of regular micro-dots evoking the spotted coat of a fawn—hence its name.\u003c\/p\u003e\n\u003cp data-start=\"660\" data-end=\"962\"\u003eShibori 絞り is an ancestral tie-dyeing technique: each tiny section of the fabric is tied by hand before being immersed in dye. Once the threads are removed, these dotted patterns appear in slight relief.\u003c\/p\u003e\n\u003cp data-start=\"964\" data-end=\"1190\"\u003eThe red color plays with light: sometimes intense and deep, sometimes softer.\u003c\/p\u003e\n\u003ch3 data-start=\"1197\" data-end=\"1219\"\u003e\u003cstrong\u003eInner Lining\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-start=\"1221\" data-end=\"1351\"\u003eThe ivory silk lining is adorned with a \u003cstrong data-start=\"1263\" data-end=\"1303\"\u003ematsu 松—stylized Japanese pine motif\u003c\/strong\u003e, in delicate dusty pink tones.\u003c\/p\u003e\n\u003cp data-start=\"1353\" data-end=\"1489\"\u003eThe pine, a symbol of longevity and constancy in Japanese iconography, gives the piece a timeless and refined dimension.\u003c\/p\u003e\n\u003ch3 data-start=\"1666\" data-end=\"1762\"\u003e\u003cstrong\u003e📏 Dimensions\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli data-start=\"1666\" data-end=\"1762\"\u003eWidth (sleeve to sleeve): 127 cm\u003c\/li\u003e\n\u003cli data-start=\"1666\" data-end=\"1762\"\u003eShoulder to shoulder width: 65 cm\u003c\/li\u003e\n\u003cli data-start=\"1666\" data-end=\"1762\"\u003eHeight (shoulder to bottom): 73 cm\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eIn the photos, our female model, Mikan, is 1.58m tall.\u003c\/p\u003e\n\u003cp data-start=\"1764\" data-end=\"2000\"\u003eThanks to its straight and loose fit, this haori suits many body types.\u003cbr data-start=\"1845\" data-end=\"1848\"\u003eIt can be worn open over simple clothing to highlight the shibori texture, or closed with its himo for a more structured silhouette.\u003c\/p\u003e\n\u003ch3 data-start=\"2007\" data-end=\"2019\"\u003e\u003cstrong\u003eMaterial\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-start=\"2020\" data-end=\"2054\"\u003e100% silk (outer and lining)\u003c\/p\u003e\n\u003ch3 data-start=\"2061\" data-end=\"2068\"\u003e\u003cstrong\u003eCondition\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-start=\"2070\" data-end=\"2214\"\u003eVery good vintage condition.\u003cbr data-start=\"2092\" data-end=\"2095\"\u003eThe silk is supple, luminous, and retains beautiful relief.\u003cbr data-start=\"2152\" data-end=\"2155\"\u003eThe texture of the kanoko shibori is well-defined and regular.\u003c\/p\u003e\n\u003cp data-start=\"2350\" data-end=\"2407\"\u003eOrigin: Japan, discovered in Kanagawa Prefecture.\u003c\/p\u003e\n\u003ch3 data-start=\"2414\" data-end=\"2432\"\u003e\u003cstrong\u003ePractical detail\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-start=\"2434\" data-end=\"2598\"\u003eSold with its original \u003cstrong data-start=\"2449\" data-end=\"2467\"\u003ehaori himo 羽織紐\u003c\/strong\u003e, the traditional braided fastener that allows the haori to be delicately closed while maintaining the fluidity of its line.\u003c\/p\u003e\n\u003ch3 data-start=\"2605\" data-end=\"2622\"\u003e\u003cstrong\u003e🦝 Our opinion\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-start=\"2624\" data-end=\"2708\"\u003eA red haori as we like them: simple, pure, textured, and profoundly Japanese.\u003c\/p\u003e\n\u003cp data-start=\"2710\" data-end=\"2898\"\u003eAn ideal piece for those looking for a traditional antique silk kimono jacket that can be worn perfectly every day or for special occasions.\u003c\/p\u003e\n\u003cp data-start=\"3252\" data-end=\"3605\"\u003e\u003cstrong data-end=\"381\" data-start=\"341\"\u003eWant to discover other pieces?\u003c\/strong\u003e\u003cspan\u003e Browse our complete selection of \u003c\/span\u003e\u003ca title=\"Discover our collection of antique Japanese haori for men and women: authentic silk kimono jackets, refined linings, and unique pieces.\" href=\"https:\/\/kogedo.com\/collections\/kimono\"\u003eantique Japanese haori and kimonos\u003c\/a\u003e\u003c\/p\u003e","brand":"KOGEDO","offers":[{"title":"Default Title","offer_id":53004071666003,"sku":"H44","price":89.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0937\/8562\/0819\/files\/veste-kimono-japonaise-shibori-kanoko-soie-texture-artisanale.jpg?v=1770893892"},{"product_id":"haori-vintage-en-soie-habutae-rouge-veste-kimono-japonaise-motifs-vagues","title":"Vintage habutae silk haori in red – Japanese kimono jacket with nami 波 wave pattern","description":"\u003cp\u003eThis \u003cstrong\u003evintage habutae silk haori 羽織\u003c\/strong\u003e, a traditional Japanese kimono jacket, attracts attention with its \u003cstrong\u003edeep red\u003c\/strong\u003e color with vermilion nuances, close to \u003cstrong\u003ebeni (紅)\u003c\/strong\u003e, an emblematic shade in Japan. Its smooth, matte to very slightly satin surface subtly reveals the weave and delicately catches the light.\u003c\/p\u003e\n\u003ch3\u003e🔶 \u003cstrong\u003eExterior Pattern\u003c\/strong\u003e\n\n\u003c\/h3\u003e\n\u003cp\u003eThe design depicts a \u003cstrong\u003estylized seascape\u003c\/strong\u003e, where \u003cstrong\u003eJapanese waves (nami 波)\u003c\/strong\u003e unfurl around rocky formations. A beautiful design that evokes the natural movement of water without overpowering the piece. Here the composition is free, as if hand-sketched, which gives the haori a more artistic and unique presence. Note the embroidered \u003cstrong\u003erelief waves\u003c\/strong\u003e on the back.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHabutae silk 羽二重 (habotai)\u003c\/strong\u003e, known for its softness and lightness, enhances this sensation of fluidity and offers an elegant drape.\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eLining\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eInside, the haori reveals a \u003cstrong\u003esilk lining adorned with flower petals\u003c\/strong\u003e, in light and soft tones. This contrast with the more intense exterior brings an intimate and refined dimension, true to the Japanese aesthetic of hidden detail.\u003c\/p\u003e\n\u003ch3\u003e📏 \u003cstrong\u003eDimensions\u003c\/strong\u003e\n\n\u003c\/h3\u003e\n\u003cp\u003eSleeve span (cuff to cuff): 132 cm\u003cbr\u003eHeight (shoulder to bottom): 82 cm\u003cbr\u003eShoulder to shoulder width: 68 cm\u003c\/p\u003e\n\u003cp\u003eThanks to its loose and straight cut, this haori suits many body types.\u003c\/p\u003e\n\u003cp\u003eOur model in the photos, Mikan, is 1m58 tall.\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eMaterial\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003e100% silk – exterior in \u003cstrong\u003ehabutae silk 羽二重 (habotai)\u003c\/strong\u003e, a smooth, supple, and slightly satiny Japanese silk, prized for its comfort and elegance. Silk lining.\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eCondition\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eVery good vintage condition – no imperfections to report, outer fabric and lining in excellent condition.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOrigin:\u003c\/strong\u003e Japan, piece found in Yamaguchi Prefecture.\u003c\/p\u003e\n\u003cp\u003eThe haori comes with its \u003cstrong\u003ehaori himo (羽織紐)\u003c\/strong\u003e, offered, allowing an elegant front closure.\u003c\/p\u003e\n\u003ch3\u003e🦝 \u003cstrong\u003eOur Opinion\u003c\/strong\u003e\n\n\u003c\/h3\u003e\n\u003cp\u003eA haori full of finesse, which favors discretion over exuberance. We particularly love its red color, the wave patterns on the rocks, and the elegant embroideries on the back. A beautiful piece easy to integrate into a modern wardrobe, ideal for adding a subtle and authentic Japanese touch.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWant to discover other pieces?\u003c\/strong\u003e\u003cspan\u003e Browse our complete selection of \u003c\/span\u003e\u003ca href=\"https:\/\/kogedo.com\/collections\/kimono\" title=\"Discover our collection of antique Japanese haori for men and women: authentic silk kimono jackets, refined linings, and unique pieces.\"\u003eantique Japanese haori and kimonos\u003c\/a\u003e\u003c\/p\u003e","brand":"KOGEDO","offers":[{"title":"Default Title","offer_id":53367565943123,"sku":"H53","price":89.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0937\/8562\/0819\/files\/veste-kimono-japonaise-soie-habutae-rouge-beni-haori-ouvert-doublure-haura-motif.jpg?v=1774864936"},{"product_id":"tokkuri-japonaise-ancienne-yakishime-11-cm-inspiration-bizen-epoque-showa-copie","title":"Antique Japanese Dai-tokkuri\/Hanaire Vase – Yakishime – 20 cm – Bizen-yaki – Shōwa period","description":"\u003ch3 data-section-id=\"1aajrc0\" data-start=\"263\" data-end=\"285\"\u003e\u003cstrong\u003e📐 Specifications\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli data-start=\"287\" data-end=\"918\"\u003e\n\u003cstrong data-start=\"287\" data-end=\"299\"\u003eEstimated era:\u003c\/strong\u003e Shōwa 20th century, probably second half\u003c\/li\u003e\n\u003cli data-start=\"287\" data-end=\"918\"\u003e\n\u003cstrong data-start=\"342\" data-end=\"355\"\u003eOrigin:\u003c\/strong\u003e Japan, found in Yamaguchi prefecture\u003c\/li\u003e\n\u003cli data-start=\"287\" data-end=\"918\"\u003e\n\u003cstrong data-start=\"364\" data-end=\"375\"\u003eStyle:\u003c\/strong\u003e Bizen-yaki 備前焼\u003c\/li\u003e\n\u003cli data-start=\"287\" data-end=\"918\"\u003e\n\u003cstrong data-start=\"409\" data-end=\"423\"\u003eMaterial:\u003c\/strong\u003e Japanese stoneware with mineral texture\u003c\/li\u003e\n\u003cli data-start=\"287\" data-end=\"918\"\u003e\n\u003cstrong data-start=\"459\" data-end=\"474\"\u003eTechnique:\u003c\/strong\u003e Yakishime 焼締め, high-temperature firing without glaze\u003c\/li\u003e\n\u003cli data-start=\"287\" data-end=\"918\"\u003e\n\u003cstrong data-start=\"529\" data-end=\"540\" data-is-only-node=\"\"\u003eUsage:\u003c\/strong\u003e Dai-tokkuri 大徳利, large sake bottle \/ Hanaire 花入, vase for ikebana\u003c\/li\u003e\n\u003cli data-start=\"287\" data-end=\"918\"\u003e\n\u003cstrong data-start=\"616\" data-end=\"627\"\u003eShape:\u003c\/strong\u003e Tokkuri-gata 徳利形, sake bottle shape\u003c\/li\u003e\n\u003cli data-start=\"287\" data-end=\"918\"\u003e\n\u003cstrong data-start=\"674\" data-end=\"690\"\u003eDimensions:\u003c\/strong\u003e Height approx. 20 cm – Widest diameter approx. 10 cm\u003c\/li\u003e\n\u003cli data-start=\"287\" data-end=\"918\"\u003e\n\u003cstrong data-start=\"748\" data-end=\"759\"\u003eWeight:\u003c\/strong\u003e 707g\u003c\/li\u003e\n\u003cli data-start=\"287\" data-end=\"918\"\u003e\n\u003cstrong data-start=\"774\" data-end=\"784\"\u003eCondition:\u003c\/strong\u003e Very good vintage condition, no visible cracks or chips\u003c\/li\u003e\n\u003cli data-start=\"287\" data-end=\"918\"\u003e\n\u003cstrong data-start=\"842\" data-end=\"854\"\u003eMark:\u003c\/strong\u003e Square seal (\u003ci data-path-to-node=\"5,9,0\" data-index-in-node=\"22\"\u003eKaimon\u003c\/i\u003e) stamped on the base, workshop signature\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 data-section-id=\"rmw5tv\" data-start=\"920\" data-end=\"934\"\u003e\u003cstrong\u003eDescription\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-start=\"936\" data-end=\"1327\"\u003eThis Japanese yakishime stoneware piece takes the form of a \u003cstrong data-start=\"999\" data-end=\"1018\"\u003eDai-tokkuri 大徳利\u003c\/strong\u003e, a traditional large sake bottle, with generous proportions. With its 20 cm height and wide rounded body, it exceeds the size of a small serving tokkuri and falls into a more decorative category, which can also be used as a \u003cstrong data-start=\"1284\" data-end=\"1298\"\u003eHanaire 花入\u003c\/strong\u003e, a Japanese vase for ikebana.\u003c\/p\u003e\n\u003cp data-start=\"1329\" data-end=\"1752\"\u003eIts raw, unglazed surface evokes the world of Yakishime \u003cstrong data-start=\"1381\" data-end=\"1399\"\u003eBizen-yaki 備前焼\u003c\/strong\u003e: a sober and powerful Japanese ceramic, where shades of brown, black, and ferrous tones are born from the encounter between earth, fire, and ash. The stoneware is fired at very high temperatures for several days in a wood-fired kiln, without the addition of artificial glaze. This piece is profoundly \u003cstrong data-start=\"1689\" data-end=\"1702\"\u003ewabi-sabi\u003c\/strong\u003e, both rustic and timeless.\u003c\/p\u003e\n\u003cp data-start=\"1754\" data-end=\"2137\"\u003eThe narrow-necked silhouette clearly recalls Japanese sake bottles, but its dimensions also make it a very beautiful \u003cstrong data-start=\"1892\" data-end=\"1916\"\u003eJapanese decoration object of the Hanaire 花入 type\u003c\/strong\u003e, ideal simply placed or with a single flower or a minimalist floral arrangement.\u003c\/p\u003e\n\u003ch3 data-section-id=\"r7grop\" data-start=\"2139\" data-end=\"2155\"\u003e\u003cstrong\u003e🦝 Our opinion\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-start=\"2157\" data-end=\"2596\" data-is-last-node=\"\" data-is-only-node=\"\"\u003eWe love the size and ambiguity of this piece, halfway between a \u003cstrong data-start=\"2220\" data-end=\"2238\"\u003elarge ceremonial tokkuri\u003c\/strong\u003e and a \u003cstrong data-start=\"2242\" data-end=\"2258\"\u003eHanaire vase for Ikebana\u003c\/strong\u003e. Its simple form concentrates all the power of Japanese fire ceramics: dense earth, natural firing, deep nuances, and no pursuit of superfluous effects. Placed alone, it already becomes a wabi-sabi decorative object that makes an impression; with a branch or a flower, it reveals all its silent elegance. We love it!\u003c\/p\u003e","brand":"KOGEDO","offers":[{"title":"Default Title","offer_id":53594062717267,"sku":"DT12","price":95.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0937\/8562\/0819\/files\/grand-dai-tokkuri-vase-japonais-bizen-yaki-decoration-wabi-sabi.jpg?v=1777374720"},{"product_id":"duo-tasses-japonaises-hagi-yaki-four-touryu-an-gama","title":"Set of 2 Japanese meoto yunomi Hagi-yaki teacups (Hagi ware) - Touryu-an gama Kiln","description":"\u003cp data-start=\"0\" data-end=\"435\"\u003eA pair of handcrafted Japanese cups, \u003cstrong data-start=\"37\" data-end=\"53\"\u003emeoto yunomi\u003c\/strong\u003e (夫婦湯呑), crafted in the \u003cstrong data-start=\"85\" data-end=\"98\"\u003eHagi-yaki\u003c\/strong\u003e (萩焼) style, famous for its soft glazes, fine crazing \u003cstrong data-start=\"161\" data-end=\"172\"\u003ekan’nyū\u003c\/strong\u003e (貫入), and understated rustic appearance. The rosy beige, orangey-brown hues and the small visible inclusions in the clay give these pieces a very warm presence. The cut foot \u003cstrong data-start=\"365\" data-end=\"379\"\u003ewari-kōdai\u003c\/strong\u003e (割高台) is reminiscent of traditional Hagi-yaki forms.\u003c\/p\u003e\n\u003cp data-start=\"0\" data-end=\"435\"\u003e\u003cstrong data-start=\"23\" data-end=\"39\"\u003eMeoto yunomi\u003c\/strong\u003e (夫婦湯呑) are \u003cstrong data-start=\"56\" data-end=\"76\"\u003ecouple's cups\u003c\/strong\u003e: traditionally in two slightly different sizes, they symbolize domestic harmony, daily tea sharing, and the bond between two people.\u003c\/p\u003e\n\u003ch3 data-start=\"437\" data-end=\"751\"\u003e\u003cstrong data-start=\"437\" data-end=\"457\"\u003eFeatures\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli data-start=\"437\" data-end=\"751\"\u003e\n\n\u003cstrong\u003eOrigin \u003c\/strong\u003e: Hagi, discovered in Yamaguchi prefecture\u003c\/li\u003e\n\n\u003cli data-start=\"437\" data-end=\"751\"\u003e\n\n\u003cstrong\u003eEstimated period\u003c\/strong\u003e : late Shōwa \/ early Heisei\u003c\/li\u003e\n\n\u003cli data-start=\"437\" data-end=\"751\"\u003e\n\n\u003cstrong\u003eStyle\u003c\/strong\u003e : Hagi-yaki (萩焼)\u003c\/li\u003e\n\n\u003cli data-start=\"437\" data-end=\"751\"\u003e\n\n\u003cstrong\u003eKiln : \u003c\/strong\u003eTouryu-an (唐瀧庵窯)\u003c\/li\u003e\n\n\u003cli data-start=\"437\" data-end=\"751\"\u003e\n\n\u003cstrong\u003eMaterial \u003c\/strong\u003e: Glazed stoneware\u003c\/li\u003e\n\n\u003cli data-start=\"437\" data-end=\"751\"\u003e\n\n\u003cstrong\u003eFinish \u003c\/strong\u003e: Rosy beige glaze, brown hues, natural crazing\u003c\/li\u003e\n\n\u003cli data-start=\"437\" data-end=\"751\"\u003e\n\n\u003cstrong\u003eCondition : \u003c\/strong\u003eVintage, in excellent condition. With original calligraphed box.\u003cstrong style=\"font-size: 0.875rem;\"\u003e\u003c\/strong\u003e\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3 data-start=\"753\" data-end=\"915\"\u003e\u003cstrong data-start=\"753\" data-end=\"767\"\u003eDimensions:\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-start=\"753\" data-end=\"915\"\u003e\u003cstrong\u003eCup 1\u003c\/strong\u003e : height ~ 9.5cm ; Ø ~ 7cm ; weight ~ 169g\u003cbr data-start=\"841\" data-end=\"844\"\u003e\u003cstrong\u003eCup 2 \u003c\/strong\u003e: height ~ 8cm ; Ø ~ 6.5cm ; weight ~ 111g\u003c\/p\u003e\n\u003cp data-start=\"917\" data-end=\"1161\"\u003eMade by the \u003cstrong data-start=\"934\" data-end=\"952\"\u003eTouryu-an kiln\u003c\/strong\u003e (唐瀧庵窯), these cups come with their \u003cstrong data-start=\"1005\" data-end=\"1017\"\u003etomobako\u003c\/strong\u003e (共箱), original calligraphed wooden box.\u003c\/p\u003e\n\u003ch3 data-start=\"1502\" data-end=\"1698\"\u003e\u003cstrong data-start=\"1502\" data-end=\"1513\"\u003eArtisan:\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-start=\"1502\" data-end=\"1698\"\u003eKiln : \u003cstrong data-start=\"1523\" data-end=\"1538\"\u003e唐瀧庵窯\u003c\/strong\u003e — \u003cstrong\u003eTouryu-an\u003c\/strong\u003e, Hagi-yaki workshop\u003cbr data-start=\"1572\" data-end=\"1575\"\u003eBox : \u003cstrong data-start=\"1583\" data-end=\"1595\"\u003ecalligraphed tomobako\u003c\/strong\u003e, with kiln seal\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-start=\"1502\" data-end=\"1698\"\u003eThe \u003cstrong data-end=\"364\" data-start=\"346\"\u003eTouryu-an kiln\u003c\/strong\u003e, located in Hagi in Yamaguchi prefecture, is part of the history of \u003cstrong data-end=\"454\" data-start=\"441\"\u003eSusa-yaki\u003c\/strong\u003e, a ceramic tradition once linked to the Masuda family, high officials of the Hagi domain. Today, the workshop perpetuates this heritage through traditional methods, expressive clays, and glazes passed down through generations. It is currently led by \u003cstrong data-end=\"753\" data-start=\"744\"\u003eDōsen 14th generation\u003c\/strong\u003e, guardian of this expertise.\u003c\/p\u003e\n\u003ch3 data-start=\"1700\" data-end=\"1722\"\u003e🦝 \u003cstrong data-start=\"1708\" data-end=\"1722\"\u003eOur opinion\u003c\/strong\u003e\n\n\u003c\/h3\u003e\n\u003cp data-start=\"1724\" data-end=\"2042\" data-is-last-node=\"\" data-is-only-node=\"\"\u003eA beautiful pair of \u003cstrong data-end=\"878\" data-start=\"858\"\u003eHagi-yaki yunomi\u003c\/strong\u003e, rustic yet luminous and delicately irregular. The rosy beige and warm brown tones are superb, and the \u003cstrong data-end=\"1010\" data-start=\"994\"\u003ecut foot\u003c\/strong\u003e adds a lot of character. As \u003cstrong data-end=\"1070\" data-start=\"1054\"\u003emeoto yunomi\u003c\/strong\u003e, they are perfect for a couple, a wedding gift, a relationship anniversary, or simply for sharing Japanese tea daily!\u003c\/p\u003e\n\u003cp data-end=\"1943\" data-start=\"1801\"\u003e\u003ca title=\"tableware collection at KOGEDO Japanese antique shop: ceramics, lacquerware, porcelain and much more\" href=\"https:\/\/kogedo.com\/collections\/arts-de-la-table\"\u003e\u003cstrong data-end=\"2430\" data-start=\"2372\"\u003eAlso discover our \"Tableware\" collection\u003c\/strong\u003e\u003c\/a\u003e, where other ceramics and porcelain perpetuate the elegance and delicacy of Japanese craftsmanship.\u003c\/p\u003e","brand":"KOGEDO","offers":[{"title":"Default Title","offer_id":53922704916819,"sku":"T40","price":95.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0937\/8562\/0819\/files\/meoto-yunomi-hagi-yaki-boite-tomobako-touryu-an.jpg?v=1780568407"},{"product_id":"natsume-laque-yamanaka-noir-motif-hanaikada-momiji-sakura-soko","title":"Yamanaka lacquer Natsume tea caddy – Hanaikada (flower raft) design – maki-e \u0026 nashi-ji – signed Sōkō","description":"\u003cp\u003eThe natsume is a luxurious small tea caddy traditionally used to present matcha in the tea ceremony (\u003cspan\u003e茶の湯) in Japan.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3 data-end=\"1078\" data-start=\"422\"\u003e\u003cstrong data-end=\"445\" data-start=\"422\"\u003e📐 Characteristics\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-end=\"1078\" data-start=\"422\"\u003e\u003cstrong data-end=\"461\" data-start=\"448\"\u003eOrigin:\u003c\/strong\u003e Japan – Yamanaka-nuri tradition, discovered in Hiroshima Prefecture\u003cbr data-end=\"532\" data-start=\"529\"\u003e\u003cstrong data-end=\"552\" data-start=\"532\"\u003eEstimated Period:\u003c\/strong\u003e Shōwa\/Heisei Era 1980-2000\u003cbr data-end=\"565\" data-start=\"562\"\u003e\u003cstrong data-end=\"578\" data-start=\"565\"\u003eMaterial:\u003c\/strong\u003e Finely turned wood, genuine black urushi lacquer and gold powders\u003cbr data-end=\"724\" data-start=\"721\"\u003e\u003cstrong data-end=\"740\" data-start=\"724\"\u003eTechniques:\u003c\/strong\u003e Maki-e 蒔絵 and nashi-ji 梨地\u003cbr data-end=\"776\" data-start=\"773\"\u003e\u003cstrong data-end=\"787\" data-start=\"776\"\u003eMotif:\u003c\/strong\u003e Hanaikada 花筏, flower raft on flowing water\u003cbr data-end=\"839\" data-start=\"836\"\u003e\u003cstrong data-end=\"861\" data-start=\"839\"\u003eDimensions\/Weight:\u003c\/strong\u003e Approx. Ø 7 cm × H 7.5 cm, 48 g\u003cbr data-end=\"893\" data-start=\"890\"\u003e\u003cstrong data-end=\"906\" data-start=\"893\"\u003eArtisan:\u003c\/strong\u003e Signed Sōkō-zō 宗廣造, probably Michiba Sōkō 道場宗廣 or affiliated workshop\u003cbr data-end=\"965\" data-start=\"962\"\u003e\u003cstrong data-end=\"976\" data-start=\"965\"\u003eBox:\u003c\/strong\u003e Original Tomobako signed\u003cstrong\u003e \u003c\/strong\u003e共箱 「花筏絵　中棗　宗廣造」\u003cbr data-end=\"1024\" data-start=\"1021\"\u003e\u003cstrong data-end=\"1039\" data-start=\"1024\"\u003eCondition:\u003c\/strong\u003e Excellent vintage condition, no notable defects, no scratches, no chips. Lacquer's brilliance very well preserved.\u003c\/p\u003e\n\u003ch3 data-end=\"1098\" data-start=\"1080\"\u003e\u003cstrong data-end=\"1098\" data-start=\"1080\"\u003eDescription\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-end=\"1273\" data-start=\"1100\"\u003eThis \u003cstrong data-end=\"1118\" data-start=\"1103\"\u003echū-natsume \u003c\/strong\u003e(medium-sized natsume) is an elegant piece, emblematic of Japanese lacquerware's refinement.\u003cbr data-end=\"1195\" data-start=\"1192\"\u003eIts soft and luminous silhouette highlights the deep sheen of the black urushi lacquer.\u003c\/p\u003e\n\u003cp data-end=\"1625\" data-start=\"1275\"\u003eThe \u003cstrong data-end=\"1300\" data-start=\"1284\"\u003eHanaikada 花筏\u003c\/strong\u003e motif, literally \"flower raft,\" evokes petals gathered on the water, as if carried away by the current.\u003cbr data-end=\"1493\" data-start=\"1490\"\u003eSakura flowers, momiji leaves, and gold create a seasonal, vibrant, and contemplative decor.\u003c\/p\u003e\n\u003cp data-end=\"1625\" data-start=\"1275\"\u003eThe techniques used by the artisan are \u003cstrong data-start=\"447\" data-end=\"460\"\u003emaki-e 蒔絵\u003c\/strong\u003e, which consists of drawing in lacquer with fine gold powders, and \u003cstrong data-start=\"537\" data-end=\"552\"\u003enashi-ji 梨地,\u003c\/strong\u003e a delicate shimmering effect created with gold flakes, known as \"pear skin.\"\u003c\/p\u003e\n\u003cp data-end=\"1780\" data-start=\"1627\"\u003eThe ensemble plays on a fluid composition where water lines, floating flowers, and foliage naturally accompany the round shape.\u003c\/p\u003e\n\u003cp data-end=\"2146\" data-start=\"1782\"\u003eThis natsume bears the signature \u003cstrong data-start=\"76\" data-end=\"93\"\u003e宗廣造 \/ Sōkō-zō\u003c\/strong\u003e, \"made by Sōkō,\" with the seal \u003cstrong data-start=\"126\" data-end=\"139\"\u003e宗廣 \/ Sōkō\u003c\/strong\u003e. The most probable attribution points to \u003cstrong data-start=\"182\" data-end=\"205\"\u003e道場宗廣 \/ Michiba Sōkō\u003c\/strong\u003e, a master lacquerer associated with \u003cstrong data-start=\"233\" data-end=\"254\"\u003eYamanaka-nuri \u003c\/strong\u003eor an artisan affiliated with his workshop. The presence of the original \u003cstrong data-start=\"331\" data-end=\"346\"\u003etomobako\u003c\/strong\u003e, the signature, and the \u003cstrong data-start=\"386\" data-end=\"404\"\u003e花筏 \/ hanaikada\u003c\/strong\u003e motif attest to an authentic piece, crafted for the demanding world of the tea ceremony, \u003cstrong data-start=\"474\" data-end=\"489\"\u003echanoyu.\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch3 data-end=\"2390\" data-start=\"2148\"\u003e\u003cstrong data-end=\"2175\" data-start=\"2148\"\u003e🧽 Care instructions\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-end=\"2390\" data-start=\"2148\"\u003eClean gently by hand, without detergent or abrasive\u003cbr data-end=\"2239\" data-start=\"2236\"\u003eDry immediately with a soft cloth\u003cbr data-end=\"2278\" data-start=\"2275\"\u003eAvoid prolonged immersion and direct heat\u003cbr data-end=\"2335\" data-start=\"2332\"\u003eStore in a dry place, away from light\u003c\/p\u003e\n\u003ch3 data-end=\"2409\" data-start=\"2392\"\u003e\u003cstrong data-end=\"2409\" data-start=\"2392\"\u003e🦝 Our opinion\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-is-only-node=\"\" data-is-last-node=\"\" data-end=\"2560\" data-start=\"2411\"\u003eWe love this natsume with its poetic \u003cstrong data-end=\"2443\" data-start=\"2430\"\u003ehanaikada\u003c\/strong\u003e motif, its sakura, its golden momiji, and its beautiful nashi-ji effect. A true work of art in traditional Yamanaka lacquer!\u003c\/p\u003e\n\u003cp data-start=\"2590\" data-end=\"2906\"\u003eOther unique items await you in the \u003ca href=\"https:\/\/kogedo.com\/collections\/decoration-objets-art\" title=\"Selection of ancient and contemporary Japanese art objects, between beauty of gesture and timeless elegance. KOGEDO Collection.\"\u003e\u003cstrong data-start=\"635\" data-end=\"660\"\u003eJapanese Art Objects\u003c\/strong\u003e\u003c\/a\u003e collection.\u003c\/p\u003e\n\u003cp data-start=\"2590\" data-end=\"2906\"\u003eor discover the entire world of tea in our \u003cstrong\u003e\u003ca href=\"https:\/\/kogedo.com\/collections\/arts-de-la-table\" title=\"tableware collection at KOGEDO Japanese antique shop: ceramics, lacquerware, porcelain and much more\"\u003e“Tableware” collection.\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"KOGEDO","offers":[{"title":"Default Title","offer_id":53960422457683,"sku":"T20","price":235.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0937\/8562\/0819\/files\/natsume-chunatsume-hanaikada-makie-tomobako-soko.jpg?v=1781015301"},{"product_id":"tokkuri-carafe-sake-japonaise-ancienne-bizen-sueishi-kosen-13cm","title":"Antique Japanese Tokkuri – Bizen ware – signed Sueishi Kōsen 末石高仙 – 13 cm – Shōwa period","description":"\u003ch3 data-section-id=\"1im32lf\" data-start=\"182\" data-end=\"205\"\u003e\u003cstrong\u003e📐 Features\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-start=\"207\" data-end=\"800\"\u003e\u003cstrong data-start=\"207\" data-end=\"219\"\u003eEstimated period:\u003c\/strong\u003e Showa 20th century, between 1970 and 1990\u003cbr data-start=\"259\" data-end=\"262\"\u003e\u003cstrong data-start=\"262\" data-end=\"275\"\u003eOrigin:\u003c\/strong\u003e Japan, unearthed in Kyoto Prefecture\u003cbr data-start=\"323\" data-end=\"326\"\u003e\u003cstrong data-start=\"326\" data-end=\"339\"\u003eArtisan:\u003c\/strong\u003e \u003cstrong data-start=\"340\" data-end=\"357\"\u003eSueishi Kōsen\u003c\/strong\u003e 末石高仙\u003cbr data-start=\"362\" data-end=\"365\"\u003e\u003cstrong data-start=\"365\" data-end=\"379\"\u003eMaterial:\u003c\/strong\u003e Japanese ceramic, \u003cstrong data-start=\"401\" data-end=\"418\"\u003eBizen stoneware\u003c\/strong\u003e\u003cbr data-start=\"418\" data-end=\"421\"\u003e\u003cstrong data-start=\"421\" data-end=\"436\"\u003eTechnique:\u003c\/strong\u003e \u003cstrong data-start=\"437\" data-end=\"455\"\u003eBizen-yaki 備前焼\u003c\/strong\u003e, \u003cstrong data-start=\"465\" data-end=\"482\"\u003eyakishime 焼締め\u003c\/strong\u003e firing, no applied glaze\u003cbr data-start=\"503\" data-end=\"506\"\u003e\u003cstrong data-start=\"506\" data-end=\"517\"\u003eUsage:\u003c\/strong\u003e \u003cstrong data-start=\"518\" data-end=\"532\"\u003eTokkuri 徳利\u003c\/strong\u003e, sake bottle\/carafe\u003cbr data-start=\"559\" data-end=\"562\"\u003e\u003cstrong data-start=\"562\" data-end=\"578\"\u003eDimensions:\u003c\/strong\u003e Height approx. \u003cstrong data-start=\"592\" data-end=\"601\"\u003e13 cm\u003c\/strong\u003e – Diameter at widest point approx. \u003cstrong data-start=\"632\" data-end=\"640\"\u003e9 cm\u003c\/strong\u003e\u003cbr data-start=\"640\" data-end=\"643\"\u003e\u003cstrong data-start=\"643\" data-end=\"654\"\u003eWeight:\u003c\/strong\u003e approx. \u003cstrong data-start=\"660\" data-end=\"669\"\u003e267 g\u003c\/strong\u003e\u003cbr data-start=\"669\" data-end=\"672\"\u003e\u003cstrong data-start=\"672\" data-end=\"682\"\u003eCondition:\u003c\/strong\u003e \u003cstrong data-start=\"683\" data-end=\"708\"\u003eExcellent vintage condition\u003c\/strong\u003e, no notable flaws.\u003cbr data-start=\"741\" data-end=\"744\"\u003e\u003cstrong data-start=\"744\" data-end=\"756\"\u003eMark:\u003c\/strong\u003e Potter's seal\/signature under the base\u003c\/p\u003e\n\u003ch3 data-section-id=\"3h1ku8\" data-start=\"802\" data-end=\"817\"\u003e\u003cstrong\u003eDescription\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-start=\"819\" data-end=\"1132\"\u003eThis \u003cstrong data-start=\"825\" data-end=\"860\"\u003eJapanese Bizen-yaki tokkuri\u003c\/strong\u003e is a handcrafted piece signed by \u003cstrong data-start=\"893\" data-end=\"910\"\u003eSueishi Kōsen\u003c\/strong\u003e 末石高仙, a renowned Bizen ceramist. \u003cstrong data-start=\"948\" data-end=\"966\"\u003eBizen-yaki 備前焼\u003c\/strong\u003e is one of the \u003cstrong data-start=\"983\" data-end=\"1013\"\u003eSix Ancient Kilns of Japan\u003c\/strong\u003e, one of the archipelago's fundamental ceramic traditions, renowned for its strong, simple, unglazed stoneware.\u003c\/p\u003e\n\u003cp data-start=\"1134\" data-end=\"1396\"\u003eThe piece is made using \u003cstrong data-start=\"1159\" data-end=\"1176\"\u003eyakishime 焼締め\u003c\/strong\u003e, a high-temperature firing without glaze: the clay is directly transformed by fire, ash, and the kiln atmosphere. No decoration is added; the nuances appear naturally during firing.\u003c\/p\u003e\n\u003cp data-start=\"1398\" data-end=\"1713\"\u003eThe shape is simple, balanced and rounded with a \u003cstrong data-start=\"1464\" data-end=\"1497\"\u003eshort, slightly constricted neck\u003c\/strong\u003e and a \u003cstrong data-start=\"1505\" data-end=\"1529\"\u003ethick, flared rim\u003c\/strong\u003e, designed for serving sake. The turning marks from the \u003cstrong data-start=\"1589\" data-end=\"1602\"\u003erokuro 轆轤\u003c\/strong\u003e remain visible in the material, giving this bottle a rustic, elegant, and very Japanese presence.\u003c\/p\u003e\n\u003cp data-start=\"1715\" data-end=\"2038\"\u003eThe surface offers beautiful natural variations: \u003cstrong data-start=\"1766\" data-end=\"1780\"\u003ereddish-brown\u003c\/strong\u003e, \u003cstrong data-start=\"1782\" data-end=\"1795\"\u003edark brown\u003c\/strong\u003e, \u003cstrong data-start=\"1797\" data-end=\"1812\"\u003ebluish-grey\u003c\/strong\u003e, ash tones, and darker areas. It embodies the spirit of \u003cstrong data-start=\"1876\" data-end=\"1893\"\u003eBizen stoneware\u003c\/strong\u003e, with effects similar to \u003cstrong data-start=\"1922\" data-end=\"1933\"\u003egoma 胡麻\u003c\/strong\u003e, \u003cstrong data-start=\"1938\" data-end=\"1952\"\u003esangiri 桟切\u003c\/strong\u003e and \u003cstrong data-start=\"1959\" data-end=\"1971\"\u003eyōhen 窯変\u003c\/strong\u003e, these sought-after firing effects that make each piece unique.\u003c\/p\u003e\n\u003cp data-start=\"2040\" data-end=\"2310\"\u003eThis is an \u003cstrong data-start=\"2178\" data-end=\"2213\"\u003eauthentic Japanese ceramic\u003c\/strong\u003e, usable as a \u003cstrong data-start=\"2232\" data-end=\"2250\"\u003esake tokkuri\u003c\/strong\u003e, but also very beautiful as a small vase or wabi-sabi object.\u003c\/p\u003e\n\u003ch3 data-section-id=\"aaopqc\" data-start=\"2312\" data-end=\"2346\"\u003e\u003cstrong\u003eThe artisan: Sueishi Kōsen 末石高仙\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-start=\"2348\" data-end=\"2634\"\u003e\u003cstrong data-start=\"2348\" data-end=\"2365\"\u003eSueishi Kōsen\u003c\/strong\u003e 末石高仙, whose real name was \u003cstrong data-start=\"2388\" data-end=\"2407\"\u003eSueishi Takashi\u003c\/strong\u003e 末石孝, was a Japanese ceramist born in \u003cstrong data-start=\"2445\" data-end=\"2453\"\u003e1926\u003c\/strong\u003e in Bizen, Okayama Prefecture. He trained with \u003cstrong data-start=\"2515\" data-end=\"2538\"\u003eFujiwara Rakuzan II\u003c\/strong\u003e, a great master of \u003cstrong data-start=\"2556\" data-end=\"2570\"\u003eBizen-yaki\u003c\/strong\u003e, particularly renowned for his work with \u003cstrong data-start=\"2617\" data-end=\"2633\"\u003eAo-Bizen 青備前\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp data-start=\"2636\" data-end=\"2925\"\u003eFujiwara Rakuzan II was recognized as a \u003cstrong data-start=\"2674\" data-end=\"2754\"\u003eholder of Okayama Prefecture's Important Intangible Cultural Property\u003c\/strong\u003e for Bizen ceramics. This lineage places Sueishi Kōsen within a prestigious artisanal tradition, directly linked to one of the great names of 20th-century Bizen.\u003c\/p\u003e\n\u003cp data-start=\"2927\" data-end=\"3275\"\u003eBecoming independent in \u003cstrong data-start=\"2949\" data-end=\"2957\"\u003e1972\u003c\/strong\u003e, Sueishi Kōsen established his own kiln and developed a well-regarded production. Now deceased, he remains sought after by enthusiasts of \u003cstrong data-start=\"3185\" data-end=\"3199\"\u003eBizen-yaki\u003c\/strong\u003e, \u003cstrong data-start=\"3204\" data-end=\"3241\"\u003ecollectible Japanese ceramics\u003c\/strong\u003e, and sake-related items.\u003c\/p\u003e\n\u003ch3 data-section-id=\"1j05u96\" data-start=\"3277\" data-end=\"3294\"\u003e\u003cstrong\u003e🦝 Our opinion\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-start=\"3296\" data-end=\"3547\"\u003eA superb tokkuri in a raw Bizen style we love: ash, flames, mineral nuances, deep browns and bluish-greys. The effects are very successful on this piece.\u003c\/p\u003e\n\u003cp data-start=\"3549\" data-end=\"3934\" data-is-last-node=\"\" data-is-only-node=\"\"\u003eAnd all by a Bizen artisan who is no longer with us: \u003cstrong data-start=\"3565\" data-end=\"3582\"\u003eSueishi Kōsen\u003c\/strong\u003e, student of master \u003cstrong data-start=\"3607\" data-end=\"3630\"\u003eFujiwara Rakuzan II.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"3549\" data-end=\"3934\" data-is-last-node=\"\" data-is-only-node=\"\"\u003eWith this tokkuri, your sake will taste even better!\u003c\/p\u003e","brand":"KOGEDO","offers":[{"title":"Default Title","offer_id":53975004119379,"sku":"DT17","price":129.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0937\/8562\/0819\/files\/tokkuri-bizen-sueishi-kosen-yohen-gres-brun-gris.jpg?v=1781160310"},{"product_id":"bol-a-the-japonais-chawan-beni-shino-yaki-keizan-gama-tomobako-signe","title":"Japanese Chawan Tea Bowl Beni Shino 紅志野 – Keizan Kiln 桂山窯 – Signed Tomobako","description":"\u003ch3 data-end=\"1078\" data-start=\"549\"\u003e\u003cstrong\u003e📐 Characteristics\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-end=\"1078\" data-start=\"549\"\u003e\u003cstrong data-end=\"586\" data-start=\"575\"\u003eHeight\u003c\/strong\u003e: approx. 9 cm\u003cbr data-end=\"601\" data-start=\"598\"\u003e\u003cstrong data-end=\"613\" data-start=\"601\"\u003eDiameter\u003c\/strong\u003e: approx. 12.7 cm\u003cbr data-end=\"631\" data-start=\"628\"\u003e\u003cstrong data-end=\"640\" data-start=\"631\"\u003eWeight\u003c\/strong\u003e: approx. 546 g\u003cbr data-end=\"656\" data-start=\"653\"\u003e\u003cstrong data-end=\"665\" data-start=\"656\"\u003eShape\u003c\/strong\u003e: \u003cstrong data-end=\"690\" data-start=\"668\"\u003ehantsutsu-gata 半筒型\u003c\/strong\u003e, semi-cylindrical shape\u003cbr data-end=\"717\" data-start=\"714\"\u003e\u003cstrong data-end=\"726\" data-start=\"717\"\u003eStyle\u003c\/strong\u003e: \u003cstrong data-end=\"743\" data-start=\"729\"\u003eBeni Shino\u003c\/strong\u003e 紅志野, \u003cstrong data-end=\"763\" data-start=\"749\"\u003eShino-yaki\u003c\/strong\u003e 志野焼, \u003cstrong data-is-only-node=\"\" data-end=\"792\" data-start=\"779\"\u003eMino-yaki\u003c\/strong\u003e 美濃焼 tradition\u003cbr data-end=\"799\" data-start=\"796\"\u003e\u003cstrong data-end=\"817\" data-start=\"799\"\u003eKiln \/ workshop\u003c\/strong\u003e: \u003cstrong data-end=\"839\" data-start=\"820\"\u003e桂山窯 Keizan-gama\u003c\/strong\u003e, signature 東山 under the bowl, probably a potter affiliated with the kiln.\u003cbr data-end=\"884\" data-start=\"881\"\u003e\u003cstrong data-end=\"895\" data-start=\"884\"\u003eOrigin\u003c\/strong\u003e: Japan, found in Osaka Prefecture\u003cbr data-end=\"939\" data-start=\"936\"\u003e\u003cstrong data-end=\"947\" data-start=\"939\"\u003eCondition\u003c\/strong\u003e: Excellent overall condition. No cracks or visible chips. Comes with \u003cstrong data-end=\"1035\" data-start=\"1020\"\u003etomobako 共箱,\u003c\/strong\u003e its workshop \u003cstrong data-end=\"1067\" data-start=\"1053\"\u003eshiori しおり\u003c\/strong\u003e and cloth.\u003c\/p\u003e\n\u003ch3 data-end=\"1094\" data-start=\"1080\" data-section-id=\"rmw5tv\"\u003e\u003cstrong\u003eDescription\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-end=\"1339\" data-start=\"1096\"\u003eThis \u003cstrong data-end=\"1120\" data-start=\"1099\"\u003echawan Beni Shino\u003c\/strong\u003e 紅志野茶碗 is a beautiful Japanese matcha bowl made by the \u003cstrong data-end=\"1200\" data-start=\"1181\"\u003e桂山窯 Keizan-gama\u003c\/strong\u003e kiln, accompanied by a \u003cstrong data-end=\"1247\" data-start=\"1219\"\u003etomobako box\u003c\/strong\u003e and its \u003cstrong data-end=\"1268\" data-start=\"1258\"\u003eshiori.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-end=\"1528\" data-start=\"1341\"\u003e\u003cstrong data-start=\"665\" data-end=\"683\"\u003eBeni Shino 紅志野\u003c\/strong\u003e is a variant of \u003cstrong data-start=\"704\" data-end=\"718\"\u003eShino-yaki\u003c\/strong\u003e where an \u003cstrong data-start=\"725\" data-end=\"747\"\u003eiron-rich slip\u003c\/strong\u003e is applied under a thick white feldspathic glaze, revealing red, pink, and rust-brown hues during firing.\u003c\/p\u003e\n\u003cp data-end=\"1791\" data-start=\"1530\"\u003eThe \u003cstrong data-end=\"1561\" data-start=\"1539\"\u003ehantsutsu-gata 半筒型\u003c\/strong\u003e, semi-cylindrical shape, typical of Shino-yaki, gives the bowl a stable, sober, and generous presence. It is very suitable for preparing matcha.\u003c\/p\u003e\n\u003cp data-end=\"2175\" data-start=\"1793\"\u003eThe surface features a beautiful clear, almost milky glaze, punctuated by small ferruginous spots and large areas especially visible near the foot. There is also a subtle \u003cstrong data-end=\"2050\" data-start=\"2034\"\u003eyuzuhada 柚子肌\u003c\/strong\u003e effect, a slightly pitted and granular texture, compared to a yuzu peel, which brings a lot of life to the Shino glaze.\u003c\/p\u003e\n\u003cp data-end=\"2408\" data-start=\"2177\"\u003eThe subtly irregular rim retains a pleasant softness in hand. The well-turned ring foot \u003cstrong data-end=\"2279\" data-start=\"2267\"\u003ekōdai 高台\u003c\/strong\u003e ensures the bowl's stability.\u003c\/p\u003e\n\u003ch3 data-end=\"3097\" data-start=\"3072\"\u003e📦 \u003cstrong data-end=\"3097\" data-start=\"3075\"\u003eTomobako and shiori\u003c\/strong\u003e\n\n\u003c\/h3\u003e\n\u003cp data-end=\"3292\" data-start=\"3099\"\u003eThe wooden \u003cstrong data-end=\"3117\" data-start=\"3102\"\u003etomobako 共箱\u003c\/strong\u003e bears the inscription \u003cstrong data-end=\"3157\" data-start=\"3146\"\u003e茶盌 \/ 茶碗\u003c\/strong\u003e, the signature \u003cstrong data-end=\"3178\" data-start=\"3172\"\u003e桂山\u003c\/strong\u003e and the red seal of the workshop. It accompanies the bowl with its traditional cord and protective cloth.\u003c\/p\u003e\n\u003cp data-end=\"3464\" data-start=\"3294\"\u003eThe \u003cstrong data-end=\"3311\" data-start=\"3297\"\u003eshiori しおり\u003c\/strong\u003e (document accompanying the bowl) highlights the historical importance of ancient \u003cstrong data-start=\"2485\" data-end=\"2493\"\u003eMino\u003c\/strong\u003e ceramics: since the \u003cstrong data-start=\"2518\" data-end=\"2528\"\u003eTenpyō\u003c\/strong\u003e and \u003cstrong data-start=\"2535\" data-end=\"2547\"\u003eMomoyama\u003c\/strong\u003e periods, this tradition has developed a brilliant style. Great lords, starting with \u003cstrong data-start=\"2634\" data-end=\"2650\"\u003eOda Nobunaga\u003c\/strong\u003e and \u003cstrong data-start=\"2654\" data-end=\"2676\"\u003eToyotomi Hideyoshi\u003c\/strong\u003e, particularly appreciated \u003cstrong data-start=\"2721\" data-end=\"2730\"\u003eShino\u003c\/strong\u003e, \u003cstrong data-start=\"2732\" data-end=\"2741\"\u003eOribe\u003c\/strong\u003e and \u003cstrong data-start=\"2745\" data-end=\"2756\"\u003eTenmoku\u003c\/strong\u003e glazes, admired for their mystical depth, their \u003cstrong data-start=\"2803\" data-end=\"2812\"\u003eyūgen\u003c\/strong\u003e 幽玄.\u003c\/p\u003e\n\u003ch3 data-end=\"3483\" data-start=\"3466\"\u003e\u003cstrong\u003e🦝 Our opinion\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-is-only-node=\"\" data-is-last-node=\"\" data-end=\"3824\" data-start=\"3485\"\u003eA superb \u003cstrong data-end=\"3519\" data-start=\"3498\"\u003eBeni Shino chawan,\u003c\/strong\u003e which exudes real power and is quite massive! We love its thick white glaze punctuated by rust-brown spots and its more burnt areas near the foot! An ideal piece for matcha enthusiasts, Japanese ceramic collectors, or lovers of \u003cstrong data-end=\"3823\" data-start=\"3810\"\u003ewabi-sabi\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp data-end=\"2696\" data-start=\"2388\"\u003eDiscover the world of tea in our \u003ca title=\"collection of tableware at KOGEDO Japanese antiques: ceramics, lacquerware, porcelain and more\" href=\"https:\/\/kogedo.com\/collections\/arts-de-la-table\"\u003e\u003cstrong data-end=\"2430\" data-start=\"2372\"\u003e\"Tableware Art\" collection.\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e","brand":"KOGEDO","offers":[{"title":"Default Title","offer_id":53993364029779,"sku":"T75","price":135.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0937\/8562\/0819\/files\/chawan-beni-shino-avec-boite-bois-tomobako-et-shiori-keizan.jpg?v=1781334418"},{"product_id":"e-hon-japonais-original-utagawa-yoshikazu-santo-kyozan-bijin-roku-edo-1857","title":"Original illustrated book (e-hon) – Utagawa Yoshikazu \u0026 Santō Kyōzan – The Register of Beauties to the Sound of the Koto – Edo 1857","description":"\u003cp data-start=\"364\" data-end=\"428\"\u003eBook of \u003cstrong\u003eoriginal\u003c\/strong\u003e Ukiyo-e traditional prints, woodblock prints. [\u003cspan style=\"text-decoration: underline;\"\u003eThis work is not a modern reproduction\u003c\/span\u003e]\u003c\/p\u003e\n\u003csection data-turn=\"assistant\" data-scroll-anchor=\"false\" data-testid=\"conversation-turn-16\" data-turn-id=\"request-69f44c72-2e74-8325-89c2-41e7f6f631be-0\" dir=\"auto\" class=\"text-token-text-primary w-full focus:outline-none [--shadow-height:45px] has-data-writing-block:pointer-events-none has-data-writing-block:-mt-(--shadow-height) has-data-writing-block:pt-(--shadow-height) [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto [content-visibility:auto] supports-[content-visibility:auto]:[contain-intrinsic-size:auto_100lvh] R6Vx5W_threadScrollVars scroll-mb-[calc(var(--scroll-root-safe-area-inset-bottom,0px)+var(--thread-response-height))] scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto pb-10 [--thread-content-margin:var(--thread-content-margin-xs,calc(var(--spacing)*4))] @w-sm\/main:[--thread-content-margin:var(--thread-content-margin-sm,calc(var(--spacing)*6))] @w-lg\/main:[--thread-content-margin:var(--thread-content-margin-lg,calc(var(--spacing)*16))] px-(--thread-content-margin)\"\u003e\n\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\"\u003e\n\n\u003cdiv class=\"flex max-w-full flex-col gap-4 grow\"\u003e\n\n\u003cdiv data-turn-start-message=\"true\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal outline-none keyboard-focused:focus-ring [.text-message+\u0026amp;]:mt-1\" data-message-model-slug=\"gpt-5-5-thinking\" dir=\"auto\" data-message-id=\"aad70bc8-044d-4594-96ed-68b698dcdd03\" data-message-author-role=\"assistant\" tabindex=\"0\"\u003e\n\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden\"\u003e\n\n\u003cdiv class=\"markdown prose dark:prose-invert w-full wrap-break-word dark markdown-new-styling\"\u003e\n\n\u003cp data-start=\"164\" data-end=\"288\"\u003e\u003cstrong\u003eObject Type\u003c\/strong\u003e: \u003cstrong data-start=\"184\" data-end=\"207\"\u003eE-hon 絵本 \/ gōkan 合巻\u003c\/strong\u003e, ancient Edo manga, original Japanese illustrated book printed by woodblock\u003c\/p\u003e\n\n\u003cp data-start=\"290\" data-end=\"382\"\u003e\u003cstrong\u003eTitle\u003c\/strong\u003e: \u003cstrong data-start=\"312\" data-end=\"339\"\u003eKinsei Bijin-roku 琴声美人録\u003c\/strong\u003e — \u003cem data-start=\"342\" data-end=\"382\"\u003eThe Record of Beauties with the Sound of Koto\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp data-start=\"452\" data-end=\"537\"\u003e\u003cstrong\u003eVolume\u003c\/strong\u003e: Thirteenth part, lower volume \/ second volume \u003cstrong data-start=\"515\" data-end=\"537\"\u003e十三編 下 Jūsan-ben ge\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp data-start=\"539\" data-end=\"644\"\u003e\u003cstrong\u003eAuthor\u003c\/strong\u003e: \u003cstrong data-start=\"553\" data-end=\"574\"\u003eSantō Kyōzan 山東京山\u003c\/strong\u003e\u003cbr data-start=\"574\" data-end=\"577\"\u003eCover cartouche: \u003cstrong data-start=\"608\" data-end=\"627\"\u003e京山作 Kyōzan saku\u003c\/strong\u003e, work by Kyōzan\u003c\/p\u003e\n\n\u003cp data-start=\"646\" data-end=\"769\"\u003e\u003cstrong\u003eIllustrator\u003c\/strong\u003e: \u003cstrong data-start=\"666\" data-end=\"692\"\u003eUtagawa Yoshikazu 歌川芳員\u003c\/strong\u003e\u003cbr data-start=\"692\" data-end=\"695\"\u003eCover cartouche: \u003cstrong data-start=\"726\" data-end=\"746\"\u003e芳員画 Yoshikazu ga\u003c\/strong\u003e, drawn by Yoshikazu\u003c\/p\u003e\n\n\u003cp data-start=\"771\" data-end=\"894\"\u003e\u003cstrong\u003ePublisher\u003c\/strong\u003e: \u003cstrong data-start=\"786\" data-end=\"810\"\u003eSano-ya Kihei 佐野屋喜兵衛\u003c\/strong\u003e, publishing house \u003cstrong data-start=\"829\" data-end=\"845\"\u003eKikakudō 喜鶴堂\u003c\/strong\u003e\u003cbr data-start=\"845\" data-end=\"848\"\u003ePublisher's seal: \u003cstrong data-start=\"871\" data-end=\"894\"\u003e喜鶴堂梓 Kikakudō azusa\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp data-start=\"896\" data-end=\"1065\"\u003e\u003cstrong\u003eCensorship date\u003c\/strong\u003e: 9th month of the Year of the Rabbit, \u003cstrong data-start=\"948\" data-end=\"959\"\u003eAnsei 2\u003c\/strong\u003e, October 1855\u003cbr data-start=\"973\" data-end=\"976\"\u003eCensorship seals: \u003cstrong data-start=\"1001\" data-end=\"1014\"\u003e改 Aratame\u003c\/strong\u003e, approved, and \u003cstrong data-start=\"1029\" data-end=\"1040\"\u003e卯九 U-Ku\u003c\/strong\u003e, Year of the Rabbit, 9th month\u003c\/p\u003e\n\n\u003cp data-start=\"1067\" data-end=\"1213\"\u003e\u003cstrong\u003eCommercial publication date\u003c\/strong\u003e: New Year of the Year of the Serpent, Ansei 4, \u003cstrong\u003eearly 1857\u003c\/strong\u003e\u003cbr data-start=\"1162\" data-end=\"1165\"\u003eFinal catalog mention: \u003cstrong data-start=\"1199\" data-end=\"1213\"\u003e安政四年丁巳孟春新録\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp data-start=\"1215\" data-end=\"1254\"\u003e\u003cstrong\u003eFormat\u003c\/strong\u003e: approximately \u003cstrong data-start=\"1237\" data-end=\"1254\"\u003e12 cm x 18 cm, \u003c\/strong\u003e\u003cstrong data-start=\"1274\" data-end=\"1286\"\u003e20 pages\u003c\/strong\u003e, \u003cstrong\u003eall illustrated\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp data-start=\"1307\" data-end=\"1339\"\u003e\u003cstrong\u003eOrigin\u003c\/strong\u003e: Japan, Edo period, discovered in Kyoto Prefecture\u003c\/p\u003e\n\n\u003ch3 data-start=\"1341\" data-end=\"1368\"\u003e\u003cstrong\u003eAbout the series:\u003c\/strong\u003e\u003c\/h3\u003e\n\n\u003cp data-start=\"1370\" data-end=\"1759\"\u003e\u003cstrong data-start=\"1370\" data-end=\"1397\"\u003eKinsei Bijin-roku 琴声美人録\u003c\/strong\u003e, also abbreviated \u003cstrong data-start=\"1412\" data-end=\"1430\"\u003eBijin-roku 美人録\u003c\/strong\u003e, is a long series of popular illustrated novels of the \u003cstrong data-start=\"1492\" data-end=\"1504\"\u003egōkan 合巻\u003c\/strong\u003e type, published at the end of the Edo period. The \u003cstrong data-start=\"1543\" data-end=\"1552\"\u003egōkan\u003c\/strong\u003e is an illustrated narrative book, printed by woodblock, very popular in the 19th century: a form of visual serialized novel that can clearly be considered the \u003cstrong\u003eancestor of manga\u003c\/strong\u003e!\u003c\/p\u003e\n\n\u003cp data-start=\"1761\" data-end=\"2272\"\u003eThe complete series has \u003cstrong data-start=\"1786\" data-end=\"1816\"\u003e17 parts with 2 volumes, totaling about 34 volumes\u003c\/strong\u003e, which testifies to its true success. As often in large gōkan series, several illustrators from the Utagawa school followed one another over the volumes, notably \u003cstrong data-start=\"1996\" data-end=\"2016\"\u003eUtagawa Toyokuni\u003c\/strong\u003e, \u003cstrong data-start=\"2018\" data-end=\"2038\"\u003eUtagawa Kuniteru\u003c\/strong\u003e, \u003cstrong data-start=\"2040\" data-end=\"2065\"\u003eTachikawasai Kunisato\u003c\/strong\u003e and \u003cstrong data-start=\"2069\" data-end=\"2090\"\u003eUtagawa Yoshikazu\u003c\/strong\u003e. A particularly interesting point: \u003cstrong data-start=\"2134\" data-end=\"2182\"\u003eYoshikazu only intervened in the 13th part\u003c\/strong\u003e, which makes this copy a specific volume!\u003c\/p\u003e\n\n\u003ch3 data-start=\"2274\" data-end=\"2301\"\u003e\u003cstrong\u003eAbout the author:\u003c\/strong\u003e\u003c\/h3\u003e\n\n\u003cp data-start=\"2303\" data-end=\"2594\"\u003e\u003cstrong data-start=\"2303\" data-end=\"2324\"\u003eSantō Kyōzan 山東京山\u003c\/strong\u003e, born \u003cstrong data-start=\"2329\" data-end=\"2349\"\u003eIwase Kyōji 岩瀬京治\u003c\/strong\u003e, is one of the great figures of popular literature from the late Edo period. Younger brother of the famous \u003cstrong data-start=\"2459\" data-end=\"2480\"\u003eSantō Kyōden 山東京伝\u003c\/strong\u003e, he built a long and prolific career, mainly in the field of \u003cstrong data-start=\"2565\" data-end=\"2574\"\u003egōkan\u003c\/strong\u003e and \u003cstrong data-start=\"2582\" data-end=\"2593\"\u003eyomihon\u003c\/strong\u003e.\u003c\/p\u003e\n\n\u003cp data-start=\"2596\" data-end=\"3214\"\u003eHe collaborated with great artists from the Utagawa school, including \u003cstrong data-start=\"2914\" data-end=\"2941\"\u003eKunisada \/ Toyokuni III\u003c\/strong\u003e, \u003cstrong data-start=\"2943\" data-end=\"2956\"\u003eKuniyoshi\u003c\/strong\u003e, \u003cstrong data-start=\"2958\" data-end=\"2971\"\u003eHiroshige\u003c\/strong\u003e and here \u003cstrong data-start=\"2979\" data-end=\"3000\"\u003eUtagawa Yoshikazu\u003c\/strong\u003e. He died in 1858 at the remarkable age of 89, almost embodying the living memory of Edo's cultural golden age alone. This volume, published in 1857, therefore belongs to the very end of his career.\u003c\/p\u003e\n\n\u003ch3 data-start=\"3216\" data-end=\"3244\"\u003e\u003cstrong\u003eAbout the artist:\u003c\/strong\u003e\u003c\/h3\u003e\n\n\u003cp data-start=\"3246\" data-end=\"3552\"\u003e\u003cstrong data-start=\"3246\" data-end=\"3272\"\u003eUtagawa Yoshikazu 歌川芳員\u003c\/strong\u003e is an artist from the Utagawa school, active in the mid-19th century. A student of \u003cstrong data-start=\"3349\" data-end=\"3370\"\u003eUtagawa Kuniyoshi\u003c\/strong\u003e, he is known for his narrative scenes, warrior prints, illustrations of popular books, and later, his images related to the opening of Japan and Yokohama-e.\u003c\/p\u003e\n\n\u003cp data-start=\"3554\" data-end=\"3797\"\u003eIn this volume, Yoshikazu accompanies the narrative with a wealth of detail: women in kimonos, indoor scenes, Japanese gardens, boat rides, noble characters, popular figures, and a dramatic confrontation scene.\u003c\/p\u003e\n\n\u003ch3 data-start=\"3799\" data-end=\"3811\"\u003e\u003cstrong\u003eSubject:\u003c\/strong\u003e\u003c\/h3\u003e\n\n\u003cp data-start=\"3813\" data-end=\"4058\"\u003eThis ancient Japanese illustrated book belongs both to the world of \u003cstrong data-start=\"3883\" data-end=\"3899\"\u003ebijin-ga 美人画\u003c\/strong\u003e, with its many depictions of elegant women in kimonos, and \u003cstrong data-start=\"3973\" data-end=\"3990\"\u003efūzoku-ga 風俗画\u003c\/strong\u003e, with its scenes of daily life, travel, receptions, and society.\u003c\/p\u003e\n\n\u003cp data-start=\"4060\" data-end=\"4513\"\u003eThe episode visible in this volume seems to open around \u003cstrong data-start=\"4119\" data-end=\"4140\"\u003eKiyokawa 清川 \/ きよ川\u003c\/strong\u003e and the ladies of her household, who welcome \u003cstrong data-start=\"4187\" data-end=\"4201\"\u003eKurōta 九郎太\u003c\/strong\u003e, a vassal of the Imadegawa house. The following pages unfold a refined world of late Edo: conversations in interiors, women in kimonos under flowers, a procession with servants, a boat ride in a Japanese garden, a reception, exchanges between characters, and scenes of aristocratic life.\u003c\/p\u003e\n\n\u003cp data-start=\"4515\" data-end=\"4797\"\u003eThen the narrative seems to turn to discord, \u003cstrong data-start=\"4563\" data-end=\"4573\"\u003eKurōta\u003c\/strong\u003e appears to be unmasked or compromised. The most spectacular scene then shows \u003cstrong data-start=\"4711\" data-end=\"4744\"\u003eKiyokawa armed with a naginata\u003c\/strong\u003e, confronting Kurōta, who appears wounded and subdued.\u003c\/p\u003e\n\n\u003cp data-start=\"4799\" data-end=\"5155\"\u003eThis is one of the strongest images in the volume: Kiyokawa is not depicted as a mere beautiful woman, but as a true \u003cstrong data-start=\"4947\" data-end=\"4965\"\u003eaction heroine\u003c\/strong\u003e, almost a warrior. She appears to confront, defeat, and arrest the antagonist, before the women go to Lord \u003cstrong data-start=\"5097\" data-end=\"5126\"\u003eImadegawa 今出川\u003c\/strong\u003e to report to him.\u003c\/p\u003e\n\n\u003ch3 data-start=\"5157\" data-end=\"5183\"\u003e\u003cstrong\u003eHistorical particularity:\u003c\/strong\u003e\u003c\/h3\u003e\n\n\u003cp data-start=\"5185\" data-end=\"5375\"\u003eThis volume bears a particularly interesting dating. The censorship seals \u003cstrong data-start=\"5267\" data-end=\"5280\"\u003eAratame 改\u003c\/strong\u003e and \u003cstrong data-start=\"5284\" data-end=\"5295\"\u003e卯九\u003c\/strong\u003e indicate validation of the woodblock prints in October 1855.\u003c\/p\u003e\n\n\u003cp data-start=\"5377\" data-end=\"5787\"\u003eA few weeks later, the \u003cstrong data-start=\"5409\" data-end=\"5433\"\u003eGreat Ansei Earthquake\u003c\/strong\u003e struck Edo on November 11, 1855, devastating many artisan, publisher, and printer districts. However, the final catalog of this copy bears a commercial date of \u003cstrong data-start=\"5615\" data-end=\"5636\"\u003eNew Year Ansei 4\u003c\/strong\u003e, early 1857. This delay of approximately 18 months suggests a publication or re-release after the major disruptions caused by the catastrophe.\u003c\/p\u003e\n\n\u003ch3 data-start=\"5789\" data-end=\"5800\"\u003e\n\n\u003cstrong\u003eCondition\u003c\/strong\u003e:\u003c\/h3\u003e\n\n\u003cp data-start=\"5802\" data-end=\"6118\"\u003eVery beautiful antique copy, the cover is in perfect condition, the colors are very beautiful. The pages are very well preserved with no tears. There are some traces of handling on the page edges and between 1 and 3 small wormholes present on all right-hand pages (see photos.)\u003c\/p\u003e\n\n\u003ch3 data-start=\"6297\" data-end=\"6322\"\u003e🦝\u003cstrong\u003eOur opinion:\u003c\/strong\u003e\n\n\u003c\/h3\u003e\n\n\u003cp data-start=\"6324\" data-end=\"6532\"\u003eAn exceptional piece for KOGEDO: a true \u003cstrong data-start=\"6381\" data-end=\"6402\"\u003eantique Edo manga\u003c\/strong\u003e, printed in Japan nearly 170 years ago, combining popular literature, ukiyo-e prints, scenes of life, and renowned artists!\u003c\/p\u003e\n\n\u003cp data-start=\"6534\" data-end=\"6859\"\u003eWe particularly love \u003cstrong data-start=\"6801\" data-end=\"6858\"\u003eKiyokawa, the \"badass\" heroine of this volume! We love that she is not just beautiful but also strong, armed with her naginata, she is the one who stops Kurōta\u003c\/strong\u003e.\u003c\/p\u003e\n\n\u003cp data-start=\"6861\" data-end=\"7134\"\u003eAn amazingly modern image in a popular book from the Edo period!\u003c\/p\u003e\n\n\u003cp data-start=\"7136\" data-end=\"7450\" data-is-last-node=\"\" data-is-only-node=\"\"\u003eA rare original illustrated book at the crossroads of \u003cstrong data-start=\"7186\" data-end=\"7209\"\u003eJapanese antiquity\u003c\/strong\u003e, \u003cstrong data-start=\"7214\" data-end=\"7237\"\u003ecollector's books\u003c\/strong\u003e, \u003cstrong data-start=\"7244\" data-end=\"7274\"\u003eancient Japanese prints\u003c\/strong\u003e and the \u003cstrong\u003ehistory of manga!\u003c\/strong\u003e\u003c\/p\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003c\/section\u003e\n\u003cp\u003eDiscover all our authentic prints in our collection of \u003ca title=\"Authentic Japanese prints by Kunisada and other masters\" href=\"https:\/\/kogedo.com\/collections\/estampes-japonaises\"\u003e\u003cstrong data-end=\"1322\" data-start=\"1299\"\u003eJapanese prints\u003c\/strong\u003e.\u003c\/a\u003e\u003c\/p\u003e","brand":"KOGEDO","offers":[{"title":"Default Title","offer_id":54009728860499,"sku":"E248","price":310.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0937\/8562\/0819\/files\/kinsei-bijinroku-couverture-manga-edo-utagawa-yoshikazu.jpg?v=1781604811"},{"product_id":"tasse-antique-porcelaine-ko-imari-tojin-zu-karako-edo-meiji","title":"Antique Japanese Ko-Imari Porcelain Cup - Tōjin-zu (Chinese Scholar and Child) Scene - 18th-19th Century","description":"\u003ch3\u003e\u003cstrong\u003eFeatures\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eOrigin:\u003c\/strong\u003e Japan, Arita (有田), former Hizen Province\u003cbr\u003e\u003cstrong\u003ePeriod:\u003c\/strong\u003e Late Edo or very early Meiji period, late 18th – mid-19th century\u003cbr\u003e\u003cstrong\u003eType:\u003c\/strong\u003e Ko-Imari (古伊万里) – Imari-yaki (伊万里焼)\u003cbr\u003e\u003cstrong\u003eMaterial:\u003c\/strong\u003e Japanese porcelain\u003cbr\u003e\u003cstrong\u003eDecoration:\u003c\/strong\u003e Hand-painted Tōjin-zu (唐人図), Chinese scholar and karako (唐子) child\u003cbr\u003e\u003cstrong\u003eColors:\u003c\/strong\u003e Underglaze cobalt blue, aka-e red, green, manganese brown, gilded accents\u003cbr\u003e\u003cstrong\u003eDiameter:\u003c\/strong\u003e approx. 8.3 cm\u003cbr\u003e\u003cstrong\u003eHeight:\u003c\/strong\u003e approx. 7.5 cm\u003cbr\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e approx. 152 g\u003cbr\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Very good antique condition, slight signs of age, small firing irregularities related to old artisanal manufacturing, no major flaws\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eDescription\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eA very beautiful \u003cstrong\u003eKo-Imari Japanese porcelain cup\u003c\/strong\u003e, produced in the style of the \u003cstrong\u003eArita\u003c\/strong\u003e workshops, in the former Hizen Province.\u003c\/p\u003e\n\u003cp\u003eAn old piece, probably from the \u003cstrong\u003elate Edo period\u003c\/strong\u003e, which can be cautiously dated between the \u003cstrong\u003elate 18th century and the first half of the 19th century\u003c\/strong\u003e. It belongs to those \u003cstrong\u003ehand-painted\u003c\/strong\u003e Imari porcelains, which are both refined, lively, and full of character.\u003c\/p\u003e\n\u003cp\u003eThe shape is simple and balanced: a Japanese tea cup \u003cstrong\u003eyunomi\u003c\/strong\u003e, adopting the traditional and refined shape of choko goblets, with a discreet ring foot and a slightly flared silhouette. Its pleasant size allows for decorative use or as part of a Japanese tableware collection.\u003c\/p\u003e\n\u003cp\u003eThe exterior decoration depicts a Chinese scene, called \u003cstrong\u003eTōjin-zu 唐人図\u003c\/strong\u003e, with a \u003cstrong\u003eChinese scholar accompanied by a karako 唐子 child\u003c\/strong\u003e in a garden. It features a stylized pine, a red fence, architectural elements, and an elegant blue medallion enhanced with gold in the \u003cb\u003eKinrande\u003c\/b\u003e (金襴手) style. These scenes were very popular during the Edo period.\u003c\/p\u003e\n\u003cp\u003eThe palette is typical of the \u003cstrong\u003eold Imari\u003c\/strong\u003e world: underglaze cobalt blue, iron red, enameled greens, and golden touches. The green foliage, blue geometric friezes, and decorative reserves give the whole a lot of rhythm.\u003c\/p\u003e\n\u003cp\u003eUnder magnification, charming \u003cstrong\u003eworkshop irregularities\u003c\/strong\u003e are visible in the photos: firing marks, occasional traces of underglaze blue, variations in the glazes, and hand-applied golden accents. These details enhance the authenticity of this old Japanese porcelain.\u003c\/p\u003e\n\u003cp\u003eThe reverse is unmarked, which is common for this type of \u003cstrong\u003eArita \/ Imari\u003c\/strong\u003e production. The foot shows wear consistent with the age of the piece.\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003e🦝 Our Opinion\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eA very beautiful \u003cstrong\u003eantique Imari cup\u003c\/strong\u003e, full of charm and personality.\u003cbr\u003eWe particularly like its typical Edo period decoration: \u003cstrong\u003eTōjin-zu\u003c\/strong\u003e, the duo of the scholar and the little \u003cstrong\u003ekarako\u003c\/strong\u003e, as well as the beautiful irregularities that tell the story of the artisan's hand. \u003c\/p\u003e\n\u003cp\u003eA superb piece nearly 2 centuries old to enhance your table or simply to display!\u003c\/p\u003e\n\u003cp\u003e\u003ca title=\"tableware collection at KOGEDO Japanese brocante: ceramics, lacquers, porcelains and much more\" href=\"https:\/\/kogedo.com\/collections\/arts-de-la-table\"\u003e\u003cstrong\u003eAlso discover our “Tableware” collection\u003c\/strong\u003e\u003c\/a\u003e, where other porcelains, as well as lacquers and ceramics, perpetuate the elegance and delicacy of Japanese craftsmanship.\u003c\/p\u003e","brand":"KOGEDO","offers":[{"title":"Default Title","offer_id":54018620490067,"sku":"TAP25","price":98.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0937\/8562\/0819\/files\/tasse-porcelaine-japonaise-imari-ancienne-tojinzu-karako-arita.jpg?v=1781683652"},{"product_id":"kokeshi-japonaise-vintage-naruko-ginzan-oshin-chrysanthemes-signee-mamoru-izu-31cm","title":"Rare vintage Japanese Kokeshi – Naruko Ginzan Oshin – Chrysanthemums – signed Mamoru Izu (伊豆守) – 31 cm","description":"\u003ch3 data-start=\"18\" data-end=\"41\" class=\"PDq2pG_selectionAnchorContainer\"\u003e📐 \u003cstrong data-start=\"21\" data-end=\"41\"\u003eFeatures\u003c\/strong\u003e\u003cspan aria-hidden=\"true\" class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\n\n\u003c\/h3\u003e\n\u003cp data-start=\"43\" data-end=\"377\"\u003e\u003cstrong data-start=\"43\" data-end=\"56\"\u003eOrigin:\u003c\/strong\u003e Japan, Ginzan Onsen (Yamagata), unearthed in the prefecture of \u003cbr data-start=\"129\" data-end=\"132\"\u003e\u003cstrong data-start=\"132\" data-end=\"143\"\u003eStyle:\u003c\/strong\u003e Traditional Kokeshi – Naruko (Ginzan-kei sub-style)\u003cbr data-start=\"199\" data-end=\"202\"\u003e\u003cstrong data-start=\"202\" data-end=\"215\"\u003eArtisan:\u003c\/strong\u003e Mamoru Izu (伊豆護)\u003cbr data-start=\"232\" data-end=\"235\"\u003e\u003cstrong data-start=\"235\" data-end=\"247\"\u003eEstimated Period:\u003c\/strong\u003e 1980s (Shōwa era)\u003cbr data-start=\"271\" data-end=\"274\"\u003e\u003cstrong data-start=\"274\" data-end=\"288\"\u003eMaterial:\u003c\/strong\u003e Turned wood, hand-painted\u003cbr data-start=\"317\" data-end=\"320\" data-is-only-node=\"\"\u003e\u003cstrong data-start=\"320\" data-end=\"333\"\u003eHeight:\u003c\/strong\u003e 31 cm\u003cbr data-start=\"339\" data-end=\"342\"\u003e\u003cstrong data-start=\"342\" data-end=\"352\"\u003eCondition:\u003c\/strong\u003e Excellent vintage condition\u003c\/p\u003e\n\u003ch3 data-start=\"379\" data-end=\"423\"\u003e\u003cstrong data-start=\"382\" data-end=\"423\"\u003eThe artisan Mamoru Izu (伊豆護, 1925–2019)\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-start=\"99\" data-end=\"498\" class=\"PDq2pG_selectionAnchorContainer\"\u003eMamoru Izu is an important figure in the \u003cstrong data-start=\"149\" data-end=\"159\"\u003eNaruko\u003c\/strong\u003e lineage, and more specifically of the \u003cstrong data-start=\"195\" data-end=\"209\"\u003eGinzan-kei\u003c\/strong\u003e style. Born in 1925 in \u003cstrong data-start=\"224\" data-end=\"243\"\u003eGinzan Shinhata\u003c\/strong\u003e, he grew up in a family of wood artisans. His older brother, \u003cstrong data-start=\"309\" data-end=\"322\"\u003eIzu Sadao\u003c\/strong\u003e, had learned woodturning from \u003cstrong data-start=\"358\" data-end=\"374\"\u003eAndō Reitarō\u003c\/strong\u003e, but passed away prematurely in 1938. Mamoru Izu therefore largely trained himself in \u003cstrong data-start=\"464\" data-end=\"476\"\u003ekijibiki\u003c\/strong\u003e, the art of woodturning.\u003cspan aria-hidden=\"true\" class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-start=\"500\" data-end=\"849\"\u003eAfter the war, he resumed his activity as an artisan in Ginzan, initially making toys, spinning tops, and small wooden objects. His production of \u003cstrong data-start=\"639\" data-end=\"650\"\u003ekokeshi\u003c\/strong\u003e probably began between the late 1940s and the 1950s. From the 1960s, he studied his brother's works, enriched his motifs, and gradually developed his own forms.\u003c\/p\u003e\n\u003cp data-start=\"851\" data-end=\"1089\" data-is-last-node=\"\" data-is-only-node=\"\"\u003eHe is particularly sought after today for his \u003cstrong data-start=\"906\" data-end=\"930\"\u003eGinzan Oshin kokeshi\u003c\/strong\u003e, recognizable by their \u003cstrong data-start=\"964\" data-end=\"974\"\u003eokappa\u003c\/strong\u003e hairstyle, large expressive eyes, subtle softness, and their connection to the world of the famous Japanese drama \"\u003cstrong data-start=\"1079\" data-end=\"1088\"\u003eOshin\u003c\/strong\u003e.\"\u003c\/p\u003e\n\u003ch3 data-start=\"854\" data-end=\"869\"\u003e\u003cstrong data-start=\"854\" data-end=\"869\"\u003eDescription\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-start=\"871\" data-end=\"1347\"\u003eThis \u003cstrong data-start=\"877\" data-end=\"899\"\u003eGinzan-kei kokeshi\u003c\/strong\u003e reveals a beautiful balance between the presence of \u003cstrong data-start=\"942\" data-end=\"955\"\u003eraw wood\u003c\/strong\u003e and the delicacy of the \u003cstrong\u003epainted decoration\u003c\/strong\u003e. Her face, soberly and gently drawn, expresses a calm, almost dreamy serenity. The black \u003cstrong data-start=\"1088\" data-end=\"1098\"\u003eokappa\u003c\/strong\u003e hairstyle is punctuated by a discreet red \u003cstrong data-start=\"1125\" data-end=\"1135\"\u003ejanome\u003c\/strong\u003e on top. The body reveals the grain and knots of the turned wood, enriched with \u003cstrong data-start=\"1225\" data-end=\"1249\"\u003ered chrysanthemums\u003c\/strong\u003e of various quite original styles.\u003c\/p\u003e\n\u003cp data-start=\"1349\" data-end=\"1590\"\u003eThis \u003cstrong data-start=\"1361\" data-end=\"1378\"\u003eOshin kokeshi\u003c\/strong\u003e style is linked to the character of Oshin, heroine of the cult Japanese TV series from the 1980s. In the series, a similar doll is given to her by her mother, becoming a strong symbol of love, memory, and transmission.\u003c\/p\u003e\n\u003ch3 data-start=\"1592\" data-end=\"1611\"\u003e🦝 \u003cstrong data-start=\"1595\" data-end=\"1611\"\u003eOur opinion:\u003c\/strong\u003e\n\n\u003c\/h3\u003e\n\u003cp data-start=\"1613\" data-end=\"1820\" data-is-last-node=\"\" data-is-only-node=\"\"\u003eA rare and very endearing \u003cstrong data-start=\"1625\" data-end=\"1636\"\u003ekokeshi\u003c\/strong\u003e style. We love the varnished wood, the beautiful natural grain, and the charming red chrysanthemums. A truly authentic collector's item, bright and modern!\u003c\/p\u003e\n\u003cp\u003eWant to delve deeper into the world of traditional Japanese dolls?\u003cbr data-start=\"298\" data-end=\"301\"\u003e→ Discover all our \u003cstrong data-start=\"324\" data-end=\"347\"\u003eartisan kokeshi\u003c\/strong\u003e in \u003ca href=\"https:\/\/kogedo.com\/collections\/kokeshi\" title=\"Discover our collection of artisan Japanese kokeshi: traditional wooden dolls from Tōhoku, unique signed pieces, Naruko, Tsuchiyu, Yajirō styles…\"\u003eour KOGEDO collection\u003c\/a\u003e\u003c\/p\u003e","brand":"KOGEDO","offers":[{"title":"Default Title","offer_id":54115034890579,"sku":"K133","price":79.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0937\/8562\/0819\/files\/kokeshi-traditionnelle-ginzan-onsen-mamoru-izu-31cm.jpg?v=1782545252"},{"product_id":"estampe-japonaise-originale-utagawa-kuniyoshi-sayo-no-nakayama-yonaki-ishi-53-associations-tokaido-edo-1843","title":"Original Japanese woodblock print – Utagawa Kuniyoshi – Sayo no Nakayama yonaki-ishi – The 53 Parallels for the Tōkaidō – Edo 1843-45","description":"\u003cp\u003e\u003cstrong\u003eOriginal\u003c\/strong\u003e traditional Ukiyo-e print, woodblock print. \u003cspan style=\"text-decoration: underline;\"\u003e[This print is not a modern reproduction]\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv data-is-intersecting=\"true\" data-turn-id-container=\"request-WEB:6fb25d3b-b2a1-4ab9-adde-309ea71ac181-9\" class=\"\"\u003e\n\n\u003csection data-turn=\"assistant\" data-testid=\"conversation-turn-20\" data-turn-id-container=\"request-WEB:6fb25d3b-b2a1-4ab9-adde-309ea71ac181-9\" data-turn-id=\"request-WEB:6fb25d3b-b2a1-4ab9-adde-309ea71ac181-9\" dir=\"auto\" class=\"text-token-text-primary w-full focus:outline-none has-data-writing-block:pointer-events-none [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto R6Vx5W_threadScrollVars scroll-mb-[calc(var(--scroll-root-safe-area-inset-bottom,0px)+var(--thread-response-height))] scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto [--thread-content-margin:var(--thread-content-margin-xs,calc(var(--spacing)*4))] @w-sm\/main:[--thread-content-margin:var(--thread-content-margin-sm,calc(var(--spacing)*6))] @w-lg\/main:[--thread-content-margin:var(--thread-content-margin-lg,calc(var(--spacing)*16))] px-(--thread-content-margin)\"\u003e\n\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\" data-conversation-screenshot-content=\"\"\u003e\n\n\u003cdiv class=\"flex max-w-full flex-col gap-4 grow\"\u003e\n\n\u003cdiv class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal outline-none keyboard-focused:focus-ring [.text-message+\u0026amp;]:mt-1\" data-message-model-slug=\"gpt-5-6-thinking\" dir=\"auto\" data-message-id=\"31e1314e-4028-46b3-a050-fbaf554e0ab2\" data-message-author-role=\"assistant\"\u003e\n\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden\"\u003e\n\n\u003cdiv class=\"markdown prose dark:prose-invert wrap-break-word w-full dark markdown-new-styling\"\u003e\n\n\u003cp class=\"\" data-end=\"244\" data-start=\"109\"\u003e\u003cstrong data-end=\"129\" data-start=\"109\"\u003ePrint type:\u003c\/strong\u003e \u003cstrong data-end=\"163\" data-start=\"130\"\u003eFantastic Ukiyo-e – yūrei-e\u003c\/strong\u003e, print dedicated to a ghost and a famous Japanese supernatural legend.\u003c\/p\u003e\n\n\u003cp class=\"\" data-end=\"244\" data-start=\"109\"\u003e\u003cstrong data-end=\"1051\" data-start=\"1036\"\u003eTechnique:\u003c\/strong\u003e Polychrome woodblock print \u003cstrong data-end=\"1096\" data-start=\"1080\"\u003enishiki-e 錦絵\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp data-end=\"367\" data-start=\"246\"\u003e\u003cstrong data-end=\"285\" data-start=\"249\"\u003eArtist: Utagawa Kuniyoshi 歌川国芳 \u003c\/strong\u003eSigned \u003cstrong data-end=\"328\" data-start=\"295\"\u003eIchiyūsai Kuniyoshi ga 一勇斎国芳画\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp data-end=\"443\" data-start=\"369\"\u003e📅 \u003cstrong data-end=\"407\" data-start=\"372\"\u003ePublication date: circa 1843–1845\u003c\/strong\u003e, Edo period\u003c\/p\u003e\n\n\u003cp data-end=\"964\" data-start=\"795\"\u003e\u003cstrong data-end=\"834\" data-start=\"798\"\u003ePublisher: Ibaya Senzaburō 伊場屋仙三郎 \u003c\/strong\u003eDansendō.\u003c\/p\u003e\n\n\u003cp data-end=\"1034\" data-start=\"966\"\u003e\u003cstrong data-end=\"995\" data-start=\"966\"\u003eCensor's seal:\u003c\/strong\u003e Nanushi \u003cstrong data-end=\"1033\" data-start=\"1008\"\u003eMurata Heiemon 村田平右衛門\u003c\/strong\u003e.\u003c\/p\u003e\n\n\u003cp data-end=\"1210\" data-start=\"1154\"\u003e\u003cstrong data-end=\"1186\" data-start=\"1157\"\u003eFormat\u003c\/strong\u003e: Ōban tate-e 大判竪絵, large vertical format. Approximately 36 × 24.5 cm.\u003c\/p\u003e\n\n\u003cp data-end=\"1289\" data-start=\"1252\"\u003e\u003cstrong data-end=\"1289\" data-start=\"1252\"\u003eOrigin: \u003c\/strong\u003eJapan, found in Kanagawa Prefecture\u003c\/p\u003e\n\n\u003cp data-end=\"1289\" data-start=\"1252\"\u003e\u003cstrong\u003eSeries: 東海道五十三対 – Tōkaidō gojūsan tsui\u003cstrong data-start=\"36\" data-end=\"70\"\u003e. \u003cstrong data-end=\"2115\" data-start=\"2058\"\u003e\u003cem\u003e“\u003c\/em\u003e\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/strong\u003e\u003cem\u003e\u003cstrong data-end=\"1409\" data-start=\"1358\"\u003eThe Fifty-three Pairings of the Tōkaidō”\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp data-end=\"1682\" data-start=\"1411\"\u003eThis series was created jointly by three great masters of the Utagawa school: \u003cstrong data-end=\"1532\" data-start=\"1496\"\u003eHiroshige, Kunisada, and Kuniyoshi\u003c\/strong\u003e. Each print associates a stage of the famous Tōkaidō road with a legend, a historical account, a literary anecdote, or a local tradition.\u003c\/p\u003e\n\n\u003cstrong data-end=\"2115\" data-start=\"2058\"\u003eTitle: 日坂 — Nissaka, 小夜の中山夜啼石 — Sayo no Nakayama yonaki-ishi \u003c\/strong\u003e\n\u003cp data-end=\"2115\" data-start=\"2058\"\u003e\u003cstrong data-end=\"2115\" data-start=\"2058\"\u003e\u003cem\u003e“Nissaka Station, The Night-Weeping Stone of Sayo no Nakayama”\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003ch3 data-end=\"6817\" data-start=\"6782\" data-section-id=\"1j5vbzo\"\u003e\u003cspan role=\"text\"\u003e\u003cstrong data-end=\"6817\" data-start=\"6785\"\u003eAbout Utagawa Kuniyoshi:\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\n\u003cp data-end=\"7115\" data-start=\"6819\"\u003e\u003cstrong data-end=\"6851\" data-start=\"6819\"\u003eUtagawa Kuniyoshi, 1797–1861\u003c\/strong\u003e, was one of the most inventive artists of the late Edo period. A major member of the Utagawa school, he excelled in warrior prints, historical narratives, kabuki actors, humorous animals, and, above all, fantastic subjects.\u003c\/p\u003e\n\n\u003cp data-end=\"7524\" data-start=\"7117\"\u003eHis depictions of specters are distinguished by their great graphic power: fluid forms, dematerialized silhouettes, pale bodies, and striking contrasts between the living and the dead. He is now one of the most popular ukiyo-e artists. His fantastic prints are highly sought after.\u003c\/p\u003e\n\n\u003ch3 data-end=\"2590\" data-start=\"2117\"\u003e\u003cstrong\u003eSubject:\u003c\/strong\u003e\u003c\/h3\u003e\n\nThis print illustrates the legend of the \u003cstrong data-end=\"2139\" data-start=\"2120\"\u003eYonaki-ishi 夜啼石\u003c\/strong\u003e, or \"Night-Weeping Stone\". Nissaka was located on a particularly steep and formerly dangerous section of the Tōkaidō, known for its wooded passages and the presence of bandits.\u003c\/div\u003e\n\n\u003cdiv class=\"markdown prose dark:prose-invert wrap-break-word w-full dark markdown-new-styling\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\n\u003cdiv class=\"markdown prose dark:prose-invert wrap-break-word w-full dark markdown-new-styling\"\u003eThe \u003cstrong\u003eprinted text\u003c\/strong\u003e on the print explains the legend:\u003c\/div\u003e\n\n\u003cdiv class=\"markdown prose dark:prose-invert wrap-break-word w-full dark markdown-new-styling\"\u003e\n\n\u003cp data-start=\"0\" data-end=\"217\" class=\"PDq2pG_selectionAnchorContainer\"\u003e\u003cem\u003e\"Once upon a time, in this post town, lived \u003cstrong data-start=\"34\" data-end=\"74\"\u003ea pregnant woman, wife of a certain rōnin\u003c\/strong\u003e. Her husband had gone to \u003cstrong data-start=\"104\" data-end=\"142\"\u003eAzuma, in the eastern provinces\u003c\/strong\u003e, to fulfill \u003cstrong data-start=\"161\" data-end=\"186\"\u003ehis duty of loyalty\u003c\/strong\u003e, and she awaited his return.\u003cspan aria-hidden=\"true\" class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp data-start=\"219\" data-end=\"449\"\u003e\u003cem\u003eOne night, in \u003cstrong data-start=\"234\" data-end=\"260\"\u003ethe pine forest of Kutsukake\u003c\/strong\u003e, at \u003cstrong data-start=\"264\" data-end=\"284\"\u003eSayo no Nakayama\u003c\/strong\u003e, a brigand appeared. He pursued her with his desire, and as she would not yield, \u003cstrong data-start=\"366\" data-end=\"398\"\u003ehe killed her with a sword stroke\u003c\/strong\u003e, then disappeared without anyone knowing where he had gone.\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp data-start=\"451\" data-end=\"652\"\u003e\u003cem\u003e\u003cstrong data-start=\"451\" data-end=\"461\"\u003eKannon\u003c\/strong\u003e, whom this woman prayed to every day, appeared in the form of a monk. She gave \u003cstrong data-start=\"542\" data-end=\"575\"\u003ea sweet candy to the infant\u003c\/strong\u003e the deceased was carrying and ensured that \u003cstrong data-start=\"631\" data-end=\"651\"\u003ethe child survived\u003c\/strong\u003e.\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp data-start=\"654\" data-end=\"891\"\u003e\u003cem\u003eThe husband knew nothing of these events. But, after having \u003cstrong data-start=\"718\" data-end=\"737\"\u003ea fateful dream\u003c\/strong\u003e, he hastened to return home. On the way, he heard the story of \u003cstrong data-start=\"821\" data-end=\"853\"\u003ethe Night-Weeping Stone\u003c\/strong\u003e, which further increased his anxiety.\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp data-start=\"893\" data-end=\"1127\"\u003e\u003cem\u003eAs night fell, he passed by the stone, in \u003cstrong data-start=\"948\" data-end=\"974\"\u003ethe pine forest of Kutsukake\u003c\/strong\u003e. \u003cstrong data-start=\"976\" data-end=\"1004\"\u003eThe ghost of his wife\u003c\/strong\u003e appeared to him, recounted in detail everything that had happened, and handed him \u003cstrong data-start=\"1081\" data-end=\"1126\"\u003ethe infant she was carrying\u003c\/strong\u003e.\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp data-start=\"1129\" data-end=\"1223\" data-is-last-node=\"\" data-is-only-node=\"\"\u003e\u003cem\u003eFrom then on, \u003cstrong data-start=\"1139\" data-end=\"1173\"\u003eher soul remained attached to him\u003c\/strong\u003e, until he finally \u003cstrong data-start=\"1204\" data-end=\"1222\"\u003eavenged her death\u003c\/strong\u003e.\"\u003c\/em\u003e\u003c\/p\u003e\n\n\n\u003c\/div\u003e\n\n\u003cdiv class=\"markdown prose dark:prose-invert wrap-break-word w-full dark markdown-new-styling\"\u003e\n\n\u003ch3 data-end=\"7877\" data-start=\"7804\"\u003e\u003cb\u003eCondition:\u003c\/b\u003e\u003c\/h3\u003e\n\n\u003cp data-end=\"7877\" data-start=\"7804\"\u003eVery good general condition, colors very well preserved. Some wormholes mainly in the text at the top left.\u003c\/p\u003e\n\n\n\u003c\/div\u003e\n\n\u003ch3 class=\"markdown prose dark:prose-invert wrap-break-word w-full dark markdown-new-styling\"\u003e\u003cstrong\u003e🦝 Our opinion:\u003c\/strong\u003e\u003c\/h3\u003e\n\n\u003cdiv class=\"markdown prose dark:prose-invert wrap-break-word w-full dark markdown-new-styling\"\u003e\n\n\u003cp data-end=\"8881\" data-start=\"8662\"\u003eThis print brings together everything that makes the strength of a \u003cstrong data-end=\"8737\" data-start=\"8712\"\u003efantastic Kuniyoshi\u003c\/strong\u003e: a famous Tōkaidō legend, a spectral apparition, a masterful nocturnal composition, and an emotion-laden narrative.\u003c\/p\u003e\n\n\u003cp data-end=\"9415\" data-start=\"9159\"\u003eWe love the staging by the genius Kuniyoshi! The atmosphere is superb with the moon suspended between the pines and the rōnin holding the infant. Obviously, a big crush on the ghost!\u003c\/p\u003e\n\n\u003cp data-end=\"9415\" data-start=\"9159\"\u003eA major piece for a collector of \u003cstrong data-end=\"9474\" data-start=\"9461\"\u003eKuniyoshi\u003c\/strong\u003e, \u003cstrong data-end=\"9489\" data-start=\"9478\"\u003eukiyo-e\u003c\/strong\u003e, \u003cstrong data-end=\"9512\" data-start=\"9494\"\u003eJapanese yūrei\u003c\/strong\u003e, or Edo period fantastic art!\u003c\/p\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\n\u003c\/div\u003e\n\n\u003cp data-end=\"3395\" data-start=\"3130\"\u003eKuniyoshi is renowned for his dynamic compositions and spectacular scenes. Explore other original prints in our collection of \u003ca href=\"https:\/\/kogedo.com\/collections\/estampes-japonaises\" title=\"Original Japanese prints by Kuniyoshi and contemporaries\"\u003e\u003cstrong data-start=\"1025\" data-end=\"1048\"\u003eJapanese prints\u003c\/strong\u003e.\u003c\/a\u003e\u003c\/p\u003e\u003c\/section\u003e\n\u003c\/div\u003e","brand":"KOGEDO","offers":[{"title":"Default Title","offer_id":54385620353363,"sku":"E106","price":430.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0937\/8562\/0819\/files\/estampe-japonaise-originale-kuniyoshi-yonaki-ishi-nissaka.png?v=1784813497"},{"product_id":"hanaire-japonais-bizen-yaki-mori-hozan-gama-vase-ikebana-tomobako-18cm","title":"Japanese Hanaire – Bizen-yaki – Mori Hōzan-gama 森宝山窯 – Ikebana vase with tomobako","description":"\u003cdiv class=\"\"\u003e\n\n\u003csection class=\"text-token-text-primary w-full focus:outline-none has-data-writing-block:pointer-events-none [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto R6Vx5W_threadScrollVars scroll-mb-[calc(var(--scroll-root-safe-area-inset-bottom,0px)+var(--thread-response-height))] scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\" dir=\"auto\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto pb-8 [--thread-content-margin:var(--thread-content-margin-xs,calc(var(--spacing)*4))] @w-sm\/main:[--thread-content-margin:var(--thread-content-margin-sm,calc(var(--spacing)*6))] @w-lg\/main:[--thread-content-margin:var(--thread-content-margin-lg,calc(var(--spacing)*16))] px-(--thread-content-margin)\"\u003e\n\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\"\u003e\n\n\u003cdiv class=\"flex max-w-full flex-col gap-4 grow\"\u003e\n\n\u003cdiv dir=\"auto\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal outline-none keyboard-focused:focus-ring [.text-message+\u0026amp;]:mt-1\" tabindex=\"0\"\u003e\n\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden\"\u003e\n\n\u003cdiv class=\"markdown prose dark:prose-invert wrap-break-word w-full dark markdown-new-styling\"\u003e\n\n\u003ch2 class=\"PDq2pG_selectionAnchorContainer\"\u003e\n\n\u003cspan role=\"text\"\u003e📐 \u003cstrong\u003eCharacteristics\u003c\/strong\u003e\u003c\/span\u003e\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\n\n\u003c\/h2\u003e\n\n\u003cp\u003e\u003cstrong\u003eEstimated era:\u003c\/strong\u003e Heisei era, early 2000s\u003cbr\u003e\u003cstrong\u003eOrigin:\u003c\/strong\u003e Japan, Inbe, discovered in Kyoto prefecture\u003cbr\u003e\u003cstrong\u003eKiln:\u003c\/strong\u003e Mori Hōzan-gama 森宝山窯\u003cbr\u003e\u003cstrong\u003eMaterial:\u003c\/strong\u003e Japanese ceramic, Bizen stoneware\u003cbr\u003e\u003cstrong\u003eTechnique:\u003c\/strong\u003e Bizen-yaki 備前焼, yakishime 焼締め firing without applied glaze, wood-fired\u003cbr\u003e\u003cstrong\u003eUsage:\u003c\/strong\u003e Hanaire 花入, vase for ikebana – tsutsu 筒 cylindrical shape\u003cbr\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e height approx. 18 cm – diameter approx. 8 cm\u003cbr\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e approx. 677 g\u003cbr\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Excellent vintage condition, no noticeable flaws.\u003cbr\u003e\u003cstrong\u003eMark:\u003c\/strong\u003e Tōin 陶印 in fan shape under the base\u003cbr\u003e\u003cstrong\u003eAccessories:\u003c\/strong\u003e Original calligraphy wood Tomobako 共箱 and shiori\u003c\/p\u003e\n\n\u003ch3\u003e\u003cspan role=\"text\"\u003e\u003cstrong\u003eDescription\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\n\u003cp\u003eThis \u003cstrong\u003eJapanese Bizen-yaki hanaire vase\u003c\/strong\u003e is an artisanal piece from the \u003cstrong\u003eMori Hōzan-gama 森宝山窯\u003c\/strong\u003e, an old kiln established in Inbe. Its tall, cylindrical shape corresponds to the \u003cstrong\u003etsutsu-hanaire 筒花入\u003c\/strong\u003e type, appreciated in ikebana for its simplicity.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eBizen-yaki 備前焼\u003c\/strong\u003e is one of Japan's Six Ancient Kilns. The piece is made using \u003cstrong\u003eyakishime 焼締め\u003c\/strong\u003e, by high-temperature firing without applied glaze: the clay is transformed by the flames, wood ash, and the kiln atmosphere.\u003c\/p\u003e\n\n\u003cp\u003eThe silhouette is simple and powerful: a slightly irregular tubular body, a stable base, and a thick, almost oval opening. The traces of its crafting reinforce its rustic and profoundly Japanese presence.\u003c\/p\u003e\n\n\u003cp\u003eThe surface offers superb natural variations. The neck features honey-brown and golden-brown tones, punctuated with vitrified ash. Lower down appear reddish-purple, charcoal grey, smoky black, and ashy white areas. It displays \u003cstrong\u003egoma 胡麻\u003c\/strong\u003e, \u003cstrong\u003esangiri 桟切\u003c\/strong\u003e, and \u003cstrong\u003eyōhen 窯変\u003c\/strong\u003e style effects.\u003c\/p\u003e\n\n\u003cp\u003eThis is an \u003cstrong\u003eauthentic Japanese ceramic\u003c\/strong\u003e, intended for ikebana, but also beautiful on its own as a wabi-sabi object.\u003c\/p\u003e\n\n\u003cp\u003eThe piece comes with its original wooden box. The lid bears the inscription \u003cstrong\u003eBizen hanaire 備前花入\u003c\/strong\u003e, the signature \u003cstrong\u003eHōzan 宝山\u003c\/strong\u003e, and the kiln's seal.\u003c\/p\u003e\n\n\u003ch3\u003e\u003cspan role=\"text\"\u003e\u003cstrong\u003eThe Kiln: Mori Hōzan-gama 森宝山窯\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\n\u003cp\u003e\u003cstrong\u003eHōzan-gama 宝山窯\u003c\/strong\u003e belongs to the direct lineage of the \u003cstrong\u003eTerami 寺見\u003c\/strong\u003e family, one of the six historic Bizen potter families since the Azuchi-Momoyama period (late 16th century). The name \u003cstrong\u003eMori Hōzan 森宝山\u003c\/strong\u003e has since been passed down through generations.\u003c\/p\u003e\n\n\u003cp\u003eToday, the \u003cstrong\u003eMori Hōzan-gama\u003c\/strong\u003e is headed by \u003cstrong\u003eMori Yasushi 森泰司\u003c\/strong\u003e, representing the \u003cstrong\u003e18th generation\u003c\/strong\u003e, who works alongside his son \u003cstrong\u003eMori Toshiaki 森敏彰\u003c\/strong\u003e, a potter of the \u003cstrong\u003e19th generation\u003c\/strong\u003e and designated heir to the kiln.\u003c\/p\u003e\n\n\u003cp\u003eThe fan-shaped mark on the base is the traditional tōin of Hōzan-gama. This motif already appears on large jars from the late Muromachi period, making it a particularly ancient Bizen-yaki mark.\u003c\/p\u003e\n\n\u003ch3\u003e\u003cspan role=\"text\"\u003e🦝 \u003cstrong\u003eOur Opinion\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\n\u003cp\u003eA \u003cstrong\u003esuperb Bizen hanaire\u003c\/strong\u003e, minimalist and expressive. We love the contrast between the golden brown of the neck, the deep red of the body, and the large grey and white areas.\u003c\/p\u003e\n\n\u003cp\u003eIt is perfectly typical of the style of the highly prestigious lineage of the Mori Hozan kiln, which has perpetuated the tradition for 19 generations!\u003c\/p\u003e\n\n\u003cp\u003eA beautiful piece for lovers of \u003cstrong\u003eikebana\u003c\/strong\u003e, \u003cstrong\u003eBizen-yaki\u003c\/strong\u003e, and authentic Japanese objects.\u003c\/p\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003c\/section\u003e\n\n\u003c\/div\u003e\n\u003cp\u003eR\u003cem\u003eetrouvez cette pièce aux côtés d’autres trésors dans notre collection \u003ca title=\"Collection KOGEDO objets d'arts japonais et de décoration japonaise : laques, masques nô, tsuba et bien plus encore !\" href=\"https:\/\/kogedo.com\/collections\/decoration-objets-art\"\u003e\u003cstrong\u003eDécoration \u0026amp; Objets d’art japonais\u003c\/strong\u003e\u003c\/a\u003e\u003c\/em\u003e\u003ca title=\"Collection KOGEDO objets d'arts japonais et de décoration japonaise : laques, masques nô, tsuba et bien plus encore !\" href=\"https:\/\/kogedo.com\/collections\/decoration-objets-art\"\u003e.\u003c\/a\u003e\u003c\/p\u003e","brand":"KOGEDO","offers":[{"title":"Default Title","offer_id":54506700898643,"sku":"D08","price":169.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0937\/8562\/0819\/files\/hanaire-bizen-mori-hozan-gama-boite-bois-tomobako.jpg?v=1786008598"},{"product_id":"bol-a-the-chawan-japonais-hagi-yaki-kaneko-shoen-sofu-tomobako-signe","title":"Japanese Chawan Tea Bowl Hagi-yaki 萩焼 – Signed Kaneko Shōen 金子松延 – Kyokuunzan Shōen-gama Kiln 旭雲山 松延窯 – Tomobako Signed","description":"\u003cdiv class=\"\"\u003e\n\n\u003csection class=\"text-token-text-primary w-full focus:outline-none has-data-writing-block:pointer-events-none [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto R6Vx5W_threadScrollVars scroll-mb-[calc(var(--scroll-root-safe-area-inset-bottom,0px)+var(--thread-response-height))] scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\" dir=\"auto\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto pb-8 [--thread-content-margin:var(--thread-content-margin-xs,calc(var(--spacing)*4))] @w-sm\/main:[--thread-content-margin:var(--thread-content-margin-sm,calc(var(--spacing)*6))] @w-lg\/main:[--thread-content-margin:var(--thread-content-margin-lg,calc(var(--spacing)*16))] px-(--thread-content-margin)\"\u003e\n\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\"\u003e\n\n\u003cdiv class=\"flex max-w-full flex-col gap-4 grow\"\u003e\n\n\u003cdiv dir=\"auto\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal outline-none keyboard-focused:focus-ring [.text-message+\u0026amp;]:mt-1\" tabindex=\"0\"\u003e\n\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden\"\u003e\n\n\u003cdiv class=\"markdown prose dark:prose-invert wrap-break-word w-full dark markdown-new-styling\"\u003e\n\n\u003ch3\u003e\u003cstrong\u003e\u003cspan\u003e📐 Characteristics\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h3\u003e\n\n\u003cp class=\"isSelectedEnd\"\u003e\u003cstrong\u003e\u003cspan\u003eHeight:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e approx. 9.5 cm\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eDiameter:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e approx. 13 cm\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eWeight:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e approx. 366 g\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eStyle:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eHagi-yaki — 萩焼\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eShape:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003ewan-nari 椀形\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, rounded shape, with a rather high \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003ekōdai 高台\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e foot\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eEstimated period:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e Shōwa era, around the \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e1960s–1970s\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eArtisan:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eKaneko Shōen 金子松延\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, later known as \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eKaneko Sōfū 金子宗楓\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eKiln:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eKyokuunzan Shōen-gama 旭雲山 松延窯\u003cspan\u003e, Sakaigawa, Nagato\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eOrigin:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e Japan, Yamaguchi Prefecture, found in Yamaguchi Prefecture\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eCondition:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e Very good vintage condition. No visible chips or cracks. Comes with its original \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003etomobako 共箱, \u003c\/span\u003e\u003c\/strong\u003ethe cloth accompanying the bowl\u003cstrong\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003eand the \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eshiori 栞\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e document.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003ch3\u003e\u003cstrong\u003e\u003cspan\u003eDescription\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h3\u003e\n\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThis superb \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003echawan Hagi-yaki 萩焼\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e is a work by \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eKaneko Shōen 金子松延\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, the name used by the ceramist before he adopted that of \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eKaneko Sōfū 金子宗楓\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe bowl features a beautiful glaze in shades of \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003erosy beige and sand\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, with magnificent \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003ebluish-grey nuances\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e. These darker areas appear freely on the surface and give the bowl a very strong character, with different variations on each side.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe glaze also shows fine \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003ecrazing\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, mineral traces related to the local clay, and traces of turning, characteristic of \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eHagi-yaki\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e. With use, this type of ceramic gradually evolves in contact with tea, a phenomenon known as \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eHagi no nanabake 萩の七化\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, the \"seven transformations of Hagi\".\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003ewan-nari 椀形\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e shape is round and balanced, with a rounded belly and a rather high \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003ekōdai 高台\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e foot, which gives the bowl a lot of style. The potter's seal is visible on the base.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003ch3\u003e\u003cstrong\u003e\u003cspan\u003e🏺 Kaneko Shōen \/ Kaneko Sōfū\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h3\u003e\n\n\u003cp class=\"isSelectedEnd\"\u003e\u003cstrong\u003e\u003cspan\u003eKaneko Shōen 金子松延\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, who later adopted the name \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eKaneko Sōfū 金子宗楓\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, was a Hagi ceramist based in \u003c\/span\u003eSakaigawa, Nagato\u003cspan\u003e, Yamaguchi Prefecture.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eHe trained for \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eover ten years with Sakakura Shinbei 坂倉新兵衛\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, a leading figure in \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eFukagawa-Hagi\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e and a holder of an intangible cultural heritage designation from Yamaguchi Prefecture.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eHe founded the \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eKyokuunzan Shōen-gama 旭雲山 松延窯\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, under the name\u003cstrong\u003e Shōen\u003c\/strong\u003e. He then took the name \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eSōfū 宗楓\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, under which he seems to have gained wider recognition. He exhibited regularly in the 90s, including an \u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eexhibition at Kintetsu in 2000. Catalogues and publications \u003c\/span\u003e\u003c\/strong\u003ewere dedicated to him in the 90s-2000s.\u003c\/p\u003e\n\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eHe died in the \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eearly 2000s\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e. His work remains associated with a personal interpretation of Hagi, between \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003echanoyu tradition\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e and contemporary sensibility.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003ch3\u003e\u003cstrong\u003e\u003cspan\u003e📦 Tomobako and shiori\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h3\u003e\n\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe chawan comes with its \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003etomobako 共箱\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e made of paulownia, calligraphed with the name \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eKyokuunzan\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e and \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eKaneko Shōen\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, as well as the cloth accompanying the bowl and the original \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eshiori\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e from the workshop.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003ch3\u003e\u003cstrong\u003e\u003cspan\u003e🦝 Our opinion\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h3\u003e\n\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eA real \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eKOGEDO favorite, \u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003ewe are fans of Hagi-yaki chawan!\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003ebluish-grey nuances\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e are particularly beautiful and give a lot of depth to the glaze. Its shape is very classy and it truly exudes the aura of a high-quality Hagi bowl.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cspan\u003eA superb \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eauthentic Hagi-yaki chawan\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, interesting both for matcha practice and for a collection of \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eJapanese ceramics\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003c\/section\u003e\n\n\u003c\/div\u003e\n\u003cp\u003eDiscover the whole world of tea in our \u003ca href=\"https:\/\/kogedo.com\/collections\/arts-de-la-table\" title=\"Tableware collection at KOGEDO Japanese vintage: ceramics, lacquerware, porcelains and much more\"\u003e\u003cstrong\u003e\"Tableware\" collection.\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e","brand":"KOGEDO","offers":[{"title":"Default Title","offer_id":54630524059987,"sku":"T32","price":229.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0937\/8562\/0819\/files\/chawan-hagi-yaki-kaneko-shoen-sofu-tomobako.jpg?v=1787139369"},{"product_id":"bol-japonais-vintage-en-laque-urushi-rouge-maki-e-dore-motifs-chrysanthemes-eau","title":"Vintage Japanese Urushi Lacquer Red Bowl – Gilt Maki-e – Chrysanthemums on Water (Kikusui) Motif","description":"\u003ch3\u003e\u003cstrong\u003e\u003cspan\u003eFeatures\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003e\u003cspan\u003eOrigin:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e Japan, discovered in Kanagawa Prefecture\u003c\/span\u003e\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003e\u003cspan\u003eEstimated period:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e Likely Shōwa period, 20th century\u003c\/span\u003e\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003e\u003cspan\u003eMaterial:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e Wood lacquered with natural urushi 漆, glossy vermilion red finish\u003c\/span\u003e\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003e\u003cspan\u003eType:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e Japanese bowl with lid 蓋付き椀, also called \u003c\/span\u003e\u003cem\u003e\u003cspan\u003efuta-tsuki wan\u003c\/span\u003e\u003c\/em\u003e\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003e\u003cspan\u003eExterior decoration:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e Kikusui 菊水 motif, combining chrysanthemum flowers and leaves kiku 菊 with stylized water currents ryūsui 流水\u003c\/span\u003e\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003e\u003cspan\u003eDecorative technique:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e Gilded maki-e 蒔絵 (lacquer designs sprinkled with gold powder), with chrysanthemums in relief made with taka-maki-e 高蒔絵\u003c\/span\u003e\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003e\u003cspan\u003eInterior decoration:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e Solid red bowl; underside of the lid adorned with a chrysanthemum and water currents in gilded maki-e\u003c\/span\u003e\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003e\u003cspan\u003eDimensions:\u003c\/span\u003e\u003c\/strong\u003e\n\u003cul\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003e\u003cspan\u003eDiameter:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e ~ 13.3 cm\u003c\/span\u003e\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003e\u003cspan\u003eHeight without lid:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e ~ 5.5 cm\u003c\/span\u003e\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003e\u003cspan\u003eHeight with lid:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e ~ 9 cm\u003c\/span\u003e\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003e\u003cspan\u003eWeight:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e ~ 167 g\u003c\/span\u003e\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cstrong\u003e\u003cspan\u003eCondition:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e Vintage — Excellent overall condition. The red lacquer retains a beautiful shine and the gilded decoration remains very crisp. Some very light traces of use and wear on the edges of the lid's rims.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003e\u003cspan\u003eDescription\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThis superb Japanese bowl with a lid is a piece of traditional craftsmanship made of wood lacquered with \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eurushi 漆\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, probably produced during the \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eShōwa period\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e in the 20th century.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe surface features a deep \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003evermilion red lacquer\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, glossy and luminous. This finish, called \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eshu-nuri 朱塗\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, relies on the use of red-colored urushi. It contrasts with the gilded decorations and the borders highlighting the rim, foot, and lid.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe decoration features the traditional theme of \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003ekikusui 菊水\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, literally \"chrysanthemum and water,\" with \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003ekiku 菊\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e flowers and leaves accompanied by stylized \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eryūsui 流水\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e currents. This ancient Japanese motif associates the chrysanthemum with water and symbolizes \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003elongevity\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e. The large flowers are executed in \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003etaka-maki-e 高蒔絵\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, a form of maki-e 蒔絵 in which the motif is built in relief before receiving metallic powder. The foliage, veins, and water lines are treated more finely, creating a precise contrast between volumes and flat surfaces.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe underside of the lid features the \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003ekikusui\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e motif, a gilded chrysanthemum and water lines. The interior of the red bowl remains simple.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003e\u003cspan\u003e🧽 Care instructions\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003e\u003cspan\u003eHand wash in lukewarm water with a soft sponge\u003c\/span\u003e\u003c\/li\u003e\n\n\u003cli\u003e\u003cspan\u003eWipe immediately with a dry cloth\u003c\/span\u003e\u003c\/li\u003e\n\n\u003cli\u003e\u003cspan\u003eDo not soak\u003c\/span\u003e\u003c\/li\u003e\n\n\u003cli\u003e\u003cspan\u003eDo not expose to direct sunlight or a heat source\u003c\/span\u003e\u003c\/li\u003e\n\n\u003cli\u003e\u003cspan\u003eDo not use in dishwasher or microwave\u003c\/span\u003e\u003c\/li\u003e\n\n\u003cli\u003e\n\u003cspan\u003eAvoid very acidic or very greasy foods for long periods\u003c\/span\u003e\n\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003eHandle the lid with care to preserve the lacquer and decoration\u003c\/span\u003e\n\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cstrong\u003e\u003cspan\u003e🦝 We love\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan\u003eThis red urushi bowl is superb, with its kikusui motif, it doesn't skimp on maki-e! We adore the chrysanthemums in taka-maki-e, which make the piece truly chic!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca title=\"tableware collection at KOGEDO Japanese antiques: ceramics, lacquers, porcelains and more\" href=\"https:\/\/kogedo.com\/collections\/arts-de-la-table\"\u003e\u003cstrong\u003eAlso discover our \"Tableware\" collection\u003c\/strong\u003e\u003c\/a\u003e, where other lacquers, as well as porcelains and ceramics, perpetuate the elegance and delicacy of Japanese craftsmanship.\u003c\/p\u003e","brand":"KOGEDO","offers":[{"title":"Default Title","offer_id":54750998004051,"sku":"TL35","price":65.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0937\/8562\/0819\/files\/bol-japonais-laque-urushi-maki-e-kikusui.jpg?v=1787842949"},{"product_id":"assiette-japonaise-antique-porcelaine-ko-imari-sometsuke-mijin-karakusa-edo-xixe-siecle-15cm","title":"Antique Japanese Ko-Imari porcelain plate – Sometsuke mijin-karakusa patterns – Edo 19th century – 15cm","description":"\u003cdiv class=\"qMYqUG_convSearchResultHighlightRoot\"\u003e\n\n\u003cdiv class=\"\"\u003e\n\n\u003csection class=\"text-token-text-primary w-full focus:outline-none has-data-writing-block:pointer-events-none [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto R6Vx5W_threadScrollVars scroll-mb-[calc(var(--scroll-root-safe-area-inset-bottom,0px)+var(--thread-response-height))] scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\" dir=\"auto\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto pb-8 [--thread-content-margin:var(--thread-content-margin-xs,calc(var(--spacing)*4))] @w-sm\/main:[--thread-content-margin:var(--thread-content-margin-sm,calc(var(--spacing)*6))] @w-lg\/main:[--thread-content-margin:var(--thread-content-margin-lg,calc(var(--spacing)*16))] px-(--thread-content-margin)\"\u003e\n\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\"\u003e\n\n\u003cdiv class=\"flex max-w-full flex-col gap-4 grow\"\u003e\n\n\u003cdiv dir=\"auto\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal outline-none keyboard-focused:focus-ring [.text-message+\u0026amp;]:mt-1\"\u003e\n\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden\"\u003e\n\n\u003cdiv class=\"markdown prose dark:prose-invert wrap-break-word w-full dark markdown-new-styling\"\u003e\n\n\u003ch3 class=\"PDq2pG_selectionAnchorContainer\"\u003e\n\n\u003cspan role=\"text\"\u003e\u003cstrong\u003eFeatures\u003c\/strong\u003e\u003c\/span\u003e\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\n\n\u003c\/h3\u003e\n\n\u003cp\u003e\u003cstrong\u003eOrigin:\u003c\/strong\u003e Japan, Arita (有田), former Hizen Province\u003cbr\u003e\u003cstrong\u003eEstimated Period:\u003c\/strong\u003e Late Edo period, 19th century, 1830-1868, probably around Bakumatsu\u003cbr\u003e\u003cstrong\u003eType:\u003c\/strong\u003e Ko-Imari 古伊万里, Arita-yaki (有田焼), namasu-zara 膾皿, sometsuke 染付, rinka rim 輪花\u003cbr\u003e\u003cstrong\u003eMaterial:\u003c\/strong\u003e Japanese porcelain\u003cbr\u003e\u003cstrong\u003eDecoration:\u003c\/strong\u003e Hand-painted Mijin-karakusa 微塵唐草, shōchikubai 松竹梅 medallion, stylized karakusa on the reverse\u003cbr\u003e\u003cstrong\u003eColors:\u003c\/strong\u003e Bluish-white and underglaze cobalt blue gosu\u003cbr\u003e\u003cstrong\u003eDiameter:\u003c\/strong\u003e approx. 15 cm\u003cbr\u003e\u003cstrong\u003eHeight:\u003c\/strong\u003e approx. 4.5 cm\u003cbr\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e approx. 289 g\u003cbr\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Good antique condition, fine hairline cracks not very noticeable to the touch, previously repaired (see photos). The rest of the plate is very well preserved\u003c\/p\u003e\n\n\u003ch3\u003e\u003cspan role=\"text\"\u003e\u003cstrong\u003eDescription\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\n\u003cp\u003e\u003cstrong\u003eVery beautiful old Japanese Ko-Imari 古伊万里 deep plate\u003c\/strong\u003e, produced in the tradition of \u003cstrong\u003eArita\u003c\/strong\u003e porcelains, in the former Hizen Province.\u003c\/p\u003e\n\n\u003cp\u003eThis piece is estimated to be from the \u003cstrong\u003elate Edo period\u003c\/strong\u003e, in the \u003cstrong\u003e19th century\u003c\/strong\u003e, probably during the last decades of the shogunate between the 1830s and 1868. Entirely decorated in \u003cstrong\u003esometsuke 染付\u003c\/strong\u003e, it uses cobalt blue gosu applied under a transparent glaze.\u003c\/p\u003e\n\n\u003cp\u003eIts shape corresponds to the \u003cstrong\u003enamasu-zara 膾皿\u003c\/strong\u003e, a small deep serving plate, here highlighted by a polylobed rim of the \u003cstrong\u003erinka 輪花\u003c\/strong\u003e type, resembling the shape of a flower.\u003c\/p\u003e\n\n\u003cp\u003eThe interior is covered with dense \u003cstrong\u003emijin-karakusa 微塵唐草\u003c\/strong\u003e, a plant motif of climbing plants derived from karakusa 唐草. Throughout the Edo period, the patterns of stems and leaves of climbing plants forming arabesques were very popular and gradually evolved, becoming increasingly simplified and stylized. In the 19th century, at the end of Edo, mijin-karakusa pushed this stylization to the point of becoming a small repeated motif almost resembling scales. This plate represents this \u003cstrong\u003every typical motif of the late Edo period.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eIn the center, a medallion features the \u003cstrong\u003eshōchikubai 松竹梅\u003c\/strong\u003e, a traditional association of pine, bamboo, and plum. A dark geometric frieze separates this medallion from the mijin-karakusa field. The reverse shows a karakusa motif freely painted in cobalt.\u003c\/p\u003e\n\n\u003cp\u003eThe underside shows a \u003cstrong\u003ejanome-kōdai 蛇の目高台\u003c\/strong\u003e, a \"snake eye\" foot consisting of a wide unglazed ring. The concentric turning marks, wear, and coloration of the foot are consistent with ancient manufacture and use.\u003c\/p\u003e\n\n\u003ch3\u003e\u003cspan role=\"text\"\u003e\u003cstrong\u003e🦝 Our opinion\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\n\u003cp\u003eA very beautiful \u003cstrong\u003elate Edo Ko-Imari Japanese porcelain\u003c\/strong\u003e, we really like the very effective simplicity of the \u003cstrong\u003eunderglaze blue\u003c\/strong\u003e combined with the white of the porcelain. We love the \u003cstrong\u003emijin-karakusa\u003c\/strong\u003e motif, fashionable in late Edo, which almost becomes a pattern of repeated dots in the samekomon style!\u003cbr\u003e\u003c\/p\u003e\n\n\u003cp\u003eAn authentic and decorative piece, ideal for a collection of Ko-Imari porcelains or to add a touch of Japanese history to the table.\u003c\/p\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\n\u003c\/div\u003e\n\n\u003c\/section\u003e\n\u003c\/div\u003e\n\n\u003cp\u003e\u003ca title=\"tableware collection at KOGEDO Japanese antique shop: ceramics, lacquerware, porcelain and much more\" href=\"https:\/\/kogedo.com\/collections\/arts-de-la-table\"\u003e\u003cstrong\u003eAlso discover our \"Tableware\" collection\u003c\/strong\u003e\u003c\/a\u003e, where other porcelains, as well as lacquerware and ceramics, perpetuate the elegance and delicacy of Japanese craftsmanship.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"KOGEDO","offers":[{"title":"Default Title","offer_id":54857925099859,"sku":"TAP28","price":79.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0937\/8562\/0819\/files\/assiette-japonaise-ancienne-bleu-blanc-imari-edo.jpg?v=1788527025"},{"product_id":"estampe-japonaise-originale-utagawa-kuniyoshi-bando-hikosaburo-rai-kunitoshi-edo-1847","title":"Original Japanese Print – Utagawa Kuniyoshi – Bandō Hikosaburō V as Kichisuke \/ Rai Kunitoshi – Kabuki, Edo 1847","description":"\u003cp\u003e\u003cstrong\u003eOriginal\u003c\/strong\u003e traditional Ukiyo-e woodblock print. [\u003cspan style=\"text-decoration: underline;\"\u003eThis print is not a modern reproduction\u003c\/span\u003e]\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"PDq2pG_selectionAnchorContainer\"\u003e\u003cstrong\u003ePrint type:\u003c\/strong\u003e Yakusha-e 役者絵 (kabuki actor portrait)\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e Utagawa Kuniyoshi 歌川国芳 signed \u003cstrong\u003e一勇斎国芳画 — Ichiyūsai Kuniyoshi ga\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArtwork title:\u003c\/strong\u003e 実ハ来国俊 吉助 \u003cem\u003eJitsu wa Rai Kunitoshi, Kichisuke\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\"Kichisuke, in reality Rai Kunitoshi\"\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRole depicted:\u003c\/strong\u003e 吉助 \u003cem\u003eKichisuke\u003c\/em\u003e, in reality 来国俊 \u003cem\u003eRai Kunitoshi\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eActor:\u003c\/strong\u003e 五代目坂東彦三郎 \u003cstrong\u003eBandō Hikosaburō V\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e📅 \u003cstrong\u003ePublication date:\u003c\/strong\u003e 1847, Kōka 4, 3rd month — Edo period\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCensor seals:\u003c\/strong\u003e 村松 \u003cem\u003eMuramatsu\u003c\/em\u003e and 吉村 \u003cem\u003eYoshimura\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePublisher:\u003c\/strong\u003e Wakau 若宇 \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArtist's seal:\u003c\/strong\u003e 芳桐印 \u003cstrong\u003eYoshikiri\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e📏 \u003cstrong\u003eFormat:\u003c\/strong\u003e Ōban 大判, vertical Tate-e-e — approx. 37.5 cm x 25 cm\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTheater:\u003c\/strong\u003e Nakamura-za, Edo — 28th day of the 2nd month of 1847\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOrigin:\u003c\/strong\u003e Japan, found in Tokyo Prefecture\u003c\/p\u003e\n\u003ch3\u003e\u003cspan role=\"text\"\u003e\u003cem\u003e\u003cstrong\u003eAbout the artist:\u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cem\u003eUtagawa Kuniyoshi (1798–1861) is one of the greatest masters of ukiyo-e of the 19th century. Best known for his prints of Japanese legends, he also excelled in \u003c\/em\u003e\u003cem\u003e\u003cstrong\u003eyakusha-e, kabuki actor portraits\u003c\/strong\u003e\u003c\/em\u003e, \u003cem\u003eas well as in \u003cstrong\u003ewarriors, fantastic scenes\u003c\/strong\u003e and humorous compositions. His energetic drawing, sense of movement and expressive characters give him a special place in Japanese printmaking of the Edo period.\u003c\/em\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan role=\"text\"\u003e\u003cstrong\u003eSubject:\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003eThis print depicts \u003cstrong\u003eBandō Hikosaburō V\u003c\/strong\u003e in the role of \u003cstrong\u003eKichisuke\u003c\/strong\u003e, whose real name is \u003cstrong\u003eRai Kunitoshi\u003c\/strong\u003e. It is related to \u003cem\u003eShin Usuyuki Monogatari 新薄雪物語\u003c\/em\u003e, a great classic of Japanese theater blending intrigue, love, loyalty and the \u003cstrong\u003eworld of master swordsmiths\u003c\/strong\u003e. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eKunitoshi is the son of the famous swordsmith \u003cstrong\u003eRai Kuniyuki\u003c\/strong\u003e. Under the identity of Kichisuke, he enters the service of \u003cstrong\u003eGorōbei Masamune, the greatest swordsmith in Japanese sword history,\u003c\/strong\u003e to perfect his art and in turn become \u003cstrong\u003eone of the great names\u003c\/strong\u003e in Japanese forging. He is also in love with \u003cstrong\u003eOren\u003c\/strong\u003e, Masamune's daughter. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThe \u003cstrong\u003etwo buckets of water carried\u003c\/strong\u003e by Kunitoshi then take on their full meaning. The printed text directly refers to his tasks at the forge: hammering and drawing water. In the play, Masamune recognizes Kunitoshi and transmits to him the secret of the water temperature used for quenching blades.\u003c\/p\u003e\n\u003cp\u003eKuniyoshi thus gives full meaning to this print: behind this water carrier hides an \u003cstrong\u003eapprentice swordsmith\u003c\/strong\u003e, heir to a prestigious tradition of the Japanese sword.\u003c\/p\u003e\n\u003ch3\u003e\u003cspan role=\"text\"\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eGood overall condition for a print from 1847\u003c\/strong\u003e, colors still vibrant and composition perfectly legible, complete print with no cut margins. No significant wormholes or tears. The paper shows an antique patina, some small folds and traces of use visible in the photographs. \u003c\/p\u003e\n\u003ch3\u003e\u003cspan role=\"text\"\u003e\u003cstrong\u003e🦝 Our opinion:\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003eWe simply love this print because it is a work by the great \u003cstrong\u003eKuniyoshi\u003c\/strong\u003e, but also for the story it tells \u003cstrong\u003eabout the great Japanese sword makers!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAn authentic, narrative and characterful work, ideal for lovers of \u003cstrong\u003eukiyo-e, Kuniyoshi, kabuki, Japanese swords and ancient Edo period art\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eDiscover all our authentic prints in our collection of \u003ca href=\"https:\/\/kogedo.com\/collections\/estampes-japonaises\" title=\"Authentic Japanese prints by Kunisada and other masters\"\u003e\u003cstrong\u003eJapanese prints\u003c\/strong\u003e.\u003c\/a\u003e\u003c\/p\u003e","brand":"KOGEDO","offers":[{"title":"Default Title","offer_id":54939729494355,"sku":"E167","price":290.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0937\/8562\/0819\/files\/utagawa-kuniyoshi-bando-hikosaburo-v-kichisuke-rai-kunitoshi-estampe-japonaise-originale-1847.png?v=1789397179"},{"product_id":"bol-a-the-japonais-chawan-shigaraki-yaki-signe-naohiko-koyama-tomobako-signe","title":"Bol à thé japonais Chawan Shigaraki-yaki 信楽焼 – signé Naohiko Koyama 神山直彦 – Tomobako signé","description":"\u003cdiv class=\"\"\u003e\n\u003csection class=\"text-token-text-primary w-full focus:outline-none has-data-writing-block:pointer-events-none [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto R6Vx5W_threadScrollVars scroll-mb-[calc(var(--scroll-root-safe-area-inset-bottom,0px)+var(--thread-response-height))] scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\" dir=\"auto\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto pb-8 [--thread-content-margin:var(--thread-content-margin-xs,calc(var(--spacing)*4))] @w-sm\/main:[--thread-content-margin:var(--thread-content-margin-sm,calc(var(--spacing)*6))] @w-lg\/main:[--thread-content-margin:var(--thread-content-margin-lg,calc(var(--spacing)*16))] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col gap-4 grow\"\u003e\n\u003cdiv dir=\"auto\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal outline-none keyboard-focused:focus-ring [.text-message+\u0026amp;]:mt-1\" tabindex=\"0\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden\"\u003e\n\u003cdiv class=\"markdown prose dark:prose-invert wrap-break-word w-full dark markdown-new-styling\"\u003e\n\u003ch3 dir=\"auto\" class=\"\"\u003e\u003cspan role=\"text\"\u003e\u003cstrong\u003e📐 Caractéristiques\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp dir=\"auto\"\u003e\u003cstrong\u003eHauteur :\u003c\/strong\u003e env. 7,5 cm\u003cbr\u003e\u003cstrong\u003eDiamètre :\u003c\/strong\u003e env. 13,3 cm\u003cbr\u003e\u003cstrong\u003ePoids :\u003c\/strong\u003e env. 251 g\u003cbr\u003e\u003cstrong\u003eStyle :\u003c\/strong\u003e \u003cstrong\u003eShigaraki-yaki — 信楽焼\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eForme :\u003c\/strong\u003e style \u003cstrong\u003ewan-nari 碗形 \u003c\/strong\u003eirrégulier, petit \u003cstrong\u003ekōdai 高台\u003c\/strong\u003e bas\u003cbr\u003e\u003cstrong\u003ePériode estimée :\u003c\/strong\u003e probablement fin Shôwa\/Heisei 1980 - 2010.\u003cbr\u003e\u003cstrong\u003eArtisan :\u003c\/strong\u003e \u003cstrong\u003eNaohiko Koyama 神山直彦\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eOrigine :\u003c\/strong\u003e Japon, Shigaraki, déniché dans la préfecture de Kanagawa\u003cbr\u003e\u003cstrong\u003eCuisson :\u003c\/strong\u003e haute température, effets \u003cstrong\u003eyōhen 窯変\u003c\/strong\u003e, hi-iro et dépôts de cendre partiellement vitrifiés\u003cbr\u003e\u003cstrong\u003eÉtat :\u003c\/strong\u003e Très bon état. Sans éclat ni fêlure visibles. Fourni avec sa \u003cstrong\u003etomobako 共箱\u003c\/strong\u003e en paulownia et son tissu de protection jaune.\u003c\/p\u003e\n\u003ch3 dir=\"auto\"\u003e\u003cspan role=\"text\"\u003e\u003cstrong\u003eDescription\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp dir=\"auto\"\u003eCe magnifique \u003cstrong\u003echawan Shigaraki-yaki 信楽焼\u003c\/strong\u003e est une œuvre signée de \u003cstrong\u003eNaohiko Koyama 神山直彦\u003c\/strong\u003e, céramiste de Shigaraki reconnu pour son travail des effets de cuisson et des glaçures de cendre.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eLe bol offre un remarquable paysage de feu, passant du \u003cstrong\u003erouge brun hi-iro\u003c\/strong\u003e à des zones presque noires puis à une surface grise fortement mouchetée. Ces variations suivent la circulation de la flamme et de la cendre, donnant à chaque face un caractère très différent.\u003c\/p\u003e\n\u003cp dir=\"auto\" class=\"\"\u003eLa terre de Shigaraki reste bien visible, riche en \u003cstrong\u003einclusions minérales et grains feldspathiques\u003c\/strong\u003e. Certains affleurent ou éclatent à la surface, créant des effets proches de l’\u003cstrong\u003eishihaze 石はぜ\u003c\/strong\u003e. Le bord concentre davantage de cendre et présente par endroits une fine vitrification naturelle.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eLa forme \u003cstrong\u003ewan-nari 碗形\u003c\/strong\u003e est équilibrée arrondie avec une lèvre légèrement irrégulière et un petit \u003cstrong\u003ekōdai 高台 bas\u003c\/strong\u003e. Le \u003cstrong\u003etōin 陶印\u003c\/strong\u003e et la \u003cstrong\u003esignature \u003c\/strong\u003ede Koyama sont présents sous la base.\u003c\/p\u003e\n\u003ch3 dir=\"auto\"\u003e\u003cem\u003e\u003cspan role=\"text\"\u003e\u003cstrong\u003eL'artisan : Naohiko Koyama 神山直彦\u003c\/strong\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/h3\u003e\n\u003cp dir=\"auto\"\u003e\u003cem\u003eNé en \u003cstrong\u003e1953 dans la préfecture de Shiga\u003c\/strong\u003e, Naohiko Koyama est un céramiste japonais reconnu et spécialisé dans la tradition de Shigaraki.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003e\u003cem\u003eIl sort en \u003cstrong\u003e1971 de la section céramique du lycée de Shigaraki\u003c\/strong\u003e, puis termine en 1973 la formation de l’Institut préfectoral d’essais céramiques de Shiga. Il étudie ensuite auprès du céramiste \u003cstrong\u003eMashimizu Zōroku 眞清水藏六\u003c\/strong\u003e. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003e\u003cem\u003eEn \u003cstrong\u003e1976\u003c\/strong\u003e, il construit un son propre four \u003cstrong\u003eanagama.\u003c\/strong\u003e Il devient en 1989 \u003cstrong\u003emembre titulaire de la Japan Kōgei Association\u003c\/strong\u003e, statut qu’il possède toujours aujourd’hui. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003e\u003cem\u003eSon travail explore particulièrement le \u003cstrong\u003eyōhen 窯変\u003c\/strong\u003e et le \u003cstrong\u003ekaiyū 灰釉\u003c\/strong\u003e, la glaçure de cendre. Ses œuvres sont régulièrement sélectionnées aux expositions de la Japan Kōgei Association.\u003c\/em\u003e\u003c\/p\u003e\n\u003ch3 dir=\"auto\"\u003e\u003cspan role=\"text\"\u003e\u003cstrong\u003e📦 Tomobako\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp dir=\"auto\"\u003eLe chawan est accompagné de sa \u003cstrong\u003etomobako 共箱\u003c\/strong\u003e en paulownia. Le couvercle porte l’inscription \u003cstrong\u003e信楽 茶盌\u003c\/strong\u003e, « chawan de Shigaraki », ainsi que \u003cstrong\u003e直彦造\u003c\/strong\u003e, « réalisé par Naohiko », avec le sceau rouge de l’artiste.\u003c\/p\u003e\n\u003ch3 dir=\"auto\"\u003e\u003cspan role=\"text\"\u003e\u003cstrong\u003e🦝 Notre avis\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp dir=\"auto\"\u003eUn magnifique chawan pour les amateurs de shigaraki artisanaux et de bol à thé bruts, mais avec beaucoup de travail dérrière !\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eOn adore les changement sur ces différentes faces, entre le \u003cstrong\u003ehi-iro rouge brun\u003c\/strong\u003e, les zones sombres et les zones couvertes de \u003cstrong\u003ecendre \u003c\/strong\u003e! La texture très minérale, le petit kōdai et la forme wan-nari irrégulière lui donnent un style raffiné. Ce bol révèle pleinement toute la maîtrise du feu de Naohiko Koyama.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eUn très beau \u003cstrong\u003echawan Shigaraki authentique et signé\u003c\/strong\u003e, intéressant pour la pratique du matcha comme pour une collection de \u003cstrong\u003ecéramique japonaise contemporaine\u003c\/strong\u003e.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003cp\u003eDécouvrez tout l'univers du thé dans notre \u003ca href=\"https:\/\/kogedo.com\/collections\/arts-de-la-table\" title=\"collection arts de la table chez KOGEDO brocante japonaise : céramiques, laques, porcelaines et bien plus\"\u003e\u003cstrong\u003ecollection “Art de la Table”.\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e","brand":"KOGEDO","offers":[{"title":"Default Title","offer_id":54969521865043,"sku":"T53","price":189.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0937\/8562\/0819\/files\/chawan-shigaraki-naohiko-koyama-tomobako-signe.jpg?v=1789645664"},{"product_id":"haori-vintage-en-soie-rinzu-violet-gris-veste-kimono-japonaise-motifs-bambou-sacre-nanten","title":"Haori vintage en brocart de soie soie rinzu 綸子 violet grisé – Veste kimono japonaise motifs bambou sacré nanten 南天","description":"\u003cdiv class=\"qMYqUG_convSearchResultHighlightRoot\"\u003e\n\u003cdiv class=\"\"\u003e\n\u003csection class=\"text-token-text-primary w-full focus:outline-none has-data-writing-block:pointer-events-none [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto R6Vx5W_threadScrollVars scroll-mb-[calc(var(--scroll-root-safe-area-inset-bottom,0px)+var(--thread-response-height))] scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\" dir=\"auto\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto pb-8 [--thread-content-margin:var(--thread-content-margin-xs,calc(var(--spacing)*4))] @w-sm\/main:[--thread-content-margin:var(--thread-content-margin-sm,calc(var(--spacing)*6))] @w-lg\/main:[--thread-content-margin:var(--thread-content-margin-lg,calc(var(--spacing)*16))] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col gap-4 grow\"\u003e\n\u003cdiv dir=\"auto\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal outline-none keyboard-focused:focus-ring [.text-message+\u0026amp;]:mt-1\" tabindex=\"0\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden\"\u003e\n\u003cdiv class=\"fbskMG_root LR5Y_W_content markdown prose dark:prose-invert wrap-break-word w-full dark markdown-new-styling\"\u003e\n\u003cp dir=\"auto\" class=\"PDq2pG_selectionAnchorContainer\"\u003e\u003cstrong\u003eCe haori 羽織 vintage 100 % soie rinzu 綸子\u003c\/strong\u003e, veste kimono japonaise traditionnelle, séduit par son violet grisé, animé de rameaux de nanten 南天 dans des tons rose poudré et corail assourdi. La soie texturée révèle à la lumière un subtil décor tissé ton sur ton, tandis que le motif végétal court sur toute la surface du vêtement.\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3 dir=\"auto\"\u003e\u003cspan role=\"text\"\u003e🔶 \u003cstrong\u003eMotif extérieur\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp dir=\"auto\"\u003eLe décor représente le \u003cstrong\u003enanten 南天\u003c\/strong\u003e, bambou sacré, motif japonais associé à la bonne fortune et à la protection. Ses longues tiges fines portent feuilles, bourgeons et petites baies rosées, répartis sur le fond violet. L’impression s'associe avec le \u003cstrong\u003ejimon 地紋 de la soie rinzu\u003c\/strong\u003e, dont les motifs damassés apparaissent selon la lumière et donnent au tissu une belle texture.\u003c\/p\u003e\n\u003ch3 dir=\"auto\"\u003e\u003cspan role=\"text\"\u003e\u003cstrong\u003eDoublure intérieure\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp dir=\"auto\"\u003eLa doublure est en soie gris très clair, parcourue de lignes graphiques irrégulières marron, brun rouge, vert foncé et noir. Ce décor abstrait contraste avec le nanten extérieur et apporte une note plus moderne. Le bas reprend la soie violette du haori, créant une finition harmonieuse visible lorsque le vêtement s’ouvre.\u003c\/p\u003e\n\u003ch3 dir=\"auto\"\u003e\u003cspan role=\"text\"\u003e📏 \u003cstrong\u003eDimensions\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp dir=\"auto\"\u003eEnvergure (manche à manche) : \u003cstrong\u003e128 cm\u003c\/strong\u003e\u003cbr\u003eHauteur (épaule jusqu’en bas) : \u003cstrong\u003e85 cm\u003c\/strong\u003e\u003cbr\u003eLargeur coutures d’épaule à épaule : \u003cstrong\u003e65 cm\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eGrâce à sa coupe ample et droite, ce haori convient à de nombreuses morphologies.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eSur les photos, notre modèle femme, Mikan mesure 1,58m.\u003c\/p\u003e\n\u003ch3 dir=\"auto\"\u003e\u003cspan role=\"text\"\u003e\u003cstrong\u003eMatière\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp dir=\"auto\"\u003e\u003cstrong\u003e100 % soie\u003c\/strong\u003e – extérieur en soie rinzu 綸子 texturée et imprimée. Doublure intérieure en soie.\u003c\/p\u003e\n\u003ch3 dir=\"auto\"\u003e\u003cspan role=\"text\"\u003e\u003cstrong\u003eÉtat\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp dir=\"auto\"\u003e\u003cstrong\u003eExcellent état vintage\u003c\/strong\u003e – belle tenue générale, soie souple et motifs bien préservés. \u003cspan style=\"text-decoration: underline;\"\u003eDes fils de bâti blancs sont encore présents sur plusieurs parties du vêtement (à retirer délicatement avant de le porter)\u003c\/span\u003e Aucun défaut notable visible sur les photos.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eOrigine : \u003cstrong\u003eJapon\u003c\/strong\u003e, déniché dans la préfecture de Kyoto\u003c\/p\u003e\n\u003ch3 dir=\"auto\"\u003e\u003cspan role=\"text\"\u003e🦝 \u003cstrong\u003eNotre avis\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp dir=\"auto\"\u003eCe haori a beaucoup de charme. On aime son violet grisé facile à associer, le nanten rose très délicat et les reflets du rinzu qui changent avec la lumière. Il fonctionne aussi bien avec une tenue sobre qu’un look plus habillé. Une belle pièce japonaise authentique, élégante et facile à porter !\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eEnvie de découvrir d'autres pièces ?\u003c\/strong\u003e\u003cspan\u003e Parcourez notre sélection complète de \u003c\/span\u003e\u003ca href=\"https:\/\/kogedo.com\/collections\/kimono\" title=\"Découvrez notre collection de haori japonais anciens pour homme et femme : vestes kimono authentiques en soie, doublures raffinées et pièces uniques.\"\u003ehaori et kimono japonais anciens\u003c\/a\u003e\u003c\/p\u003e","brand":"KOGEDO","offers":[{"title":"Default Title","offer_id":55006813978963,"sku":"H98","price":95.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0937\/8562\/0819\/files\/veste-kimono-femme-soie-violette-nanten.jpg?v=1789976854"},{"product_id":"fukuro-obi-ancien-soie-paon-kujaku-fleurs-bleu-ciel-or","title":"Fukuro Obi ancien en soie – Paon Kujaku \u0026 Fleurs japonaises en brocart doré","description":"\u003ch3\u003e\n\u003cspan\u003e📐 \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eCaractéristiques\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e :\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003e\u003cspan\u003eLongueur totale\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e : env. 425 cm\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e\u003cspan\u003eZone décorée principale sur la face\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e : env. \u003c\/span\u003e260 cm\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e\u003cspan\u003eZone sans motif sur la face\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e : env. \u003c\/span\u003e120 cm\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e\u003cspan\u003eZone décorée complémentaire sur la face\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e : env.\u003cstrong\u003e \u003c\/strong\u003e\u003c\/span\u003e45 cm\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e\u003cspan\u003eRevers\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e : entièrement \u003c\/span\u003eivoire uni\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e\u003cspan\u003ePoids\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e : env. 980 g\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e\u003cspan\u003eType\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e : fukuro obi 袋帯\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e\u003cspan\u003eMatière\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e : \u003c\/span\u003esoie en brocart, tissage à fils dorés\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e\u003cspan\u003eCouleurs\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e : bleu ciel, ivoire, or, rouge corail, mauve, violet et vert\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e\u003cspan\u003eConstruction du décor\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e : env. \u003c\/span\u003e120 cm de face sans décor, puis reprise du motif sur env. 45 cm\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e\u003cspan\u003eMotifs principaux\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e :\u003cstrong\u003e \u003c\/strong\u003e\u003c\/span\u003epaon kujaku 孔雀\u003cspan\u003e, pivoines botan 牡丹, chrysanthèmes kiku 菊, érables momiji 紅葉, prunier ume 梅, campanules kikyō 桔梗, camélias tsubaki 椿 et pins matsu 松\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e\u003cspan\u003eMotifs secondaires\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e : nuages et brumes, mouvements d’eau, panneaux décoratifs et \u003c\/span\u003esamekomon 鮫小紋 doré\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e\u003cspan\u003eÉtat\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e : excellent état vintage, \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eaucune tache ni déchirure\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, seulement quelques \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eplis liés au stockage.\u003c\/span\u003e\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan\u003eCe très beau \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003efukuro obi (袋帯)\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e est un obi long et formel, 100% en soie et fils dorés. La face du obi présente une \u003cstrong\u003egrande section décorée sur environ 260 cm\u003c\/strong\u003e, suivie d’une \u003cstrong\u003ezone unie de 120 cm\u003c\/strong\u003e, puis le décor reprend sur les \u003cstrong\u003e45 derniers centimètres\u003c\/strong\u003e. Cette répartition est caractéristique de la construction d’un \u003cstrong\u003efukuro obi\u003c\/strong\u003e, dont les motifs sont placés en fonction des différentes parties visibles une fois le obi noué.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIci, le décor mêle \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003ebleu ciel, ivoire et or\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, avec quelques touches de corail, mauve, violet et vert. Le brocart de soie est dense et lumineux, avec de nombreux détails visibles de près dans le tissage.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLe motif principal représente un \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003epaon kujaku (孔雀)\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e entouré de fleurs et de feuillages. On retrouve de grandes \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003epivoines botan\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, des \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003echrysanthèmes kiku\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, des fleurs de \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eprunier ume\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, des \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003ecampanules kikyō\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, des \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003ecamélias tsubaki\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, des \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003epins matsu\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e et de nombreux \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eérables momiji\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLe fond est également travaillé en doré avec différents motifs, dont un très fin \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003esamekomon (鮫小紋).\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLe \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003erevers ivoire uni\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e apporte un contraste plus sobre avec la richesse de la face décorée.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003e🦝 On aime\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan\u003eCe obi est très beau avec ces nombreux motifs traditionnels mais reste très doux avec sa palette de couleurs pastelles.\u003c\/span\u003e\u003cspan\u003e On aime aussi le \u003c\/span\u003epaon kujaku\u003cspan\u003e entouré de pivoines botan, chrysanthèmes kiku et érables momiji, avec une tonne de petits détails à découvrir dans le tissage. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eC'est\u003c\/span\u003e\u003cspan\u003e un très bel exemple d’\u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eart textile japonais\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e. Il pourra être porté avec un kimono formel ou présenté comme \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003epièce décorative\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, chemin de table ou textile mural !\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePour découvrir d’autres \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eobi, kimono, yukata et haori japonais vintage\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, retrouvez toute la sélection dans la collection \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eKimono KOGEDO\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e. \u003c\/span\u003e\u003ca href=\"https:\/\/kogedo.com\/collections\/kimono?utm_source=chatgpt.com\" title=\"collection Kimono chez Kogedo avec tout l'univers du textile japonais ancien\" rel=\"noopener\" target=\"_blank\"\u003e\u003cspan\u003eVoir la collection Kimono KOGEDO\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eEnvie d’en savoir plus sur les \u003cstrong\u003edifférents types de obi japonais\u003c\/strong\u003e et de découvrir comment les détourner en décoration ? Retrouvez notre article \u003cstrong\u003e« Idées déco japonaise : sublimer son intérieur avec un obi en soie »\u003c\/strong\u003e. \u003ca href=\"https:\/\/kogedo.com\/blogs\/kogedo-le-blog\/obi-japonais-soie-decoration?utm_source=chatgpt.com\" title=\"article Kogedo sur les idées déco japonaise : sublimer son intérieur avec un obi en soie\" rel=\"noopener\" target=\"_blank\"\u003eLire l’article KOGEDO\u003c\/a\u003e \u003c\/em\u003e\u003c\/p\u003e","brand":"KOGEDO","offers":[{"title":"Default Title","offer_id":55149563609427,"sku":"OB26","price":95.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0937\/8562\/0819\/files\/fukuro-obi-kujaku-botan-kiku-motifs-floraux-japonais.jpg?v=1790871399"},{"product_id":"masque-kyogen-japonais-divinite-daikoku-en-laque-seche-theatre-traditionnel-epoque-showa","title":"Masque japonais de la divinité du bonheur Daikoku 大黒 – Laque sèche – époque Shōwa","description":"\u003ch3 class=\"PDq2pG_selectionAnchorContainer\"\u003e \u003cspan\u003e📏 Caractéristiques\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003e\u003cspan\u003eType :\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e Masque traditionnel japonais – théâtre Kyōgen\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e\u003cspan\u003ePersonnage :\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e Daikoku \/ Daikokuten (大黒 \/ 大黒天) \u003c\/span\u003e\u003cspan\u003edivinité de la prospérité et de la bonne fortune\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e\u003cspan\u003eInscription :\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e Étiquette ancienne au revers portant \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e模国宝 大黒面\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, indiquant une reproduction artisannale d’après un modèle de masque Daikoku classé Trésor national.\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e\u003cspan\u003eTechnique :\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eKanshitsu (乾漆)\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, laque sèche artisannale sur structure textile\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e\u003cspan\u003eFinition :\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e Laque brun-rouge sur fond noir, avec \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eeffet de polissage volontaire Negoro\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e faisant apparaître la couche sombre sous-jacente\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e\u003cspan\u003eDétails :\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e Bouche et langue vermillon, dents peintes, \u003c\/span\u003ebarbe en fibres végétales, probablement chanvre\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e\u003cspan\u003eFixation :\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e Trous latéraux avec cordon textile pour suspension\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e\u003cspan\u003eDimensions :\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e Hauteur : env. 23 cm ; Largeur : env. 21 cm ; Profondeur : env. 10 cm ; \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003ePoids :\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e 382 g\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e\u003cspan\u003eOrigine :\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e Japon, déniché dans la préfecture d'Osaka\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e\u003cspan\u003eÉpoque estimée :\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e Ère Shōwa, probablement seconde moitié du XXe siècle\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e\u003cspan\u003eÉtat :\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e Très bon état général. Les zones noires visibles sur la face sont \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eun effet décoratif volontaire\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e de la finition et non des usures. \u003cstrong\u003eUne marque d'impact\u003c\/strong\u003e est présente sur la joue droite avec quelques micro fissurations dans la laque, principalement au niveau du menton (cf. photos)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cstrong\u003e\u003cspan\u003eDaikoku dans le théâtre Kyōgen\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan\u003eCe masque japonais traditionnel représente \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eDaikoku (大黒)\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, également appelé \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eDaikokuten (大黒天)\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, l’une des \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eSept Divinités du Bonheur, les Shichifukujin (七福神)\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAssocié à la \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eprospérité, à l’abondance et à la bonne fortune\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, Daikoku est reconnaissable à son visage large et jovial. Dans le théâtre \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eKyōgen\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, son masque se distingue par des joues pleines, de grandes oreilles, des yeux plissés et un sourire très marqué qui lui donnent une expression chaleureuse et presque malicieuse. \u003cstrong\u003eT\u003c\/strong\u003e\u003c\/span\u003e\u003cspan\u003e\u003cstrong\u003erès populaire au Japon\u003c\/strong\u003e, Daikoku est traditionnellement représenté comme une divinité bienveillante.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003e\u003cspan\u003eLa technique du kanshitsu\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan\u003eLe masque est réalisé selon la technique artisannale du \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003ekanshitsu (乾漆), ou laque sèche\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, procédé japonais ancien consistant à former une coque légère à partir de couches textiles imprégnées puis modelées et recouvertes de laque.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCette technique permet d’obtenir des volumes très expressifs tout en conservant un objet relativement léger. Le revers du masque laisse nettement apparaître la \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003etrame textile\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e qui constitue sa structure interne, caractéristique de ce type de fabrication.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eDétails techniques \u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan\u003eLa surface laquée brun-rouge est travaillée sur une \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003ecouche de laque noire sous-jacente\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, révélée par endroits de manière volontaire, notamment sur les sourcils, les pommettes, le nez, les joues et le menton. Cet effet s'apelle le \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eNegoro\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, où le noir apparaît sous la couche rouge par abrasion ou polissage.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLa barbe en \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003efibres végétales naturelles\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, probablement de type chanvre, complète le visage et renforce encore le caractère traditionnel du masque.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eL'étiquette de fabrication mentionne que ce masque est une \u003cstrong\u003ereproduction artisannale d'un masque de Daikoku classé trésor national japonais.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003e\u003cspan\u003e🦝 Notre avis\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eOn adore Daikoku, c'est une divinité super festive, et puis de la chance, de la prospérité et de la richesse, on ne dit pas non ! Ce masque est très réussi, normal vu qu'il est basé sur un \u003cstrong\u003etrésor national\u003c\/strong\u003e ! Niveau technique,\u003cspan\u003e entre le \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003ekanshitsu, la laque rouge et noire, l'effet Negoro et la barbe en fibres végétales,\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e c'est un pièce particulièrement intéressante, bien plus travaillée qu’un simple masque décoratif.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eUn très beau masque de collection\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, idéale pour amateur d’art japonais, passionné de théâtre traditionnel ou collectionneur de masques et de laques japonaises.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e👉 \u003cem\u003eRetrouvez cette pièce aux côtés d’autres trésors dans notre collection \u003ca href=\"https:\/\/kogedo.com\/collections\/decoration-objets-art\" title=\"Collection KOGEDO objets d'arts japonais et de décoration japonaise : laques, masques nô, tsuba et bien plus encore !\"\u003e\u003cstrong\u003eDécoration \u0026amp; Objets d’art japonais.\u003c\/strong\u003e\u003c\/a\u003e\u003c\/em\u003e\u003cem\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/em\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/p\u003e","brand":"KOGEDO","offers":[{"title":"Default Title","offer_id":55210292019539,"sku":"DN18","price":199.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0937\/8562\/0819\/files\/masque-japonais-daikoku-kanshitsu-face.jpg?v=1791208137"},{"product_id":"bol-a-the-japonais-chawan-nezumi-shino-yaki-signe-keiho-gama-tomobako","title":"Bol à thé japonais Chawan Nezumi Shino-yaki 鼠志野焼 – signé du four Keihō-gama 渓峰窯 – Tomobako signé","description":"\u003cdiv class=\"\"\u003e\n\u003csection class=\"text-token-text-primary w-full focus:outline-none has-data-writing-block:pointer-events-none [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto R6Vx5W_threadScrollVars scroll-mb-[calc(var(--scroll-root-safe-area-inset-bottom,0px)+var(--thread-response-height))] scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\" dir=\"auto\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto pb-8 [--thread-content-margin:var(--thread-content-margin-xs,calc(var(--spacing)*4))] @w-sm\/main:[--thread-content-margin:var(--thread-content-margin-sm,calc(var(--spacing)*6))] @w-lg\/main:[--thread-content-margin:var(--thread-content-margin-lg,calc(var(--spacing)*16))] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col gap-4 grow\"\u003e\n\u003cdiv dir=\"auto\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal outline-none keyboard-focused:focus-ring [.text-message+\u0026amp;]:mt-1\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden\"\u003e\n\u003cdiv class=\"markdown prose dark:prose-invert wrap-break-word w-full dark markdown-new-styling\"\u003e\n\u003ch3\u003e\u003cstrong\u003e\u003cspan\u003e📐 Caractéristiques\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eHauteur :\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e env. 9 cm\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eDiamètre :\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e env. 12,7 cm\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003ePoids :\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e env. 546 g\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eStyle :\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eNezumi-Shino 鼠志野 — Mino-yaki 美濃焼\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eForme :\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e bol tourné, profil arrondi légèrement irrégulier, \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003ekōdai 高台\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e bas\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003ePériode estimée :\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e probablement Shōwa ou Heisei, estimé entre 1980 et 2010\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eArtisan \/ atelier :\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eKeihō 渓峰 — Keihō-gama 渓峰窯\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eOrigine :\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e Japon, Tajimi, déniché dans la préfecture de Shizuoka\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eTechnique :\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003etetsu-geshō 鉄化粧\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, décor \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003ekakiotoshi 掻き落とし\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, glaçure feldspathique Shino et \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eyuzuhada 柚子肌\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eÉtat :\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e Très bon état. Sans éclat ni fêlure visibles. Fourni avec sa boîte \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003etomobako 共箱\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e en bois et son shiori d’origine. La tomobako a un angle légèrement décollé.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003e\u003cspan\u003eDescription\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan\u003eCe remarquable \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003echawan Nezumi-Shino 鼠志野\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e provient de \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eKeihō-gama 渓峰窯\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, petit atelier de Tajimi, l’un des grands centres historiques de la céramique \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eMino-yaki 美濃焼\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e dans la préfecture de Gifu.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLe \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eNezumi-Shino\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, littéralement « Shino gris souris », est une variante du Shino dans laquelle la terre reçoit une couche riche en fer avant l’émaillage. Après cuisson sous une épaisse glaçure feldspathique, celle-ci développe les teintes grises caractéristiques visibles ici, ponctuées de brun et de rouge.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLe décor blanc est obtenu par \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003ekakiotoshi 掻き落とし\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e : l’engobe ferrugineux est retiré localement avant l’émaillage afin de faire réapparaître la terre claire. Le motif contraste ainsi avec le fond gris bleuté, tandis que la glaçure présente un beau \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eyuzuhada 柚子肌\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, texture légèrement granuleuse rappelant la peau du yuzu.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDe petites zones rouge-orangé apparaissent notamment sur la lèvre : cet effet appelé \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003ehi-iro 緋色\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, littéralement « couleur écarlate », résulte des réactions du fer et de la cuisson.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLa forme est dans un esprit wabi-sabi, avec une lèvre volontairement irrégulière et un \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003ekōdai 高台 bas\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e soigneusement tourné en tourbillon \u003cstrong\u003enaruto\u003c\/strong\u003e. Le sceau \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003etōin 陶印\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e de Keihō est visible sous la base.\u003c\/span\u003e\u003cem\u003e\u003cstrong\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003e\u003cspan\u003e📦 Tomobako\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan\u003eLe chawan est accompagné de sa \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003etomobako 共箱\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e en bois. Le couvercle porte l’inscription \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e志野茶碗\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, « chawan Shino », ainsi que la signature \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e渓峰\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, Keihō, avec le sceau rouge de l’atelier. Le document shiori d’origine est également conservé.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003e\u003cspan\u003e🦝 Notre avis\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan\u003eUn superbe bol à thé pour les amateurs du célèbre style \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eShino,\u003c\/span\u003e\u003c\/strong\u003e vieux de plus de 1000 ans, ici en version nezumi shino. \u003cspan\u003eOn adore sa teinte gris bleutée, et comme toujours avec les shino, on aime beaucoup son épaisse glaçure et son effet peau de yuzu !\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eUn \u003cstrong\u003ec\u003c\/strong\u003e\u003cb\u003ehawan Mino-yaki authentique et signé par le four\u003c\/b\u003e\u003cspan\u003e, accompagné de sa boîte et de son feuillet d’origine, intéressant pour son matcha ou pour une collection de \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003ecéramique japonaise vintage de Mino !\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003cp\u003eDécouvrez tout l'univers du thé dans notre \u003ca href=\"https:\/\/kogedo.com\/collections\/arts-de-la-table\" title=\"collection arts de la table chez KOGEDO brocante japonaise : céramiques, laques, porcelaines et bien plus\"\u003e\u003cstrong\u003ecollection “Art de la Table”.\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e","brand":"KOGEDO","offers":[{"title":"Default Title","offer_id":55239965311315,"sku":"T62","price":130.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0937\/8562\/0819\/files\/bol-matcha-japonais-nezumi-shino-keiho-tomobako.jpg?v=1791363114"},{"product_id":"kokeshi-japonaise-vintage-sosaku-shozan-montagne-automne-signee-usaburo-16cm","title":"Kokeshi japonaise vintage sōsaku – 照山 Shōzan Montagne aux lueurs d’automne  – signée Usaburō 卯三郎 – 16 cm","description":"\u003ch3\u003e\u003cstrong\u003e\u003cspan\u003e📐 Caractéristiques\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eOrigine\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e : Japon, Gunma, dénichée dans la préfecture de Fukuoka\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eÉpoque\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e \u003cstrong\u003eestimée\u003c\/strong\u003e : Fin Shōwa début Heisei entre 1980 et 2000\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eStyle\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e : \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eKokeshi sōsaku 創作こけし\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e – création artistique japonaise\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eArtisan\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e : atelier \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eUsaburō 卯三郎こけし\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, fondé par Okamoto Usaburō\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eModèle\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e : \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eShôzan 照山\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, « Montagne aux lueurs d’automne »\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eMotifs\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e : érables rouges \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003emomiji 紅葉\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, montagnes et premières neiges\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eMatériau\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e : bois tourné, probablement mizuki, gravure et peinture\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eHauteur\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e : \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e16 cm\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eSignature\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e : étiquette ancienne de l’atelier \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eUsaburō\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e sous la base\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eÉtat\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e : très bon état vintage, belle patine, très discrètes traces du temps, voir les photographies détaillées.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003e\u003cspan\u003eL’atelier : Usaburō Kokeshi 卯三郎こけし\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eOkamoto Usaburō\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e compte parmi les plus grandes figures de la \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003ekokeshi sōsaku créative japonaise\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e. Né en 1917 dans la préfecture de Gunma, il s'est d'\u003c\/span\u003e\u003cspan\u003eabord formé au travail de la pierre et du métal, puis se lance dans la fabrication de kokeshi en 1950 en fondant\u003c\/span\u003e\u003cspan\u003e l’atelier \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eUsaburō Kokeshi\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e. Il développe gravure et brûlage pour donner du relief aux motifs.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSon atelier, avec les artisans de la famille Okamoto de nombreuses fois primés, est devenu le plus célèbre producteur de kokeshi du Japon et poursuit aujourd’hui cette tradition avec les générations Okamoto suivantes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSa création \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eKantsubaki\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, ornée de camélias et réalisée en bois de zelkova, fut même acquise par l’empereur Shōwa.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003e\u003cspan\u003eDétails\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan\u003eCette ancienne version de \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eShôzan 照山\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, « Montagne aux lueurs d’automne  », appartient aux grandes \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003ekokeshi sōsaku\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e de l’atelier Usaburō.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSon visage souriant, aux yeux fins, est encadré par une longue coiffure noire\u003c\/span\u003e\u003cspan\u003e, taillée et gravée dans le bois. La silhouette originale\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003etamago gata たまご型\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, en forme d’œuf, représente une jeune fille en kimono aux couleurs de l'automne.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSur le corps, les feuilles d’érable rouge \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003emomiji 紅葉\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e semblent entraînées par le vent. Les premières neiges descendent doucement sur les montagnes toujours vertes. \u003c\/span\u003e\u003cspan\u003eD'après Usaburo, les manches sont rougies par l’émotion de la jeune fille.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003e\u003cspan\u003e🦝 On aime\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan\u003eCette kokeshi issue du prestigieux \u003cstrong\u003eatelier Usaburō, \u003c\/strong\u003eest tout simplement magnifique. Cette poupée est une superbe illustration de l'automne japonais, on adore\u003c\/span\u003e\u003cspan\u003e les érables momiji rouge vif, les premières neiges sur la montagne, les délicats reliefs du bois et ce visage si mignon ! Une \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eMasterpiece KOGEDO\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e !\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-start=\"2808\" data-end=\"3126\" data-is-last-node=\"\" data-is-only-node=\"\"\u003e\u003cem\u003ePoursuivez votre voyage au cœur du Japon d’antan avec notre \u003cstrong\u003e\u003ca href=\"https:\/\/kogedo.com\/collections\/kokeshi\" title=\"collections de kokeshi KOGEDO, poupées japonaises en bois vintages, traditionnelles, shingata et sosaku\"\u003ecollection complète de poupées kokeshi.\u003c\/a\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"KOGEDO","offers":[{"title":"Default Title","offer_id":55274955309395,"sku":"K66","price":125.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0937\/8562\/0819\/files\/kokeshi-japonaise-vintage-usaburo-shozan-vue-face.jpg?v=1791543013"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0937\/8562\/0819\/collections\/collection-automne-kogedo-japon-brocante-japonaise.png?v=1758451846","url":"https:\/\/kogedo.com\/en\/collections\/feuilles-dautomne.oembed","provider":"KOGEDO","version":"1.0","type":"link"}