{"title":"Our current favorites","description":"\u003cp\u003eDiscover Mikan, Tôma, and Kogechan's favorite treasures — unique pieces you won't want to miss!\u003c\/p\u003e","products":[{"product_id":"haori-vintage-en-soie-ume-prunier-fleurs-de-saison","title":"Vintage pink rinzu silk haori – Japanese kimono jacket with 梅 Ume (plum) \u0026 seasonal flower motifs","description":"\u003cp class=\"\" data-end=\"511\" data-start=\"290\"\u003eThis pure rinzu 綸子 silk haori, a traditional Japanese kimono jacket, is a refined tribute to spring blossoms. It poetically embodies the discreet elegance of the Shōwa (昭和) era, blending weaving finesse with rich symbolism.\u003c\/p\u003e\n\u003cp class=\"\" data-end=\"868\" data-start=\"513\"\u003e🌸 \u003cstrong data-end=\"537\" data-start=\"516\"\u003eOuter pattern:\u003c\/strong\u003e A floral composition mixing \u003cstrong data-end=\"601\" data-start=\"569\"\u003e梅 (\u003cem data-end=\"579\" data-start=\"574\"\u003eume\u003c\/em\u003e, plum blossoms),\u003c\/strong\u003e the little sisters of sakura – symbols of renewal and resilience – and stylized \u003cstrong data-end=\"670\" data-start=\"650\"\u003eseasonal flowers\u003c\/strong\u003e. The whole is delicately jacquard-woven in shades of burnt orange, ivory, silver, and gold, on a \u003cstrong data-end=\"797\" data-start=\"781\"\u003esalmon pink\u003c\/strong\u003e background with small floral motifs, creating a subtle visual movement.\u003c\/p\u003e\n\u003cp class=\"\" data-end=\"1044\" data-start=\"870\"\u003e🌼 \u003cstrong data-end=\"898\" data-start=\"873\"\u003eInner lining:\u003c\/strong\u003e Pink silk with silver reflections, adorned with large \u003cstrong data-end=\"976\" data-start=\"947\"\u003e菊 (\u003cem data-end=\"958\" data-start=\"952\"\u003ekiku\u003c\/em\u003e, chrysanthemums)\u003c\/strong\u003e woven tone-on-tone – imperial emblems of longevity and dignity.\u003c\/p\u003e\n\u003cp class=\"\" data-end=\"1196\" data-start=\"1175\"\u003e📏 \u003cstrong data-end=\"1194\" data-start=\"1178\"\u003eDimensions:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-end=\"1241\" data-start=\"1199\"\u003e\n\u003cstrong data-end=\"1230\" data-start=\"1199\"\u003eSleeve to sleeve span\u003c\/strong\u003e: 136 cm\u003c\/li\u003e\n\u003cli data-end=\"1287\" data-start=\"1244\"\u003e\n\u003cstrong data-end=\"1277\" data-start=\"1244\"\u003eHeight (shoulder to hem)\u003c\/strong\u003e: 85 cm\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"\" data-end=\"1393\" data-start=\"1289\"\u003e🧵 \u003cstrong data-end=\"1305\" data-start=\"1292\"\u003eMaterial:\u003c\/strong\u003e 100% silk – Japanese jacquard silk of the \u003cstrong data-start=\"166\" data-end=\"180\"\u003e綸子 (rinzu)\u003c\/strong\u003e type, a traditional soft and slightly satin-like silk whose patterns are directly woven into the fabric. Appreciated for its softness and subtle reflections, it reveals tone-on-tone designs with the light and movement.\u003c\/p\u003e\n\u003cp class=\"\" data-end=\"1393\" data-start=\"1289\"\u003e⭐️ \u003cstrong data-end=\"1332\" data-start=\"1322\"\u003eCondition:\u003c\/strong\u003e Excellent, probably never worn – soft and bright fabric, no signs of age.\u003c\/p\u003e\n\u003cp class=\"\" data-end=\"1393\" data-start=\"1289\"\u003e\u003cstrong\u003eOrigin:\u003c\/strong\u003e Japan, discovered in Shizuoka Prefecture.\u003c\/p\u003e\n\u003cp class=\"\" data-end=\"1393\" data-start=\"1289\"\u003eIn the photos, our model Mikan is 1m58 tall.\u003c\/p\u003e\n\u003cp class=\"\" data-end=\"1393\" data-start=\"1289\"\u003e\u003cstrong\u003eOur opinion:\u003c\/strong\u003e A great floral yet discreet haori. It can be worn in a classy or casual way over jeans.\u003c\/p\u003e","brand":"KOGEDO","offers":[{"title":"Default Title","offer_id":50659297853779,"sku":"H21","price":105.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0937\/8562\/0819\/files\/haori-vintage-japonais-manche-droite-motif-floral_jpg.jpg?v=1743074900"},{"product_id":"haori-yuyake-zakura-les-cerisiers-au-soleil-couchant","title":"Maneki neko Showa era","description":"\u003cp\u003e Vintage Maneki Neko Ceramic Piggy Bank from the Showa Era\u003c\/p\u003e\n\n\u003cp\u003e Condition: good general condition, sequined bib ✨. Plastic tip for closing the piggy bank missing under the buttocks.\u003c\/p\u003e\n\n\u003cp\u003e Our opinion: a great retro decorative piece from 1950s Japan.\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan\u003e♡ Kogechan's favorite is his mustache\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e Size: 19 cm\u003c\/p\u003e\n\n\u003cp\u003e Product reference: DM02\u003c\/p\u003e","brand":"KOGEDO","offers":[{"title":"Default Title","offer_id":50859339710803,"sku":"AK05","price":125.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0937\/8562\/0819\/files\/haori-japonais-yuyake-zakura-ouverture-col-fleurs.jpg?v=1745686473"},{"product_id":"masque-no-japonais-doji-tsuji-koseki","title":"Japanese Nō mask Dōji (童子) in lacquered wood – signed Tsuji Kōseki – traditional theater – Shōwa period","description":"\u003ch3 data-end=\"1858\" data-start=\"1835\"\u003e\u003cstrong\u003e📏 Characteristics\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli data-end=\"1916\" data-start=\"1862\"\u003e\n\u003cstrong data-end=\"1870\" data-start=\"1862\"\u003eType\u003c\/strong\u003e: Traditional Japanese mask – Nô theater\u003c\/li\u003e\n\u003cli data-end=\"1947\" data-start=\"1919\"\u003e\n\u003cstrong data-end=\"1933\" data-start=\"1919\"\u003eCharacter\u003c\/strong\u003e: Dōji (童子)\u003c\/li\u003e\n\u003cli data-end=\"1984\" data-start=\"1950\"\u003e\n\u003cstrong data-end=\"1961\" data-start=\"1950\"\u003eArtisan\u003c\/strong\u003e: Tsuji Kōseki (辻晃石)\u003c\/li\u003e\n\u003cli data-end=\"2082\" data-start=\"1987\"\u003e\n\u003cstrong data-end=\"1998\" data-start=\"1987\"\u003eMaterial\u003c\/strong\u003e: Hand-carved natural Hinoki wood, traditional polychrome with lacquered finish\u003c\/li\u003e\n\u003cli data-end=\"2120\" data-start=\"2085\"\u003e\n\u003cstrong data-end=\"2099\" data-start=\"2085\"\u003eDimensions\u003c\/strong\u003e: 21 × 14 × 6.5 cm\u003c\/li\u003e\n\u003cli data-end=\"2144\" data-start=\"2123\"\u003e\n\u003cstrong data-end=\"2134\" data-start=\"2123\"\u003eOrigin\u003c\/strong\u003e: Japan, found in Shizuoka Prefecture.\u003c\/li\u003e\n\u003cli data-end=\"2191\" data-start=\"2147\"\u003e\n\u003cstrong data-end=\"2165\" data-start=\"2147\"\u003eEstimated Period\u003c\/strong\u003e: Shōwa Era (1926–1989)\u003c\/li\u003e\n\u003cli data-end=\"2276\" data-start=\"2194\"\u003e\n\u003cstrong data-end=\"2202\" data-start=\"2194\"\u003eCondition\u003c\/strong\u003e: Good vintage condition; crack on the forehead, nose wear, signs of age (visible in photos)\u003c\/li\u003e\n\u003cli data-end=\"2355\" data-start=\"2279\"\u003e\n\u003cstrong data-end=\"2294\" data-start=\"2279\"\u003eAccessories\u003c\/strong\u003e: Signed kiribako box, original silk pouch (worn)\u003c\/li\u003e\n\u003cli data-end=\"2399\" data-start=\"2358\"\u003e\n\u003cstrong data-end=\"2370\" data-start=\"2358\"\u003eAttachment\u003c\/strong\u003e: Cord and side holes\u003c\/li\u003e\n\u003cli data-end=\"2446\" data-start=\"2402\"\u003e\n\u003cstrong data-end=\"2415\" data-start=\"2402\"\u003eSignature\u003c\/strong\u003e: Engraved on the back of the mask\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-end=\"371\" data-start=\"152\"\u003eThis traditional Japanese mask represents \u003cstrong data-end=\"248\" data-start=\"235\"\u003eDōji (童子) \"child\"\u003c\/strong\u003e, a Nô theater character embodying innocence, wisdom, and spiritual purity in the guise of a young boy.\u003c\/p\u003e\n\u003ch2 data-end=\"846\" data-start=\"373\"\u003e\u003cstrong data-end=\"422\" data-start=\"376\"\u003eWork of master artisan Tsuji Kōseki (辻晃石)\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp data-end=\"846\" data-start=\"373\"\u003eIt was \u003cstrong data-end=\"491\" data-start=\"434\"\u003ehand-carved by master men-ushi (Nô mask artisan) Tsuji Kōseki\u003c\/strong\u003e, an artisan renowned for his mastery of classic Nô techniques. Active during the Shōwa era, he left behind a body of work marked by refinement: his masks, carved from natural wood and decorated according to traditional methods (\u003cem data-end=\"731\" data-start=\"724\"\u003egofun\u003c\/em\u003e, mineral pigments), feature a \u003cstrong data-end=\"796\" data-start=\"768\"\u003ediscreet lacquered finish\u003c\/strong\u003e that gives depth and brilliance to the polychromy.\u003c\/p\u003e\n\u003ch3 data-end=\"1284\" data-start=\"848\"\u003e\u003cstrong data-end=\"892\" data-start=\"852\"\u003eTheatrical expression and spirituality\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-end=\"1284\" data-start=\"848\"\u003eThis \u003cstrong data-end=\"913\" data-start=\"905\"\u003eDōji\u003c\/strong\u003e mask offers a \u003cstrong data-end=\"970\" data-start=\"924\"\u003esoft, subtly melancholic expression\u003c\/strong\u003e, with slightly drooping eyes, a fine mouth, and delicately carved reliefs. The \u003cstrong data-end=\"1100\" data-start=\"1069\"\u003ehair painted on the forehead\u003c\/strong\u003e and the \u003cstrong data-end=\"1138\" data-start=\"1107\"\u003eslight deliberate asymmetry\u003c\/strong\u003e reflect the aesthetic sensibility of Nô. The inside of the mask is raw and carefully polished, bearing the \u003cstrong data-end=\"1283\" data-start=\"1250\"\u003eartisan's engraved signature\u003c\/strong\u003e.\u003c\/p\u003e\n\u003ch3 data-end=\"1574\" data-start=\"1286\"\u003e\u003cstrong data-end=\"1325\" data-start=\"1289\"\u003eThe character of Dōji in Nô\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-end=\"1574\" data-start=\"1286\"\u003eIn Nô theater, \u003cstrong data-end=\"1356\" data-start=\"1348\"\u003eDōji\u003c\/strong\u003e represents \u003cstrong data-end=\"1392\" data-start=\"1372\"\u003ecelestial children\u003c\/strong\u003e, \u003cstrong data-end=\"1415\" data-start=\"1398\"\u003eyoung monks\u003c\/strong\u003e, or \u003cstrong data-end=\"1443\" data-start=\"1424\"\u003emystical beings\u003c\/strong\u003e. This character acts as a bridge between the visible and invisible, between the human and the divine, expressing grace, purity, and mystery.\u003c\/p\u003e\n\u003cp data-end=\"1828\" data-start=\"1576\"\u003e\u003cstrong data-end=\"1604\" data-start=\"1579\"\u003eOriginal accessories\u003c\/strong\u003e\u003cbr data-end=\"1607\" data-start=\"1604\"\u003e💼 The mask is accompanied by its \u003cstrong data-end=\"1689\" data-start=\"1641\"\u003esigned kiribako wooden box\u003c\/strong\u003e, and an \u003cstrong data-end=\"1730\" data-start=\"1700\"\u003eoriginal silk pouch\u003c\/strong\u003e (showing some signs of wear), precious witnesses to its authenticity and preservation.\u003c\/p\u003e\n\u003ch3 data-end=\"2470\" data-start=\"2453\"\u003e🦝 Our opinion\u003c\/h3\u003e\n\u003cp data-end=\"2861\" data-start=\"2472\"\u003eA \u003cstrong data-end=\"2506\" data-start=\"2475\"\u003etrue theater mask\u003c\/strong\u003e, made by a confirmed artisan, and not a mere decorative reproduction. The emotion of the face, the delicacy of the wood, the spiritual significance of the Dōji character: everything here breathes respect for Japanese tradition. \u003cstrong data-end=\"2771\" data-start=\"2723\"\u003eWith its signed kiribako box and silk pouch\u003c\/strong\u003e, it is a rare set, rich in history, ideal for collectors or enlightened enthusiasts.\u003c\/p\u003e","brand":"KOGEDO","offers":[{"title":"Default Title","offer_id":51315921879379,"sku":"DN05","price":450.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0937\/8562\/0819\/files\/masque-no-japonais-doji-kogedo-coussin-couvercle.jpg?v=1751465269"},{"product_id":"yukata-vintage-en-coton-bleu-fleurs-hibiscus","title":"Vintage crepe blue cotton yukata with shibori rectangle pattern (絞り)","description":"\u003cp data-start=\"102\" data-end=\"128\"\u003e \u003cstrong\u003e🔗 Pattern:\u003c\/strong\u003e This vintage cotton yukata features a geometric pattern of rectangles inspired by shibori (絞り), in a deep indigo blue and white palette. The waffle fabric, typical of summer yukata, offers a pleasant, firm, and airy texture, ideal for the warmer months. The pattern is also present on the inside of this haori.\u003c\/p\u003e\n\n\u003cp data-start=\"675\" data-end=\"887\"\u003e \u003cstrong\u003e🧵 Closing:\u003c\/strong\u003e \u003cbr data-start=\"689\" data-end=\"692\"\u003eFor added practicality and style, this yukata comes with a \u003cstrong data-start=\"757\" data-end=\"783\"\u003ecomplimentary beige obi-jime\u003c\/strong\u003e belt (traditional Japanese cord), which can be simply tied at the waist. A \u003cstrong\u003eKOGEDO\u003c\/strong\u003e detail that makes all the difference.\u003c\/p\u003e\n\n\u003cp data-start=\"889\" data-end=\"1035\"\u003e \u003cstrong\u003e👘 Mixed cut:\u003c\/strong\u003e\u003cbr data-start=\"905\" data-end=\"908\"\u003e Suitable for both men and women, faithful to the spirit of the traditional yukata. The three-quarter sleeves are quite short, which is very practical for everyday wear.\u003c\/p\u003e\n\n\u003cp data-start=\"1037\" data-end=\"1206\"\u003e 📏 \u003cstrong\u003eDimensions:\u003c\/strong\u003e\u003cbr\u003e・Height (shoulder to bottom): 144cm\u003cbr data-start=\"1092\" data-end=\"1095\"\u003e・Wingspan (sleeve to sleeve): 127 cm\u003c\/p\u003e\n\n\u003cp data-start=\"1037\" data-end=\"1206\"\u003e Our model is 1.71m tall, the Yukata reaches her ankles and above the wrists with 3\/4 sleeves. It therefore easily fits larger or smaller sizes.\u003c\/p\u003e\n\n\u003cp data-start=\"1208\" data-end=\"1304\"\u003e 🧵 \u003cstrong\u003eMaterial\u003c\/strong\u003e : 100% cotton. Machine wash at 30°.\u003c\/p\u003e\n\n\u003cp data-start=\"1306\" data-end=\"1395\"\u003e ⭐️ \u003cstrong\u003eCondition\u003c\/strong\u003e : Excellent condition - very well preserved fabric, bright colors.\u003c\/p\u003e\n\n \u003cp data-start=\"1397\" data-end=\"1693\"\u003e\u003cspan data-start=\"1400\" data-end=\"1414\"\u003e🦝\u003c\/span\u003e \u003cstrong data-start=\"1400\" data-end=\"1414\"\u003eOur opinion\u003c\/strong\u003e : We love the shibori pattern at KOGEODO. This yukata is perfect for the summer season. For staying at home in light and very comfortable clothing, or even for going to see a summer fireworks display like in Japan! The free \u003cstrong data-start=\"1517\" data-end=\"1529\"\u003eobi-jime\u003c\/strong\u003e : a real plus for easily wearing this Yukata!\u003c\/p\u003e","brand":"KOGEDO","offers":[{"title":"Default Title","offer_id":51335879983443,"sku":"YUK04","price":79.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0937\/8562\/0819\/files\/yukata-coton-fleurs-colorees-col-detail.jpg?v=1751706712"},{"product_id":"ensemble-kushi-kogai-bois-noir-laque-motifs-fleuris-kiku-nacres-epoque-showa","title":"Kushi \u0026 Kogai Set – Black lacquered wood, mother-of-pearl chrysanthemum (kiku) floral motifs – Shōwa period","description":"\u003ch3 data-start=\"1072\" data-end=\"1094\"\u003eFeatures:\u003c\/h3\u003e\n\u003cp data-start=\"1095\" data-end=\"1256\"\u003e📅 \u003cstrong data-start=\"1098\" data-end=\"1108\"\u003ePeriod\u003c\/strong\u003e: Shōwa (1926–1989) – estimated 1950s–70s\u003cbr data-start=\"1156\" data-end=\"1159\"\u003e🧵 \u003cstrong data-start=\"1162\" data-end=\"1174\"\u003eMaterial\u003c\/strong\u003e: Black lacquered wood (urushi 漆), mother-of-pearl inlay (螺鈿 raden)\u003cbr data-start=\"1238\" data-end=\"1241\"\u003e🎨 \u003cstrong data-start=\"1244\" data-end=\"1254\"\u003eMotifs\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-start=\"1259\" data-end=\"1305\"\u003e菊 (kiku) – Chrysanthemum, longevity and nobility\u003c\/li\u003e\n\u003cli data-start=\"1308\" data-end=\"1369\"\u003eStylized ornamental flowers (iridescent blue, pink, green mother-of-pearl)\u003c\/li\u003e\n\u003cli data-start=\"1372\" data-end=\"1437\"\u003eSinuous curves evoking water or wind, fluidity and elegance\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-start=\"1439\" data-end=\"1458\"\u003e📏 \u003cstrong data-start=\"1442\" data-end=\"1456\"\u003eDimensions\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-start=\"1461\" data-end=\"1490\"\u003eKushi comb: 10 x 5 cm\u003c\/li\u003e\n\u003cli data-start=\"1493\" data-end=\"1556\"\u003eKogai pin: 16 cm long\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eOrigin\u003c\/strong\u003e: Japan, unearthed in Hyōgo Prefecture.\u003c\/p\u003e\n\u003cp data-start=\"1558\" data-end=\"1790\"\u003e📸 \u003cstrong data-start=\"1561\" data-end=\"1569\"\u003eCondition\u003c\/strong\u003e: Vintage, good overall condition. Some micro-traces of use and slight imperfections in the inlay visible in the photos, without impacting the overall aesthetic. Complete set, rare in this double-sided configuration.\u003c\/p\u003e\n\u003cp data-start=\"172\" data-end=\"434\"\u003e\u003cstrong data-start=\"172\" data-end=\"221\"\u003eElegant Japanese Shōwa-era set\u003c\/strong\u003e consisting of a traditional comb 櫛 (Kushi) and a matching hair pin 笄 (Kogai), made of black lacquered wood (urushi-nuri 漆塗り) and finely decorated with mother-of-pearl floral motifs in blue, green, pink, and ivory hues.\u003c\/p\u003e\n\u003cp data-start=\"436\" data=\"763\"\u003eThe floral composition, delicately inlaid on both sides, evokes the stylized efflorescence of 菊 (kiku), the imperial emblem, and other ornamental flowers cherished in Japanese decorative art. The iridescent reflections of the mother-of-pearl create a subtle play of light on the deep black lacquer background, bringing each motif to life and making each color burst when exposed to outdoor light.\u003c\/p\u003e\n\u003cp data-start=\"765\" data=\"1065\"\u003eThe comb is decorated front and back with floral arabesques and sinuous curves, while the Kogai pin's stem features continuous floral decoration, visible from both front and back – a precious detail that reveals the artisanal care put into this set.\u003c\/p\u003e\n\u003ch3 data-start=\"1797\" data-end=\"1820\"\u003e🦝 \u003cstrong data-start=\"1804\" data-end=\"1818\"\u003eOur opinion\u003c\/strong\u003e:\u003c\/h3\u003e\n\u003cp data-start=\"1821\" data-end=\"2217\"\u003eAt \u003cstrong data-start=\"1826\" data-end=\"1836\"\u003eKOGEDO\u003c\/strong\u003e, we are particularly fond of this set for its refinement and the harmony of its colors. The raden inlay, a traditional Japanese mother-of-pearl inlay technique, gives this object a soft and precious light. To collect, offer, or wear with a \u003ca href=\"https:\/\/kogedo.com\/collections\/kimono\"\u003evintage kimono\u003c\/a\u003e – or for a refined contrast, with a contemporary creation by \u003ca href=\"https:\/\/kogedo.com\/collections\/atelier-haori-modernes\"\u003e\u003cstrong data-start=\"2196\" data-end=\"2216\"\u003eKogedo l’Atelier\u003c\/strong\u003e\u003c\/a\u003e.\u003c\/p\u003e","brand":"KOGEDO","offers":[{"title":"Default Title","offer_id":51453051404627,"sku":"DK02","price":95.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0937\/8562\/0819\/files\/peigne-epingle-japonaise-kushi-kogai-epoque-showa-kogedo.jpg?v=1753191022"},{"product_id":"masque-no-japonais-ko-omote-bois-keigo-showa","title":"Japanese Nô mask Ko Omote (小面) in wood – signed Keigo (圭冶) – traditional theater – Shōwa period","description":"\u003ch2 data-start=\"255\" data-end=\"277\"\u003e📏 Features\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli data-start=\"281\" data-end=\"335\"\u003e\n\u003cstrong data-start=\"281\" data-end=\"289\"\u003eType\u003c\/strong\u003e: Traditional Japanese mask – Noh theater\u003c\/li\u003e\n\u003cli data-start=\"338\" data-end=\"370\"\u003e\n\u003cstrong data-start=\"338\" data-end=\"352\"\u003eCharacter\u003c\/strong\u003e: Ko-omote (小面)\u003c\/li\u003e\n\u003cli data-start=\"373\" data-end=\"399\"\u003e\n\u003cstrong data-start=\"373\" data-end=\"384\"\u003eArtisan\u003c\/strong\u003e: Attributed to Keigo (圭冶)\u003c\/li\u003e\n\u003cli data-start=\"402\" data-end=\"496\"\u003e\n\u003cstrong data-start=\"402\" data-end=\"413\"\u003eMaterial\u003c\/strong\u003e: Hand-carved wood, traditional polychromy with matte gofun (nama gofun)\u003c\/li\u003e\n\u003cli data-start=\"499\" data-end=\"534\"\u003e\n\u003cstrong data-start=\"499\" data-end=\"513\"\u003eDimensions\u003c\/strong\u003e: 20 × 12 × 9 cm\u003c\/li\u003e\n\u003cli data-start=\"499\" data-end=\"534\"\u003e\n\u003cstrong\u003eWeight\u003c\/strong\u003e: 218 g\u003c\/li\u003e\n\u003cli data-start=\"537\" data-end=\"558\"\u003e\n\u003cstrong data-start=\"537\" data-end=\"548\"\u003eOrigin\u003c\/strong\u003e: Japan, found in Shizuoka Prefecture.\u003c\/li\u003e\n\u003cli data-start=\"561\" data-end=\"605\"\u003e\n\u003cstrong data-start=\"561\" data-end=\"579\"\u003eEstimated period\u003c\/strong\u003e: Shōwa Era (1926–1989)\u003c\/li\u003e\n\u003cli data-start=\"608\" data-end=\"730\"\u003e\n\u003cstrong data-start=\"608\" data-end=\"616\"\u003eCondition\u003c\/strong\u003e: Good vintage condition; cracks visible under the chin and slight wear on the top of the hair (see photos)\u003c\/li\u003e\n\u003cli data-start=\"733\" data-end=\"784\"\u003e\n\u003cstrong data-start=\"733\" data-end=\"745\"\u003eAttachment\u003c\/strong\u003e: Braided cord and side perforations\u003c\/li\u003e\n\u003cli data-start=\"787\" data-end=\"846\"\u003e\n\u003cstrong data-start=\"787\" data-end=\"800\"\u003eSignature\u003c\/strong\u003e: Engraved inside the mask (圭冶 – Keigo)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2 data-start=\"853\" data-end=\"908\"\u003e👩 The Ko-omote character: idealized youth\u003c\/h2\u003e\n\u003cp data-start=\"910\" data-end=\"1258\"\u003eThe character of \u003cstrong data-start=\"927\" data-end=\"939\"\u003eKo-omote\u003c\/strong\u003e (小面), literally \"young female face,\" is one of the most iconic masks of Noh theater. It represents a \u003cstrong data-start=\"1063\" data-end=\"1084\"\u003eyoung noblewoman\u003c\/strong\u003e of pure, gentle, and discreet beauty. Its expression is designed to embody \u003cstrong data-start=\"1167\" data-end=\"1208\"\u003eyouthful grace, restraint, modesty\u003c\/strong\u003e, but also a form of \u003cstrong data-start=\"1234\" data-end=\"1257\"\u003epoetic melancholy\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp data-start=\"1260\" data-end=\"1433\"\u003eIn the Noh tradition, Ko-omote is often used to embody young female spirits, princesses, or deceased lovers, expressing ephemerality and refinement.\u003c\/p\u003e\n\u003ch2 data-start=\"1440\" data-end=\"1489\"\u003eRealism and refinement of Keigo's work\u003c\/h2\u003e\n\u003cp data-start=\"1491\" data-end=\"1965\"\u003eThis mask signed \u003cstrong data-start=\"1507\" data-end=\"1521\"\u003eKeigo (圭冶)\u003c\/strong\u003e is carved with great finesse, in accordance with the tradition of \u003cstrong data-start=\"1595\" data-end=\"1607\"\u003emen-ushi\u003c\/strong\u003e (Noh mask carvers). It showcases a particularly remarkable \u003cstrong data-start=\"1691\" data-end=\"1736\"\u003esurface treatment: a matte, lightly polished gofun (生胡粉 \/ nama gofun)\u003c\/strong\u003e with a subtle and \u003cstrong data-start=\"1756\" data-end=\"1769\"\u003egrainy\u003c\/strong\u003e texture, surprisingly evoking the \u003cstrong data-start=\"1795\" data-end=\"1832\"\u003ereal texture of human skin\u003c\/strong\u003e. Unlike glossy lacquer masks, this one \u003cstrong data-start=\"1910\" data-end=\"1934\"\u003egently captures light.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"1491\" data-end=\"1965\"\u003e\u003cstrong data-end=\"127\" data-start=\"115\"\u003eGofun\u003c\/strong\u003e, a traditional mixture of \u003cstrong data-end=\"206\" data-start=\"153\"\u003eoyster shell powder and animal glue\u003c\/strong\u003e, gives the surface a \u003cstrong data-is-only-node=\"\" data-end=\"267\" data-start=\"232\"\u003ematte, slightly grainy appearance\u003c\/strong\u003e, subtly imitating the \u003cstrong data-end=\"335\" data-start=\"295\"\u003enatural texture of human skin\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp data-start=\"1967\" data-end=\"2108\"\u003eThe shade is not pure white but a \u003cstrong data-start=\"2012\" data-end=\"2037\"\u003every soft cream beige\u003c\/strong\u003e, nuanced and organic, contributing to the \u003cstrong data-start=\"2075\" data-end=\"2107\"\u003edisturbing realism of the face\u003c\/strong\u003e.\u003c\/p\u003e\n\u003ch2 data-start=\"2115\" data-end=\"2144\"\u003e🔍 Flaws and authenticity\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli data-start=\"2148\" data-end=\"2248\"\u003e\n\u003cstrong data-start=\"2152\" data-end=\"2172\"\u003eOld cracks\u003c\/strong\u003e are visible \u003cstrong data-start=\"2185\" data-end=\"2203\"\u003eunder the chin in the coating\u003c\/strong\u003e, without weakening the wood structure.\u003c\/li\u003e\n\u003cli data-start=\"2251\" data-end=\"2379\"\u003eSome \u003cstrong data-start=\"2255\" data-end=\"2280\"\u003ewear of the black pigment\u003c\/strong\u003e is present on the \u003cstrong data-start=\"2301\" data-end=\"2333\"\u003etop of the painted hairstyle.\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"2251\" data-end=\"2379\"\u003e\u003cstrong data-start=\"2301\" data-end=\"2333\"\u003eNo visible signs of wear on the face.\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2 data-start=\"2533\" data-end=\"2549\"\u003e🦝 Our opinion\u003c\/h2\u003e\n\u003cp data-start=\"2551\" data-end=\"2838\"\u003eThis \u003cstrong data-start=\"2561\" data-end=\"2585\"\u003eKo-omote mask signed Keigo\u003c\/strong\u003e is a \u003cstrong data-start=\"2594\" data-end=\"2624\"\u003etrue work of art\u003c\/strong\u003e, a far cry from standard decorative objects. Its \u003cstrong data-start=\"2688\" data-end=\"2701\"\u003ematte gofun\u003c\/strong\u003e finish, its \u003cstrong data-start=\"2706\" data-end=\"2725\"\u003esubtle palette\u003c\/strong\u003e, and its \u003cstrong data-start=\"2732\" data-end=\"2770\"\u003eboth lively and gentle expression\u003c\/strong\u003e make it a beautiful example of authentic Shōwa era Japanese Noh craftsmanship.\u003c\/p\u003e\n\u003cp data-start=\"2840\" data-end=\"2974\"\u003ePerfect for a \u003cstrong data-start=\"2856\" data-end=\"2874\"\u003ecollector\u003c\/strong\u003e, a \u003cstrong data-start=\"2879\" data-end=\"2910\"\u003eJapanese theater enthusiast\u003c\/strong\u003e, or a \u003cstrong data-start=\"2917\" data-end=\"2940\"\u003ephotographer\/artist\u003c\/strong\u003e in search of realistic expressiveness.\u003c\/p\u003e\n\u003cp data-start=\"2590\" data-end=\"2906\"\u003e👉 \u003cem data-end=\"210\" data-start=\"99\"\u003eFind this piece alongside other treasures in our \u003ca title=\"KOGEDO collection of Japanese art objects and Japanese decoration: lacquers, Noh masks, tsuba and much more!\" href=\"https:\/\/kogedo.com\/collections\/decoration-objets-art\"\u003e\u003cstrong data-end=\"209\" data-start=\"171\"\u003eJapanese Decoration \u0026 Art Objects collection.\u003c\/strong\u003e\u003c\/a\u003e\u003c\/em\u003e\u003cem data-end=\"210\" data-start=\"99\"\u003e\u003cstrong data-end=\"209\" data-start=\"171\"\u003e \u003c\/strong\u003e\u003c\/em\u003e\u003cem data-end=\"210\" data-start=\"99\"\u003e\u003c\/em\u003e\u003c\/p\u003e","brand":"KOGEDO","offers":[{"title":"Default Title","offer_id":51761768726867,"sku":"DN03","price":399.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0937\/8562\/0819\/files\/masque-no-ko-omote-keigo-vue-trois-quart-droit-kogedo.jpg?v=1756741435"},{"product_id":"haori-vintage-en-soie-motifs-dautomne-momiji-et-kiku","title":"Vintage Chirimen silk Haori – Japanese kimono jacket with autumn motifs (momiji 紅葉 \u0026 kiku 菊)","description":"\u003cp data-end=\"533\" data-start=\"223\"\u003eThis vintage haori in \u003cstrong data-end=\"256\" data-start=\"243\"\u003e100% lightly creped chirimen silk \u003cstrong data-end=\"4019\" data-start=\"4002\"\u003e縮緬\u003c\/strong\u003e\u003c\/strong\u003e, a traditional Japanese kimono jacket type, captivates with its luminous white sheen, entirely adorned with autumn motifs: \u003cstrong data-end=\"365\" data-start=\"337\"\u003echrysanthemums 菊 (\u003cem data-end=\"362\" data-start=\"356\"\u003ekiku\u003c\/em\u003e)\u003c\/strong\u003e and \u003cstrong data-end=\"408\" data-start=\"373\"\u003emaple leaves 紅葉 (\u003cem data-end=\"405\" data-start=\"397\"\u003emomiji\u003c\/em\u003e)\u003c\/strong\u003e, in a warm palette of reds, ochres, greens, and purples. A delicate and cheerful piece, perfect for mid-season.\u003c\/p\u003e\n\u003cp data-end=\"789\" data-start=\"535\"\u003e🔶 \u003cstrong data-end=\"557\" data-start=\"538\"\u003eOuter pattern\u003c\/strong\u003e:\u003cbr data-end=\"562\" data-start=\"559\"\u003eDense patterns of \u003cstrong data-end=\"608\" data-start=\"579\"\u003echrysanthemum flowers 菊\u003c\/strong\u003e and \u003cstrong data-end=\"639\" data-start=\"615\"\u003emaple leaves 紅葉\u003c\/strong\u003e, intertwined with thin light blue stems that structure the whole. The contrast of autumnal colors on a white background brings freshness and dynamism.\u003c\/p\u003e\n\u003cp data-end=\"944\" data-start=\"791\"\u003e🌸 \u003cstrong data-end=\"817\" data-start=\"794\"\u003eInner lining\u003c\/strong\u003e:\u003cbr data-end=\"822\" data-start=\"819\"\u003eWhite damask silk, decorated with \u003cstrong data-end=\"882\" data-start=\"856\"\u003elarge chrysanthemums 菊\u003c\/strong\u003e woven in tone-on-tone, for subtle and refined elegance.\u003c\/p\u003e\n\u003cp data-end=\"967\" data-start=\"946\"\u003e📏 \u003cstrong data-end=\"963\" data-start=\"949\"\u003eDimensions\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-end=\"1012\" data-start=\"970\"\u003e\n\u003cstrong data-end=\"1001\" data-start=\"970\"\u003eSleeve to sleeve\u003c\/strong\u003e: 118 cm\u003c\/li\u003e\n\u003cli data-end=\"1058\" data-start=\"1015\"\u003e\n\u003cstrong data-end=\"1048\" data-start=\"1015\"\u003eHeight (shoulder to hem)\u003c\/strong\u003e: 74 cm\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eOrigin:\u003c\/strong\u003e Japan, found in Shizuoka Prefecture.\u003c\/p\u003e\n\u003cp\u003e👘 In the photos, our female model Mikan is 1.58m tall. Our male model, Tôma, is 1.71m tall.\u003c\/p\u003e\n\u003cp data-end=\"1277\" data-start=\"1060\"\u003e🧵 \u003cstrong data-end=\"1074\" data-start=\"1063\"\u003eMaterial\u003c\/strong\u003e: 100% chirimen silk 縮緬\u003cbr data-end=\"1090\" data-start=\"1087\"\u003e⭐️ \u003cstrong data-end=\"1101\" data-start=\"1093\"\u003eCondition\u003c\/strong\u003e: Very good – fluid and light silk, impeccable drape. To note: \u003cstrong data-end=\"1223\" data-start=\"1166\"\u003esome slight yellowish marks at the shoulders\u003c\/strong\u003e, barely visible and not affecting the overall aesthetic.\u003c\/p\u003e\n\u003cp data-end=\"1390\" data-start=\"1279\"\u003e💠 \u003cstrong data-end=\"1301\" data-start=\"1282\"\u003ePractical detail\u003c\/strong\u003e:\u003cbr data-end=\"1306\" data-start=\"1303\"\u003eComes with its \u003cstrong data-end=\"1367\" data-start=\"1322\"\u003etraditional tie (羽織紐 \u003cem data-end=\"1364\" data-start=\"1352\"\u003ehaori himo\u003c\/em\u003e)\u003c\/strong\u003e, discreet and matching.\u003c\/p\u003e\n\u003ch3 data-end=\"1676\" data-start=\"1444\"\u003e🦝 \u003cstrong data-end=\"1461\" data-start=\"1447\"\u003eOur opinion\u003c\/strong\u003e:\u003c\/h3\u003e\n\u003cp data-end=\"1676\" data-start=\"1444\"\u003eA luminous and refined haori, celebrating the beauty of Japanese autumn, our favorite season! Its rich patterns and vibrant colors make it an easy piece to pair with a simple outfit for an elegant and unique effect.\u003c\/p\u003e","brand":"KOGEDO","offers":[{"title":"Default Title","offer_id":51777310228819,"sku":"H13","price":95.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0937\/8562\/0819\/files\/haori-vintage-soie-blanc-automne-kiku-momiji-angle.jpg?v=1756823475"},{"product_id":"haori-aki-to-samekomon-pointilles-d-automne-veste-kimono-moderne-by-kogedo-latelier-lxl","title":"Haori \"Aki no samekomon\" 秋の鮫小紋 – Autumn Dots - modern kimono jacket by KOGEDO l'Atelier - L\/XL","description":"\u003cp\u003e\u003cstrong data-start=\"272\" data-end=\"349\"\u003eSize: L\/XL – Unique piece, hand-sewn in our Parisian workshop.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-end=\"974\" data-start=\"563\"\u003eNamed \u003cstrong\u003e\u003cem data-end=\"589\" data-start=\"571\"\u003eAki no Samekomon\u003c\/em\u003e\u003c\/strong\u003e (秋の鮫小紋 – Autumn Dots), this haori is inspired by the understated elegance of the \u003cem data-end=\"681\" data-start=\"670\"\u003eSamekomon\u003c\/em\u003e (鮫小紋) pattern, historically associated with samurai kimonos.\u003cbr data-end=\"740\" data-start=\"737\"\u003eThis pattern is composed of \u003cstrong data-end=\"795\" data-start=\"764\"\u003etiny, regular dots\u003c\/strong\u003e, rigorously arranged, forming almost invisible arcs and curves from a distance. It evokes the \u003cstrong data-end=\"925\" data-start=\"893\"\u003etexture of shark skin\u003c\/strong\u003e, a symbol of strength, resistance, and mastery.\u003c\/p\u003e\n\u003cp data-end=\"1305\" data-start=\"976\"\u003eThe collar is adorned with \u003cstrong data-end=\"1005\" data-start=\"995\"\u003emomiji\u003c\/strong\u003e (maple leaves), the quintessential symbol of Japanese autumn.\u003cbr data-end=\"1057\" data-start=\"1054\"\u003eThe back features a contrasting yoke with traditional motifs:\u003cbr data-end=\"1147\" data-start=\"1144\"\u003e– \u003cstrong data-end=\"1166\" data-start=\"1149\"\u003eClouds (kumo)\u003c\/strong\u003e: movement and impermanence\u003cbr data-end=\"1197\" data-start=\"1194\"\u003e– \u003cstrong\u003eSakura and kiku\u003c\/strong\u003e \u003cstrong\u003eflowers\u003c\/strong\u003e\u003cbr data-end=\"1243\" data-start=\"1240\"\u003e– \u003cstrong data-end=\"1276\" data-start=\"1245\"\u003eTraditional motifs: \u003c\/strong\u003eyagasuri arrows, asanoha, etc.\u003c\/p\u003e\n\u003cp data-end=\"1483\" data-start=\"1307\"\u003eA sober and graphic haori, inspired by warrior traditions, with seasonal reminders. A piece that is both discreet and elaborate, easy to wear every day.\u003c\/p\u003e\n\u003cp data-end=\"1678\" data-start=\"1485\"\u003e📏 \u003cstrong\u003eSize \u0026amp; Fit\u003c\/strong\u003e :\u003cbr data-end=\"1507\" data-start=\"1504\"\u003eThis haori corresponds to an \u003cstrong\u003eL\/XL\u003c\/strong\u003e size, with a slightly longer cut at the back and 3\/4 sleeves:\u003cbr data-end=\"1600\" data-start=\"1597\"\u003e– oversized on an M silhouette\u003cbr data-end=\"1644\" data-start=\"1641\"\u003e– slightly loose and structured for an XL\u003c\/p\u003e\n\u003cp data-end=\"1678\" data-start=\"1485\"\u003eOur model in the photos is 1.71m tall. He is very comfortable in this haori, which will suit taller individuals. \u003c\/p\u003e\n\u003cp data-end=\"1837\" data-start=\"1680\"\u003e📐 \u003cstrong\u003eMeasurements\u003c\/strong\u003e :\u003cbr data-end=\"1698\" data-start=\"1695\"\u003e– Length (shoulder to hem): 82 cm\u003cbr data-end=\"1735\" data-start=\"1732\"\u003e– Sleeve to sleeve length: 136 cm\u003cbr data-end=\"1773\" data-start=\"1770\"\u003e– Sleeve length: 35 cm\u003cbr data-end=\"1806\" data-start=\"1803\"\u003e– Width under armpit: 31 cm\u003c\/p\u003e\n\u003cp data-end=\"2006\" data-start=\"1839\"\u003e\u003cspan\u003e🧵 \u003c\/span\u003e\u003cstrong data-end=\"1858\" data-start=\"1824\"\u003eHand-sewn Japanese fabrics\u003c\/strong\u003e\u003cspan\u003e, with back, collar, and sleeve yoke. This is not a vintage product.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-end=\"2006\" data-start=\"1839\"\u003e3 different Japanese fabrics: main samekomon fabric \/ collar in \"momiji\" fabric (stylized maple leaves) \/ back yoke with traditional Japanese motifs.\u003c\/p\u003e\n\u003cp data-end=\"2110\" data-start=\"2008\"\u003e🧺\u003cstrong\u003e Material \u0026amp; Care\u003c\/strong\u003e :\u003cbr data-end=\"2035\" data-start=\"2032\"\u003e100% cotton. Gentle wash at 30°C. Do not tumble dry. Iron inside out.\u003c\/p\u003e\n\u003cp data-end=\"2308\" data-start=\"2112\"\u003e\u003cspan\u003e🌸\u003c\/span\u003e\u003cstrong\u003eMikan's recommendation\u003c\/strong\u003e :\u003cbr data-end=\"2136\" data-start=\"2133\"\u003eThe same samekomon pattern as on the \u003ca href=\"https:\/\/kogedo.com\/products\/haori-samekomon-to-sensu\"\u003ered\u003c\/a\u003e model, but here in a deep, textured blue. The back adds a real surprise. Superb with raw denim. Very easy to wear for lovers of sobriety and traditional colors \u0026amp; patterns. \u003c\/p\u003e","brand":"KOGEDO","offers":[{"title":"Default Title","offer_id":52124860318035,"sku":"AK12","price":125.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0937\/8562\/0819\/files\/kogedo-veste-kimono-haori-aki-no-samekomon-zoom-col.jpg?v=1760532723"},{"product_id":"natsume-laque-noire-montagnes-dorees-makie-nashiji-shintani-urushiho","title":"Black lacquer Natsume tea caddy – Golden mountains in maki-e and nashiji lacquer – Shintani Urushiho","description":"\u003cp\u003eThe natsume is a luxurious small tea caddy traditionally used to present matcha in the Japanese tea ceremony (\u003cspan\u003e茶の湯).\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3 data-start=\"593\" data-end=\"616\"\u003e📐 Specifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli data-start=\"620\" data-end=\"688\"\u003e\n\u003cstrong data-start=\"620\" data-end=\"631\"\u003eOrigin\u003c\/strong\u003e: Japan – Ishikawa Prefecture, Yamanaka-shikki (山中塗) style\u003c\/li\u003e\n\u003cli data-start=\"691\" data-end=\"767\"\u003e\n\u003cstrong data-start=\"691\" data-end=\"709\"\u003eEstimated Era\u003c\/strong\u003e: Modern era, in the tradition of the Shōwa period\u003c\/li\u003e\n\u003cli data-start=\"770\" data-end=\"820\"\u003e\n\u003cstrong data-start=\"770\" data-end=\"781\"\u003eMaterial\u003c\/strong\u003e: Finely turned wood, urushi lacquer\u003c\/li\u003e\n\u003cli data-start=\"823\" data-end=\"880\"\u003e\n\u003cstrong data-start=\"823\" data-end=\"835\"\u003eFinish\u003c\/strong\u003e: Deep black lacquer, solid black interior\u003c\/li\u003e\n\u003cli data-start=\"883\" data-end=\"929\"\u003e\n\u003cstrong data-start=\"883\" data-end=\"897\"\u003eTechniques\u003c\/strong\u003e: Maki-e (蒔絵) and Nashiji (梨地)\u003c\/li\u003e\n\u003cli data-start=\"932\" data-end=\"1039\"\u003e\n\u003cstrong data-start=\"932\" data-end=\"941\"\u003eMotif\u003c\/strong\u003e: Stylized mountain range evoking Mount Fuji, in the spirit of Nihonga (日本画) landscapes\u003c\/li\u003e\n\u003cli data-start=\"1042\" data-end=\"1080\"\u003e\n\u003cstrong data-start=\"1042\" data-end=\"1056\"\u003eDimensions\u003c\/strong\u003e: Ø 6.7 cm × H 6.8 cm\u003c\/li\u003e\n\u003cli data-start=\"1083\" data-end=\"1101\"\u003e\n\u003cstrong data-start=\"1083\" data-end=\"1092\"\u003eWeight\u003c\/strong\u003e: 52 g\u003c\/li\u003e\n\u003cli data-start=\"1104\" data-end=\"1177\"\u003e\n\u003cstrong data-start=\"1104\" data-end=\"1115\"\u003eArtisan\u003c\/strong\u003e: Signed 新谷清 (Shintani Kiyoshi), artist name 漆峯 (Urushiho)\u003c\/li\u003e\n\u003cli data-start=\"1104\" data-end=\"1177\"\u003e\u003cstrong\u003eOriginal Tomobako wooden box\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli data-start=\"1180\" data-end=\"1239\"\u003e\n\u003cstrong data-start=\"1180\" data-end=\"1193\"\u003eCondition\u003c\/strong\u003e: Excellent condition, micro-chip on the back rim of the lid (see photos), original signed box (共箱)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 data-start=\"1246\" data-end=\"1264\"\u003e🍵 Description\u003c\/h3\u003e\n\u003cp data-start=\"1266\" data-end=\"1744\"\u003eThis \u003cstrong data-start=\"1269\" data-end=\"1280\"\u003enatsume\u003c\/strong\u003e is a luxurious piece of great mastery, both discreet and poetic.\u003cbr data-start=\"1365\" data-end=\"1368\"\u003eOn a black lacquer base, the artisan has traced, in \u003cstrong data-start=\"1419\" data-end=\"1434\"\u003egolden maki-e\u003c\/strong\u003e, a landscape of \u003cstrong data-start=\"1450\" data-end=\"1474\"\u003efloating mountains\u003c\/strong\u003e that seem to dissolve in the light. Nothing anecdotal here: the gesture is pure, the composition measured, almost meditative.\u003cbr data-start=\"1604\" data-end=\"1607\"\u003eThese golden reliefs invite us to imagine the silhouette of \u003cstrong data-start=\"1653\" data-end=\"1666\"\u003eMount Fuji.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"1746\" data-end=\"2192\"\u003eThe \u003cstrong data-start=\"1760\" data-end=\"1776\"\u003enashiji (梨地)\u003c\/strong\u003e work, literally \"pear skin,\" enriches the material with a sublime shimmer.\u003cbr data-start=\"1864\" data-end=\"1867\"\u003eThis technique consists of \u003cstrong data-start=\"1894\" data-end=\"1990\"\u003esprinkling fine gold particles between several layers of lacquer\u003c\/strong\u003e, creating a soft, grainy sparkle that seems to come from within the object rather than its surface.\u003cbr data-start=\"2093\" data-end=\"2096\"\u003eUnder light, the natsume reveals changing, almost living reflections.\u003c\/p\u003e\n\u003cp data-start=\"2194\" data-end=\"2473\"\u003eThe whole evokes the \u003cstrong data-start=\"2216\" data-end=\"2245\"\u003elandscapes of Nihonga (日本画)\u003c\/strong\u003e — these Japanese paintings where nature is not copied but suggested.\u003cbr data-start=\"2346\" data-end=\"2349\"\u003eThe sobriety of the black contrasts and highlights the gold dust, creating a unique mountainous atmosphere.\u003c\/p\u003e\n\u003cp data-start=\"2475\" data-end=\"2691\"\u003eSigned by \u003cstrong data-start=\"2485\" data-end=\"2515\"\u003eShintani Urushiho (新谷清 漆峯)\u003c\/strong\u003e, a master lacquerer from the Ishikawa region, trained in the \u003cstrong data-start=\"2584\" data-end=\"2601\"\u003eYamanaka-shikki\u003c\/strong\u003e tradition, this natsume bears witness to a craftsmanship passed down and perfected over generations.\u003c\/p\u003e\n\u003ch3 data-start=\"2698\" data-end=\"2725\"\u003e🧽 Care instructions\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli data-start=\"2729\" data-end=\"2789\"\u003eClean gently by hand, without detergent or abrasive\u003c\/li\u003e\n\u003cli data-start=\"2792\" data-end=\"2830\"\u003eDry immediately with a soft cloth\u003c\/li\u003e\n\u003cli data-start=\"2833\" data-end=\"2889\"\u003eAvoid prolonged immersion and direct heat\u003c\/li\u003e\n\u003cli data-start=\"2892\" data-end=\"2947\"\u003eStore in a dry place, away from light\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 data-end=\"2588\" data-start=\"2551\"\u003e\n\u003cstrong data-end=\"2588\" data-start=\"2553\"\u003e🦝 W\u003c\/strong\u003e\u003cstrong data-end=\"2588\" data-start=\"2553\"\u003ee love\u003c\/strong\u003e\n\u003c\/h3\u003e\n\u003cp data-end=\"2906\" data-start=\"2590\"\u003eThe \u003cstrong data-end=\"2649\" data-start=\"2617\"\u003eintensity of the lacquered black\u003c\/strong\u003e that contrasts with the \u003cstrong data-end=\"2649\" data-start=\"2617\"\u003egolden mountains. The nashi-ji technique\u003c\/strong\u003e is always sublime and perfectly mastered here. A luxurious natsume of great finesse with its original tomobako box that will delight connoisseurs!\u003c\/p\u003e\n\u003cp data-end=\"2906\" data-start=\"2590\"\u003eOther unique objects await you in the \u003ca title=\"Selection of ancient and contemporary Japanese art objects, combining beauty of gesture and timeless elegance. KOGEDO Collection.\" href=\"https:\/\/kogedo.com\/collections\/decoration-objets-art\"\u003e\u003cstrong data-end=\"660\" data-start=\"635\"\u003eJapanese Art Objects\u003c\/strong\u003e collection.\u003c\/a\u003e\u003c\/p\u003e\n\u003cp data-end=\"2906\" data-start=\"2590\"\u003eor Discover the entire world of tea in our \u003cstrong\u003e\u003ca title=\"tableware collection at KOGEDO Japanese antique shop: ceramics, lacquerware, porcelain and much more\" href=\"https:\/\/kogedo.com\/collections\/arts-de-la-table\"\u003e“Tableware” collection.\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"KOGEDO","offers":[{"title":"Default Title","offer_id":52144958669139,"sku":null,"price":280.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0937\/8562\/0819\/files\/presentation-natsume-mont-fuji-et-boite-signature-japon.jpg?v=1777038240"},{"product_id":"bol-a-the-japonais-chawan-iwakuni-yaki-yamada-shotou-kikko-gama-piece-rare","title":"Japanese Chawan Iwakuni-yaki (岩国焼) Teabowl – Rare – Yamada Shōtō (山田象陶)","description":"\u003ch3 data-start=\"402\" data-end=\"427\"\u003e📐 \u003cstrong data-start=\"405\" data-end=\"425\"\u003eSpecifications\u003c\/strong\u003e\n\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli data-start=\"430\" data-end=\"455\"\u003e\n\u003cstrong data-start=\"430\" data-end=\"443\"\u003eHeight:\u003c\/strong\u003e approx. 8 cm\u003c\/li\u003e\n\u003cli data-start=\"458\" data-end=\"485\"\u003e\n\u003cstrong data-start=\"458\" data-end=\"472\"\u003eDiameter:\u003c\/strong\u003e approx. 13 cm\u003c\/li\u003e\n\u003cli data-start=\"488\" data-end=\"535\"\u003e\n\u003cstrong data-start=\"488\" data-end=\"499\"\u003eWeight:\u003c\/strong\u003e approx. 293 g\u003c\/li\u003e\n\u003cli data-start=\"538\" data-end=\"614\"\u003e\n\u003cstrong data-start=\"538\" data-end=\"549\"\u003eStyle:\u003c\/strong\u003e Iwakuni-yaki (岩国焼), rustic stoneware with textured natural glaze\u003c\/li\u003e\n\u003cli data-start=\"617\" data-end=\"668\"\u003e\n\u003cstrong data-start=\"617\" data-end=\"638\"\u003eEstimated period:\u003c\/strong\u003e Late Shōwa – early Heisei\u003c\/li\u003e\n\u003cli data-start=\"671\" data-end=\"728\"\u003e\n\u003cstrong data-start=\"671\" data-end=\"691\"\u003eKiln \/ Artisan:\u003c\/strong\u003e 吉香窯 Kikkō-gama — 山田象陶 Yamada Shōtō, rare!\u003c\/li\u003e\n\u003cli data-start=\"731\" data-end=\"816\"\u003e\n\u003cstrong data-start=\"731\" data-end=\"744\"\u003eOrigin:\u003c\/strong\u003e Japan, Iwakuni region (Yamaguchi) — discovered in Yamaguchi Prefecture.\u003c\/li\u003e\n\u003cli data-start=\"819\" data-end=\"912\"\u003e\n\u003cstrong data-start=\"819\" data-end=\"830\"\u003eShape:\u003c\/strong\u003e free-form, slightly flared silhouette, finger marks, unglazed foot\u003c\/li\u003e\n\u003cli data-start=\"915\" data-end=\"978\"\u003e\n\u003cstrong data-start=\"915\" data-end=\"925\"\u003eCondition:\u003c\/strong\u003e Very good vintage condition. No chips, no cracks.\u003c\/li\u003e\n\u003cli data-start=\"981\" data-end=\"1013\"\u003e\n\u003cstrong data-start=\"981\" data-end=\"992\"\u003eBox:\u003c\/strong\u003e \u003cstrong data-start=\"993\" data-end=\"1013\"\u003eNo tomobako.\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 data-end=\"1495\" data-start=\"1478\"\u003e\u003cstrong data-end=\"1495\" data-start=\"1480\"\u003eDescription\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-start=\"247\" data-end=\"599\"\u003eThis Iwakuni-yaki chawan, a rare piece signed by Yamada Shōtō (山田象陶), exemplifies the Iwakuni style, which is characterized by deep glazes, distinctive textures, and a deliberate emphasis on raw material.\u003c\/p\u003e\n\u003cp data-start=\"601\" data-end=\"1012\"\u003eThe bowl's silhouette is \u003cstrong data-start=\"626\" data-end=\"646\"\u003efreely flared\u003c\/strong\u003e, not conforming to a codified shape: balanced proportions, unglazed foot, and \u003cstrong data-start=\"727\" data-end=\"759\"\u003efinger marks\u003c\/strong\u003e that highlight its wabi-sabi character. The speckled and slightly irregular glaze enhances the Iwakuni clay. \u003c\/p\u003e\n\u003ch3 data-start=\"1073\" data-end=\"1345\"\u003eAbout the artisan\u003c\/h3\u003e\n\u003cp data-start=\"1073\" data-end=\"1345\"\u003eYamada Shōtō is the potter who \u003cstrong data-start=\"1106\" data-end=\"1146\"\u003erevitalized the Iwakuni-yaki tradition\u003c\/strong\u003e, originally founded in 1700 by an artisan from Kyōto. He relaunched it in \u003cstrong data-start=\"1182\" data-end=\"1186\"\u003e1973\u003c\/strong\u003e with the opening of the Kikkō-gama kiln. He is a recognized artist who has won several awards and is the author of several works found in Iwakuni buildings. His son has now taken over the kiln, and Yamada Shōtō now runs an Udon noodle restaurant!\u003c\/p\u003e\n\u003ch3 data-end=\"3097\" data-start=\"3078\"\u003e🦝 \u003cstrong data-end=\"3097\" data-start=\"3083\"\u003eOur opinion\u003c\/strong\u003e\n\u003c\/h3\u003e\n\u003cp data-end=\"3384\" data-start=\"3099\"\u003eThis organic chawan is simply sublime. We love the rare and unique Iwakuni-yaki style with its magnificent glaze.\u003c\/p\u003e\n\u003cp data-end=\"2696\" data-start=\"2388\"\u003eDiscover the entire world of tea in our \u003ca title=\"tableware collection at KOGEDO Japanese antique shop: ceramics, lacquerware, porcelain, and much more\" href=\"https:\/\/kogedo.com\/collections\/arts-de-la-table\"\u003e\u003cstrong data-end=\"2430\" data-start=\"2372\"\u003e\"Tableware\" collection.\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e","brand":"KOGEDO","offers":[{"title":"Default Title","offer_id":52556994609491,"sku":"T43","price":105.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0937\/8562\/0819\/files\/kogedo-chawan-iwakuni-yaki-yamada-shoutou-vue-trois-quarts.webp?v=1765352239"},{"product_id":"guinomi-sake-porcelaine-arita-hizen-edo-tardif-paire","title":"Pair of Arita-ware (有田焼) guinomi sake cups in porcelain, with medallions – late Edo period (1820–1860)","description":"\u003ch3 data-start=\"506\" data-end=\"534\"\u003e📐 \u003cstrong data-start=\"512\" data-end=\"534\"\u003eFeatures:\u003c\/strong\u003e\n\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli data-start=\"536\" data-end=\"1129\"\u003e\n\u003cstrong data-start=\"536\" data-end=\"549\"\u003eOrigin:\u003c\/strong\u003e Arita (有田), historic Hizen Province (肥前), Kyūshū – unearthed in Fukuoka Prefecture.\u003c\/li\u003e\n\u003cli data-start=\"536\" data-end=\"1129\"\u003e\n\u003cstrong data-start=\"657\" data-end=\"669\"\u003ePeriod:\u003c\/strong\u003e Late Edo (江戸時代後期), circa 1820–1860\u003c\/li\u003e\n\u003cli data-start=\"536\" data-end=\"1129\"\u003e\n\u003cstrong data-start=\"709\" data-end=\"731\"\u003eKiln \/ Tradition:\u003c\/strong\u003e Arita-yaki (有田焼) porcelain, one of Japan's oldest ceramic centers, kiln using the workshop mark \u003cstrong data-start=\"905\" data-end=\"916\"\u003e兼 (Ken)\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"536\" data-end=\"1129\"\u003e\n\u003cstrong data-start=\"813\" data-end=\"838\"\u003eSignature \/ Marks:\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli data-start=\"536\" data-end=\"1129\"\u003eRed seal \u003cstrong data-start=\"856\" data-end=\"870\"\u003e肥 (Hizen)\u003c\/strong\u003e on the exterior\u003c\/li\u003e\n\u003cli data-start=\"536\" data-end=\"1129\"\u003eWorkshop mark \u003cstrong data-start=\"905\" data-end=\"916\"\u003e兼 (Ken)\u003c\/strong\u003e painted under the base\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"536\" data-end=\"1129\"\u003e\n\u003cstrong data-start=\"939\" data-end=\"949\"\u003eType:\u003c\/strong\u003e Guinomi (ぐい呑み), sake cups for tasting, very similar in size to an Ochoko\u003c\/li\u003e\n\u003cli data-start=\"536\" data-end=\"1129\"\u003e\n\u003cstrong data-start=\"1009\" data-end=\"1023\"\u003eMaterial:\u003c\/strong\u003e Fine porcelain, underglaze cobalt blue decoration, ochre highlights and touches of gilding\u003c\/li\u003e\n\u003cli data-start=\"536\" data-end=\"1129\"\u003e\n\u003cstrong data-start=\"1116\" data-end=\"1127\"\u003eDecoration:\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli data-start=\"536\" data-end=\"1129\"\u003eCircular medallions depicting \u003cstrong\u003eminiature Japanese landscapes\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"536\" data-end=\"1129\"\u003eGilded geometric patterns typical of late Edo Arita workshops\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"536\" data-end=\"1129\"\u003eSmall interior decoration \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDimensions\u003c\/strong\u003e:\n\u003cul\u003e\n\u003cli\u003eDiameter: 6.5 cm (2.56 in)\u003c\/li\u003e\n\u003cli\u003eHeight: 5.5 cm (2.17 in)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong data-start=\"657\" data-end=\"669\"\u003eCondition\u003c\/strong\u003e: very good condition; presence of subtle bluish traces in the interior glaze, linked to 19th-century manual Arita craftsmanship.\u003cstrong data-start=\"1421\" data-end=\"1437\" style=\"font-size: 0.875rem;\"\u003e\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cstrong data-start=\"1777\" data-end=\"1794\"\u003e🍶 Description:\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eThis pair of authentic guinomi in \u003cstrong data-start=\"1835\" data-end=\"1861\"\u003eArita porcelain (有田焼)\u003c\/strong\u003e dates from the late \u003cstrong\u003eEdo period\u003c\/strong\u003e, when Hizen workshops perfected medallion decorations and miniature scenes inspired by the Japanese landscape.\u003c\/p\u003e\n\u003cp\u003eEach cup features a delicate set of \u003cstrong data-start=\"2077\" data-end=\"2108\"\u003ehand-painted medallions\u003c\/strong\u003e, alternating lakeside landscapes, boats, pine trees, and refined geometric patterns. The palette combines a \u003cstrong data-start=\"2214\" data-end=\"2236\"\u003esoftened cobalt blue\u003c\/strong\u003e, \u003cstrong data-start=\"2250\" data-end=\"2263\"\u003eochre-brown\u003c\/strong\u003e highlights, and \u003cstrong data-start=\"2271\" data-end=\"2292\"\u003etouches of gilding\u003c\/strong\u003e characteristic of high-quality productions from this period.\u003c\/p\u003e\n\u003cp\u003eThe \u003cstrong data-start=\"2372\" data-end=\"2386\"\u003e肥前 (Hizen)\u003c\/strong\u003e seal, painted in red on the side, attests to a prestigious regional origin, while the blue mark \u003cstrong data-start=\"2488\" data-end=\"2499\"\u003e兼 (Ken)\u003c\/strong\u003e under the base refers to a workshop active in the years 1820–1860, before the massive opening to export during Meiji.\u003c\/p\u003e\n\u003ch3\u003e🦝 \u003cstrong data-start=\"3089\" data-end=\"3105\"\u003eOur Opinion:\u003c\/strong\u003e\n\u003c\/h3\u003e\n\u003cp\u003eDrinking sake (or anything else!) from this type of magnificent Edo-era Guinomi will clearly add a new dimension to your tastings! \u003c\/p\u003e","brand":"KOGEDO","offers":[{"title":"Default Title","offer_id":52567473488211,"sku":"TAS18","price":95.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0937\/8562\/0819\/files\/paire-guinomi-arita-hizen-perspective-decor-paysage-edo.webp?v=1765448405"},{"product_id":"kokeshi-japonaise-vintage-poupee-sosaku-ueda-izumi-hoshun-20cm-showa","title":"Vintage Japanese Sōsaku Kokeshi – \"Hōshun\" (豊春) – by Ueda Izumi 植田和泉 – 19.5 cm","description":"\u003ch3 data-end=\"141\" data-start=\"115\" data-section-id=\"6rvjxc\"\u003e\u003cspan role=\"text\"\u003e📐 \u003cstrong data-end=\"141\" data-start=\"121\"\u003eCharacteristics\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli data-end=\"808\" data-start=\"143\"\u003e\n\u003cstrong data-end=\"156\" data-start=\"143\"\u003eOrigin:\u003c\/strong\u003e Japan, found in Yamaguchi Prefecture\u003c\/li\u003e\n\u003cli data-end=\"808\" data-start=\"143\"\u003e\n\u003cstrong data-end=\"219\" data-start=\"207\"\u003ePeriod:\u003c\/strong\u003e \u003cstrong data-end=\"233\" data-start=\"224\"\u003eShōwa\u003c\/strong\u003e era, dated 1971 on the base, so \u003cstrong\u003epre-1971\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli data-end=\"808\" data-start=\"143\"\u003e\n\u003cstrong data-end=\"276\" data-start=\"265\"\u003eStyle:\u003c\/strong\u003e Kokeshi sōsaku 創作こけし – free artistic creation\u003c\/li\u003e\n\u003cli data-end=\"808\" data-start=\"143\"\u003e\n\u003cstrong data-end=\"345\" data-start=\"332\"\u003eCraftsman:\u003c\/strong\u003e Ueda Izumi 植田和泉, 1926–1989\u003c\/li\u003e\n\u003cli data-end=\"808\" data-start=\"143\"\u003e\n\u003cstrong data-end=\"400\" data-start=\"379\"\u003eModel Title:\u003c\/strong\u003e Hōshun 豊春 – \"the arrival of spring\"\u003c\/li\u003e\n\u003cli data-end=\"808\" data-start=\"143\"\u003e\n\u003cstrong data-end=\"460\" data-start=\"446\"\u003eMaterial:\u003c\/strong\u003e turned wood, fine engraving, minimalist traditional painting\u003c\/li\u003e\n\u003cli data-end=\"808\" data-start=\"143\"\u003e\n\u003cstrong data-end=\"539\" data-start=\"526\"\u003eHeight:\u003c\/strong\u003e 19.5 cm\u003c\/li\u003e\n\u003cli data-end=\"808\" data-start=\"143\"\u003e\n\u003cstrong data-end=\"569\" data-start=\"554\"\u003eSignature:\u003c\/strong\u003e signature on the back + red seal\u003c\/li\u003e\n\u003cli data-end=\"808\" data-start=\"143\"\u003e\n\u003cstrong data-end=\"641\" data-start=\"611\"\u003eInscription under the base:\u003c\/strong\u003e handwritten dedication dated \u003cstrong data-end=\"690\" data-start=\"671\"\u003eNovember 4, 1971\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli data-end=\"808\" data-start=\"143\"\u003e\n\u003cstrong data-end=\"703\" data-start=\"693\"\u003eCondition:\u003c\/strong\u003e good vintage condition; natural wood patina, minor signs of age, clearly legible patterns and signature\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 data-end=\"1386\" data-start=\"1352\" data-section-id=\"1aabvw7\"\u003e\u003cspan role=\"text\"\u003e\u003cstrong data-end=\"1381\" data-start=\"1355\"\u003eThe Craftsman: Ueda Izumi\u003c\/strong\u003e 植田和泉\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp data-end=\"1544\" data-start=\"1388\"\u003eAn important and respected figure in \u003cstrong data-end=\"1429\" data-start=\"1411\"\u003esōsaku kokeshi\u003c\/strong\u003e, \u003cstrong data-end=\"1445\" data-start=\"1431\"\u003eUeda Izumi\u003c\/strong\u003e is known for the purity of his forms, his gentle faces, and his very poetic sense of balance.\u003c\/p\u003e\n\u003cp data-end=\"1586\" data-start=\"1546\"\u003eHis work is notably recognized by:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-end=\"1717\" data-start=\"1588\"\u003esober and elegant lines,\u003c\/li\u003e\n\u003cli data-end=\"1717\" data-start=\"1588\"\u003ea calm, almost melancholic expression,\u003c\/li\u003e\n\u003cli data-end=\"1717\" data-start=\"1588\"\u003edelicate floral decorations inspired by the seasons.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 data-end=\"1736\" data-start=\"1719\" data-section-id=\"msk37z\"\u003e\u003cspan role=\"text\"\u003e\u003cstrong data-end=\"1736\" data-start=\"1725\"\u003eDetails\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp data-end=\"1819\" data-start=\"1738\"\u003eIn this \u003cstrong data-end=\"1768\" data-start=\"1758\"\u003eHōshun\u003c\/strong\u003e creation, Ueda Izumi plays on a very sensitive minimalism.\u003c\/p\u003e\n\u003cp data-end=\"1975\" data-start=\"1821\"\u003eThe face with \u003cstrong data-end=\"1848\" data-start=\"1835\"\u003eclosed eyes\u003c\/strong\u003e brings great softness. The large, very graphic sculpted hairstyle is topped with a small bun with a red ribbon.\u003c\/p\u003e\n\u003cp data-end=\"2174\" data-start=\"1977\"\u003eThe kimono features small red \u003cstrong data-end=\"2046\" data-start=\"2039\"\u003eume\u003c\/strong\u003e blossoms, as well as \u003cstrong data-end=\"2082\" data-start=\"2062\"\u003eengraved leaves\u003c\/strong\u003e that are lightly tinted. The whole evokes the awakening of nature and the arrival of spring.\u003c\/p\u003e\n\u003ch3 data-end=\"844\" data-start=\"810\" data-section-id=\"1mp0pcq\"\u003e\u003cspan role=\"text\"\u003e\u003cstrong data-end=\"844\" data-start=\"816\"\u003eInscription under the base\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp data-end=\"940\" data-start=\"846\"\u003eThis kokeshi bears a handwritten inscription that adds a very beautiful historical interest:\u003c\/p\u003e\n\u003cp data-end=\"984\" data-start=\"942\"\u003e\u003cstrong data-end=\"957\" data-start=\"942\"\u003e1971. 11. 4\u003c\/strong\u003e\u003cbr data-end=\"960\" data-start=\"957\"\u003e\u003cstrong data-end=\"971\" data-start=\"960\"\u003e百合子へ　信好\u003c\/strong\u003e\u003cbr data-end=\"974\" data-start=\"971\"\u003e\u003cstrong data-end=\"984\" data-start=\"974\"\u003e於　南紀白浜\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-end=\"992\" data-start=\"986\"\u003eWhich means:\u003c\/p\u003e\n\u003cp data-end=\"1080\" data-start=\"994\"\u003e\u003cstrong data-end=\"1016\" data-start=\"994\"\u003eNovember 4, 1971\u003c\/strong\u003e\u003cbr data-end=\"1019\" data-start=\"1016\"\u003e\u003cstrong data-end=\"1056\" data-start=\"1019\"\u003eTo Yuriko, from Nobuyoshi\u003c\/strong\u003e\u003cbr data-end=\"1059\" data-start=\"1056\"\u003e\u003cstrong data-end=\"1080\" data-start=\"1059\"\u003eAt Nanki Shirahama\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-end=\"1350\" data-start=\"1082\"\u003e\u003cstrong data-end=\"1101\" data-start=\"1082\"\u003eNanki Shirahama\u003c\/strong\u003e is a famous seaside resort in Wakayama Prefecture, known for its white sandy beaches and its \u003cstrong data-end=\"1220\" data-start=\"1211\"\u003eonsen\u003c\/strong\u003e. This dedication gives the kokeshi a very personal dimension: that of a souvenir offered during a trip to Japan in 1971.\u003c\/p\u003e\n\u003ch2 data-end=\"2193\" data-start=\"2176\" data-section-id=\"14nbt2f\"\u003e\u003cspan role=\"text\"\u003e🦝 \u003cstrong data-end=\"2193\" data-start=\"2182\"\u003eWe love\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp data-end=\"2287\" data-start=\"2195\"\u003eHer very stylish hairstyle, her super peaceful expression, and her charming \u003cstrong data-end=\"2268\" data-start=\"2261\"\u003eume\u003c\/strong\u003e blossoms. We really adore her overall design! And the dedication under the base truly takes us back in time, imagining ourselves in that era on the magnificent Nanki Shirahama beach, just like in a Japanese drama!\u003c\/p\u003e\n\u003ch3 data-end=\"2825\" data-start=\"2773\"\u003e\u003cem\u003eWant to discover other unique pieces?\u003c\/em\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cem\u003e→ Discover all our \u003cstrong data-start=\"324\" data-end=\"347\"\u003eartisan kokeshi\u003c\/strong\u003e in \u003ca href=\"https:\/\/kogedo.com\/collections\/kokeshi\" title=\"Discover our collection of artisan Japanese kokeshi: traditional wooden dolls from Tōhoku, unique signed pieces, Naruko, Tsuchiyu, Yajirō styles...\"\u003eour KOGEDO collection\u003c\/a\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"KOGEDO","offers":[{"title":"Default Title","offer_id":53593323405651,"sku":"K70","price":75.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0937\/8562\/0819\/files\/kokeshi-japonaise-hoshun-decoration-japonaise-yeux-fermes-chignon-rouge-fleurs-ume.jpg?v=1777364713"},{"product_id":"grande-kokeshi-japonaise-vintage-style-yajiro-signee-niiyama-hisashiro-46cm","title":"Very large vintage Japanese Kokeshi – Yajirō style – signed Niiyama Hisashirō (新山久城) – 46 cm","description":"\u003ch3 data-start=\"0\" data-end=\"510\"\u003e\u003cstrong\u003e📐 Features:\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli data-start=\"0\" data-end=\"510\"\u003e\n\n\u003cstrong\u003eOrigin\u003c\/strong\u003e: Japan, Yajirō, discovered in Kanagawa Prefecture\u003c\/li\u003e\n\n\u003cli data-start=\"0\" data-end=\"510\"\u003e\n\n\u003cstrong\u003eEstimated period\u003c\/strong\u003e: Second half of the 20th century, Shōwa or very early Heisei.\u003c\/li\u003e\n\n\u003cli data-start=\"0\" data-end=\"510\"\u003e\n\n\u003cstrong\u003eStyle\u003c\/strong\u003e: Dentō Kokeshi, Yajirō-kei (弥治郎系)\u003c\/li\u003e\n\n\u003cli data-start=\"0\" data-end=\"510\"\u003e\n\n\u003cstrong\u003eArtisan\u003c\/strong\u003e: Niiyama Hisashirō (新山久城, 1942-2008)\u003c\/li\u003e\n\n\u003cli data-start=\"0\" data-end=\"510\"\u003e\n\n\u003cstrong\u003eMaterial\u003c\/strong\u003e: Turned wood, traditional brush painting\u003c\/li\u003e\n\n\u003cli data-start=\"0\" data-end=\"510\"\u003e\n\n\u003cstrong\u003eHeight\u003c\/strong\u003e: 46 cm (large size)\u003c\/li\u003e\n\n\u003cli data-start=\"0\" data-end=\"510\"\u003e\n\n\u003cstrong\u003eSignature\u003c\/strong\u003e: Signed in kanji under the base (新山久城)\u003c\/li\u003e\n\n\u003cli data-start=\"0\" data-end=\"510\"\u003e\n\n\u003cstrong\u003eCondition\u003c\/strong\u003e: Good vintage condition, age patina, small scuffs and signs of use, very small impact under the chin (see photos), no major visible defects.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3 data-start=\"512\" data-end=\"783\"\u003e\u003cstrong\u003eThe artisan: Niiyama Hisashirō (新山久城, 1942-2008)\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-start=\"512\" data-end=\"783\"\u003eBorn on February 17, 1942, in Fukuoka-mura Yajirō, Katta District, Niiyama Hisashirō was the eldest son of Niiyama Hisashi. After Fukuoka Junior High School in Shiroishi, he learned woodworking from his father.\u003c\/p\u003e\n\u003cp data-start=\"785\" data-end=\"1000\"\u003eAround 1958, he began creating kokeshi inspired by the ancient model of his grandfather Niiyama Hisaji. He worked for a long time in the family workshop, then moved to his own home in Yajirō Higashi in 1981.\u003c\/p\u003e\n\u003cp data-start=\"1002\" data-end=\"1208\"\u003eIn 1982, he took on Yokoyama Mizuki as an apprentice and taught him woodturning for two years. An artist, farmer, and city councilor, he continued to turn kokeshi until around 2006.\u003c\/p\u003e\n\u003cp data-start=\"1210\" data-end=\"1410\"\u003eHis work is fully in line with the Yajirō tradition, recognizable by its large round heads, graphic decorations, bold colors, and compositions painted with direct energy.\u003c\/p\u003e\n\u003ch3 data-start=\"1412\" data-end=\"1660\"\u003e\u003cstrong\u003eDetails:\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-start=\"1412\" data-end=\"1660\"\u003eThis large Yajirō kokeshi first impresses with its 46 cm size and its tall, balanced silhouette. The round head features \u003cstrong data-start=\"1564\" data-end=\"1581\"\u003ejanome patterns\u003c\/strong\u003e (蛇の目), typical concentric circles, associated with an expressive red fringe.\u003c\/p\u003e\n\u003cp data-start=\"1662\" data-end=\"1837\"\u003eThe face, soft and mischievous, features half-closed eyes, finely arched smiling brows, a small brush-drawn nose, and a discreet mouth. Black strands frame the face.\u003c\/p\u003e\n\u003cp data-start=\"1839\" data-end=\"2046\"\u003eThe body represents a kimono, alternating red bands, green touches, thin lines, and purple rings.\u003c\/p\u003e\n\u003ch3 data-start=\"2048\" data-end=\"2201\"\u003e\u003cstrong\u003e🦝 We love:\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-start=\"2048\" data-end=\"2201\"\u003eA very large signed Yajirō kokeshi, made by an important artisan of the Niiyama lineage, in the purest traditional style and making quite an impression!\u003c\/p\u003e\n\u003cp data-start=\"2203\" data-end=\"2345\"\u003eFor those, like us, who love impressive kokeshi, this one is for you!\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eWant to dive deeper into the world of traditional Japanese dolls?\u003c\/em\u003e\u003cbr data-end=\"301\" data-start=\"298\"\u003e\u003cem\u003e→ Discover all our \u003cstrong data-end=\"347\" data-start=\"324\"\u003ehandmade kokeshi\u003c\/strong\u003e in \u003ca title=\"Découvrez notre collection de kokeshi artisanales japonaises : poupées en bois traditionnelles du Tōhoku, pièces uniques signées, styles Naruko, Tsuchiyu, Yajirō…\" href=\"https:\/\/kogedo.com\/collections\/kokeshi\"\u003eour KOGEDO collection\u003c\/a\u003e\u003c\/em\u003e\u003c\/p\u003e","brand":"KOGEDO","offers":[{"title":"Default Title","offer_id":53922040774995,"sku":"K93","price":149.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0937\/8562\/0819\/files\/kokeshi-dento-yajiro-kei-46cm-poupee-japonaise-bois.jpg?v=1781258395"},{"product_id":"estampe-japonaise-authentique-utagawa-ando-hiroshige-riviere-noji-province-omi-1891","title":"Antique Japanese Print Meiji – Utagawa Hiroshige I – Noji River, Ōmi Province – Six Jewel Rivers from Various Provinces – 1891","description":"\u003cp data-start=\"364\" data-end=\"428\"\u003eTraditional Ukiyo-e print, \u003cstrong\u003eposthumous late edition (Meiji)\u003c\/strong\u003e, woodcut. [\u003cspan style=\"text-decoration: underline;\"\u003eThis print is not a modern reproduction\u003c\/span\u003e]\u003c\/p\u003e\n\u003cp data-end=\"239\" data-start=\"118\"\u003e\u003cstrong\u003ePrint type\u003c\/strong\u003e: Fūkei-ga 風景画, Japanese landscape ukiyo-e\u003c\/p\u003e\n\u003cp data-end=\"318\" data-start=\"241\"\u003e\u003cstrong\u003eArtist\u003c\/strong\u003e: Utagawa Hiroshige I 歌川広重 signed 広重画 Hiroshige ga\u003c\/p\u003e\n\u003cp data-end=\"384\" data-start=\"320\"\u003e\u003cstrong\u003eEdition\u003c\/strong\u003e: Official Meiji edition from re-engraved blocks based on the original edition by \u003cstrong data-end=\"373\" data-start=\"348\"\u003eInoue Kichijirō 井上吉次郎\u003c\/strong\u003e, August \u003cstrong\u003e1891\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-end=\"541\" data-start=\"386\"\u003e\u003cstrong\u003eMarginal note\u003c\/strong\u003e: 初代一立齋廣重翁筆原画 Shodai Ichiryūsai Hiroshige ō hitsu genga\u003cbr data-end=\"471\" data-start=\"468\"\u003eBased on the original drawing by the first Hiroshige, Ichiryūsai Hiroshige.\u003c\/p\u003e\n\u003cp data-end=\"648\" data-start=\"543\"\u003e\u003cstrong\u003eSeries title\u003c\/strong\u003e: 諸國六玉川 Shokoku Mu Tamagawa\u003cbr data-end=\"601\" data-start=\"598\"\u003eThe Six Jewel Rivers of various provinces\u003c\/p\u003e\n\u003cp data-end=\"732\" data-start=\"650\"\u003e\u003cstrong\u003ePrint title\u003c\/strong\u003e: 近江 野路 Ōmi Noji\u003cbr data-end=\"685\" data-start=\"682\"\u003eThe Jewel River of Noji, in Ōmi Province\u003c\/p\u003e\n\u003cp data-end=\"837\" data-start=\"734\"\u003e\u003cstrong\u003eOriginal print edition\u003c\/strong\u003e: 1857, 11th month, by Maruya Kyūshirō 丸屋久四郎\u003c\/p\u003e\n\u003cp data-end=\"908\" data-start=\"893\"\u003e\u003cstrong\u003eOrigin\u003c\/strong\u003e: Japan, discovered in Kanagawa Prefecture\u003c\/p\u003e\n\u003ch3 data-end=\"933\" data-start=\"910\"\u003e\u003cem\u003e\u003cstrong\u003eAbout the artist:\u003c\/strong\u003e\u003c\/em\u003e\u003c\/h3\u003e\n\u003cp data-end=\"1385\" data-start=\"935\"\u003e\u003cem\u003e\u003cstrong data-end=\"958\" data-start=\"935\"\u003eUtagawa Hiroshige I\u003c\/strong\u003e (1797-1858) is one of the greatest masters of Japanese ukiyo-e prints. Famous for his poetic landscapes, his views of roads, provinces and famous places, he profoundly influenced the history of Japanese art. His compositions are distinguished by their sense of atmosphere, the delicacy of the seasons, the effects of rain, snow, mist or moon, and a unique way of transforming a landscape into emotion.\u003c\/em\u003e\u003c\/p\u003e\n\u003ch3 data-end=\"1835\" data-start=\"1828\"\u003e\u003cstrong\u003eSubject:\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-end=\"1835\" data-start=\"1828\"\u003eThis print is an \u003cstrong data-end=\"1446\" data-start=\"1409\"\u003eauthentic Meiji edition from 1891\u003c\/strong\u003e, made by \u003cstrong data-end=\"1480\" data-start=\"1461\"\u003eInoue Kichijirō\u003c\/strong\u003e, based on Hiroshige I's original work published in 1857. The marginal note indicates that the image reproduces the original drawing by the first Ichiryūsai Hiroshige, with re-engraved blocks from the Meiji era.\u003c\/p\u003e\n\u003cp data-end=\"2229\" data-start=\"1837\"\u003eThis print depicts \u003cstrong data-end=\"1874\" data-start=\"1862\"\u003eŌmi Noji\u003c\/strong\u003e, the jewel river of Noji, in the former Ōmi province. It belongs to the series \u003cstrong data-end=\"1983\" data-start=\"1960\"\u003eShokoku Mu Tamagawa\u003c\/strong\u003e, dedicated to the \u003cstrong data-end=\"2020\" data-start=\"1999\"\u003eSix Jewel Rivers (Tama)\u003c\/strong\u003e. The \"Six Tama Rivers\" are six famous poetic places in ancient Japan, associated with the word \u003cstrong data-end=\"2121\" data-start=\"2113\"\u003etama\u003c\/strong\u003e — \"jewel\" — and celebrated in classical poetry for their natural beauty, seasons, and reflections.\u003c\/p\u003e\n\u003cp data-end=\"2562\" data-start=\"2231\"\u003eThe scene shows a landscape of great softness: a clear river, banks adorned with \u003cstrong data-end=\"2331\" data-start=\"2323\"\u003ehagi\u003c\/strong\u003e — Japanese lespedeza —, pine trees, distant mountains, and a group of \u003cstrong data-end=\"2427\" data-start=\"2408\"\u003eJapanese nobles\u003c\/strong\u003e contemplating the water. In the foreground, the moon seems to float on the surface of the river, in a calm and almost suspended atmosphere.\u003c\/p\u003e\n\u003cp data-end=\"2679\" data-start=\"2564\"\u003eThe waka poem inscribed in the sky is by \u003cstrong data-end=\"2637\" data-start=\"2614\"\u003eMinamoto no Shunrai\u003c\/strong\u003e and comes from the \u003cstrong data-end=\"2677\" data-start=\"2653\"\u003eSenzai Wakashū 千載和歌集\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp data-end=\"2721\" data-start=\"2681\"\u003e\u003cem\u003e\u003cstrong data-end=\"2721\" data-start=\"2681\"\u003e明日も来む \/ 野路の玉川 \/ 萩こえて \/ 色なる波に \/ 月宿りけり\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-end=\"3003\" data-start=\"2810\" style=\"text-align: right;\"\u003e\u003cem\u003e“I will surely return tomorrow!\u003c\/em\u003e\u003cbr data-end=\"2847\" data-start=\"2844\"\u003e\u003cem\u003eTo this Tama River of Noji...\u003c\/em\u003e\u003cbr data-end=\"2881\" data-start=\"2878\"\u003e\u003cem\u003eWhere the moon has come to rest its reflections\u003c\/em\u003e\u003cbr data-end=\"2922\" data-start=\"2919\"\u003e\u003cem\u003eIn the colored waves by the lespedeza, hagi, flowers that overhang it.”\u003c\/em\u003e\u003c\/p\u003e\n\u003ch3 data-end=\"3584\" data-start=\"3578\"\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-end=\"4077\" data-start=\"3586\"\u003eAuthentic old print in good general condition. Colors still vibrant. Old paper with traces of time, small creases, slight soiling. Full margins.\u003c\/p\u003e\n\u003ch3 data-end=\"4099\" data-start=\"4079\"\u003e\u003cstrong\u003e🦝 Our opinion:\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-end=\"4514\" data-start=\"4101\"\u003eA very beautiful \u003cstrong data-end=\"4169\" data-start=\"4116\"\u003eauthentic Japanese print by the great master Utagawa Ando Hiroshige I\u003c\/strong\u003e, in a Meiji edition from 1891 by \u003cstrong data-end=\"4225\" data-start=\"4206\"\u003eInoue Kichijirō\u003c\/strong\u003e. We love its vertical format, its lunar atmosphere, the Tama River of Noji, the hagi flowers, and the poetic softness of the landscape!\u003c\/p\u003e\n\u003cp data-end=\"4514\" data-start=\"4101\"\u003eThis is not an original edition by the great master, but a posthumous late Meiji edition, \u003cstrong\u003ea true antique of over 135 years\u003c\/strong\u003e! It's the perfect balance between an often inaccessible original Hiroshige print and a more modern reproduction!\u003c\/p\u003e\n\u003cp\u003eDiscover all our authentic prints in our collection of \u003ca title=\"Authentic Japanese prints by Kunisada and other masters\" href=\"https:\/\/kogedo.com\/collections\/estampes-japonaises\"\u003e\u003cstrong data-end=\"1322\" data-start=\"1299\"\u003eJapanese prints\u003c\/strong\u003e.\u003c\/a\u003e\u003c\/p\u003e","brand":"KOGEDO","offers":[{"title":"Default Title","offer_id":53928571896147,"sku":"E105","price":320.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0937\/8562\/0819\/files\/estampe-ukiyo-e-authentique-hiroshige-omi-noji-six-jewel-rivers.png?v=1780644497"},{"product_id":"haori-vintage-homme-bleu-en-soie-oshima-tsumugi-doublure-fuji-vagues-navire","title":"Vintage men's blue Ōshima Tsumugi silk haori – Fuji, waves \u0026 boat lining – Traditional Japanese kimono jacket","description":"\u003ch3 data-end=\"115\" data-start=\"100\"\u003e\u003cstrong data-end=\"115\" data-start=\"100\"\u003eExterior:\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-end=\"807\" data-start=\"117\"\u003e\u003cstrong data-end=\"143\" data-start=\"117\"\u003eVintage men's haori\u003c\/strong\u003e (羽織 \/ haori) in dark blue \u003cstrong data-end=\"183\" data-start=\"160\"\u003eŌshima Tsumugi silk\u003c\/strong\u003e (大島紬), with a dense and refined weave, enlivened by a delicate light blue \u003cstrong data-end=\"261\" data-start=\"251\"\u003ekasuri\u003c\/strong\u003e (絣) pattern. Ōshima Tsumugi is considered in Japan to be one of the most prestigious silk textiles, recognized as one of the \u003cstrong data-end=\"438\" data-start=\"404\"\u003ethree great textiles of the world\u003c\/strong\u003e for the precision of its weave and the complexity of its dyed threads.\u003cbr data-end=\"524\" data-start=\"521\"\u003eThe fabric offers a beautiful drape, a dry and silky touch, as well as a structured fall typical of high-quality men's haori. A sober, elegant and profoundly Japanese piece, in the \u003cstrong data-end=\"724\" data-start=\"717\"\u003eiki\u003c\/strong\u003e (粋) spirit, this discreet aesthetic where refinement is hinted at rather than imposed.\u003c\/p\u003e\n\u003ch3 data-end=\"823\" data-start=\"809\"\u003e\u003cstrong data-end=\"823\" data-start=\"809\"\u003eLining:\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-end=\"1547\" data-start=\"825\"\u003eThe interior (\u003cstrong data-end=\"852\" data-start=\"838\"\u003e羽裏 \/ haura\u003c\/strong\u003e) reveals a splendid silk lining illustrated with a Japanese landscape: \u003cstrong data-end=\"939\" data-start=\"926\"\u003eMount Fuji\u003c\/strong\u003e, powerful waves, and a \u003cstrong data-end=\"983\" data-start=\"962\"\u003etakarabune boat\u003c\/strong\u003e (宝船), the treasure boat associated with luck and prosperity. The scene is most likely created using \u003cstrong data-end=\"1102\" data-start=\"1090\"\u003ekatazome\u003c\/strong\u003e (型染め), a traditional stencil dyeing technique that allows for fine compositions on textile.\u003cbr data-end=\"1236\" data-start=\"1233\"\u003e\u003cstrong data-end=\"1277\" data-start=\"1240\"\u003eHand-applied golden highlights\u003c\/strong\u003e illuminate the mountain, the borders, and certain details of the decoration, bringing depth, brilliance, and preciousness to the whole. The lining bears the signature \u003cstrong data-end=\"1455\" data-start=\"1440\"\u003eSeigetsu 栖月\u003c\/strong\u003e accompanied by a red seal.\u003cbr\u003e\u003c\/p\u003e\n\u003ch3 data-end=\"1568\" data-start=\"1549\"\u003e📏 \u003cstrong data-end=\"1568\" data-start=\"1552\"\u003eDimensions:\u003c\/strong\u003e\n\n\u003c\/h3\u003e\n\u003cp data-end=\"1665\" data-start=\"1570\"\u003eWingspan (sleeve to sleeve): \u003cstrong data-end=\"1615\" data-start=\"1600\"\u003e133 cm\u003c\/strong\u003e\u003cbr data-end=\"1618\" data-start=\"1615\"\u003eHeight (shoulder to bottom): \u003cstrong data-end=\"1665\" data-start=\"1650\"\u003e95 cm\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch3 data-end=\"1680\" data-start=\"1667\"\u003e\u003cstrong data-end=\"1680\" data-start=\"1667\"\u003eMaterial:\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-end=\"1750\" data-start=\"1682\"\u003eExterior: \u003cstrong data-end=\"1717\" data-start=\"1694\"\u003eŌshima Tsumugi silk\u003c\/strong\u003e (大島紬)\u003cbr data-end=\"1726\" data-start=\"1723\"\u003eLining: \u003cstrong data-end=\"1750\" data-start=\"1737\"\u003e100% silk\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch3 data-end=\"1768\" data-start=\"1752\"\u003e🎌 \u003cstrong data-end=\"1768\" data-start=\"1755\"\u003eOrigin:\u003c\/strong\u003e\n\n\u003c\/h3\u003e\n\u003cp data-end=\"1864\" data-start=\"1770\"\u003e\u003cstrong\u003eJapan\u003c\/strong\u003e — vintage piece from the \u003cstrong data-end=\"1813\" data-start=\"1804\"\u003eShōwa\u003c\/strong\u003e (昭和) era, found in \u003cstrong data-end=\"1864\" data-start=\"1851\"\u003eFukuoka\u003c\/strong\u003e Prefecture\u003c\/p\u003e\n\u003ch3 data-end=\"1876\" data-start=\"1866\"\u003e\u003cstrong data-end=\"1876\" data-start=\"1866\"\u003eCondition:\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-end=\"1876\" data-start=\"1866\"\u003eFront exterior of the haori in perfect condition, small snag on the back (see photos). Lining in very good condition, no tears, small stain on the border (see photos)\u003c\/p\u003e\n\u003ch3 data-end=\"2303\" data-start=\"2284\"\u003e🦝 \u003cstrong data-end=\"2303\" data-start=\"2287\"\u003eOur opinion:\u003c\/strong\u003e\n\n\u003c\/h3\u003e\n\u003cp data-is-only-node=\"\" data-is-last-node=\"\" data-end=\"2808\" data-start=\"2305\"\u003eA superb piece in a sumptuous fabric: \u003cstrong data-end=\"2433\" data-start=\"2415\"\u003eŌshima Tsumugi\u003c\/strong\u003e silk. The interior is just as sublime with this silk dyeing depicting mountains, waves and a ship, recalling the spirit of Hokusai's famous wave. A precious vintage Japanese jacket, balanced between discretion, textile craftsmanship and Japanese iconography! We love it!\u003c\/p\u003e\n\u003cp data-end=\"1052\" data-start=\"865\"\u003e\u003cstrong data-end=\"381\" data-start=\"341\"\u003eWant to discover other pieces?\u003c\/strong\u003e\u003cspan\u003e Browse our complete selection of \u003c\/span\u003e\u003ca title=\"Discover our collection of antique Japanese haori and kimono for men and women: authentic silk kimono jackets, refined linings and unique pieces.\" href=\"https:\/\/kogedo.com\/collections\/kimono\"\u003eantique Japanese haori and kimono\u003c\/a\u003e\u003c\/p\u003e","brand":"KOGEDO","offers":[{"title":"Default Title","offer_id":53933690782035,"sku":"H71","price":145.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0937\/8562\/0819\/files\/haori-soie-japonaise-homme-motif-kasuri-bleu-doublure-fuji.jpg?v=1780678968"},{"product_id":"e-hon-japonais-original-utagawa-yoshikazu-santo-kyozan-bijin-roku-edo-1857","title":"Original illustrated book (e-hon) – Utagawa Yoshikazu \u0026 Santō Kyōzan – The Register of Beauties to the Sound of the Koto – Edo 1857","description":"\u003cp data-start=\"364\" data-end=\"428\"\u003eBook of traditional \u003cstrong\u003eoriginal\u003c\/strong\u003e Ukiyo-e prints, woodblock prints. [\u003cspan style=\"text-decoration: underline;\"\u003eThis work is not a modern reproduction\u003c\/span\u003e]\u003c\/p\u003e\n\u003csection data-turn=\"assistant\" data-scroll-anchor=\"false\" data-testid=\"conversation-turn-16\" data-turn-id=\"request-69f44c72-2e74-8325-89c2-41e7f6f631be-0\" dir=\"auto\" class=\"text-token-text-primary w-full focus:outline-none [--shadow-height:45px] has-data-writing-block:pointer-events-none has-data-writing-block:-mt-(--shadow-height) has-data-writing-block:pt-(--shadow-height) [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto [content-visibility:auto] supports-[content-visibility:auto]:[contain-intrinsic-size:auto_100lvh] R6Vx5W_threadScrollVars scroll-mb-[calc(var(--scroll-root-safe-area-inset-bottom,0px)+var(--thread-response-height))] scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto pb-10 [--thread-content-margin:var(--thread-content-margin-xs,calc(var(--spacing)*4))] @w-sm\/main:[--thread-content-margin:var(--thread-content-margin-sm,calc(var(--spacing)*6))] @w-lg\/main:[--thread-content-margin:var(--thread-content-margin-lg,calc(var(--spacing)*16))] px-(--thread-content-margin)\"\u003e\n\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\"\u003e\n\n\u003cdiv class=\"flex max-w-full flex-col gap-4 grow\"\u003e\n\n\u003cdiv data-turn-start-message=\"true\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal outline-none keyboard-focused:focus-ring [.text-message+\u0026amp;]:mt-1\" data-message-model-slug=\"gpt-5-5-thinking\" dir=\"auto\" data-message-id=\"aad70bc8-044d-4594-96ed-68b698dcdd03\" data-message-author-role=\"assistant\" tabindex=\"0\"\u003e\n\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden\"\u003e\n\n\u003cdiv class=\"markdown prose dark:prose-invert w-full wrap-break-word dark markdown-new-styling\"\u003e\n\n\u003cp data-start=\"164\" data-end=\"288\"\u003e\u003cstrong\u003eObject type\u003c\/strong\u003e: \u003cstrong data-start=\"184\" data-end=\"207\"\u003eE-hon 絵本 \/ gōkan 合巻\u003c\/strong\u003e, old Edo manga, original Japanese illustrated book printed by woodblock\u003c\/p\u003e\n\n\u003cp data-start=\"290\" data-end=\"382\"\u003e\u003cstrong\u003eTitle\u003c\/strong\u003e: \u003cstrong data-start=\"312\" data-end=\"339\"\u003eKinsei Bijin-roku 琴声美人録\u003c\/strong\u003e — \u003cem data-start=\"342\" data-end=\"382\"\u003eThe Register of Beauties to the Sound of the Koto\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp data-start=\"452\" data-end=\"537\"\u003e\u003cstrong\u003eVolume\u003c\/strong\u003e: Thirteenth part, lower\/second volume \u003cstrong data-start=\"515\" data-end=\"537\"\u003e十三編 下 Jūsan-ben ge\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp data-start=\"539\" data-end=\"644\"\u003e\u003cstrong\u003eAuthor\u003c\/strong\u003e: \u003cstrong data-start=\"553\" data-end=\"574\"\u003eSantō Kyōzan 山東京山\u003c\/strong\u003e\u003cbr data-start=\"574\" data-end=\"577\"\u003eCover cartouche: \u003cstrong data-start=\"608\" data-end=\"627\"\u003e京山作 Kyōzan saku\u003c\/strong\u003e, work by Kyōzan\u003c\/p\u003e\n\n\u003cp data-start=\"646\" data-end=\"769\"\u003e\u003cstrong\u003eIllustrator\u003c\/strong\u003e: \u003cstrong data-start=\"666\" data-end=\"692\"\u003eUtagawa Yoshikazu 歌川芳員\u003c\/strong\u003e\u003cbr data-start=\"692\" data-end=\"695\"\u003eCover cartouche: \u003cstrong data-start=\"726\" data-end=\"746\"\u003e芳員画 Yoshikazu ga\u003c\/strong\u003e, drawn by Yoshikazu\u003c\/p\u003e\n\n\u003cp data-start=\"771\" data-end=\"894\"\u003e\u003cstrong\u003ePublisher\u003c\/strong\u003e: \u003cstrong data-start=\"786\" data-end=\"810\"\u003eSano-ya Kihei 佐野屋喜兵衛\u003c\/strong\u003e, publishing house \u003cstrong data-start=\"829\" data-end=\"845\"\u003eKikakudō 喜鶴堂\u003c\/strong\u003e\u003cbr data-start=\"845\" data-end=\"848\"\u003ePublisher's seal: \u003cstrong data-start=\"871\" data-end=\"894\"\u003e喜鶴堂梓 Kikakudō azusa\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp data-start=\"896\" data-end=\"1065\"\u003e\u003cstrong\u003eCensorship date\u003c\/strong\u003e: 9th month of the Year of the Rabbit, \u003cstrong data-start=\"948\" data-end=\"959\"\u003eAnsei 2\u003c\/strong\u003e, October 1855\u003cbr data-start=\"973\" data-end=\"976\"\u003eCensor seals: \u003cstrong data-start=\"1001\" data-end=\"1014\"\u003e改 Aratame\u003c\/strong\u003e, approved, and \u003cstrong data-start=\"1029\" data-end=\"1040\"\u003e卯九 U-Ku\u003c\/strong\u003e, Year of the Rabbit, 9th month\u003c\/p\u003e\n\n\u003cp data-start=\"1067\" data-end=\"1213\"\u003e\u003cstrong\u003eCommercial publication date\u003c\/strong\u003e: New Year of the Year of the Snake, \u003cstrong data-start=\"1139\" data-end=\"1150\"\u003eAnsei 4\u003c\/strong\u003e, early 1857\u003cbr data-start=\"1162\" data-end=\"1165\"\u003eFinal catalog mention: \u003cstrong data-start=\"1199\" data-end=\"1213\"\u003e安政四年丁巳孟春新録\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp data-start=\"1215\" data-end=\"1254\"\u003e\u003cstrong\u003eFormat\u003c\/strong\u003e: approx. \u003cstrong data-start=\"1237\" data-end=\"1254\"\u003e12 cm x 18 cm, \u003c\/strong\u003e\u003cstrong data-start=\"1274\" data-end=\"1286\"\u003e20 pages\u003c\/strong\u003e, all illustrated\u003c\/p\u003e\n\n\u003cp data-start=\"1307\" data-end=\"1339\"\u003e\u003cstrong\u003eOrigin\u003c\/strong\u003e: Japan, Edo period, discovered in Kyoto prefecture\u003c\/p\u003e\n\n\u003ch3 data-start=\"1341\" data-end=\"1368\"\u003e\u003cstrong\u003eAbout the series:\u003c\/strong\u003e\u003c\/h3\u003e\n\n\u003cp data-start=\"1370\" data-end=\"1759\"\u003e\u003cstrong data-start=\"1370\" data-end=\"1397\"\u003eKinsei Bijin-roku 琴声美人録\u003c\/strong\u003e, also abbreviated \u003cstrong data-start=\"1412\" data-end=\"1430\"\u003eBijin-roku 美人録\u003c\/strong\u003e, is a long series of popular illustrated novels of the \u003cstrong data-start=\"1492\" data-end=\"1504\"\u003egōkan 合巻\u003c\/strong\u003e type, published at the end of the Edo period. The \u003cstrong data-start=\"1543\" data-end=\"1552\"\u003egōkan\u003c\/strong\u003e is an illustrated narrative book, printed by woodblock, very popular in the 19th century: a form of visual serialized novel that can clearly be considered the \u003cstrong\u003eancestor of manga\u003c\/strong\u003e!\u003c\/p\u003e\n\n\u003cp data-start=\"1761\" data-end=\"2272\"\u003eThe complete series comprises \u003cstrong data-start=\"1786\" data-end=\"1816\"\u003e17 parts for 68 volumes\u003c\/strong\u003e, which indicates its publishing success. As often in large gōkan series, several illustrators from the Utagawa school succeed each other throughout the volumes, notably \u003cstrong data-start=\"1996\" data-end=\"2016\"\u003eUtagawa Toyokuni\u003c\/strong\u003e, \u003cstrong data-start=\"2018\" data-end=\"2038\"\u003eUtagawa Kuniteru\u003c\/strong\u003e, \u003cstrong data-start=\"2040\" data-end=\"2065\"\u003eTachikawasaï Kunisato\u003c\/strong\u003e and \u003cstrong data-start=\"2069\" data-end=\"2090\"\u003eUtagawa Yoshikazu\u003c\/strong\u003e. A particularly interesting point: \u003cstrong data-start=\"2134\" data-end=\"2182\"\u003eYoshikazu only appears in the 13th part\u003c\/strong\u003e, which makes this copy a specific volume!\u003c\/p\u003e\n\n\u003ch3 data-start=\"2274\" data-end=\"2301\"\u003e\u003cstrong\u003eAbout the author:\u003c\/strong\u003e\u003c\/h3\u003e\n\n\u003cp data-start=\"2303\" data-end=\"2594\"\u003e\u003cstrong data-start=\"2303\" data-end=\"2324\"\u003eSantō Kyōzan 山東京山\u003c\/strong\u003e, born \u003cstrong data-start=\"2329\" data-end=\"2349\"\u003eIwase Kyōji 岩瀬京治\u003c\/strong\u003e, is one of the great figures of popular literature from the late Edo period. Younger brother of the famous \u003cstrong data-start=\"2459\" data-end=\"2480\"\u003eSantō Kyōden 山東京伝\u003c\/strong\u003e, he built a long and prolific career, mainly in the field of \u003cstrong data-start=\"2565\" data-end=\"2574\"\u003egōkan\u003c\/strong\u003e and \u003cstrong data-start=\"2582\" data-end=\"2593\"\u003eyomihon\u003c\/strong\u003e.\u003c\/p\u003e\n\n\u003cp data-start=\"2596\" data-end=\"3214\"\u003eHis stories mix sentimental intrigues, family dramas, filial piety, vendettas, loyalty, pleasure quarters and social scenes. Less satirical than his brother, Kyōzan excelled in melodramatic stories accessible to the general public of Edo. He collaborated with great artists of the Utagawa school, including \u003cstrong data-start=\"2914\" data-end=\"2941\"\u003eKunisada \/ Toyokuni III\u003c\/strong\u003e, \u003cstrong data-start=\"2943\" data-end=\"2956\"\u003eKuniyoshi\u003c\/strong\u003e, \u003cstrong data-start=\"2958\" data-end=\"2971\"\u003eHiroshige\u003c\/strong\u003e and here \u003cstrong data-start=\"2979\" data-end=\"3000\"\u003eUtagawa Yoshikazu\u003c\/strong\u003e. He died in 1858 at the remarkable age of 89, embodying almost single-handedly the living memory of Edo's cultural golden age. This volume, commercially published in 1857, therefore belongs to the very end of his career.\u003c\/p\u003e\n\n\u003ch3 data-start=\"3216\" data-end=\"3244\"\u003e\u003cstrong\u003eAbout the artist:\u003c\/strong\u003e\u003c\/h3\u003e\n\n\u003cp data-start=\"3246\" data-end=\"3552\"\u003e\u003cstrong data-start=\"3246\" data-end=\"3272\"\u003eUtagawa Yoshikazu 歌川芳員\u003c\/strong\u003e is an artist from the Utagawa school, active in the mid-19th century. A student of \u003cstrong data-start=\"3349\" data-end=\"3370\"\u003eUtagawa Kuniyoshi\u003c\/strong\u003e, he is known for his narrative scenes, warrior prints, illustrations for popular books, and later, his images related to the opening of Japan and Yokohama-e.\u003c\/p\u003e\n\n\u003cp data-start=\"3554\" data-end=\"3797\"\u003eIn this volume, Yoshikazu accompanies the narrative with a wealth of detail: women in kimonos, interior scenes, Japanese gardens, boat rides, high-ranking figures, popular characters and a dramatic confrontation scene.\u003c\/p\u003e\n\n\u003ch3 data-start=\"3799\" data-end=\"3811\"\u003e\u003cstrong\u003eSubject:\u003c\/strong\u003e\u003c\/h3\u003e\n\n\u003cp data-start=\"3813\" data-end=\"4058\"\u003eThis old Japanese illustrated book belongs both to the world of \u003cstrong data-start=\"3883\" data-end=\"3899\"\u003ebijin-ga 美人画\u003c\/strong\u003e, with its numerous representations of elegant women in kimonos, and \u003cstrong data-start=\"3973\" data-end=\"3990\"\u003efūzoku-ga 風俗画\u003c\/strong\u003e, with its scenes of life, travel, receptions and society.\u003c\/p\u003e\n\n\u003cp data-start=\"4060\" data-end=\"4513\"\u003eThe episode visible in this volume seems to open around \u003cstrong data-start=\"4119\" data-end=\"4140\"\u003eKiyokawa 清川 \/ きよ川\u003c\/strong\u003e and the ladies of her house, who welcome \u003cstrong data-start=\"4187\" data-end=\"4201\"\u003eKurōta 九郎太\u003c\/strong\u003e, vassal of the Imadegawa house. The following pages unfold a refined world of late Edo: conversations in interiors, women in kimonos under flowers, procession with servants, boat ride in a Japanese garden, reception, exchanges between characters and scenes of aristocratic life.\u003c\/p\u003e\n\n\u003cp data-start=\"4515\" data-end=\"4797\"\u003eThen the narrative seems to turn to discord, \u003cstrong data-start=\"4563\" data-end=\"4573\"\u003eKurōta\u003c\/strong\u003e seems to be unmasked or compromised. The most spectacular scene then shows \u003cstrong data-start=\"4711\" data-end=\"4744\"\u003eKiyokawa armed with a naginata\u003c\/strong\u003e, confronting Kurōta, who appears wounded and subdued.\u003c\/p\u003e\n\n\u003cp data-start=\"4799\" data-end=\"5155\"\u003eThis is one of the strongest images in the volume: Kiyokawa is not depicted as a simple beautiful woman, but as a true \u003cstrong data-start=\"4947\" data-end=\"4965\"\u003eaction heroine\u003c\/strong\u003e, almost a warrior. She seems to confront, defeat, and arrest the antagonist, before the women go to Lord \u003cstrong data-start=\"5097\" data-end=\"5126\"\u003eImadegawa 今出川\u003c\/strong\u003e to report to him.\u003c\/p\u003e\n\n\u003ch3 data-start=\"5157\" data-end=\"5183\"\u003eHistorical particularity:\u003c\/h3\u003e\n\n\u003cp data-start=\"5185\" data-end=\"5375\"\u003eThis volume bears a particularly interesting dating. The censorship seals \u003cstrong data-start=\"5267\" data-end=\"5280\"\u003eAratame 改\u003c\/strong\u003e and \u003cstrong data-start=\"5284\" data-end=\"5295\"\u003e卯九\u003c\/strong\u003e indicate validation of the woodblock prints in October 1855.\u003c\/p\u003e\n\n\u003cp data-start=\"5377\" data-end=\"5787\"\u003eA few weeks later, the \u003cstrong data-start=\"5409\" data-end=\"5433\"\u003eGreat Ansei Earthquake\u003c\/strong\u003e struck Edo on November 11, 1855, devastating many artisan, publisher, and printer districts. However, the final catalog of this copy bears a commercial date of \u003cstrong data-start=\"5615\" data-end=\"5636\"\u003eAnsei 4 New Year\u003c\/strong\u003e, early 1857. This 18-month delay suggests publication or re-release after the major disruptions caused by the disaster.\u003c\/p\u003e\n\n\u003ch3 data-start=\"5789\" data-end=\"5800\"\u003eCondition:\u003c\/h3\u003e\n\n\u003cp data-start=\"5802\" data-end=\"6118\"\u003eVery beautiful antique copy, the cover is in perfect condition, the colors are very nice. The pages are very well preserved with no tears. There are some signs of handling on the page edges and 2 small wormholes present on all right-hand pages (see photos.)\u003c\/p\u003e\n\n\u003ch3 data-start=\"6297\" data-end=\"6322\"\u003e🦝 Our opinion:\u003c\/h3\u003e\n\n\u003cp data-start=\"6324\" data-end=\"6532\"\u003eAn exceptional piece for KOGEDO: a true \u003cstrong data-start=\"6381\" data-end=\"6402\"\u003eantique Edo manga\u003c\/strong\u003e, printed in Japan almost 170 years ago, blending popular literature, ukiyo-e prints, scenes of life and renowned artists!\u003c\/p\u003e\n\n\u003cp data-start=\"6534\" data-end=\"6859\"\u003eWe particularly love \u003cstrong data-start=\"6801\" data-end=\"6858\"\u003eKiyokawa, the \"badass\" heroine of this volume! We love that she's not just beautiful but also strong, armed with her naginata, she's the one who stops Kurōta\u003c\/strong\u003e.\u003c\/p\u003e\n\n\u003cp data-start=\"6861\" data-end=\"7134\"\u003eA surprisingly modern image in a popular book from the Edo period!\u003c\/p\u003e\n\n\u003cp data-start=\"7136\" data-end=\"7450\" data-is-last-node=\"\" data-is-only-node=\"\"\u003eA rare original illustrated book at the crossroads of \u003cstrong data-start=\"7186\" data-end=\"7209\"\u003eJapanese antiquity\u003c\/strong\u003e, \u003cstrong data-start=\"7214\" data-end=\"7237\"\u003ecollectible books\u003c\/strong\u003e, \u003cstrong data-start=\"7244\" data-end=\"7274\"\u003eold Japanese prints\u003c\/strong\u003e and \u003cstrong\u003ethe history of manga!\u003c\/strong\u003e\u003c\/p\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003c\/section\u003e\n\u003cp\u003eDiscover all our authentic prints in our collection of \u003ca title=\"Authentic Japanese prints by Kunisada and other masters\" href=\"https:\/\/kogedo.com\/collections\/estampes-japonaises\"\u003e\u003cstrong data-end=\"1322\" data-start=\"1299\"\u003eJapanese prints\u003c\/strong\u003e.\u003c\/a\u003e\u003c\/p\u003e","brand":"KOGEDO","offers":[{"title":"Default Title","offer_id":54009728860499,"sku":"E248","price":310.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0937\/8562\/0819\/files\/kinsei-bijinroku-couverture-manga-edo-utagawa-yoshikazu.jpg?v=1781604811"}],"url":"https:\/\/kogedo.com\/en\/collections\/nos-coups-de-coeur.oembed","provider":"KOGEDO","version":"1.0","type":"link"}