{"title":"Latest Japanese Finds","description":"\u003cp\u003eHere, the \u003cstrong\u003evibrant heart\u003c\/strong\u003e of the Japanese flea market beats to the rhythm of our explorations. Each piece you discover has been \u003cstrong\u003esourced in Japan\u003c\/strong\u003e. We regularly add \u003cstrong\u003enew treasures\u003c\/strong\u003e to keep the store fresh with our finds. Just like a \u003cstrong\u003eflea market\u003c\/strong\u003e, everything changes, everything evolves.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCome back often\u003c\/strong\u003e, there's always something new to discover.\u003c\/p\u003e\n\u003cp\u003eThey are new but don't stay long, \u003cstrong\u003edon't let your treasure slip away\u003c\/strong\u003e!\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","products":[{"product_id":"estampe-japonaise-originale-utagawa-kunisada-toyokuni-iii-oiri-maru-1850","title":"Original Japanese print – Utagawa Kunisada Toyokuni III – Ôiri-maru Boat – Edo 1850","description":"\u003cp data-start=\"364\" data-end=\"428\"\u003eTraditional \u003cstrong\u003eoriginal\u003c\/strong\u003e Ukiyo-e print, woodblock print. [\u003cspan style=\"text-decoration: underline;\"\u003eThis print is not a modern reproduction\u003c\/span\u003e]\u003c\/p\u003e\n\u003csection data-turn=\"assistant\" data-scroll-anchor=\"false\" data-testid=\"conversation-turn-16\" data-turn-id=\"request-69f44c72-2e74-8325-89c2-41e7f6f631be-0\" dir=\"auto\" class=\"text-token-text-primary w-full focus:outline-none [--shadow-height:45px] has-data-writing-block:pointer-events-none has-data-writing-block:-mt-(--shadow-height) has-data-writing-block:pt-(--shadow-height) [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto [content-visibility:auto] supports-[content-visibility:auto]:[contain-intrinsic-size:auto_100lvh] R6Vx5W_threadScrollVars scroll-mb-[calc(var(--scroll-root-safe-area-inset-bottom,0px)+var(--thread-response-height))] scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto pb-10 [--thread-content-margin:var(--thread-content-margin-xs,calc(var(--spacing)*4))] @w-sm\/main:[--thread-content-margin:var(--thread-content-margin-sm,calc(var(--spacing)*6))] @w-lg\/main:[--thread-content-margin:var(--thread-content-margin-lg,calc(var(--spacing)*16))] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col gap-4 grow\"\u003e\n\u003cdiv data-turn-start-message=\"true\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal outline-none keyboard-focused:focus-ring [.text-message+\u0026amp;]:mt-1\" data-message-model-slug=\"gpt-5-5-thinking\" dir=\"auto\" data-message-id=\"aad70bc8-044d-4594-96ed-68b698dcdd03\" data-message-author-role=\"assistant\" tabindex=\"0\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden\"\u003e\n\u003cdiv class=\"markdown prose dark:prose-invert w-full wrap-break-word dark markdown-new-styling\"\u003e\n\u003cp data-end=\"55\" data-start=\"0\"\u003e\u003cstrong data-end=\"25\" data-start=\"0\"\u003ePrint Type:\u003c\/strong\u003e Yakusha-e 役者絵, kabuki print\u003c\/p\u003e\n\u003cp data-end=\"169\" data-start=\"57\"\u003e\u003cstrong data-end=\"70\" data-start=\"57\"\u003eArtist:\u003c\/strong\u003e Utagawa Toyokuni III \/ Kunisada 歌川豊国三代・歌川国貞\u003cbr data-end=\"117\" data-start=\"114\"\u003esigned 豊国画 Toyokuni ga, in toshidama 年玉枠 cartouche\u003c\/p\u003e\n\u003cp data-end=\"277\" data-start=\"171\"\u003e\u003cstrong data-end=\"182\" data-start=\"171\"\u003eTitle:\u003c\/strong\u003e Actors on the full house pleasure boat (Ôiri-maru) 大入丸\u003c\/p\u003e\n\u003cp data-end=\"404\" data-start=\"338\"\u003e\u003cstrong data-end=\"358\" data-start=\"338\"\u003ePublication Date:\u003c\/strong\u003e c. 1850–1852 (Kaei 3–5 嘉永三–五年), Edo period\u003c\/p\u003e\n\u003cp data-end=\"470\" data-start=\"406\"\u003e\u003cstrong data-end=\"430\" data-start=\"406\"\u003eCensors \/ Marks:\u003c\/strong\u003e Kinugasa 衣笠, Watanabe 渡辺, shita-uri シタ売 mark\u003c\/p\u003e\n\u003cp data-end=\"508\" data-start=\"472\"\u003e\u003cstrong data-end=\"485\" data-start=\"472\"\u003ePublisher:\u003c\/strong\u003e Enshūya Hikobei 遠州屋彦兵衛\u003c\/p\u003e\n\u003cp data-end=\"539\" data-start=\"510\"\u003e\u003cstrong data-end=\"522\" data-start=\"510\"\u003eFormat:\u003c\/strong\u003e Ōban tate-e 大判竪絵, approx. 25.5 x 36.5 cm\u003c\/p\u003e\n\u003cp data-end=\"560\" data-start=\"541\"\u003e\u003cstrong data-end=\"554\" data-start=\"541\"\u003eOrigin:\u003c\/strong\u003e Japan, found in Fukuoka Prefecture\u003c\/p\u003e\n\u003ch3 data-end=\"589\" data-start=\"562\"\u003e\u003cem\u003e\u003cstrong\u003eAbout the Artist:\u003c\/strong\u003e\u003c\/em\u003e\u003c\/h3\u003e\n\u003cp data-end=\"1042\" data-start=\"591\"\u003e\u003cem\u003eUtagawa Kunisada (1786–1865), also known as Toyokuni III, is among the \u003cstrong\u003emajor artists of the Utagawa school\u003c\/strong\u003e during the Edo period. \u003cstrong\u003eImmensely popular\u003c\/strong\u003e in his time, he is famous for his portraits of \u003cstrong\u003ekabuki actors\u003c\/strong\u003e, his female beauties, and his very lively narrative compositions. His work is distinguished by the expressiveness of faces, the richness of costumes, and a remarkable taste for animated scenes from the floating world.\u003c\/em\u003e\u003c\/p\u003e\n\u003ch3 data-end=\"1055\" data-start=\"1044\"\u003e\u003cstrong data-end=\"1055\" data-start=\"1044\"\u003eSubject:\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-end=\"1428\" data-start=\"1057\"\u003eThis original print depicts the central sheet of the triptych \u003cstrong\u003eÔiri-maru\u003c\/strong\u003e, literally the \u003cstrong\u003e“full house boat”\u003c\/strong\u003e. The term ôiri 大入 belongs to the theatrical vocabulary and evokes a \u003cstrong\u003egreat public success\u003c\/strong\u003e, a performance played to a full house. Associated with the suffix -maru, common in Japanese boat names, it becomes here the \u003cstrong\u003e“ship of success.”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-end=\"1852\" data-start=\"1430\"\u003eKunisada brings together several famous kabuki actors on board a pleasure boat: Arashi Kichisaburô III, Bandô Shûka I, Hatagaya Shichiemon I, Matsumoto Kunigorô, Sawamura Chôjûrô V, Seki Sanjûrô III, Ichikawa Kuzô II, and Onoe Baikô IV. The composition is teeming with details: patterned kimonos, expressive faces, boat architecture, stylized blue waves, and a festive atmosphere typical of Edo entertainment.\u003c\/p\u003e\n\u003ch3 data-end=\"2082\" data-start=\"2072\"\u003e\u003cstrong data-end=\"2082\" data-start=\"2072\"\u003eCondition:\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-end=\"2371\" data-start=\"2084\"\u003eBeautiful colors preserved. Old paper with traces of time, small crease top right, light soiling and visible marks. Some small holes and surface wear with a small repair visible on the reverse side to hide a wormhole.\u003c\/p\u003e\n\u003ch3 data-end=\"2397\" data-start=\"2373\"\u003e\u003cstrong data-end=\"2397\" data-start=\"2373\"\u003e🦝 Our opinion:\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-is-only-node=\"\" data-is-last-node=\"\" data-end=\"2830\" data-start=\"2399\"\u003eA true Edo print as we love them at KOGEDO: lively, theatrical, full of characters and energy! \u003cstrong\u003eWe love the idea of the Ôiri-maru,\u003c\/strong\u003e this \"boat of success\" where \u003cstrong\u003ekabuki stars seem to embark for a floating party.\u003c\/strong\u003e An authentic, very expressive piece, ideal for ukiyo-e, kabuki, Kunisada, and old Japanese art enthusiasts or for a collection of authentic Japanese prints.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003cp\u003eDiscover all our authentic prints in our collection of \u003ca title=\"Authentic Japanese prints by Kunisada and other masters\" href=\"https:\/\/kogedo.com\/collections\/estampes-japonaises\"\u003e\u003cstrong data-end=\"1322\" data-start=\"1299\"\u003eJapanese prints\u003c\/strong\u003e.\u003c\/a\u003e\u003c\/p\u003e","brand":"KOGEDO","offers":[{"title":"Default Title","offer_id":53623646060883,"sku":"E66","price":199.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0937\/8562\/0819\/files\/estampe-japonaise-edo-kunisada-toyokuni-iii-acteur-kabuki-kimono-oirimaru-ukiyo-e-original.webp?v=1777622059"},{"product_id":"kokeshi-japonaise-vintage-sosaku-bambou-kawamura-shoji-24cm","title":"Vintage Japanese Sōsaku Kokeshi – Bamboo Motifs 竹 – Signed Kawamura Shōji 川村昭治 – 24 cm","description":"\u003ch3 data-start=\"0\" data-end=\"689\"\u003e📐 \u003cstrong data-start=\"3\" data-end=\"23\"\u003eCharacteristics\u003c\/strong\u003e\n\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli data-start=\"0\" data-end=\"689\"\u003e\n\u003cstrong data-start=\"26\" data-end=\"39\"\u003eOrigin:\u003c\/strong\u003e Japan, found in Nagasaki Prefecture\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"689\"\u003e\n\u003cstrong data-start=\"70\" data-end=\"82\"\u003eEra:\u003c\/strong\u003e Shōwa era, dated Shōwa 61-62年度, i.e., 1986-1987\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"689\"\u003e\n\u003cstrong data-start=\"144\" data-end=\"155\"\u003eStyle:\u003c\/strong\u003e Kokeshi sōsaku 創作こけし – free artistic creation\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"689\"\u003e\n\u003cstrong data-start=\"211\" data-end=\"224\"\u003eArtisan:\u003c\/strong\u003e\u003cstrong\u003e \u003c\/strong\u003eKawamura Shōji 川村昭治\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"689\"\u003e\n\u003cstrong data-start=\"251\" data-end=\"263\"\u003eMotifs:\u003c\/strong\u003e Japanese bamboo\u003cstrong\u003e \u003c\/strong\u003etake 竹, black bands and red decoration\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"689\"\u003e\n\u003cstrong data-start=\"323\" data-end=\"337\"\u003eMaterial:\u003c\/strong\u003e turned wood, traditional paint, glossy finish\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"689\"\u003e\n\u003cstrong data-start=\"397\" data-end=\"410\"\u003eHeight:\u003c\/strong\u003e 24 cm\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"689\"\u003e\n\u003cstrong data-start=\"419\" data-end=\"434\"\u003eSignature:\u003c\/strong\u003e handwritten signature under the base + red stamp\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"689\"\u003e\n\u003cstrong data-start=\"486\" data-end=\"501\"\u003eLabel:\u003c\/strong\u003e 宮城県優良県産品 推薦, recommended excellent product from Miyagi\u003c\/li\u003e\n\u003cli data-start=\"0\" data-end=\"689\"\u003e\n\u003cstrong data-start=\"563\" data-end=\"573\"\u003eCondition:\u003c\/strong\u003e very good vintage condition, natural patina, small signs of use on the face, partially detached label.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 data-start=\"691\" data-end=\"726\"\u003e\u003cstrong data-start=\"691\" data-end=\"726\"\u003eThe artisan: Kawamura Shōji 川村昭治\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-end=\"333\" data-start=\"181\"\u003e\u003cstrong data-end=\"199\" data-start=\"181\"\u003eKawamura Shōji\u003c\/strong\u003e is a Japanese \u003cstrong data-end=\"245\" data-start=\"227\"\u003esōsaku kokeshi\u003c\/strong\u003e artisan associated with \u003cstrong data-end=\"283\" data-start=\"273\"\u003eMiyagi\u003c\/strong\u003e Prefecture, a major historical region for kokeshi in Japan.\u003c\/p\u003e\n\u003cp data-end=\"661\" data-start=\"335\"\u003eHis sought-after work is distinguished by sober and very graphic compositions, often built around a beautiful contrast between natural wood and deep colors.\u003c\/p\u003e\n\u003cp data-end=\"686\" data-start=\"663\"\u003eHis works notably feature:\u003c\/p\u003e\n\u003cp data-end=\"818\" data-start=\"688\"\u003eslender silhouettes,\u003cbr data-end=\"716\" data-start=\"713\"\u003ea sharp contrast between natural wood, red, and black,\u003cbr data-end=\"770\" data-start=\"767\"\u003eplant decorations such as Japanese bamboo here.\u003c\/p\u003e\n\u003ch3 data-start=\"1159\" data-end=\"1170\"\u003e\u003cstrong data-start=\"1159\" data-end=\"1170\"\u003eDetails\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-start=\"1291\" data-end=\"1463\"\u003eThe face with delicate eyes gives a gentle and reserved expression. The round head, made of natural wood, is decorated with a stylized black hairstyle with small red ribbons.\u003c\/p\u003e\n\u003cp data-start=\"1465\" data-end=\"1656\"\u003eThe body is painted with a warm red, animated by wood-colored bamboo and wide black bands. The ensemble evokes the suppleness, straightness, and vitality of bamboo in the Japanese imagination.\u003c\/p\u003e\n\u003ch4 data-start=\"1658\" data-end=\"1678\"\u003e\u003cstrong data-start=\"1658\" data-end=\"1678\"\u003eMiyagi Label\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp data-start=\"1680\" data-end=\"1775\"\u003eThis kokeshi retains its original label:\u003c\/p\u003e\n\u003cp data-start=\"1812\" data-end=\"1914\"\u003e\"Excellent product from Miyagi Prefecture\u003cbr data-start=\"1859\" data-end=\"1862\"\u003eSelected\u003cbr data-start=\"1886\" data-end=\"1889\"\u003eFiscal Year Shōwa 61-62\"\u003c\/p\u003e\n\u003ch3 data-start=\"2171\" data-end=\"2185\"\u003e\u003cstrong\u003e🦝 We love\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-start=\"2187\" data-end=\"2485\" data-is-last-node=\"\" data-is-only-node=\"\"\u003eA very beautiful Sōsaku Kokeshi by Kawamura Shōji with its bamboos and calm face. The red and black lines give it a modern and graphic style! And the little detail with the 1986-1987 label still present is really cool!\u003c\/p\u003e\n\u003ch3 data-end=\"2825\" data-start=\"2773\"\u003e\u003cem\u003eWant to discover other unique pieces?\u003c\/em\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cem\u003e→ Discover all our \u003cstrong data-start=\"324\" data-end=\"347\"\u003eartisan kokeshi\u003c\/strong\u003e in \u003ca href=\"https:\/\/kogedo.com\/collections\/kokeshi\" title=\"Discover our collection of artisan Japanese kokeshi: traditional wooden dolls from Tōhoku, unique signed pieces, Naruko, Tsuchiyu, Yajirō styles…\"\u003eour KOGEDO collection\u003c\/a\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"KOGEDO","offers":[{"title":"Default Title","offer_id":53630676730195,"sku":"K99","price":69.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0937\/8562\/0819\/files\/kokeshi-japonaise-sosaku-kawamura-shoji-showa-bambou.jpg?v=1777711148"},{"product_id":"kokeshi-japonaise-vintage-yajiro-shingata-signee-hachihoya-kunio-25cm","title":"Vintage Japanese Kokeshi – Yajirō Shingata style – Signed Hachihoya Kunio 八甫谷 邦夫 – 24.5 cm","description":"\u003ch3 data-start=\"0\" data-end=\"666\"\u003e\u003cstrong\u003e📐 Characteristics\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli data-start=\"0\" data-end=\"666\"\u003e\n\n\u003cstrong\u003eOrigin\u003c\/strong\u003e: Japan, found in Fukuoka Prefecture\u003c\/li\u003e\n\n\u003cli data-start=\"0\" data-end=\"666\"\u003e\n\n\u003cstrong\u003eEstimated Era\u003c\/strong\u003e: Shōwa era, 1960-1980\u003c\/li\u003e\n\n\u003cli data-start=\"0\" data-end=\"666\"\u003e\n\n\u003cstrong\u003eStyle\u003c\/strong\u003e: Kokeshi Yajirō shingata 新型 – reinterpreted traditional form\u003c\/li\u003e\n\n\u003cli data-start=\"0\" data-end=\"666\"\u003e\n\n\u003cstrong\u003eArtisan\u003c\/strong\u003e: Hachihoya Kunio 八甫谷 邦夫\u003c\/li\u003e\n\n\u003cli data-start=\"0\" data-end=\"666\"\u003e\n\n\u003cstrong\u003eMotifs\u003c\/strong\u003e: hishigiku 菱菊 chrysanthemums, red floral decor\u003c\/li\u003e\n\n\u003cli data-start=\"0\" data-end=\"666\"\u003e\n\n\u003cstrong\u003eMaterial\u003c\/strong\u003e: Turned wood, traditional paint, glossy finish\u003c\/li\u003e\n\n\u003cli data-start=\"0\" data-end=\"666\"\u003e\n\n\u003cstrong\u003eHeight\u003c\/strong\u003e: 24.5 cm\u003c\/li\u003e\n\n\u003cli data-start=\"0\" data-end=\"666\"\u003e\n\n\u003cstrong\u003eSignature\u003c\/strong\u003e: Handwritten signature under the base, 甫作\u003cbr\u003e\n\n\u003c\/li\u003e\n\n\u003cli data-start=\"0\" data-end=\"666\"\u003e\n\n\u003cstrong\u003eCondition\u003c\/strong\u003e: Good vintage condition, beautiful luster, natural patina, small signs of use and slight traces of time visible on the wood and paint.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3 data-section-id=\"c9iug0\" data-start=\"668\" data-end=\"705\"\u003e\u003cstrong\u003eThe Artisan: Hachihoya Kunio 八甫谷 邦夫\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-start=\"707\" data-end=\"859\"\u003eHachihoya Kunio is a Japanese artisan associated with the \u003cstrong data-start=\"768\" data-end=\"778\"\u003eYajirō\u003c\/strong\u003e lineage, a large traditional family of kokeshi originating from the Miyagi region.\u003c\/p\u003e\n\u003cp data-start=\"861\" data-end=\"1024\"\u003eHis work is associated with the \u003cstrong data-start=\"894\" data-end=\"906\"\u003eshingata\u003c\/strong\u003e\u003cspan data-start=\"894\" data-end=\"906\"\u003e \u003c\/span\u003e\u003cstrong data-end=\"832\" data-start=\"812\"\u003e(新型こけし)\u003c\/strong\u003e\u003cspan\u003e style, or \"modern kokeshi\", which appeared in post-war Japan when artisans began to revisit traditional forms. While retaining the turned wood technique and the fundamental codes of kokeshi, these pieces introduce bolder graphic compositions and a more contemporary aesthetic.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-start=\"1026\" data-end=\"1066\"\u003eHachihoya Kunio's kokeshi notably feature:\u003c\/p\u003e\n\u003cp data-start=\"1068\" data-end=\"1234\"\u003eslender and well-turned silhouettes,\u003cbr data-start=\"1110\" data-end=\"1113\"\u003ea narrowed waist typical of certain Yajirō,\u003cbr data-start=\"1162\" data-end=\"1165\"\u003esoft faces with long, very recognizable \u003cstrong data-start=\"1200\" data-end=\"1212\"\u003enekobana 猫鼻\u003c\/strong\u003e (cat nose) noses.\u003c\/p\u003e\n\u003ch3 data-section-id=\"6w3o23\" data-start=\"1236\" data-end=\"1246\"\u003e\u003cstrong\u003eDetails\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-start=\"1248\" data-end=\"1454\"\u003eThe face is particularly endearing, with its delicate eyes, its very graphic \u003cstrong data-start=\"1314\" data-end=\"1335\"\u003epointed eyebrows\u003c\/strong\u003e and its long \u003cstrong data-start=\"1368\" data-end=\"1380\"\u003enekobana\u003c\/strong\u003e nose, which gives this kokeshi an expression that is both mischievous and tender.\u003c\/p\u003e\n\u003cp data-start=\"1456\" data-end=\"1665\"\u003eThe body, made of varnished natural wood, is decorated with large, very well-executed red \u003cstrong data-start=\"1527\" data-end=\"1540\"\u003ehishigiku\u003c\/strong\u003e motifs, stylized diamond-shaped chrysanthemums. These flowers bring a luminous and very Japanese presence to the whole.\u003c\/p\u003e\n\u003cp data-start=\"1667\" data-end=\"1823\"\u003eThe silhouette is characteristic of the Yajirō style, with a round head, a defined neck, and then a body narrowed at the waist before widening towards the base.\u003c\/p\u003e\n\u003ch3 data-section-id=\"1p4kvw6\" data-start=\"1825\" data-end=\"1840\"\u003e\u003cstrong\u003eSignature 甫作\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-start=\"1842\" data-end=\"1925\"\u003eThis kokeshi is signed under the base \u003cstrong data-start=\"1880\" data-end=\"1886\"\u003e甫作\u003c\/strong\u003e, a signature associated with Hachihoya Kunio.\u003c\/p\u003e\n\u003cp data-start=\"1927\" data-end=\"2114\"\u003eThe presence of this signature enhances its interest for collectors of traditional Japanese kokeshi, especially those seeking pieces from the \u003cstrong data-start=\"2103\" data-end=\"2113\"\u003eYajirō\u003c\/strong\u003e lineage.\u003c\/p\u003e\n\u003ch3 data-start=\"2116\" data-end=\"2369\"\u003e\u003cstrong\u003e🦝 We love\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-start=\"2116\" data-end=\"2369\" data-is-last-node=\"\" data-is-only-node=\"\"\u003eA very pretty Yajirō shingata kokeshi by Hachihoya Kunio, with a face full of personality. We adore her super cute long \u003cstrong data-start=\"2252\" data-end=\"2264\"\u003enekobana\u003c\/strong\u003e nose, her small round mouth and her very stylish eyebrows! And finally, we really love the beautiful red \u003cstrong data-start=\"2316\" data-end=\"2329\"\u003ehishigiku\u003c\/strong\u003e that brighten up the natural wood!\u003c\/p\u003e\n\u003ch3 data-end=\"2825\" data-start=\"2773\"\u003e\u003cem\u003eWant to discover more unique pieces?\u003c\/em\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cem\u003e→ Discover all our \u003cstrong data-start=\"324\" data-end=\"347\"\u003eartisan kokeshi\u003c\/strong\u003e in \u003ca href=\"https:\/\/kogedo.com\/collections\/kokeshi\" title=\"Discover our collection of artisan Japanese kokeshi: traditional wooden dolls from Tōhoku, unique signed pieces, Naruko, Tsuchiyu, Yajirō styles…\"\u003eour KOGEDO collection\u003c\/a\u003e\u003c\/em\u003e\u003c\/p\u003e","brand":"KOGEDO","offers":[{"title":"Default Title","offer_id":53667793928531,"sku":"K94","price":55.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0937\/8562\/0819\/files\/kokeshi-traditionnelle-japonaise-yajiro-hishigiku-signee.jpg?v=1778051843"},{"product_id":"haori-vintage-en-soie-shibori-rose-fuchsia-veste-japonaise-kimono-motifs-kumo","title":"Vintage shibori silk Haori 絞り Fuchsia Pink – Japanese kimono jacket with kumo cloud patterns 雲","description":"\u003csection data-turn=\"assistant\" data-scroll-anchor=\"false\" data-testid=\"conversation-turn-10\" data-turn-id=\"request-WEB:2e4c693d-d506-4392-9101-e65ebaa63337-4\" dir=\"auto\" class=\"text-token-text-primary w-full focus:outline-none [--shadow-height:45px] has-data-writing-block:pointer-events-none has-data-writing-block:-mt-(--shadow-height) has-data-writing-block:pt-(--shadow-height) [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto [content-visibility:auto] supports-[content-visibility:auto]:[contain-intrinsic-size:auto_100lvh] R6Vx5W_threadScrollVars scroll-mb-[calc(var(--scroll-root-safe-area-inset-bottom,0px)+var(--thread-response-height))] scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto pb-10 [--thread-content-margin:var(--thread-content-margin-xs,calc(var(--spacing)*4))] @w-sm\/main:[--thread-content-margin:var(--thread-content-margin-sm,calc(var(--spacing)*6))] @w-lg\/main:[--thread-content-margin:var(--thread-content-margin-lg,calc(var(--spacing)*16))] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col gap-4 grow\"\u003e\n\u003cdiv data-turn-start-message=\"true\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal outline-none keyboard-focused:focus-ring [.text-message+\u0026amp;]:mt-1\" data-message-model-slug=\"gpt-5-5-thinking\" dir=\"auto\" data-message-id=\"ac7528eb-1c5c-4fc8-8282-11ef38b0b5fe\" data-message-author-role=\"assistant\" tabindex=\"0\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden\"\u003e\n\u003cdiv class=\"markdown prose dark:prose-invert w-full wrap-break-word dark markdown-new-styling\"\u003e\n\u003cp data-end=\"306\" data-start=\"0\"\u003eThis \u003cstrong data-end=\"40\" data-start=\"3\"\u003evintage Japanese 100% silk haori\u003c\/strong\u003e is a beautiful, unique, and refined piece, stemming from traditional textile art. This \u003cstrong data-end=\"159\" data-start=\"133\"\u003eJapanese kimono jacket\u003c\/strong\u003e stands out with its highly textured \u003cstrong data-end=\"194\" data-start=\"180\"\u003eshibori 絞り\u003c\/strong\u003e, forming large \u003cstrong data-end=\"254\" data-start=\"244\"\u003ekumo 雲\u003c\/strong\u003e cloud patterns, in a deep fuchsia pink enhanced with burgundy.\u003c\/p\u003e\n\u003ch3 data-end=\"478\" data-start=\"308\"\u003e\u003cstrong data-end=\"329\" data-start=\"308\"\u003eExterior patterns\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-end=\"478\" data-start=\"308\"\u003eThe outer fabric features an \u003cstrong data-end=\"394\" data-start=\"374\"\u003eall-over shibori\u003c\/strong\u003e, with a dense texture, depicting large stylized clouds with burgundy outlines.\u003c\/p\u003e\n\u003cp data-end=\"604\" data-start=\"480\"\u003eThese graphic patterns give the haori a strong presence while remaining rooted in traditional Japanese aesthetics.\u003c\/p\u003e\n\u003cp data-end=\"845\" data-start=\"606\"\u003e\u003cstrong data-end=\"623\" data-start=\"609\"\u003eShibori 絞り\u003c\/strong\u003e is an ancient tie-dye technique that gives textiles a unique relief: each pattern is the result of an artisanal gesture, making each piece singular and impossible to reproduce identically.\u003c\/p\u003e\n\u003csection data-turn=\"assistant\" data-scroll-anchor=\"false\" data-testid=\"conversation-turn-12\" data-turn-id=\"request-WEB:2e4c693d-d506-4392-9101-e65ebaa63337-5\" dir=\"auto\" class=\"text-token-text-primary w-full focus:outline-none [--shadow-height:45px] has-data-writing-block:pointer-events-none has-data-writing-block:-mt-(--shadow-height) has-data-writing-block:pt-(--shadow-height) [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto [content-visibility:auto] supports-[content-visibility:auto]:[contain-intrinsic-size:auto_100lvh] R6Vx5W_threadScrollVars scroll-mb-[calc(var(--scroll-root-safe-area-inset-bottom,0px)+var(--thread-response-height))] scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto pb-10 [--thread-content-margin:var(--thread-content-margin-xs,calc(var(--spacing)*4))] @w-sm\/main:[--thread-content-margin:var(--thread-content-margin-sm,calc(var(--spacing)*6))] @w-lg\/main:[--thread-content-margin:var(--thread-content-margin-lg,calc(var(--spacing)*16))] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col gap-4 grow\"\u003e\n\u003cdiv data-turn-start-message=\"true\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal outline-none keyboard-focused:focus-ring [.text-message+\u0026amp;]:mt-1\" data-message-model-slug=\"gpt-5-5-thinking\" dir=\"auto\" data-message-id=\"1847245c-3eee-40f7-a4c7-c62d05600b92\" data-message-author-role=\"assistant\" tabindex=\"0\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden\"\u003e\n\u003cdiv class=\"markdown prose dark:prose-invert w-full wrap-break-word dark markdown-new-styling\"\u003e\n\u003cp data-is-only-node=\"\" data-is-last-node=\"\" data-end=\"248\" data-start=\"0\"\u003eThe background of the fabric is made with \u003cstrong data-end=\"56\" data-start=\"32\"\u003ekanoko shibori 鹿の子絞り\u003c\/strong\u003e, a tight shibori composed of thousands of small, regular dots. This work creates a delicate relief and a deep texture, reminiscent of a fawn's spotted coat — the poetic origin of its name.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003cp data-end=\"1003\" data-start=\"847\"\u003eThe dark fuchsia pink color is very elegant, while remaining easy to pair with a contemporary wardrobe.\u003c\/p\u003e\n\u003ch3 data-end=\"1159\" data-start=\"1005\"\u003e\u003cstrong data-end=\"1028\" data-start=\"1005\"\u003eInner lining\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-end=\"1159\" data-start=\"1005\"\u003eThe beige silk inner lining is adorned with stylized Japanese wisteria \u003cstrong data-end=\"1121\" data-start=\"1111\"\u003efuji 藤\u003c\/strong\u003e motifs, in soft pastel tones.\u003c\/p\u003e\n\u003cp data-end=\"1278\" data-start=\"1161\"\u003eMore discreet than the exterior, this lining reveals all its poetry when the haori is open or in motion.\u003c\/p\u003e\n\u003ch3 data-end=\"1580\" data-start=\"1280\"\u003e\u003cstrong data-end=\"1297\" data-start=\"1280\"\u003e📏 Dimensions\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-end=\"1580\" data-start=\"1280\"\u003eWidth (sleeve to sleeve): 128 cm\u003cbr data-end=\"1337\" data-start=\"1334\"\u003eHeight (shoulder to bottom): 73 cm\u003cbr data-end=\"1377\" data-start=\"1374\"\u003eShoulder width: 63 cm\u003cbr data-end=\"1411\" data-start=\"1408\"\u003eThanks to its loose, straight cut, this haori suits many body types.\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-end=\"1637\" data-start=\"1582\"\u003eIn the photos, our female model, Mikan, is 1.58m tall.\u003c\/p\u003e\n\u003ch3 data-end=\"1687\" data-start=\"1639\"\u003e\u003cstrong data-end=\"1650\" data-start=\"1639\"\u003eMaterial\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-end=\"1687\" data-start=\"1639\"\u003e100% silk (outer and lining)\u003c\/p\u003e\n\u003ch3 data-end=\"1956\" data-start=\"1689\"\u003e\u003cstrong data-end=\"1697\" data-start=\"1689\"\u003eCondition\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-end=\"1956\" data-start=\"1689\"\u003ePerfect vintage condition.\u003cbr data-end=\"1724\" data-start=\"1721\"\u003eThe silk is supple, fluid, and luminous.\u003cbr data-end=\"1767\" data-start=\"1764\"\u003eThe shibori texture is remarkably preserved. The basting threads are still present, probably indicating an unworn haori. Micro stain on the wisteria lining (see photos), otherwise perfect.\u003c\/p\u003e\n\u003cp data-end=\"1956\" data-start=\"1689\"\u003eOrigin: Japan, found in Saga prefecture\u003c\/p\u003e\n\u003ch3 data-end=\"2134\" data-start=\"1958\"\u003e\u003cstrong data-end=\"1977\" data-start=\"1958\"\u003ePractical detail\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-end=\"2134\" data-start=\"1958\"\u003eA \u003cstrong data-end=\"2013\" data-start=\"1995\"\u003ehaori himo 羽織紐 is provided.\u003c\/strong\u003e This is a matching traditional tie, allowing the haori to be worn closed while maintaining an elegant and light line.\u003c\/p\u003e\n\u003ch3 data-end=\"2467\" data-start=\"2136\"\u003e\u003cstrong data-end=\"2153\" data-start=\"2136\"\u003e🦝 Our opinion\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-is-only-node=\"\" data-is-last-node=\"\" data-end=\"2467\" data-start=\"2136\"\u003eA haori with a powerful character.\u003cbr data-end=\"2190\" data-start=\"2187\"\u003eWe particularly love the fuchsia pink, the exceptional relief of the shibori, and the elegance of the burgundy kumo clouds.\u003cbr data-end=\"2319\" data-start=\"2316\"\u003eAn ideal piece for those looking for an old Japanese kimono jacket that is expressive and easy to integrate into a modern wardrobe.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003cp data-end=\"2473\" data-start=\"2326\"\u003e\u003cstrong data-end=\"381\" data-start=\"341\"\u003eWant to discover more pieces?\u003c\/strong\u003e\u003cspan\u003e Browse our complete selection of \u003c\/span\u003e\u003ca title=\"Discover our collection of antique Japanese haori for men and women: authentic silk kimono jackets, refined linings, and unique pieces.\" href=\"https:\/\/kogedo.com\/collections\/kimono\"\u003eantique Japanese haori and kimonos\u003c\/a\u003e\u003c\/p\u003e","brand":"KOGEDO","offers":[{"title":"Default Title","offer_id":53674082730323,"sku":"H55","price":89.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0937\/8562\/0819\/files\/haori-japonais-shibori-soie-rose-fuchsia-motifs-kumo-bordeaux.jpg?v=1778083831"},{"product_id":"estampe-japonaise-utagawa-hiroshige-station-de-chiryu-53-stations-du-tokaido-edition-showa","title":"Japanese woodblock print – Utagawa Hiroshige – Chiryū Station – 53 Stations of the Tōkaidō – Shōwa Edition","description":"\u003cdiv class=\"text-base my-auto mx-auto [--thread-content-margin:var(--thread-content-margin-xs,calc(var(--spacing)*4))] @w-sm\/main:[--thread-content-margin:var(--thread-content-margin-sm,calc(var(--spacing)*6))] @w-lg\/main:[--thread-content-margin:var(--thread-content-margin-lg,calc(var(--spacing)*16))] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col gap-4 grow\"\u003e\n\u003cdiv data-message-author-role=\"assistant\" data-message-id=\"228e0f3e-9b74-48f8-9ea1-85e876de0eb7\" dir=\"auto\" data-message-model-slug=\"gpt-5-3\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal outline-none keyboard-focused:focus-ring [.text-message+\u0026amp;]:mt-1\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden\"\u003e\n\u003cdiv class=\"markdown prose dark:prose-invert w-full wrap-break-word dark markdown-new-styling\"\u003e\n\u003cp data-start=\"165\" data-end=\"208\"\u003e\u003cstrong data-end=\"233\" data-start=\"195\"\u003eUkiyo-e print, woodblock print.\u003c\/strong\u003e [\u003cspan style=\"text-decoration: underline;\"\u003eShōwa era reissue using traditional woodblock printing techniques\u003c\/span\u003e]\u003cstrong data-start=\"165\" data-end=\"185\"\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-end=\"415\" data-start=\"376\"\u003e🎨 \u003cstrong data-end=\"415\" data-start=\"379\"\u003eArtist:\u003c\/strong\u003e Utagawa Hiroshige 歌川広重 signed Hiroshige ga 広重画 \u003c\/p\u003e\n\u003cp data-end=\"534\" data-start=\"417\"\u003e\u003cstrong data-end=\"437\" data-start=\"417\"\u003ePublication date:\u003c\/strong\u003e Shōwa period, mid-20th century. Original edition from 1833-1834, Edo period.\u003c\/p\u003e\n\u003cp data-end=\"674\" data-start=\"536\"\u003e📜 \u003cstrong data-end=\"552\" data-start=\"539\"\u003ePublisher:\u003c\/strong\u003e most likely Yūyūdō 悠々洞\u003cbr data-end=\"610\" data-start=\"607\"\u003e\u003cstrong data-end=\"632\" data-start=\"610\"\u003eOriginal publisher:\u003c\/strong\u003e Hōeidō \/ Takenouchi Magohachi 保永堂竹内孫八\u003c\/p\u003e\n\u003cp data-end=\"823\" data-start=\"741\"\u003e\u003cstrong data-end=\"757\" data-start=\"744\"\u003eEngraver:\u003c\/strong\u003e Matsuda Torazō 松田寅藏\u003cbr data-end=\"784\" data-start=\"781\"\u003e\u003cstrong data-end=\"803\" data-start=\"788\"\u003ePrinter:\u003c\/strong\u003e Endō Tadao 遠藤忠雄\u003c\/p\u003e\n\u003cp data-end=\"884\" data-start=\"825\"\u003e📏 \u003cstrong data-end=\"840\" data-start=\"828\"\u003eFormat:\u003c\/strong\u003e ōban yoko-e, approximately 33.5 x 22.5 cm\u003c\/p\u003e\n\u003cp data-end=\"1082\" data-start=\"886\"\u003e\u003cstrong data-end=\"897\" data-start=\"886\"\u003eSeries:\u003c\/strong\u003e \u003cstrong data-end=\"911\" data-start=\"898\"\u003e東海道五拾三次之内\u003c\/strong\u003e (\u003cem data-end=\"944\" data-start=\"913\"\u003eTōkaidō Gojūsan Tsugi no Uchi\u003c\/em\u003e): \u003cstrong data-end=\"991\" data-start=\"948\"\u003eThe Fifty-three Stations of the Tōkaidō\u003c\/strong\u003e\u003cbr data-end=\"994\" data-start=\"991\"\u003e\u003cstrong data-end=\"1007\" data-start=\"994\"\u003eVersion:\u003c\/strong\u003e Great Tōkaidō, also called First Tōkaidō or Hoeidō Tōkaidō\u003c\/p\u003e\n\u003cp data-end=\"1234\" data-start=\"1084\"\u003e\u003cstrong data-end=\"1095\" data-start=\"1084\"\u003eTitle:\u003c\/strong\u003e \u003cstrong data-end=\"1108\" data-start=\"1096\"\u003e池鯉鮒 首夏馬市\u003c\/strong\u003e (\u003cem data-end=\"1134\" data-start=\"1110\"\u003eChiryū, shuka uma ichi\u003c\/em\u003e)\u003cbr data-end=\"1138\" data-start=\"1135\"\u003e\u003cstrong data-end=\"1185\" data-start=\"1138\"\u003eStation N°40 of the Great Tōkaidō series:\u003c\/strong\u003e \u003cstrong data-end=\"1234\" data-start=\"1186\"\u003eChiryū, horse market in early summer\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch3 data-end=\"1558\" data-start=\"1236\"\u003e\u003cstrong data-end=\"1247\" data-start=\"1236\"\u003eSubject:\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-end=\"1558\" data-start=\"1236\"\u003eThis print belongs to the famous series of \u003cstrong data-end=\"1337\" data-start=\"1298\"\u003eThe Fifty-three Stations of the Tōkaidō\u003c\/strong\u003e, one of \u003cstrong data-end=\"1385\" data-start=\"1372\"\u003eHiroshige\u003c\/strong\u003e's great masterpieces. It depicts \u003cstrong data-end=\"1418\" data-start=\"1403\"\u003eChiryū-juku\u003c\/strong\u003e, an important stop on the old road connecting Edo to Kyōto, particularly known for its \u003cstrong data-end=\"1530\" data-start=\"1508\"\u003ehorse market\u003c\/strong\u003e held in early summer.\u003c\/p\u003e\n\u003cp data-end=\"1917\" data-start=\"1560\"\u003eThe scene is at once simple, lively, and full of charm. In the low grass, numerous \u003cstrong data-end=\"1667\" data-start=\"1656\"\u003ehorses\u003c\/strong\u003e are tied to stakes, while travelers, merchants, and passersby quietly cross the landscape. In the distance, a line of figures advances near a large pine tree, giving the image beautiful depth and a true sense of movement.\u003c\/p\u003e\n\u003cp data-end=\"2260\" data-start=\"1919\"\u003eThe composition is typical of \u003cstrong data-end=\"1971\" data-start=\"1958\"\u003eHiroshige\u003c\/strong\u003e's genius: the gaze naturally circulates between the horses in the foreground, the blue-green areas of grass, the human silhouettes, and the very gentle horizon. The large central tree structures the entire image, while the horizontal lines of the landscape give an impression of calm and space.\u003c\/p\u003e\n\u003cp data-end=\"2566\" data-start=\"2262\"\u003eWhat makes this print particularly endearing is its atmosphere of daily life. Hiroshige shows not only a station on the Tōkaidō, but a precise, almost documentary moment: a rural fair, horses gathered, men traveling, an active and peaceful road all at once.\u003c\/p\u003e\n\u003cp data-end=\"2837\" data-start=\"2568\"\u003eThrough this scene of a \u003cstrong data-end=\"2615\" data-start=\"2593\"\u003ehorse market\u003c\/strong\u003e, we find all the spirit of Edo-period Japan: travel, post stations, commercial exchanges, open landscapes, and the small human scenes that make up all the poetry of great Japanese prints.\u003c\/p\u003e\n\u003ch3 data-end=\"3241\" data-start=\"2839\"\u003e\u003cstrong data-end=\"2849\" data-start=\"2839\"\u003eCondition:\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-end=\"3241\" data-start=\"2839\"\u003ePrint in \u003cstrong data-end=\"2880\" data-start=\"2863\"\u003every good condition\u003c\/strong\u003e, with wide margins. Luminous colors, crisp impression, fine and pleasant Japanese paper, very good execution quality for a carefully done \u003cstrong data-end=\"3033\" data-start=\"3014\"\u003eShōwa reissue\u003c\/strong\u003e. \u003cstrong data-end=\"3073\" data-start=\"3053\"\u003eHiroshige ga 広重画\u003c\/strong\u003e signature visible in the image. Mentions of the \u003cstrong data-end=\"3134\" data-start=\"3108\"\u003eengraver Matsuda Torazō\u003c\/strong\u003e and the \u003cstrong data-end=\"3167\" data-start=\"3143\"\u003eprinter Endō Tadao\u003c\/strong\u003e visible in the right margin. A beautiful decorative and collectible copy.\u003c\/p\u003e\n\u003ch3 data-end=\"3553\" data-start=\"3243\"\u003e🦝 \u003cstrong data-end=\"3262\" data-start=\"3246\"\u003eOur opinion:\u003c\/strong\u003e\n\u003c\/h3\u003e\n\u003cp data-end=\"3553\" data-start=\"3243\"\u003eThis \u003cstrong data-end=\"3295\" data-start=\"3282\"\u003eHiroshige\u003c\/strong\u003e print is truly magnificent! It has everything that makes the \u003cstrong data-end=\"3383\" data-start=\"3366\"\u003eGreat Tōkaidō\u003c\/strong\u003e beautiful: a lively scene, a peaceful landscape, travelers, and that unique way Hiroshige has of transforming an everyday moment into a poetic image. We love the presence of the many horses that give this print a unique atmosphere!\u003c\/p\u003e\n\u003cp data-is-only-node=\"\" data-is-last-node=\"\" data-end=\"3822\" data-start=\"3555\"\u003eA very beautiful \u003cstrong data-end=\"3589\" data-start=\"3570\"\u003eShōwa reissue\u003c\/strong\u003e, most likely published by \u003cstrong data-end=\"3626\" data-start=\"3616\"\u003eYūyūdō\u003c\/strong\u003e, authentic and refined, ideal for \u003cstrong data-end=\"3691\" data-start=\"3680\"\u003eukiyo-e\u003c\/strong\u003e enthusiasts, collectors of \u003cstrong data-end=\"3748\" data-start=\"3716\"\u003eJapanese woodblock prints\u003c\/strong\u003e, or simply lovers of Japanese art.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp data-end=\"2917\" data-start=\"2756\"\u003eEach print tells a unique story. To discover other woodblock prints from Japan, browse our collection of \u003ca href=\"https:\/\/kogedo.com\/collections\/estampes-japonaises\" title=\"Old and authentic Japanese prints\"\u003e\u003cstrong data-start=\"1907\" data-end=\"1940\"\u003eold Japanese prints\u003c\/strong\u003e.\u003c\/a\u003e\u003c\/p\u003e","brand":"KOGEDO","offers":[{"title":"Default Title","offer_id":53682454528339,"sku":"E162","price":149.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0937\/8562\/0819\/files\/utagawa-hiroshige-chiryu-shuka-uma-ichi-ukiyo-e-tokaido.png?v=1778137079"},{"product_id":"bol-a-the-japonais-chawan-oribe-yaki-tomobako-kosaburo-v-four-kikyogama","title":"Japanese Chawan Oribe-yaki Tea Bowl – by Kosaburō V (Kosaburo V) – Signed Tomobako","description":"\u003ch3 data-end=\"487\" data-start=\"0\"\u003e\u003cstrong\u003e📐 Characteristics\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli data-end=\"487\" data-start=\"0\"\u003e\n\n\u003cstrong data-end=\"37\" data-start=\"26\"\u003eHeight\u003c\/strong\u003e: approx. 7.5 cm\u003c\/li\u003e\n\n\u003cli data-end=\"487\" data-start=\"0\"\u003e\n\n\u003cstrong data-end=\"66\" data-start=\"54\"\u003eDiameter\u003c\/strong\u003e: approx. 12 cm\u003c\/li\u003e\n\n\u003cli data-end=\"487\" data-start=\"0\"\u003e\n\n\u003cstrong data-end=\"91\" data-start=\"82\"\u003eWeight\u003c\/strong\u003e: approx. 392 g\u003c\/li\u003e\n\n\u003cli data-end=\"487\" data-start=\"0\"\u003e\n\n\u003cstrong data-end=\"116\" data-start=\"107\"\u003eStyle\u003c\/strong\u003e: Oribe-yaki (織部焼), Mino-yaki (美濃焼), copper-green glaze\u003c\/li\u003e\n\n\u003cli data-end=\"487\" data-start=\"0\"\u003e\n\n\u003cstrong data-end=\"199\" data-start=\"180\"\u003eEstimated Period\u003c\/strong\u003e: Late Shōwa \/ probably Heisei (1990-2000)\u003c\/li\u003e\n\n\u003cli data-end=\"487\" data-start=\"0\"\u003e\n\n\u003cstrong data-end=\"243\" data-start=\"232\"\u003eArtisan\u003c\/strong\u003e: 五代 小三郎, Kosaburō V, Kikyōya-gama 桔梗屋窯 workshop\u003c\/li\u003e\n\n\u003cli data-end=\"487\" data-start=\"0\"\u003e\n\n\u003cstrong data-end=\"317\" data-start=\"306\"\u003eOrigin\u003c\/strong\u003e: Japan, Gifu Prefecture, unearthed in Hiroshima Prefecture\u003c\/li\u003e\n\n\u003cli data-end=\"487\" data-start=\"0\"\u003e\n\n\u003cstrong data-end=\"382\" data-start=\"374\"\u003eCondition\u003c\/strong\u003e: Excellent condition. No cracks or chips. Comes with its original tomobako 共箱 and ukon-fu 鬱金布, traditional protective cloth.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3 data-end=\"503\" data-start=\"489\" data-section-id=\"rmw5tv\"\u003e\u003cstrong\u003eDescription\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-end=\"832\" data-start=\"505\"\u003eThis \u003cstrong data-end=\"532\" data-start=\"508\"\u003eOribe-yaki chawan\u003c\/strong\u003e (織部焼) is a piece signed by \u003cstrong data-end=\"572\" data-start=\"560\"\u003eKosaburō\u003c\/strong\u003e (五代 小三郎), a fifth-generation potter from the \u003cstrong data-end=\"646\" data-start=\"630\"\u003eKikyōya-gama\u003c\/strong\u003e (桔梗屋窯) workshop, an old Mino kiln. For over 120 years, the workshop has continued a family tradition dedicated to Mino ceramics, one of the great historical centers of Japanese pottery.\u003c\/p\u003e\n\u003cp data-end=\"1147\" data-start=\"834\"\u003e\u003cstrong data-end=\"850\" data-start=\"836\"\u003eOribe-yaki\u003c\/strong\u003e is one of the iconic ceramics of the Azuchi-Momoyama period, alongside Shino-yaki. Developed under the influence of tea master \u003cstrong data-end=\"1004\" data-start=\"988\"\u003eFuruta Oribe\u003c\/strong\u003e, it is distinguished by the use of a \u003cstrong data-end=\"1067\" data-start=\"1040\"\u003ecopper-green glaze\u003c\/strong\u003e, free forms, and bold designs, often asymmetrical or graphic.\u003c\/p\u003e\n\u003cp data-end=\"1480\" data-start=\"1149\"\u003eThe surface of this bowl features a beautiful contrast between a luminous, slightly crazed cream enamel and a deep green rim where the Oribe glaze forms lovely drips. There is also a \u003cstrong data-end=\"1367\" data-start=\"1354\"\u003eyuzu-hada\u003c\/strong\u003e (柚子肌) texture, also known as \"yuzu skin,\" similar to an orange peel effect, typical of certain Japanese Mino ceramics.\u003c\/p\u003e\n\u003cp data-end=\"1783\" data-start=\"1482\"\u003eThe spontaneously drawn brown decoration brings a very lively movement to the whole. These abstract lines interact with the roundness of the bowl and reinforce its \u003cstrong data-end=\"1662\" data-start=\"1649\"\u003ewabi-sabi\u003c\/strong\u003e (侘寂) spirit, where irregularities, textures, and firing nuances become an integral part of the object's beauty.\u003c\/p\u003e\n\u003cp data-end=\"2076\" data-start=\"1785\"\u003eIts low and generous shape offers an excellent grip for preparing tea. The simple and light interior will particularly highlight the green of the tea. The discreetly turned foot ensures good stability and reveals the light clay of the piece.\u003c\/p\u003e\n\u003cp data-end=\"2359\" data-start=\"2078\"\u003eThe \u003cstrong data-end=\"2104\" data-start=\"2088\"\u003eKikyōya-gama\u003c\/strong\u003e workshop has been distinguished several times at exhibitions of new Mino-yaki creations, notably by the \u003cstrong data-end=\"2259\" data-start=\"2212\"\u003eGovernor of Gifu Prefecture Award\u003c\/strong\u003e. This piece thus demonstrates recognized family expertise, passed down through several generations.\u003c\/p\u003e\n\u003ch3 data-end=\"2397\" data-start=\"2361\"\u003e📦 \u003cstrong data-end=\"2397\" data-start=\"2364\"\u003eTomobako 共箱 — original box\u003c\/strong\u003e\n\n\u003c\/h3\u003e\n\u003cp data-end=\"2433\" data-start=\"2399\"\u003eThe original wooden box bears:\u003c\/p\u003e\n\u003cp data-end=\"2627\" data-start=\"2435\"\u003e\u003cstrong data-end=\"2455\" data-start=\"2435\"\u003ethe inscription 茶盌\u003c\/strong\u003e — chawan, tea bowl\u003cbr data-end=\"2478\" data-start=\"2475\"\u003e\u003cstrong data-end=\"2495\" data-start=\"2478\"\u003ethe mention 黒織\u003c\/strong\u003e — Kuro-Oribe \/ black Oribe\u003cbr data-end=\"2524\" data-start=\"2521\"\u003e\u003cstrong data-end=\"2545\" data-start=\"2524\"\u003ethe signature 小三郎作\u003c\/strong\u003e — made by Kosaburō\u003cbr data-end=\"2571\" data-start=\"2568\"\u003e\u003cstrong data-end=\"2586\" data-start=\"2571\"\u003ethe seal 金小\u003c\/strong\u003e\u003cbr data-end=\"2589\" data-start=\"2586\"\u003e\u003cstrong data-end=\"2627\" data-start=\"2589\"\u003ethe traditional sanada-himo cord\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-end=\"2724\" data-start=\"2629\"\u003eIt accompanies the piece and attests to its provenance from the \u003cstrong data-end=\"2723\" data-start=\"2702\"\u003eKikyōya-gama 桔梗屋窯\u003c\/strong\u003e workshop.\u003c\/p\u003e\n\u003ch3 data-end=\"2743\" data-start=\"2726\"\u003e🦝 \u003cstrong data-end=\"2743\" data-start=\"2729\"\u003eOur opinion\u003c\/strong\u003e\n\n\u003c\/h3\u003e\n\u003cp data-is-only-node=\"\" data-is-last-node=\"\" data-end=\"3074\" data-start=\"2745\"\u003eA magnificent \u003cstrong data-end=\"2779\" data-start=\"2758\"\u003eOribe-yaki chawan\u003c\/strong\u003e, with great technical skill. We love its contrast between the crackled cream enamel and the yuzu-hada effect, the deep green glaze of stylized herbs. An authentic Mino piece by a renowned artisan lineage and master craftsman, with its \u003cstrong data-end=\"2999\" data-start=\"2977\"\u003eoriginal tomobako\u003c\/strong\u003e, ideal for matcha as well as for a collection of Japanese ceramics.\u003c\/p\u003e\n\u003cp data-end=\"2696\" data-start=\"2388\"\u003eDiscover the entire world of tea in our \u003ca title=\"tableware collection at KOGEDO Japanese antique shop: ceramics, lacquerware, porcelain and much more\" href=\"https:\/\/kogedo.com\/collections\/arts-de-la-table\"\u003e\u003cstrong data-end=\"2430\" data-start=\"2372\"\u003e\"Tableware\" collection.\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e","brand":"KOGEDO","offers":[{"title":"Default Title","offer_id":53717878735187,"sku":"T25","price":210.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0937\/8562\/0819\/files\/chawan-oribe-avec-tomobako-kikyoya-gama-kosaburo.jpg?v=1778484305"},{"product_id":"masque-no-japonais-chorei-beshimi-ceramique-signe-hotokusai-showa","title":"Japanese Nō mask of Chōrei Beshimi 長霊癋見 in ceramic – signed Hōtokusai 芳徳斎 – traditional theater – Shōwa period","description":"\u003ch3 data-section-id=\"1lgd5y7\" data-start=\"81\" data-end=\"103\"\u003e\u003cstrong\u003e📏 Features\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli data-start=\"105\" data-end=\"968\"\u003e\n\n\u003cstrong data-start=\"105\" data-end=\"115\"\u003eType:\u003c\/strong\u003e Traditional Japanese mask – Nô theater\u003c\/li\u003e\n\n\u003cli data-start=\"105\" data-end=\"968\"\u003e\n\n\u003cstrong data-start=\"160\" data-end=\"176\"\u003eCharacter:\u003c\/strong\u003e Chōrei Beshimi (長霊癋見)\u003c\/li\u003e\n\n\u003cli data-start=\"105\" data-end=\"968\"\u003e\n\n\u003cstrong data-start=\"217\" data-end=\"232\"\u003eCategory:\u003c\/strong\u003e Beshimi-men (癋見面): closed-mouth mask, associated with powerful, spectral, or supernatural figures\u003c\/li\u003e\n\n\u003cli data-start=\"105\" data-end=\"968\"\u003e\n\n\u003cstrong data-start=\"339\" data-end=\"354\"\u003eSignature:\u003c\/strong\u003e Seal engraved inside the mask, in the shape of a \u003cstrong data-start=\"404\" data-end=\"414\"\u003ehyōtan\u003c\/strong\u003e — traditional Japanese gourd — signed \u003cstrong data-start=\"457\" data-end=\"474\"\u003eHōtokusai 芳徳斎\u003c\/strong\u003e\n\n\u003c\/li\u003e\n\n\u003cli data-start=\"105\" data-end=\"968\"\u003e\n\n\u003cstrong data-start=\"477\" data-end=\"490\"\u003eMaterial:\u003c\/strong\u003e Japanese ceramic, beige-brown patina, painted black highlights, glossy finish in places.\u003c\/li\u003e\n\n\u003cli data-start=\"105\" data-end=\"968\"\u003e\n\n\u003cstrong data-start=\"619\" data-end=\"633\"\u003eAttachment:\u003c\/strong\u003e Side holes with red textile cord.\u003c\/li\u003e\n\n\u003cli data-start=\"105\" data-end=\"968\"\u003e\n\n\u003cstrong data-start=\"678\" data-end=\"694\"\u003eDimensions:\u003c\/strong\u003e approx. \u003cstrong data-start=\"700\" data-end=\"722\"\u003e17 × 14.5 × 7.5 cm\u003c\/strong\u003e\n\n\u003c\/li\u003e\n\n\u003cli data-start=\"105\" data-end=\"968\"\u003e\n\n\u003cstrong data-start=\"725\" data-end=\"736\" data-is-only-node=\"\"\u003eWeight:\u003c\/strong\u003e \u003cstrong data-start=\"737\" data-end=\"746\"\u003e360 g\u003c\/strong\u003e\n\n\u003c\/li\u003e\n\n\u003cli data-start=\"105\" data-end=\"968\"\u003e\n\n\u003cstrong data-start=\"749\" data-end=\"762\"\u003eOrigin:\u003c\/strong\u003e Japan, found in Hiroshima prefecture\u003c\/li\u003e\n\n\u003cli data-start=\"105\" data-end=\"968\"\u003e\n\n\u003cstrong data-start=\"771\" data-end=\"791\"\u003eEstimated period:\u003c\/strong\u003e late Shōwa era 1990\u003c\/li\u003e\n\n\u003cli data-start=\"105\" data-end=\"968\"\u003e\n\n\u003cstrong data-start=\"814\" data-end=\"824\"\u003eCondition:\u003c\/strong\u003e Very good overall condition; decorative patina, no apparent damage.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3 data-section-id=\"ejyf3r\" data-start=\"970\" data-end=\"1015\"\u003e\u003cstrong\u003eThe character of Chōrei Beshimi in Nô\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-start=\"1017\" data-end=\"1200\"\u003eThis Japanese mask represents \u003cstrong data-start=\"1047\" data-end=\"1065\"\u003eChōrei Beshimi\u003c\/strong\u003e (長霊癋見), an expressive type from \u003cstrong data-start=\"1103\" data-end=\"1109\"\u003eNô\u003c\/strong\u003e theater, recognizable by its \u003cstrong data-start=\"1131\" data-end=\"1157\"\u003efirmly closed mouth\u003c\/strong\u003e, round eyes, and intense expression.\u003c\/p\u003e\n\u003cp data-start=\"1202\" data-end=\"1470\"\u003eIt is notably associated with the character of \u003cstrong data-start=\"1244\" data-end=\"1263\"\u003eKumasaka Chōhan\u003c\/strong\u003e, a legendary brigand from medieval Japan. In the play \u003cem data-start=\"1317\" data-end=\"1327\"\u003eKumasaka\u003c\/em\u003e, this bandit leader returns as a spirit to recount his last battle against the young \u003cstrong data-start=\"1423\" data-end=\"1439\"\u003eUshiwakamaru\u003c\/strong\u003e, the future Minamoto no Yoshitsune.\u003c\/p\u003e\n\u003cp data-start=\"1472\" data-end=\"1662\"\u003eThe mask therefore does not represent a mere thief, but a powerful theatrical figure: a being between the human and spectral worlds, at once fierce, grotesque, and profoundly dramatic.\u003c\/p\u003e\n\u003ch3 data-section-id=\"2t9sx5\" data-start=\"1664\" data-end=\"1690\"\u003e\u003cstrong\u003eSculpture and expression\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-start=\"1692\" data-end=\"1896\"\u003eThis mask presents a face very characteristic of the \u003cstrong data-start=\"1750\" data-end=\"1761\"\u003eBeshimi\u003c\/strong\u003e type: wide forehead, prominent nose, hollowed circular eyes, full cheeks, black mustache, and tight mouth with a contained expression.\u003c\/p\u003e\n\u003cp data-start=\"1898\" data-end=\"2146\"\u003eThe ceramic here imitates the warm appearance of patinated wood, with beige, brown, and black nuances that accentuate the facial reliefs. Depending on the angle and light, the expression seems to change: sometimes menacing, sometimes mischievous, almost human.\u003c\/p\u003e\n\u003ch3 data-section-id=\"1dwlo2f\" data-start=\"2303\" data-end=\"2329\"\u003e\u003cstrong\u003eThe artisan Hōtokusai 芳徳斎\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-start=\"2331\" data-end=\"2426\"\u003eThe mask bears the signature of \u003cstrong data-start=\"2363\" data-end=\"2376\"\u003eHōtokusai\u003c\/strong\u003e, a Japanese artisan identified by the seal \u003cstrong data-start=\"2418\" data-end=\"2425\"\u003e芳徳斎\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp data-start=\"2428\" data-end=\"2716\"\u003eHis work is mainly associated with \u003cstrong data-start=\"2471\" data-end=\"2498\"\u003eceramic Nô masks\u003c\/strong\u003e, with decorative pieces inspired by the traditional Japanese repertoire. Here, the seal takes the form of a \u003cstrong data-start=\"2610\" data-end=\"2620\"\u003ehyōtan\u003c\/strong\u003e, a Japanese gourd often linked to luck, longevity, and ritual or popular objects.\u003c\/p\u003e\n\u003ch3 data-section-id=\"r7grop\" data-start=\"2718\" data-end=\"2734\"\u003e\u003cstrong\u003e🦝 Our opinion\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-start=\"2736\" data-end=\"2854\"\u003eA very beautiful \u003cstrong data-start=\"2749\" data-end=\"2783\"\u003eChōrei Beshimi Japanese mask\u003c\/strong\u003e, at once decorative, expressive, and rich in references to Nô theater.\u003c\/p\u003e\n\u003cp data-start=\"2856\" data-end=\"3201\" data-is-last-node=\"\" data-is-only-node=\"\"\u003eIts ceramic material gives it a different presence from traditional wooden masks: denser, shinier, almost sculptural.\u003c\/p\u003e\n\u003cp data-start=\"2856\" data-end=\"3201\" data-is-last-node=\"\" data-is-only-node=\"\"\u003eAn ideal piece for lovers of Japanese art, collectors of Nô masks, or for characterful Japanese decoration.\u003c\/p\u003e\n\u003cp data-end=\"2906\" data-start=\"2590\"\u003e👉 \u003cem data-start=\"99\" data-end=\"210\"\u003eDiscover this piece alongside other treasures in our \u003ca href=\"https:\/\/kogedo.com\/collections\/decoration-objets-art\" title=\"KOGEDO collection of Japanese art objects and decoration: lacquerware, Nô masks, tsuba and much more!\"\u003ecollection \u003cstrong data-start=\"171\" data-end=\"209\"\u003eJapanese Decoration \u0026amp; Art Objects.\u003c\/strong\u003e\u003c\/a\u003e\u003c\/em\u003e\u003cem data-start=\"99\" data-end=\"210\"\u003e\u003cstrong data-start=\"171\" data-end=\"209\"\u003e \u003c\/strong\u003e\u003c\/em\u003e\u003cem data-start=\"99\" data-end=\"210\"\u003e\u003c\/em\u003e\u003c\/p\u003e","brand":"KOGEDO","offers":[{"title":"Default Title","offer_id":53725932126547,"sku":"DN10","price":159.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0937\/8562\/0819\/files\/masque-noh-japonais-chorei-beshimi-signe-hotokusai.jpg?v=1778518516"},{"product_id":"grande-kokeshi-japonaise-vintage-style-yajiro-signee-niiyama-hisashiro-46cm","title":"Very large vintage Japanese Kokeshi – Yajirō style – signed Niiyama Hisashirō (新山久城) – 46 cm","description":"\u003ch3 data-start=\"0\" data-end=\"510\"\u003e\u003cstrong\u003e📐 Features:\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli data-start=\"0\" data-end=\"510\"\u003e\n\n\u003cstrong\u003eOrigin\u003c\/strong\u003e: Japan, Yajirō, discovered in Kanagawa Prefecture\u003c\/li\u003e\n\n\u003cli data-start=\"0\" data-end=\"510\"\u003e\n\n\u003cstrong\u003eEstimated period\u003c\/strong\u003e: Second half of the 20th century, Shōwa or very early Heisei.\u003c\/li\u003e\n\n\u003cli data-start=\"0\" data-end=\"510\"\u003e\n\n\u003cstrong\u003eStyle\u003c\/strong\u003e: Dentō Kokeshi, Yajirō-kei (弥治郎系)\u003c\/li\u003e\n\n\u003cli data-start=\"0\" data-end=\"510\"\u003e\n\n\u003cstrong\u003eArtisan\u003c\/strong\u003e: Niiyama Hisashirō (新山久城, 1942-2008)\u003c\/li\u003e\n\n\u003cli data-start=\"0\" data-end=\"510\"\u003e\n\n\u003cstrong\u003eMaterial\u003c\/strong\u003e: Turned wood, traditional brush painting\u003c\/li\u003e\n\n\u003cli data-start=\"0\" data-end=\"510\"\u003e\n\n\u003cstrong\u003eHeight\u003c\/strong\u003e: 46 cm (large size)\u003c\/li\u003e\n\n\u003cli data-start=\"0\" data-end=\"510\"\u003e\n\n\u003cstrong\u003eSignature\u003c\/strong\u003e: Signed in kanji under the base (新山久城)\u003c\/li\u003e\n\n\u003cli data-start=\"0\" data-end=\"510\"\u003e\n\n\u003cstrong\u003eCondition\u003c\/strong\u003e: Good vintage condition, age patina, small scuffs and signs of use, very small impact under the chin (see photos), no major visible defects.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3 data-start=\"512\" data-end=\"783\"\u003e\u003cstrong\u003eThe artisan: Niiyama Hisashirō (新山久城, 1942-2008)\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-start=\"512\" data-end=\"783\"\u003eBorn on February 17, 1942, in Fukuoka-mura Yajirō, Katta District, Niiyama Hisashirō was the eldest son of Niiyama Hisashi. After Fukuoka Junior High School in Shiroishi, he learned woodworking from his father.\u003c\/p\u003e\n\u003cp data-start=\"785\" data-end=\"1000\"\u003eAround 1958, he began creating kokeshi inspired by the ancient model of his grandfather Niiyama Hisaji. He worked for a long time in the family workshop, then moved to his own home in Yajirō Higashi in 1981.\u003c\/p\u003e\n\u003cp data-start=\"1002\" data-end=\"1208\"\u003eIn 1982, he took on Yokoyama Mizuki as an apprentice and taught him woodturning for two years. An artist, farmer, and city councilor, he continued to turn kokeshi until around 2006.\u003c\/p\u003e\n\u003cp data-start=\"1210\" data-end=\"1410\"\u003eHis work is fully in line with the Yajirō tradition, recognizable by its large round heads, graphic decorations, bold colors, and compositions painted with direct energy.\u003c\/p\u003e\n\u003ch3 data-start=\"1412\" data-end=\"1660\"\u003e\u003cstrong\u003eDetails:\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-start=\"1412\" data-end=\"1660\"\u003eThis large Yajirō kokeshi first impresses with its 46 cm size and its tall, balanced silhouette. The round head features \u003cstrong data-start=\"1564\" data-end=\"1581\"\u003ejanome patterns\u003c\/strong\u003e (蛇の目), typical concentric circles, associated with an expressive red fringe.\u003c\/p\u003e\n\u003cp data-start=\"1662\" data-end=\"1837\"\u003eThe face, soft and mischievous, features half-closed eyes, finely arched smiling brows, a small brush-drawn nose, and a discreet mouth. Black strands frame the face.\u003c\/p\u003e\n\u003cp data-start=\"1839\" data-end=\"2046\"\u003eThe body represents a kimono, alternating red bands, green touches, thin lines, and purple rings.\u003c\/p\u003e\n\u003ch3 data-start=\"2048\" data-end=\"2201\"\u003e\u003cstrong\u003e🦝 We love:\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-start=\"2048\" data-end=\"2201\"\u003eA very large signed Yajirō kokeshi, made by an important artisan of the Niiyama lineage, in the purest traditional style and making quite an impression!\u003c\/p\u003e\n\u003cp data-start=\"2203\" data-end=\"2345\"\u003eFor those, like us, who love impressive kokeshi, this one is for you!\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eWant to dive deeper into the world of traditional Japanese dolls?\u003c\/em\u003e\u003cbr data-end=\"301\" data-start=\"298\"\u003e\u003cem\u003e→ Discover all our \u003cstrong data-end=\"347\" data-start=\"324\"\u003ehandmade kokeshi\u003c\/strong\u003e in \u003ca title=\"Découvrez notre collection de kokeshi artisanales japonaises : poupées en bois traditionnelles du Tōhoku, pièces uniques signées, styles Naruko, Tsuchiyu, Yajirō…\" href=\"https:\/\/kogedo.com\/collections\/kokeshi\"\u003eour KOGEDO collection\u003c\/a\u003e\u003c\/em\u003e\u003c\/p\u003e","brand":"KOGEDO","offers":[{"title":"Default Title","offer_id":53922040774995,"sku":"K93","price":149.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0937\/8562\/0819\/files\/kokeshi-dento-yajiro-kei-46cm-poupee-japonaise-bois.jpg?v=1781258395"},{"product_id":"haori-vintage-homme-en-soie-habutae-noir-veste-kimono-japonaise-doublure-grise","title":"Vintage men's black habutae silk haori – Japanese kimono jacket light grey lining","description":"\u003ch3 data-end=\"52\" data-start=\"34\"\u003e👘 \u003cstrong data-end=\"50\" data-start=\"37\"\u003eExterior\u003c\/strong\u003e:\u003c\/h3\u003e\n\u003cp data-end=\"447\" data-start=\"54\"\u003eVintage men's haori made of \u003cstrong data-end=\"103\" data-start=\"81\"\u003eblack habutae silk 羽二重 \u003c\/strong\u003e, with a sober and elegant appearance, and a subtle sheen depending on the light. The silk has a smooth and fluid drape, characteristic of Japanese textiles from the Showa era. The cut is ample, offering a beautiful presence while remaining simple. This long haori captivates with its deep black color, classic minimalism, and timeless silhouette.\u003c\/p\u003e\n\u003ch3 data-end=\"466\" data-start=\"449\"\u003e🟣 \u003cstrong data-end=\"464\" data-start=\"452\"\u003eLining\u003c\/strong\u003e:\u003c\/h3\u003e\n\u003cp data-end=\"701\" data-start=\"468\"\u003eLining in \u003cstrong data-end=\"494\" data-start=\"480\"\u003egrey silk\u003c\/strong\u003e, bright and understated, with sleeve panels featuring fine grayish-blue stripes. The ensemble creates a subtle contrast with the black exterior, but shows stains and signs of wear, mainly in the sleeves.\u003c\/p\u003e\n\u003ch3 data-end=\"722\" data-start=\"703\"\u003e\n\n\u003cstrong data-end=\"720\" data-start=\"706\"\u003eDimensions\u003c\/strong\u003e:\u003c\/h3\u003e\n\u003cp data-end=\"801\" data-start=\"724\"\u003eWingspan (sleeve to sleeve): 126 cm\u003cbr data-end=\"763\" data-start=\"760\"\u003eHeight (shoulder to bottom): 102 cm\u003c\/p\u003e\n\u003ch3 data-end=\"861\" data-start=\"803\"\u003e\n\n\u003cstrong data-end=\"822\" data-start=\"811\"\u003eMaterial\u003c\/strong\u003e:\u003c\/h3\u003e\n\u003cp data-end=\"861\" data-start=\"803\"\u003e100% Silk (exterior \u0026amp; lining)\u003c\/p\u003e\n\u003cp data-end=\"927\" data-start=\"863\"\u003e\u003cstrong data-end=\"877\" data-start=\"866\"\u003eOrigin\u003c\/strong\u003e: Japan — found in Tokyo Prefecture\u003c\/p\u003e\n\u003ch3 data-end=\"944\" data-start=\"929\"\u003e\u003cstrong data-end=\"940\" data-start=\"932\"\u003eCondition:\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-end=\"944\" data-start=\"929\"\u003eGood vintage exterior condition, discreet snags on the back (see photo), lining in fair condition, with several small stains, probable repair in the sleeve lining.\u003c\/p\u003e\n\u003ch3 data-end=\"1080\" data-start=\"1061\"\u003e🦝 \u003cstrong data-end=\"1078\" data-start=\"1064\"\u003eOur opinion\u003c\/strong\u003e:\u003c\/h3\u003e\n\u003cp data-is-only-node=\"\" data-is-last-node=\"\" data-end=\"1400\" data-start=\"1082\"\u003eAn \u003cstrong data-end=\"1108\" data-start=\"1101\"\u003eelegant\u003c\/strong\u003e black haori, perfect for those who appreciate simple, classy, and easy-to-wear Japanese pieces. Its subtly shimmering habutae silk gives it a luxurious look, without patterns or excess. A \u003cstrong data-end=\"1295\" data-start=\"1281\"\u003every classy\u003c\/strong\u003e long Japanese jacket, easy to wear over a contemporary outfit: raw denim, wide-leg pants, or a monochrome black ensemble.\u003c\/p\u003e\n\u003cp data-end=\"1052\" data-start=\"865\"\u003e\u003cstrong data-end=\"381\" data-start=\"341\"\u003eWant to discover other pieces?\u003c\/strong\u003e\u003cspan\u003e Browse our complete selection of \u003c\/span\u003e\u003ca title=\"Discover our collection of antique Japanese haori kimonos for men and women: authentic silk kimono jackets, refined linings and unique pieces.\" href=\"https:\/\/kogedo.com\/collections\/kimono\"\u003eantique Japanese haori and kimonos\u003c\/a\u003e\u003c\/p\u003e","brand":"KOGEDO","offers":[{"title":"Default Title","offer_id":53922416230739,"sku":"H41","price":69.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0937\/8562\/0819\/files\/haori-noir-homme-soie-habutae-doublure-grise-interieur.jpg?v=1780562133"},{"product_id":"duo-tasses-japonaises-hagi-yaki-four-touryu-an-gama","title":"Set of 2 Japanese meoto yunomi Hagi-yaki teacups (Hagi ware) - Touryu-an gama Kiln","description":"\u003cp data-start=\"0\" data-end=\"435\"\u003eA pair of handcrafted Japanese cups, \u003cstrong data-start=\"37\" data-end=\"53\"\u003emeoto yunomi\u003c\/strong\u003e (夫婦湯呑), crafted in the \u003cstrong data-start=\"85\" data-end=\"98\"\u003eHagi-yaki\u003c\/strong\u003e (萩焼) style, famous for its soft glazes, fine crazing \u003cstrong data-start=\"161\" data-end=\"172\"\u003ekan’nyū\u003c\/strong\u003e (貫入), and understated rustic appearance. The rosy beige, orangey-brown hues and the small visible inclusions in the clay give these pieces a very warm presence. The cut foot \u003cstrong data-start=\"365\" data-end=\"379\"\u003ewari-kōdai\u003c\/strong\u003e (割高台) is reminiscent of traditional Hagi-yaki forms.\u003c\/p\u003e\n\u003cp data-start=\"0\" data-end=\"435\"\u003e\u003cstrong data-start=\"23\" data-end=\"39\"\u003eMeoto yunomi\u003c\/strong\u003e (夫婦湯呑) are \u003cstrong data-start=\"56\" data-end=\"76\"\u003ecouple's cups\u003c\/strong\u003e: traditionally in two slightly different sizes, they symbolize domestic harmony, daily tea sharing, and the bond between two people.\u003c\/p\u003e\n\u003ch3 data-start=\"437\" data-end=\"751\"\u003e\u003cstrong data-start=\"437\" data-end=\"457\"\u003eFeatures\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli data-start=\"437\" data-end=\"751\"\u003e\n\n\u003cstrong\u003eOrigin \u003c\/strong\u003e: Hagi, discovered in Yamaguchi prefecture\u003c\/li\u003e\n\n\u003cli data-start=\"437\" data-end=\"751\"\u003e\n\n\u003cstrong\u003eEstimated period\u003c\/strong\u003e : late Shōwa \/ early Heisei\u003c\/li\u003e\n\n\u003cli data-start=\"437\" data-end=\"751\"\u003e\n\n\u003cstrong\u003eStyle\u003c\/strong\u003e : Hagi-yaki (萩焼)\u003c\/li\u003e\n\n\u003cli data-start=\"437\" data-end=\"751\"\u003e\n\n\u003cstrong\u003eKiln : \u003c\/strong\u003eTouryu-an (唐瀧庵窯)\u003c\/li\u003e\n\n\u003cli data-start=\"437\" data-end=\"751\"\u003e\n\n\u003cstrong\u003eMaterial \u003c\/strong\u003e: Glazed stoneware\u003c\/li\u003e\n\n\u003cli data-start=\"437\" data-end=\"751\"\u003e\n\n\u003cstrong\u003eFinish \u003c\/strong\u003e: Rosy beige glaze, brown hues, natural crazing\u003c\/li\u003e\n\n\u003cli data-start=\"437\" data-end=\"751\"\u003e\n\n\u003cstrong\u003eCondition : \u003c\/strong\u003eVintage, in excellent condition. With original calligraphed box.\u003cstrong style=\"font-size: 0.875rem;\"\u003e\u003c\/strong\u003e\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3 data-start=\"753\" data-end=\"915\"\u003e\u003cstrong data-start=\"753\" data-end=\"767\"\u003eDimensions:\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-start=\"753\" data-end=\"915\"\u003e\u003cstrong\u003eCup 1\u003c\/strong\u003e : height ~ 9.5cm ; Ø ~ 7cm ; weight ~ 169g\u003cbr data-start=\"841\" data-end=\"844\"\u003e\u003cstrong\u003eCup 2 \u003c\/strong\u003e: height ~ 8cm ; Ø ~ 6.5cm ; weight ~ 111g\u003c\/p\u003e\n\u003cp data-start=\"917\" data-end=\"1161\"\u003eMade by the \u003cstrong data-start=\"934\" data-end=\"952\"\u003eTouryu-an kiln\u003c\/strong\u003e (唐瀧庵窯), these cups come with their \u003cstrong data-start=\"1005\" data-end=\"1017\"\u003etomobako\u003c\/strong\u003e (共箱), original calligraphed wooden box.\u003c\/p\u003e\n\u003ch3 data-start=\"1502\" data-end=\"1698\"\u003e\u003cstrong data-start=\"1502\" data-end=\"1513\"\u003eArtisan:\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-start=\"1502\" data-end=\"1698\"\u003eKiln : \u003cstrong data-start=\"1523\" data-end=\"1538\"\u003e唐瀧庵窯\u003c\/strong\u003e — \u003cstrong\u003eTouryu-an\u003c\/strong\u003e, Hagi-yaki workshop\u003cbr data-start=\"1572\" data-end=\"1575\"\u003eBox : \u003cstrong data-start=\"1583\" data-end=\"1595\"\u003ecalligraphed tomobako\u003c\/strong\u003e, with kiln seal\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-start=\"1502\" data-end=\"1698\"\u003eThe \u003cstrong data-end=\"364\" data-start=\"346\"\u003eTouryu-an kiln\u003c\/strong\u003e, located in Hagi in Yamaguchi prefecture, is part of the history of \u003cstrong data-end=\"454\" data-start=\"441\"\u003eSusa-yaki\u003c\/strong\u003e, a ceramic tradition once linked to the Masuda family, high officials of the Hagi domain. Today, the workshop perpetuates this heritage through traditional methods, expressive clays, and glazes passed down through generations. It is currently led by \u003cstrong data-end=\"753\" data-start=\"744\"\u003eDōsen 14th generation\u003c\/strong\u003e, guardian of this expertise.\u003c\/p\u003e\n\u003ch3 data-start=\"1700\" data-end=\"1722\"\u003e🦝 \u003cstrong data-start=\"1708\" data-end=\"1722\"\u003eOur opinion\u003c\/strong\u003e\n\n\u003c\/h3\u003e\n\u003cp data-start=\"1724\" data-end=\"2042\" data-is-last-node=\"\" data-is-only-node=\"\"\u003eA beautiful pair of \u003cstrong data-end=\"878\" data-start=\"858\"\u003eHagi-yaki yunomi\u003c\/strong\u003e, rustic yet luminous and delicately irregular. The rosy beige and warm brown tones are superb, and the \u003cstrong data-end=\"1010\" data-start=\"994\"\u003ecut foot\u003c\/strong\u003e adds a lot of character. As \u003cstrong data-end=\"1070\" data-start=\"1054\"\u003emeoto yunomi\u003c\/strong\u003e, they are perfect for a couple, a wedding gift, a relationship anniversary, or simply for sharing Japanese tea daily!\u003c\/p\u003e\n\u003cp data-end=\"1943\" data-start=\"1801\"\u003e\u003ca title=\"tableware collection at KOGEDO Japanese antique shop: ceramics, lacquerware, porcelain and much more\" href=\"https:\/\/kogedo.com\/collections\/arts-de-la-table\"\u003e\u003cstrong data-end=\"2430\" data-start=\"2372\"\u003eAlso discover our \"Tableware\" collection\u003c\/strong\u003e\u003c\/a\u003e, where other ceramics and porcelain perpetuate the elegance and delicacy of Japanese craftsmanship.\u003c\/p\u003e","brand":"KOGEDO","offers":[{"title":"Default Title","offer_id":53922704916819,"sku":"T40","price":95.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0937\/8562\/0819\/files\/meoto-yunomi-hagi-yaki-boite-tomobako-touryu-an.jpg?v=1780568407"},{"product_id":"estampe-japonaise-authentique-utagawa-ando-hiroshige-riviere-noji-province-omi-1891","title":"Antique Japanese Print Meiji – Utagawa Hiroshige I – Noji River, Ōmi Province – Six Jewel Rivers from Various Provinces – 1891","description":"\u003cp data-start=\"364\" data-end=\"428\"\u003eTraditional Ukiyo-e print, \u003cstrong\u003eposthumous late edition (Meiji)\u003c\/strong\u003e, woodcut. [\u003cspan style=\"text-decoration: underline;\"\u003eThis print is not a modern reproduction\u003c\/span\u003e]\u003c\/p\u003e\n\u003cp data-end=\"239\" data-start=\"118\"\u003e\u003cstrong\u003ePrint type\u003c\/strong\u003e: Fūkei-ga 風景画, Japanese landscape ukiyo-e\u003c\/p\u003e\n\u003cp data-end=\"318\" data-start=\"241\"\u003e\u003cstrong\u003eArtist\u003c\/strong\u003e: Utagawa Hiroshige I 歌川広重 signed 広重画 Hiroshige ga\u003c\/p\u003e\n\u003cp data-end=\"384\" data-start=\"320\"\u003e\u003cstrong\u003eEdition\u003c\/strong\u003e: Official Meiji edition from re-engraved blocks based on the original edition by \u003cstrong data-end=\"373\" data-start=\"348\"\u003eInoue Kichijirō 井上吉次郎\u003c\/strong\u003e, August \u003cstrong\u003e1891\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-end=\"541\" data-start=\"386\"\u003e\u003cstrong\u003eMarginal note\u003c\/strong\u003e: 初代一立齋廣重翁筆原画 Shodai Ichiryūsai Hiroshige ō hitsu genga\u003cbr data-end=\"471\" data-start=\"468\"\u003eBased on the original drawing by the first Hiroshige, Ichiryūsai Hiroshige.\u003c\/p\u003e\n\u003cp data-end=\"648\" data-start=\"543\"\u003e\u003cstrong\u003eSeries title\u003c\/strong\u003e: 諸國六玉川 Shokoku Mu Tamagawa\u003cbr data-end=\"601\" data-start=\"598\"\u003eThe Six Jewel Rivers of various provinces\u003c\/p\u003e\n\u003cp data-end=\"732\" data-start=\"650\"\u003e\u003cstrong\u003ePrint title\u003c\/strong\u003e: 近江 野路 Ōmi Noji\u003cbr data-end=\"685\" data-start=\"682\"\u003eThe Jewel River of Noji, in Ōmi Province\u003c\/p\u003e\n\u003cp data-end=\"837\" data-start=\"734\"\u003e\u003cstrong\u003eOriginal print edition\u003c\/strong\u003e: 1857, 11th month, by Maruya Kyūshirō 丸屋久四郎\u003c\/p\u003e\n\u003cp data-end=\"908\" data-start=\"893\"\u003e\u003cstrong\u003eOrigin\u003c\/strong\u003e: Japan, discovered in Kanagawa Prefecture\u003c\/p\u003e\n\u003ch3 data-end=\"933\" data-start=\"910\"\u003e\u003cem\u003e\u003cstrong\u003eAbout the artist:\u003c\/strong\u003e\u003c\/em\u003e\u003c\/h3\u003e\n\u003cp data-end=\"1385\" data-start=\"935\"\u003e\u003cem\u003e\u003cstrong data-end=\"958\" data-start=\"935\"\u003eUtagawa Hiroshige I\u003c\/strong\u003e (1797-1858) is one of the greatest masters of Japanese ukiyo-e prints. Famous for his poetic landscapes, his views of roads, provinces and famous places, he profoundly influenced the history of Japanese art. His compositions are distinguished by their sense of atmosphere, the delicacy of the seasons, the effects of rain, snow, mist or moon, and a unique way of transforming a landscape into emotion.\u003c\/em\u003e\u003c\/p\u003e\n\u003ch3 data-end=\"1835\" data-start=\"1828\"\u003e\u003cstrong\u003eSubject:\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-end=\"1835\" data-start=\"1828\"\u003eThis print is an \u003cstrong data-end=\"1446\" data-start=\"1409\"\u003eauthentic Meiji edition from 1891\u003c\/strong\u003e, made by \u003cstrong data-end=\"1480\" data-start=\"1461\"\u003eInoue Kichijirō\u003c\/strong\u003e, based on Hiroshige I's original work published in 1857. The marginal note indicates that the image reproduces the original drawing by the first Ichiryūsai Hiroshige, with re-engraved blocks from the Meiji era.\u003c\/p\u003e\n\u003cp data-end=\"2229\" data-start=\"1837\"\u003eThis print depicts \u003cstrong data-end=\"1874\" data-start=\"1862\"\u003eŌmi Noji\u003c\/strong\u003e, the jewel river of Noji, in the former Ōmi province. It belongs to the series \u003cstrong data-end=\"1983\" data-start=\"1960\"\u003eShokoku Mu Tamagawa\u003c\/strong\u003e, dedicated to the \u003cstrong data-end=\"2020\" data-start=\"1999\"\u003eSix Jewel Rivers (Tama)\u003c\/strong\u003e. The \"Six Tama Rivers\" are six famous poetic places in ancient Japan, associated with the word \u003cstrong data-end=\"2121\" data-start=\"2113\"\u003etama\u003c\/strong\u003e — \"jewel\" — and celebrated in classical poetry for their natural beauty, seasons, and reflections.\u003c\/p\u003e\n\u003cp data-end=\"2562\" data-start=\"2231\"\u003eThe scene shows a landscape of great softness: a clear river, banks adorned with \u003cstrong data-end=\"2331\" data-start=\"2323\"\u003ehagi\u003c\/strong\u003e — Japanese lespedeza —, pine trees, distant mountains, and a group of \u003cstrong data-end=\"2427\" data-start=\"2408\"\u003eJapanese nobles\u003c\/strong\u003e contemplating the water. In the foreground, the moon seems to float on the surface of the river, in a calm and almost suspended atmosphere.\u003c\/p\u003e\n\u003cp data-end=\"2679\" data-start=\"2564\"\u003eThe waka poem inscribed in the sky is by \u003cstrong data-end=\"2637\" data-start=\"2614\"\u003eMinamoto no Shunrai\u003c\/strong\u003e and comes from the \u003cstrong data-end=\"2677\" data-start=\"2653\"\u003eSenzai Wakashū 千載和歌集\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp data-end=\"2721\" data-start=\"2681\"\u003e\u003cem\u003e\u003cstrong data-end=\"2721\" data-start=\"2681\"\u003e明日も来む \/ 野路の玉川 \/ 萩こえて \/ 色なる波に \/ 月宿りけり\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-end=\"3003\" data-start=\"2810\" style=\"text-align: right;\"\u003e\u003cem\u003e“I will surely return tomorrow!\u003c\/em\u003e\u003cbr data-end=\"2847\" data-start=\"2844\"\u003e\u003cem\u003eTo this Tama River of Noji...\u003c\/em\u003e\u003cbr data-end=\"2881\" data-start=\"2878\"\u003e\u003cem\u003eWhere the moon has come to rest its reflections\u003c\/em\u003e\u003cbr data-end=\"2922\" data-start=\"2919\"\u003e\u003cem\u003eIn the colored waves by the lespedeza, hagi, flowers that overhang it.”\u003c\/em\u003e\u003c\/p\u003e\n\u003ch3 data-end=\"3584\" data-start=\"3578\"\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-end=\"4077\" data-start=\"3586\"\u003eAuthentic old print in good general condition. Colors still vibrant. Old paper with traces of time, small creases, slight soiling. Full margins.\u003c\/p\u003e\n\u003ch3 data-end=\"4099\" data-start=\"4079\"\u003e\u003cstrong\u003e🦝 Our opinion:\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-end=\"4514\" data-start=\"4101\"\u003eA very beautiful \u003cstrong data-end=\"4169\" data-start=\"4116\"\u003eauthentic Japanese print by the great master Utagawa Ando Hiroshige I\u003c\/strong\u003e, in a Meiji edition from 1891 by \u003cstrong data-end=\"4225\" data-start=\"4206\"\u003eInoue Kichijirō\u003c\/strong\u003e. We love its vertical format, its lunar atmosphere, the Tama River of Noji, the hagi flowers, and the poetic softness of the landscape!\u003c\/p\u003e\n\u003cp data-end=\"4514\" data-start=\"4101\"\u003eThis is not an original edition by the great master, but a posthumous late Meiji edition, \u003cstrong\u003ea true antique of over 135 years\u003c\/strong\u003e! It's the perfect balance between an often inaccessible original Hiroshige print and a more modern reproduction!\u003c\/p\u003e\n\u003cp\u003eDiscover all our authentic prints in our collection of \u003ca title=\"Authentic Japanese prints by Kunisada and other masters\" href=\"https:\/\/kogedo.com\/collections\/estampes-japonaises\"\u003e\u003cstrong data-end=\"1322\" data-start=\"1299\"\u003eJapanese prints\u003c\/strong\u003e.\u003c\/a\u003e\u003c\/p\u003e","brand":"KOGEDO","offers":[{"title":"Default Title","offer_id":53928571896147,"sku":"E105","price":320.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0937\/8562\/0819\/files\/estampe-ukiyo-e-authentique-hiroshige-omi-noji-six-jewel-rivers.png?v=1780644497"},{"product_id":"haori-vintage-homme-bleu-en-soie-oshima-tsumugi-doublure-fuji-vagues-navire","title":"Vintage men's blue Ōshima Tsumugi silk haori – Fuji, waves \u0026 boat lining – Traditional Japanese kimono jacket","description":"\u003ch3 data-end=\"115\" data-start=\"100\"\u003e\u003cstrong data-end=\"115\" data-start=\"100\"\u003eExterior:\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-end=\"807\" data-start=\"117\"\u003e\u003cstrong data-end=\"143\" data-start=\"117\"\u003eVintage men's haori\u003c\/strong\u003e (羽織 \/ haori) in dark blue \u003cstrong data-end=\"183\" data-start=\"160\"\u003eŌshima Tsumugi silk\u003c\/strong\u003e (大島紬), with a dense and refined weave, enlivened by a delicate light blue \u003cstrong data-end=\"261\" data-start=\"251\"\u003ekasuri\u003c\/strong\u003e (絣) pattern. Ōshima Tsumugi is considered in Japan to be one of the most prestigious silk textiles, recognized as one of the \u003cstrong data-end=\"438\" data-start=\"404\"\u003ethree great textiles of the world\u003c\/strong\u003e for the precision of its weave and the complexity of its dyed threads.\u003cbr data-end=\"524\" data-start=\"521\"\u003eThe fabric offers a beautiful drape, a dry and silky touch, as well as a structured fall typical of high-quality men's haori. A sober, elegant and profoundly Japanese piece, in the \u003cstrong data-end=\"724\" data-start=\"717\"\u003eiki\u003c\/strong\u003e (粋) spirit, this discreet aesthetic where refinement is hinted at rather than imposed.\u003c\/p\u003e\n\u003ch3 data-end=\"823\" data-start=\"809\"\u003e\u003cstrong data-end=\"823\" data-start=\"809\"\u003eLining:\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-end=\"1547\" data-start=\"825\"\u003eThe interior (\u003cstrong data-end=\"852\" data-start=\"838\"\u003e羽裏 \/ haura\u003c\/strong\u003e) reveals a splendid silk lining illustrated with a Japanese landscape: \u003cstrong data-end=\"939\" data-start=\"926\"\u003eMount Fuji\u003c\/strong\u003e, powerful waves, and a \u003cstrong data-end=\"983\" data-start=\"962\"\u003etakarabune boat\u003c\/strong\u003e (宝船), the treasure boat associated with luck and prosperity. The scene is most likely created using \u003cstrong data-end=\"1102\" data-start=\"1090\"\u003ekatazome\u003c\/strong\u003e (型染め), a traditional stencil dyeing technique that allows for fine compositions on textile.\u003cbr data-end=\"1236\" data-start=\"1233\"\u003e\u003cstrong data-end=\"1277\" data-start=\"1240\"\u003eHand-applied golden highlights\u003c\/strong\u003e illuminate the mountain, the borders, and certain details of the decoration, bringing depth, brilliance, and preciousness to the whole. The lining bears the signature \u003cstrong data-end=\"1455\" data-start=\"1440\"\u003eSeigetsu 栖月\u003c\/strong\u003e accompanied by a red seal.\u003cbr\u003e\u003c\/p\u003e\n\u003ch3 data-end=\"1568\" data-start=\"1549\"\u003e📏 \u003cstrong data-end=\"1568\" data-start=\"1552\"\u003eDimensions:\u003c\/strong\u003e\n\n\u003c\/h3\u003e\n\u003cp data-end=\"1665\" data-start=\"1570\"\u003eWingspan (sleeve to sleeve): \u003cstrong data-end=\"1615\" data-start=\"1600\"\u003e133 cm\u003c\/strong\u003e\u003cbr data-end=\"1618\" data-start=\"1615\"\u003eHeight (shoulder to bottom): \u003cstrong data-end=\"1665\" data-start=\"1650\"\u003e95 cm\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch3 data-end=\"1680\" data-start=\"1667\"\u003e\u003cstrong data-end=\"1680\" data-start=\"1667\"\u003eMaterial:\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-end=\"1750\" data-start=\"1682\"\u003eExterior: \u003cstrong data-end=\"1717\" data-start=\"1694\"\u003eŌshima Tsumugi silk\u003c\/strong\u003e (大島紬)\u003cbr data-end=\"1726\" data-start=\"1723\"\u003eLining: \u003cstrong data-end=\"1750\" data-start=\"1737\"\u003e100% silk\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch3 data-end=\"1768\" data-start=\"1752\"\u003e🎌 \u003cstrong data-end=\"1768\" data-start=\"1755\"\u003eOrigin:\u003c\/strong\u003e\n\n\u003c\/h3\u003e\n\u003cp data-end=\"1864\" data-start=\"1770\"\u003e\u003cstrong\u003eJapan\u003c\/strong\u003e — vintage piece from the \u003cstrong data-end=\"1813\" data-start=\"1804\"\u003eShōwa\u003c\/strong\u003e (昭和) era, found in \u003cstrong data-end=\"1864\" data-start=\"1851\"\u003eFukuoka\u003c\/strong\u003e Prefecture\u003c\/p\u003e\n\u003ch3 data-end=\"1876\" data-start=\"1866\"\u003e\u003cstrong data-end=\"1876\" data-start=\"1866\"\u003eCondition:\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-end=\"1876\" data-start=\"1866\"\u003eFront exterior of the haori in perfect condition, small snag on the back (see photos). Lining in very good condition, no tears, small stain on the border (see photos)\u003c\/p\u003e\n\u003ch3 data-end=\"2303\" data-start=\"2284\"\u003e🦝 \u003cstrong data-end=\"2303\" data-start=\"2287\"\u003eOur opinion:\u003c\/strong\u003e\n\n\u003c\/h3\u003e\n\u003cp data-is-only-node=\"\" data-is-last-node=\"\" data-end=\"2808\" data-start=\"2305\"\u003eA superb piece in a sumptuous fabric: \u003cstrong data-end=\"2433\" data-start=\"2415\"\u003eŌshima Tsumugi\u003c\/strong\u003e silk. The interior is just as sublime with this silk dyeing depicting mountains, waves and a ship, recalling the spirit of Hokusai's famous wave. A precious vintage Japanese jacket, balanced between discretion, textile craftsmanship and Japanese iconography! We love it!\u003c\/p\u003e\n\u003cp data-end=\"1052\" data-start=\"865\"\u003e\u003cstrong data-end=\"381\" data-start=\"341\"\u003eWant to discover other pieces?\u003c\/strong\u003e\u003cspan\u003e Browse our complete selection of \u003c\/span\u003e\u003ca title=\"Discover our collection of antique Japanese haori and kimono for men and women: authentic silk kimono jackets, refined linings and unique pieces.\" href=\"https:\/\/kogedo.com\/collections\/kimono\"\u003eantique Japanese haori and kimono\u003c\/a\u003e\u003c\/p\u003e","brand":"KOGEDO","offers":[{"title":"Default Title","offer_id":53933690782035,"sku":"H71","price":145.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0937\/8562\/0819\/files\/haori-soie-japonaise-homme-motif-kasuri-bleu-doublure-fuji.jpg?v=1780678968"},{"product_id":"kakejiku-japonais-zen-calligraphie-fukumoto-sekio-daitoku-ji-kyoto","title":"Japanese Zen Kakejiku 禅語 – Black Ink Calligraphy – Fukumoto Sekiō 福本積應 – Daitoku-ji, Kyoto","description":"\u003cdiv class=\"qMYqUG_convSearchResultHighlightRoot\"\u003e\n\n\u003cdiv class=\"\" data-turn-id-container=\"request-WEB:32740535-fcc3-41b5-a670-e0747eca0c45-11\" data-is-intersecting=\"true\"\u003e\n\n\u003csection class=\"text-token-text-primary w-full focus:outline-none has-data-writing-block:pointer-events-none [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto R6Vx5W_threadScrollVars scroll-mb-[calc(var(--scroll-root-safe-area-inset-bottom,0px)+var(--thread-response-height))] scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\" dir=\"auto\" data-turn-id=\"request-WEB:32740535-fcc3-41b5-a670-e0747eca0c45-11\" data-turn-id-container=\"request-WEB:32740535-fcc3-41b5-a670-e0747eca0c45-11\" data-testid=\"conversation-turn-24\" data-scroll-anchor=\"false\" data-turn=\"assistant\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto pb-10 [--thread-content-margin:var(--thread-content-margin-xs,calc(var(--spacing)*4))] @w-sm\/main:[--thread-content-margin:var(--thread-content-margin-sm,calc(var(--spacing)*6))] @w-lg\/main:[--thread-content-margin:var(--thread-content-margin-lg,calc(var(--spacing)*16))] px-(--thread-content-margin)\"\u003e\n\n\u003cdiv data-conversation-screenshot-content=\"\" class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\"\u003e\n\n\u003cdiv class=\"flex max-w-full flex-col gap-4 grow\"\u003e\n\n\u003cdiv data-message-author-role=\"assistant\" data-message-id=\"5431e70e-b108-48e7-83d0-04b100ef1219\" dir=\"auto\" data-message-model-slug=\"gpt-5-5-thinking\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal outline-none keyboard-focused:focus-ring [.text-message+\u0026amp;]:mt-1\" data-turn-start-message=\"true\" tabindex=\"0\"\u003e\n\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden\"\u003e\n\n\u003cdiv class=\"markdown prose dark:prose-invert wrap-break-word w-full dark markdown-new-styling\"\u003e\n\n\u003ch3 data-section-id=\"1qr1bd9\" data-start=\"0\" data-end=\"19\"\u003e\u003cstrong\u003eFeatures\u003c\/strong\u003e\u003c\/h3\u003e\n\n\u003cul\u003e\n\n\u003cli data-start=\"21\" data-end=\"779\"\u003e\n\n\u003cstrong data-start=\"21\" data-end=\"32\"\u003eSubject:\u003c\/strong\u003e Zen calligraphy, Zengo 禅語\u003c\/li\u003e\n\n\u003cli data-start=\"21\" data-end=\"779\"\u003e\n\n\u003cstrong data-start=\"62\" data-end=\"79\"\u003eInscription:\u003c\/strong\u003e \u003cspan\u003e松無古今色 Matsu mu kokon iro\u003c\/span\u003e\n\n\u003c\/li\u003e\n\n\u003cli data-start=\"21\" data-end=\"779\"\u003e\n\n\u003cstrong data-start=\"115\" data-end=\"131\"\u003eTranslation:\u003c\/strong\u003e \"The color of the pine does not change through the ages\"\u003c\/li\u003e\n\n\u003cli data-start=\"21\" data-end=\"779\"\u003e\n\n\u003cstrong data-start=\"181\" data-end=\"196\"\u003eTechnique:\u003c\/strong\u003e Black ink calligraphy, sumi 墨\u003c\/li\u003e\n\n\u003cli data-start=\"21\" data-end=\"779\"\u003e\n\n\u003cstrong data-start=\"236\" data-end=\"249\"\u003eMedium:\u003c\/strong\u003e Japanese washi paper 和紙\u003c\/li\u003e\n\n\u003cli data-start=\"21\" data-end=\"779\"\u003e\n\n\u003cstrong data-start=\"277\" data-end=\"288\"\u003eWork:\u003c\/strong\u003e Nikuhitsu 肉筆, hand-calligraphed, not printed\u003c\/li\u003e\n\n\u003cli data-start=\"21\" data-end=\"779\"\u003e\n\n\u003cstrong data-start=\"343\" data-end=\"356\"\u003eArtist:\u003c\/strong\u003e Fukumoto Sekiō 福本積應 signed 前大徳積應 Zen Daitoku Sekiō\u003c\/li\u003e\n\n\u003cli data-start=\"21\" data-end=\"779\"\u003e\n\n\u003cstrong data-start=\"415\" data-end=\"426\"\u003eSchool:\u003c\/strong\u003e Rinzai Zen 臨済宗, Daitoku-ji 大徳寺 tradition from Kyoto\u003c\/li\u003e\n\n\u003cli data-start=\"21\" data-end=\"779\"\u003e\n\n\u003cstrong data-start=\"509\" data-end=\"530\"\u003eEstimated Period:\u003c\/strong\u003e Japan, second half of the 20th century, discovered in Hiroshima prefecture\u003c\/li\u003e\n\n\u003cli data-start=\"21\" data-end=\"779\"\u003e\n\n\u003cstrong data-start=\"569\" data-end=\"582\"\u003eMounting:\u003c\/strong\u003e Traditional hyōsō 表装, silk mounting\u003c\/li\u003e\n\n\u003cli data-start=\"21\" data-end=\"779\"\u003e\n\n\u003cstrong data-start=\"624\" data-end=\"637\"\u003eRoller ends:\u003c\/strong\u003e Black lacquered jikusaki 軸先\u003c\/li\u003e\n\n\u003cli data-start=\"21\" data-end=\"779\"\u003e\n\n\u003cstrong data-start=\"665\" data-end=\"676\"\u003eBox:\u003c\/strong\u003e Original inscribed kiribako \/ tomobako wooden box\u003c\/li\u003e\n\n\u003cli data-start=\"21\" data-end=\"779\"\u003e\n\n\u003cstrong data-start=\"749\" data-end=\"765\"\u003eDimensions:\u003c\/strong\u003e \n\u003cul\u003e\n\n\u003cli data-start=\"21\" data-end=\"779\"\u003eHeight: 172 cm\u003c\/li\u003e\n\n\u003cli data-start=\"21\" data-end=\"779\"\u003eWidth: 30.5 cm\u003c\/li\u003e\n\n\u003cli data-start=\"21\" data-end=\"779\"\u003eHeight of honshi with calligraphy: 100 cm\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003ch3 data-section-id=\"rmw5tv\" data-start=\"781\" data-end=\"795\"\u003e\u003cstrong\u003eDescription\u003c\/strong\u003e\u003c\/h3\u003e\n\n\u003cp data-start=\"797\" data-end=\"1043\"\u003eVery beautiful \u003cstrong data-start=\"807\" data-end=\"839\"\u003eJapanese kakejiku\/kakemono\u003c\/strong\u003e, signed \u003cstrong\u003eFukumoto Sekiō 福本積應\u003c\/strong\u003e, a Rinzai Zen monk bearing the honorary title of \u003cstrong data-start=\"918\" data-end=\"937\"\u003eZen Daitoku 前大徳\u003c\/strong\u003e, a sign of very high religious rank within the prestigious tradition of \u003cstrong data-start=\"1015\" data-end=\"1042\"\u003eDaitoku-ji 大徳寺 in Kyoto\u003c\/strong\u003e.\u003c\/p\u003e\n\n\u003cp data-start=\"1045\" data-end=\"1220\"\u003eThis is a \u003cstrong data-start=\"1060\" data-end=\"1074\"\u003echagake 茶掛\u003c\/strong\u003e, a calligraphy intended to be hung in the \u003cstrong data-start=\"1127\" data-end=\"1143\"\u003etokonoma 床の間 \u003c\/strong\u003e(alcove of Japanese rooms), especially in the world of \u003cstrong data-start=\"1173\" data-end=\"1188\"\u003echanoyu 茶の湯\u003c\/strong\u003e, the Japanese tea ceremony.\u003c\/p\u003e\n\n\u003cp data-start=\"1222\" data-end=\"1701\"\u003eThe inscription reads \u003cstrong\u003e松無古今色\u003c\/strong\u003e, \u003cem\u003eMatsu mu kokon iro\u003c\/em\u003e. This is a profound and very beautiful Zen expression. It suggests that the \"color\" (the nature, life, truth) of the pine is \u003cb data-index-in-node=\"121\" data-path-to-node=\"7\"\u003etimeless\u003c\/b\u003e. It does not change with the ages: the pine is the symbol of eternity that transcends the very notion of time. There is no different \"color\" for yesterday, today, or tomorrow; \u003cstrong\u003etruth is constant. This Zengo 禅語\u003c\/strong\u003e (Zen proverb) expresses both the \u003cstrong\u003epermanence, fundamental equality, and visible differences of the world\u003c\/strong\u003e.\u003c\/p\u003e\n\n\u003cp data-start=\"1703\" data-end=\"1999\"\u003eThe calligraphy is done \u003cstrong data-start=\"1732\" data-end=\"1766\"\u003eby hand in black sumi ink\u003c\/strong\u003e on \u003cstrong data-start=\"1771\" data-end=\"1787\"\u003ewashi paper\u003c\/strong\u003e. The brushstroke is broad, powerful, and lively, typical of Zen writing where the energy of the gesture is as important as the shape of the characters.\u003c\/p\u003e\n\n\u003cp data-start=\"2001\" data-end=\"2396\"\u003eThe mounting is sober and elegant: \u003cstrong data-start=\"2035\" data-end=\"2049\"\u003egreen silk\u003c\/strong\u003e, embroidered blue frame with vegetal motifs, white and gold \u003cstrong data-start=\"2094\" data-end=\"2111\"\u003eichimonji 一文字\u003c\/strong\u003e with pine motif, and decorative \u003cstrong data-start=\"2146\" data-end=\"2158\"\u003efūtai 風帯\u003c\/strong\u003e.\u003c\/p\u003e\n\n\u003ch3 data-section-id=\"pjizi4\" data-start=\"2398\" data-end=\"2410\"\u003e\u003cstrong\u003eThe Artist\u003c\/strong\u003e\u003c\/h3\u003e\n\n\u003cp data-start=\"2412\" data-end=\"2750\"\u003e\u003cstrong data-start=\"2412\" data-end=\"2436\"\u003eFukumoto Sekiō 福本積應\u003c\/strong\u003e, born in Kyoto in 1930, is a Zen monk of the \u003cstrong data-start=\"2486\" data-end=\"2500\"\u003eRinzai 臨済宗\u003c\/strong\u003e school and one of the contemporary great names in Zen calligraphy related to the tea ceremony. Now over 90 years old, he is particularly sought after for his \u003cstrong data-start=\"2668\" data-end=\"2682\"\u003echagake 茶掛\u003c\/strong\u003e, these calligraphies intended for the tokonoma in the world of chanoyu.\u003c\/p\u003e\n\n\u003cp data-start=\"2752\" data-end=\"3127\"\u003eHe holds the honorary title of \u003cstrong data-start=\"2785\" data-end=\"2804\"\u003eZen Daitoku 前大徳\u003c\/strong\u003e, which signifies a \u003cstrong data-start=\"2820\" data-end=\"2912\"\u003every high religious rank within the prestigious tradition of Daitoku-ji 大徳寺 in Kyoto\u003c\/strong\u003e. Daitoku-ji is one of the most famous centers of Japanese Zen, a major temple of the Rinzai school, intimately linked to the history of the tea ceremony and great tea masters like \u003cstrong data-start=\"3110\" data-end=\"3126\"\u003eSen no Rikyū\u003c\/strong\u003e.\u003c\/p\u003e\n\n\u003cp data-start=\"3129\" data-end=\"3505\"\u003eThis kakejiku is therefore not a simple decorative calligraphy: it is an \u003cstrong data-start=\"3373\" data-end=\"3396\"\u003eauthentic chagake\u003c\/strong\u003e, hand-drawn by a very high-ranking Zen monk from one of Kyoto's most prestigious temples.\u003c\/p\u003e\n\n\u003ch3 data-section-id=\"1xtgzwt\" data-start=\"3507\" data-end=\"3514\"\u003e\u003cstrong\u003eCondition\u003c\/strong\u003e\u003c\/h3\u003e\n\n\u003cp data-start=\"3516\" data-end=\"3541\"\u003e\u003cstrong data-start=\"3516\" data-end=\"3541\"\u003eExcellent vintage overall condition. \u003c\/strong\u003eThe calligraphy, washi paper, silk mounting, fūtai, jikusaki, and box are very well preserved.\u003c\/p\u003e\n\n\u003ch3 data-section-id=\"v5n947\" data-start=\"3771\" data-end=\"3784\"\u003e\u003cstrong\u003e🦝 We love\u003c\/strong\u003e\u003c\/h3\u003e\n\n\u003cp data-start=\"3786\" data-end=\"4003\"\u003eWe really like the quiet strength of this calligraphy. The message here is of \u003cstrong data-start=\"3841\" data-end=\"3858\"\u003egreat subtlety\u003c\/strong\u003e: \"For the pine, there is no color of the past or present.\" A deeply Zen thought that invites us to transcend notions of time, to anchor ourselves in the pure moment, and to remain, like the tree, immutable and true to its own nature.\u003c\/p\u003e\n\n\u003cp data-start=\"4005\" data-end=\"4482\" data-is-last-node=\"\" data-is-only-node=\"\"\u003eWe love its signature by \u003cstrong\u003eFukumoto Sekio\u003c\/strong\u003e, a high-ranking monk from a sublime temple complex in \u003cstrong data-start=\"4094\" data-end=\"4102\"\u003emagnificent Kyoto\u003c\/strong\u003e!\u003c\/p\u003e\n\n\u003cp data-start=\"4005\" data-end=\"4482\" data-is-last-node=\"\" data-is-only-node=\"\"\u003eFor lovers of Japan, tea, and Zen spirituality, this is a true reference piece. An \u003cstrong data-start=\"4401\" data-end=\"4424\"\u003eauthentic chagake\u003c\/strong\u003e, hand-calligraphed!\u003c\/p\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\n\u003c\/div\u003e\n\n\u003c\/section\u003e\n\u003c\/div\u003e\n\n\u003cp data-start=\"3919\" data-end=\"4322\"\u003e \u003cem data-end=\"210\" data-start=\"99\"\u003eFind this piece alongside other treasures in our \u003ca title=\"KOGEDO collection of Japanese art objects and Japanese decoration: lacquerware, Noh masks, tsuba and much more!\" href=\"https:\/\/kogedo.com\/collections\/decoration-objets-art\"\u003e\u003cstrong data-end=\"209\" data-start=\"171\"\u003eJapanese Decoration \u0026amp; Art Objects\u003c\/strong\u003e\u003c\/a\u003e collection\u003c\/em\u003e\u003ca title=\"KOGEDO collection of Japanese art objects and Japanese decoration: lacquerware, Noh masks, tsuba and much more!\" href=\"https:\/\/kogedo.com\/collections\/decoration-objets-art\"\u003e.\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"KOGEDO","offers":[{"title":"Default Title","offer_id":53935527428435,"sku":"KJ91","price":210.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0937\/8562\/0819\/files\/kakejiku-calligraphie-zen-fukumoto-sekio-matsu-mu-kokon-iro.jpg?v=1780731053"},{"product_id":"kokeshi-japonaise-vintage-style-shingata-signee-takeshi-25cm","title":"Vintage Japanese Kokeshi – Shingata style – signed Takeshi 武志 – 24.5 cm","description":"\u003ch3 data-section-id=\"1n2ntnn\" data-start=\"136\" data-end=\"163\"\u003e\u003cspan role=\"text\"\u003e📐 \u003cstrong data-start=\"143\" data-end=\"163\"\u003eCharacteristics\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli data-start=\"165\" data-end=\"729\"\u003e\n\n\u003cstrong data-start=\"165\" data-end=\"178\"\u003eOrigin:\u003c\/strong\u003e Japan, found in Tokyo Prefecture\u003c\/li\u003e\n\n\u003cli data-start=\"165\" data-end=\"729\"\u003e\n\n\u003cstrong data-start=\"187\" data-end=\"207\"\u003eEstimated period:\u003c\/strong\u003e Shōwa era, probably 1960-1980\u003c\/li\u003e\n\n\u003cli data-start=\"165\" data-end=\"729\"\u003e\n\n\u003cstrong data-start=\"244\" data-end=\"255\"\u003eStyle:\u003c\/strong\u003e Kokeshi shingata 新型こけし – reinterpreted traditional form\u003c\/li\u003e\n\n\u003cli data-start=\"165\" data-end=\"729\"\u003e\n\n\u003cstrong data-start=\"318\" data-end=\"331\"\u003eArtisan:\u003c\/strong\u003e Takeshi 武志\u003c\/li\u003e\n\n\u003cli data-start=\"165\" data-end=\"729\"\u003e\n\n\u003cstrong data-start=\"345\" data-end=\"357\"\u003eMotifs:\u003c\/strong\u003e Japanese camellias tsubaki 椿, red and black decoration\u003c\/li\u003e\n\n\u003cli data-start=\"165\" data-end=\"729\"\u003e\n\n\u003cstrong data-start=\"409\" data-end=\"426\"\u003eDistinction:\u003c\/strong\u003e label \u003cstrong data-start=\"437\" data-end=\"452\"\u003e全日本こけしコンクール\u003c\/strong\u003e, Shiroishi National Kokeshi Contest\u003c\/li\u003e\n\n\u003cli data-start=\"165\" data-end=\"729\"\u003e\n\n\u003cstrong data-start=\"574\" data-end=\"588\"\u003eMaterial:\u003c\/strong\u003e turned wood, traditional paint, glossy finish\u003c\/li\u003e\n\n\u003cli data-start=\"165\" data-end=\"729\"\u003e\n\n\u003cstrong data-start=\"648\" data-end=\"661\"\u003eHeight:\u003c\/strong\u003e 24.5 cm\u003c\/li\u003e\n\n\u003cli data-start=\"165\" data-end=\"729\"\u003e\n\n\u003cstrong data-start=\"672\" data-end=\"687\"\u003eSignature:\u003c\/strong\u003e handwritten signature under the base, \u003cstrong data-start=\"723\" data-end=\"729\"\u003e武志\u003c\/strong\u003e\n\n\u003c\/li\u003e\n\n\u003cli data-start=\"165\" data-end=\"729\"\u003e\n\n\u003cstrong data-start=\"723\" data-end=\"729\"\u003eCondition: \u003c\/strong\u003eVery good vintage condition, no notable defects, very well preserved\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3 data-section-id=\"1iegfr4\" data-start=\"917\" data-end=\"946\"\u003e\u003cspan role=\"text\"\u003e\u003cstrong data-start=\"920\" data-end=\"946\"\u003eThe artisan: Takeshi 武志\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp data-start=\"948\" data-end=\"1083\"\u003eThis kokeshi is signed \u003cstrong data-start=\"973\" data-end=\"987\"\u003eTakeshi 武志\u003c\/strong\u003e, a Japanese artisan whose signature appears under the base, hand-painted in black ink. He remains mysterious with very little information about him.\u003c\/p\u003e\n\u003cp data-start=\"1085\" data-end=\"1526\"\u003eHis work is part of the world of \u003cstrong data-start=\"1126\" data-end=\"1146\"\u003eshingata kokeshi\u003c\/strong\u003e 新型こけし, also called \"modern\" or reinterpreted kokeshi. This trend appeared in post-war Japan, when artisans began to move away from strictly traditional regional forms to offer freer silhouettes, while retaining the fundamentals of kokeshi: \u003cstrong data-start=\"1450\" data-end=\"1465\"\u003eturned wood\u003c\/strong\u003e, hand-painted decoration, and great expressive sobriety.\u003c\/p\u003e\n\u003cp data-start=\"1528\" data-end=\"1572\"\u003eHere we find a beautiful combination:\u003c\/p\u003e\n\u003cp data-start=\"1574\" data-end=\"1770\"\u003eA beautiful shape in a Naruko\/Sakunami style,\u003cbr data-start=\"1606\" data-end=\"1609\"\u003ea round head with a soft and stylized face typical of shingata kokeshi,\u003cbr data-start=\"1650\" data-end=\"1653\"\u003ea very well executed floral decoration around the \u003cstrong data-start=\"1688\" data-end=\"1707\"\u003eJapanese camellia tsubaki\u003c\/strong\u003e 椿,\u003cspan role=\"text\"\u003e\u003cstrong data-start=\"1775\" data-end=\"1786\"\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3 data-section-id=\"bs6rd\" data-start=\"2720\" data-end=\"2748\"\u003e\u003cspan role=\"text\"\u003e\u003cstrong data-start=\"2723\" data-end=\"2748\"\u003eLabel 全日本こけしコンクール\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp data-start=\"2750\" data-end=\"2889\"\u003eThis kokeshi still has its original label from the \u003cstrong data-start=\"2806\" data-end=\"2821\"\u003e全日本こけしコンクール\u003c\/strong\u003e, the \u003cstrong data-start=\"2826\" data-end=\"2866\"\u003eAll Japan Kokeshi Contest\u003c\/strong\u003e, organized in Shiroishi.\u003c\/p\u003e\n\u003cp data-start=\"2891\" data-end=\"3040\"\u003eThe central mention \u003cstrong data-start=\"2911\" data-end=\"2918\"\u003e優秀品\u003c\/strong\u003e means \u003cstrong data-start=\"2928\" data-end=\"2949\"\u003eexcellence prize\u003c\/strong\u003e or \u003cstrong data-start=\"2953\" data-end=\"2977\"\u003eexcellence product\u003c\/strong\u003e. At the bottom of the label, \u003cstrong data-start=\"3002\" data-end=\"3010\"\u003e入賞作品\u003c\/strong\u003e indicates an \u003cstrong data-start=\"3023\" data-end=\"3039\"\u003eaward-winning work\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp data-start=\"3042\" data-end=\"3313\"\u003eThis label is a real bonus for collectors: it highlights the quality of the piece and strengthens its interest in a collection of \u003cstrong data-start=\"3186\" data-end=\"3221\"\u003eauthentic Japanese kokeshi\u003c\/strong\u003e, especially for fans of shingata kokeshi and award-winning pieces.\u003cspan role=\"text\"\u003e\u003cstrong data-start=\"3318\" data-end=\"3334\"\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3 data-section-id=\"u8r5nr\" data-start=\"3618\" data-end=\"3635\"\u003e\u003cspan role=\"text\"\u003e\u003cstrong data-start=\"3621\" data-end=\"3635\"\u003e🦝 We love\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp data-start=\"3637\" data-end=\"4090\" data-is-last-node=\"\" data-is-only-node=\"\"\u003eA beautiful \u003cstrong data-start=\"3652\" data-end=\"3690\"\u003ekokeshi shingata signed Takeshi 武志\u003c\/strong\u003e, bright and full of sweetness. We love its peaceful face, typical of modern Japanese kokeshi, its large, \u003cstrong data-start=\"3804\" data-end=\"3831\"\u003every well-made red tsubaki camellias\u003c\/strong\u003e. \u003c\/p\u003e\n\u003cp data-start=\"3637\" data-end=\"4090\" data-is-last-node=\"\" data-is-only-node=\"\"\u003eIt tells a story with the label from the \u003cstrong data-start=\"3949\" data-end=\"3994\"\u003eShiroishi National Kokeshi Contest\u003c\/strong\u003e, with the mention \u003cstrong data-start=\"4012\" data-end=\"4019\"\u003e優秀品\u003c\/strong\u003e, making it an even more special piece for collectors!\u003c\/p\u003e\n\u003ch3 data-end=\"2825\" data-start=\"2773\"\u003e\u003cem\u003eWant to discover other unique pieces?\u003c\/em\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cem\u003e→ Discover all our \u003cstrong data-start=\"324\" data-end=\"347\"\u003eartisan kokeshi\u003c\/strong\u003e in \u003ca href=\"https:\/\/kogedo.com\/collections\/kokeshi\" title=\"Discover our collection of handmade Japanese kokeshi: traditional wooden dolls from Tōhoku, unique signed pieces, Naruko, Tsuchiyu, Yajirō styles…\"\u003eour KOGEDO collection\u003c\/a\u003e\u003c\/em\u003e\u003c\/p\u003e","brand":"KOGEDO","offers":[{"title":"Default Title","offer_id":53950827888979,"sku":"K98","price":55.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0937\/8562\/0819\/files\/kokeshi-shingata-primee-concours-national-japon.jpg?v=1780905681"},{"product_id":"estampe-japonaise-originale-utagawa-kunisada-toyokuni-iii-femmes-kimono-enfant-1843","title":"Original Japanese Woodblock Print – Utagawa Kunisada Toyokuni III – Women in Kimono Carrying a Child – Edo 1843-45","description":"\u003cp data-start=\"364\" data-end=\"428\"\u003e\u003cstrong\u003eOriginal\u003c\/strong\u003e traditional Ukiyo-e print, woodblock print. [\u003cspan style=\"text-decoration: underline;\"\u003eThis print is not a modern reproduction\u003c\/span\u003e]\u003c\/p\u003e\n\u003csection data-turn=\"assistant\" data-scroll-anchor=\"false\" data-testid=\"conversation-turn-16\" data-turn-id=\"request-69f44c72-2e74-8325-89c2-41e7f6f631be-0\" dir=\"auto\" class=\"text-token-text-primary w-full focus:outline-none [--shadow-height:45px] has-data-writing-block:pointer-events-none has-data-writing-block:-mt-(--shadow-height) has-data-writing-block:pt-(--shadow-height) [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto [content-visibility:auto] supports-[content-visibility:auto]:[contain-intrinsic-size:auto_100lvh] R6Vx5W_threadScrollVars scroll-mb-[calc(var(--scroll-root-safe-area-inset-bottom,0px)+var(--thread-response-height))] scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto pb-10 [--thread-content-margin:var(--thread-content-margin-xs,calc(var(--spacing)*4))] @w-sm\/main:[--thread-content-margin:var(--thread-content-margin-sm,calc(var(--spacing)*6))] @w-lg\/main:[--thread-content-margin:var(--thread-content-margin-lg,calc(var(--spacing)*16))] px-(--thread-content-margin)\"\u003e\n\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\"\u003e\n\n\u003cdiv class=\"flex max-w-full flex-col gap-4 grow\"\u003e\n\n\u003cdiv data-turn-start-message=\"true\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal outline-none keyboard-focused:focus-ring [.text-message+\u0026amp;]:mt-1\" data-message-model-slug=\"gpt-5-5-thinking\" dir=\"auto\" data-message-id=\"aad70bc8-044d-4594-96ed-68b698dcdd03\" data-message-author-role=\"assistant\" tabindex=\"0\"\u003e\n\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden\"\u003e\n\n\u003cdiv class=\"markdown prose dark:prose-invert w-full wrap-break-word dark markdown-new-styling\"\u003e\n\n\u003cp data-start=\"0\" data-end=\"82\"\u003e\u003cstrong data-start=\"0\" data-end=\"25\"\u003ePrint type:\u003c\/strong\u003e Bijin-ga 美人画 and fūzoku-ga 風俗画, original ukiyo-e print\u003c\/p\u003e\n\n\u003cp data-start=\"84\" data-end=\"182\"\u003e\u003cstrong data-start=\"84\" data-end=\"97\"\u003eArtist:\u003c\/strong\u003e Utagawa Toyokuni III \/ Kunisada 歌川豊国三代・歌川国貞\u003cbr data-start=\"141\" data-end=\"144\"\u003esigned 香蝶楼 国貞画 Kochōrō Kunisada ga\u003c\/p\u003e\n\n\u003cp data-start=\"274\" data-end=\"346\"\u003e\u003cstrong data-start=\"274\" data-end=\"294\"\u003ePublication date:\u003c\/strong\u003e circa 1843–1845, late Tenpō \/ early Kōka, Edo period\u003c\/p\u003e\n\n\u003cp data-start=\"348\" data-end=\"433\"\u003e\u003cstrong data-start=\"348\" data-end=\"370\"\u003eCensor's seal:\u003c\/strong\u003e censor nanushi Tanaka 田中, active 1843-45.\u003c\/p\u003e\n\n\u003cp data-start=\"435\" data-end=\"465\"\u003e\u003cstrong data-start=\"435\" data-end=\"448\"\u003ePublisher:\u003c\/strong\u003e Kansendō 錦泉堂\u003c\/p\u003e\n\n\u003cp data-start=\"467\" data-end=\"532\"\u003e\u003cstrong data-start=\"467\" data-end=\"479\"\u003eFormat:\u003c\/strong\u003e Ōban tate-e 大判竪絵, large Japanese vertical format 25 cm x 35.5 cm\u003c\/p\u003e\n\n\u003cp data-start=\"534\" data-end=\"553\"\u003e\u003cstrong data-start=\"534\" data-end=\"547\"\u003eOrigin:\u003c\/strong\u003e Japan, found in Kanagawa Prefecture\u003c\/p\u003e\n\n\u003ch3 data-start=\"555\" data-end=\"582\"\u003e\u003cem\u003eAbout the artist:\u003c\/em\u003e\u003c\/h3\u003e\n\n\u003cp data-start=\"584\" data-end=\"995\"\u003e\u003cem\u003e\u003cstrong data-start=\"584\" data-end=\"604\"\u003eUtagawa Kunisada\u003c\/strong\u003e (1786–1865), also known as \u003cstrong data-start=\"645\" data-end=\"661\"\u003eToyokuni III\u003c\/strong\u003e, was one of the essential figures and a grand master of the Utagawa school during the Edo period. Highly appreciated during his lifetime, he excelled in portraits of actors, female beauties, and genre scenes. His style is recognized by the elegance of the silhouettes, delicate faces, refined hairstyles, and the decorative richness of the kimonos.\u003c\/em\u003e\u003c\/p\u003e\n\n\u003ch3 data-start=\"997\" data-end=\"1008\"\u003e\u003cem\u003e\u003cstrong data-start=\"997\" data-end=\"1008\"\u003eSubject:\u003c\/strong\u003e\u003c\/em\u003e\u003c\/h3\u003e\n\n\u003cp data-start=\"1010\" data-end=\"1327\"\u003eThis \u003cstrong data-start=\"1016\" data-end=\"1056\"\u003eauthentic old Japanese print\u003c\/strong\u003e depicts two women dressed in beautiful kimonos, accompanied by a child held in the center of the scene. The subject falls under both \u003cstrong data-start=\"1181\" data-end=\"1193\"\u003ebijin-ga\u003c\/strong\u003e, due to the presence of elegant female beauties, and \u003cstrong data-start=\"1249\" data-end=\"1262\"\u003efūzoku-ga\u003c\/strong\u003e, a scene of daily life showing the customs and appearances of the Edo period.\u003c\/p\u003e\n\n\u003cp data-start=\"1329\" data-end=\"1793\"\u003eThe composition highlights the refinement of the floating world: elaborate kimonos, blue floral patterns, deep purple, red borders, intricate hairstyles, golden kanzashi, and the characters' attitudes. In the background, a garden landscape with pines, vegetation, and blossoms evokes a spring stroll. \u003c\/p\u003e\n\n\u003ch3 data-start=\"1795\" data-end=\"1805\"\u003e\u003cstrong data-start=\"1795\" data-end=\"1805\"\u003eCondition:\u003c\/strong\u003e\u003c\/h3\u003e\n\n\u003cp data-start=\"1807\" data-end=\"2163\"\u003eA beautiful example in \u003cstrong\u003every good overall condition\u003c\/strong\u003e, old with still vibrant colors. Period paper with few smudges despite the very light background. Tiny snag on the lower margin. The verso shows printing marks and some old annotations, obviously invisible on the recto.\u003c\/p\u003e\n\n\u003ch3 data-start=\"2165\" data-end=\"2189\"\u003e\u003cstrong data-start=\"2165\" data-end=\"2189\"\u003e🦝 Our opinion:\u003c\/strong\u003e\u003c\/h3\u003e\n\n\u003cp data-start=\"2191\" data-end=\"2675\" data-is-last-node=\"\" data-is-only-node=\"\"\u003eAn \u003cstrong data-start=\"2195\" data-end=\"2222\"\u003eauthentic Edo print\u003c\/strong\u003e nearly 200 years old, full of charm, very representative of \u003cstrong data-start=\"2274\" data-end=\"2299\"\u003eKunisada Toyokuni III's\u003c\/strong\u003e talent for female figures and sumptuous fabrics. We love the contrast between the soft, light background of this family scene, the delicacy of the faces, and the exuberance of the kimonos. A superb piece in a \u003cstrong data-start=\"2496\" data-end=\"2518\"\u003esought-after Bijin-ga style\u003c\/strong\u003e, ideal for ukiyo-e, bijin-ga, antique Japanese fashion, and authentic Japanese art enthusiasts, to frame, collect, and pass down for generations.\u003c\/p\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003c\/section\u003e\n\u003cp\u003eDiscover all our authentic prints in our collection of \u003ca title=\"Authentic Japanese prints by Kunisada and other masters\" href=\"https:\/\/kogedo.com\/collections\/estampes-japonaises\"\u003e\u003cstrong data-end=\"1322\" data-start=\"1299\"\u003eJapanese prints\u003c\/strong\u003e.\u003c\/a\u003e\u003c\/p\u003e","brand":"KOGEDO","offers":[{"title":"Default Title","offer_id":53951043469651,"sku":"E95","price":249.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0937\/8562\/0819\/files\/estampe-japonaise-originale-authentique-kunisada-toyokuni-iii-bijin-ga-femmes-enfant-edo.png?v=1780910130"},{"product_id":"haori-vintage-en-soie-chirimen-orange-veste-kimono-japonaise-motifs-ryusui-uzumaki","title":"Vintage orange chirimen silk haori – Japanese kimono jacket with water and swirl patterns","description":"\u003cp data-start=\"34\" data-end=\"517\"\u003e\u003cstrong data-start=\"34\" data-end=\"80\"\u003eThis vintage Chirimen (縮緬) silk Haori (羽織)\u003c\/strong\u003e, a traditional Japanese kimono jacket, captivates with its rusty orange hue, featuring terracotta and coral undertones that are both vibrant and warm. The subtly textured Chirimen silk reveals a flowing design that combines water lines, stylized Ryūsui (流水) currents, and Uzumaki (渦巻) swirls. These motifs create movement, elegance, and modernity while remaining connected to traditional Japanese aesthetics.\u003c\/p\u003e\n\u003ch3 data-start=\"519\" data-end=\"541\"\u003e🔶 \u003cstrong data-start=\"522\" data-end=\"541\"\u003eOuter Motif\u003c\/strong\u003e\n\n\u003c\/h3\u003e\n\u003cp data-start=\"543\" data-end=\"872\"\u003eThe fabric features a \u003cstrong data-start=\"564\" data-end=\"592\"\u003ewater movement pattern\u003c\/strong\u003e composed of flowing lines and swirls, reminiscent of Ryūsui and Uzumaki. The ensemble evokes currents, eddies, and the peaceful energy of moving water. The natural texture of the Chirimen silk enhances the depth of the design and subtly catches the light.\u003c\/p\u003e\n\u003ch3 data-start=\"874\" data-end=\"1268\"\u003e\u003cstrong data-start=\"874\" data-end=\"897\"\u003eInner Lining\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-start=\"874\" data-end=\"1268\"\u003eThe lining reveals a light cream-white silk adorned with an orange graphic pattern and delicate stylized white flowers. Curved lines traverse the interior like undulating ribbons. This contrast between the orange exterior and the light lining creates a refined and elegant effect when the haori opens or accompanies movements.\u003c\/p\u003e\n\u003ch3 data-start=\"1270\" data-end=\"1287\"\u003e📏 \u003cstrong data-start=\"1273\" data-end=\"1287\"\u003eDimensions\u003c\/strong\u003e\n\n\u003c\/h3\u003e\n\u003cp data-start=\"1289\" data-end=\"1422\"\u003eSleeve span (cuff to cuff): \u003cstrong data-start=\"1319\" data-end=\"1329\"\u003e126 cm\u003c\/strong\u003e\u003cbr data-start=\"1329\" data-end=\"1332\"\u003eHeight (shoulder to bottom): \u003cstrong data-start=\"1364\" data-end=\"1373\"\u003e79 cm\u003c\/strong\u003e\u003cbr data-start=\"1373\" data-end=\"1376\"\u003eWidth shoulder seam to shoulder seam: \u003cstrong data-start=\"1413\" data-end=\"1422\"\u003e61 cm\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch3 data-start=\"1424\" data-end=\"1435\"\u003e\u003cstrong data-start=\"1424\" data-end=\"1435\"\u003eMaterial\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-start=\"1437\" data-end=\"1648\"\u003e\u003cstrong data-start=\"1437\" data-end=\"1451\"\u003e100% silk\u003c\/strong\u003e – exterior in Japanese Chirimen (縮緬) silk, a traditional silk that is very slightly crêped and textured, created by twisting threads, offering a supple feel and fluid drape. Smooth silk lining.\u003c\/p\u003e\n\u003ch3 data-start=\"1650\" data-end=\"1658\"\u003e\u003cstrong data-start=\"1650\" data-end=\"1658\"\u003eCondition\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-start=\"1660\" data-end=\"1894\"\u003e\u003cstrong data-start=\"1660\" data-end=\"1685\"\u003eVery good vintage condition\u003c\/strong\u003e – exterior fabric in excellent condition with a beautiful drape and no noticeable imperfections. The inner lining is clean and bright with no notable flaws.\u003c\/p\u003e\n\u003cp data-start=\"1896\" data-end=\"1957\"\u003eOrigin: \u003cstrong data-start=\"1906\" data-end=\"1915\"\u003eJapan\u003c\/strong\u003e, discovered in Hiroshima Prefecture.\u003c\/p\u003e\n\u003cp data-start=\"1959\" data-end=\"2069\"\u003eTraditional \u003cstrong data-start=\"1986\" data-end=\"2006\"\u003eHaori Himo (羽織紐)\u003c\/strong\u003e ties are included and allow the haori to be elegantly closed at the front.\u003c\/p\u003e\n\u003ch3 data-start=\"2071\" data-end=\"2088\"\u003e🦝 \u003cstrong data-start=\"2074\" data-end=\"2088\"\u003eOur Opinion\u003c\/strong\u003e\n\n\u003c\/h3\u003e\n\u003cp data-start=\"2090\" data-end=\"2433\" data-is-last-node=\"\" data-is-only-node=\"\"\u003eA superb haori, both intense, graphic, and easy to wear. We love its vibrant orange, its swirling water motif, and its chirimen texture that adds dimension to the fabric. Its light, floral, and delicate lining adds true inner poetry. A piece we love at KOGEDO: Japanese, elegant, and full of charm!\u003c\/p\u003e\n\u003cp data-end=\"2036\" data-start=\"1668\"\u003e\u003cstrong data-start=\"341\" data-end=\"381\"\u003eWant to discover other pieces?\u003c\/strong\u003e\u003cspan\u003e Browse our complete selection of \u003c\/span\u003e\u003ca href=\"https:\/\/kogedo.com\/collections\/kimono\" title=\"Discover our collection of antique Japanese haori and kimono for men and women: authentic silk kimono jackets, refined linings, and unique pieces.\"\u003eantique Japanese haori and kimonos\u003c\/a\u003e\u003c\/p\u003e","brand":"KOGEDO","offers":[{"title":"Default Title","offer_id":53957568397651,"sku":"H50","price":99.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0937\/8562\/0819\/files\/haori-authentique-japonais-orange-crepe-chirimen-soie-manches-larges.jpg?v=1780999816"},{"product_id":"kokeshi-japonaise-vintage-style-shingata-signee-ryosaku-kasanegiku-26cm","title":"Vintage Japanese Kokeshi – Shingata chrysanthemums style – signed Ryō saku 良作 – 26 cm","description":"\u003ch3 data-end=\"657\" data-start=\"0\"\u003e📐 \u003cstrong data-end=\"23\" data-start=\"3\"\u003eFeatures\u003c\/strong\u003e\n\n\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli data-end=\"657\" data-start=\"0\"\u003e\n\n\u003cstrong data-end=\"37\" data-start=\"26\"\u003eOrigin\u003c\/strong\u003e: Japan, found in Tokyo Prefecture\u003c\/li\u003e\n\n\u003cli data-end=\"657\" data-start=\"0\"\u003e\n\n\u003cstrong data-end=\"104\" data-start=\"86\"\u003eEstimated period\u003c\/strong\u003e: Shōwa era, probably 1980-1990\u003c\/li\u003e\n\n\u003cli data-end=\"657\" data-start=\"0\"\u003e\n\n\u003cstrong data-end=\"152\" data-start=\"143\"\u003eStyle\u003c\/strong\u003e: Kokeshi shingata 新型こけし – modernized traditional form\u003c\/li\u003e\n\n\u003cli data-end=\"657\" data-start=\"0\"\u003e\n\n\u003cstrong data-end=\"228\" data-start=\"217\"\u003eArtisan\u003c\/strong\u003e: Ryō saku 良作 (sometimes named Ryosuke)\u003c\/li\u003e\n\n\u003cli data-end=\"657\" data-start=\"0\"\u003e\n\n\u003cstrong data-end=\"254\" data-start=\"244\"\u003eMotifs\u003c\/strong\u003e: Japanese chrysanthemums kiku 菊, kasane giku 重ね菊 decoration\u003c\/li\u003e\n\n\u003cli data-end=\"657\" data-start=\"0\"\u003e\n\n\u003cstrong data-end=\"413\" data-start=\"401\"\u003eMaterial\u003c\/strong\u003e: Turned wood, traditional paint, glossy finish\u003c\/li\u003e\n\n\u003cli data-end=\"657\" data-start=\"0\"\u003e\n\n\u003cstrong data-end=\"486\" data-start=\"475\"\u003eHeight\u003c\/strong\u003e: 26 cm\u003c\/li\u003e\n\n\u003cli data-end=\"657\" data-start=\"0\"\u003e\n\n\u003cstrong data-end=\"510\" data-start=\"497\"\u003eSignature\u003c\/strong\u003e: Red hanko stamp under the base, 良作\u003c\/li\u003e\n\n\u003cli data-end=\"657\" data-start=\"0\"\u003e\n\n\u003cstrong data-end=\"559\" data-start=\"551\"\u003eCondition\u003c\/strong\u003e: Very good vintage condition, no noticeable flaws, very well preserved\u003cbr data-end=\"629\" data-start=\"626\"\u003e\u003cstrong data-end=\"642\" data-start=\"629\"\u003e\u003c\/strong\u003e\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3 data-end=\"657\" data-start=\"0\"\u003e\u003cstrong\u003eThe artisan: Ryō saku 良作\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-start=\"291\" data-end=\"557\"\u003eThis kokeshi is signed Ryō saku 良作, an artisan whose red stamp appears under the base. He remains little documented, but his kokeshi can be found on the collectors' market, both in \u003cstrong data-start=\"500\" data-end=\"518\"\u003eshingata 新型こけし\u003c\/strong\u003e pieces and in \u003cstrong data-start=\"540\" data-end=\"556\"\u003esōsaku 創作こけし\u003c\/strong\u003e kokeshi.\u003c\/p\u003e\n\u003cp data-start=\"559\" data-end=\"793\"\u003eHis name is sometimes transcribed \u003cstrong data-start=\"589\" data-end=\"600\"\u003eRyosuke\u003c\/strong\u003e, according to some sources encountered.\u003c\/p\u003e\n\u003ch3 data-start=\"1454\" data-end=\"1494\"\u003e\u003cstrong data-start=\"1458\" data-end=\"1494\"\u003ePeculiarities of the Shingata 新型 style\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-end=\"1269\" data-start=\"832\"\u003e\u003cspan data-end=\"899\" data-start=\"873\"\u003e\u003cstrong\u003eShingata 新型こけし\u003c\/strong\u003e kokeshi, also called \"modern\" or reinterpreted kokeshi, appeared in post-war Japan, when artisans began to move away from strictly traditional regional forms to propose freer silhouettes, while retaining the fundamentals of kokeshi: turned wood, hand-painted decoration, and great expressive sobriety.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3 data-end=\"1521\" data-start=\"1495\"\u003e\u003cstrong data-end=\"1521\" data-start=\"1495\"\u003eKasane giku 重ね菊 motifs\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-end=\"1643\" data-start=\"1523\"\u003eThis kokeshi features a superb \u003cstrong data-end=\"1581\" data-start=\"1566\"\u003ekasane giku\u003c\/strong\u003e decoration: superimposed chrysanthemums painted in red, green, and yellow.\u003c\/p\u003e\n\u003cp data-end=\"1829\" data-start=\"1645\"\u003eThe yellow placed in the heart of the flowers, but also in the hairstyle, brings a lot of light. It highlights the motifs, softens the face, and gives the whole a very refined presence.\u003c\/p\u003e\n\u003ch3 data-end=\"2099\" data-start=\"2085\"\u003e🦝 \u003cstrong data-end=\"2099\" data-start=\"2088\"\u003eWe love\u003c\/strong\u003e\n\n\u003c\/h3\u003e\n\u003cp data-end=\"2303\" data-start=\"2101\"\u003eA very beautiful \u003cstrong data-end=\"2136\" data-start=\"2116\"\u003eshingata kokeshi\u003c\/strong\u003e signed Ryō saku 良作, elegant and full of charm. We love its elegant face, its pretty little mouth, its large red kiku, and its very slightly tilted head. \u003c\/p\u003e\n\u003cp data-is-only-node=\"\" data-is-last-node=\"\" data-end=\"2492\" data-start=\"2305\"\u003eIt perfectly embodies the modern Japanese kokeshi, with traditional motifs, beautiful finish, and that luminous yellow that makes its hairstyle and chrysanthemums irresistible!\u003c\/p\u003e\n\u003ch3 data-start=\"2773\" data-end=\"2825\"\u003e\u003cem\u003eWant to discover other unique pieces?\u003c\/em\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cem\u003e→ Discover all our \u003cstrong data-end=\"347\" data-start=\"324\"\u003eartisanal kokeshi\u003c\/strong\u003e in \u003ca title=\"Discover our collection of artisanal Japanese kokeshi: traditional wooden dolls from Tōhoku, unique signed pieces, Naruko, Tsuchiyu, Yajirō styles…\" href=\"https:\/\/kogedo.com\/collections\/kokeshi\"\u003eour KOGEDO collection\u003c\/a\u003e\u003c\/em\u003e\u003c\/p\u003e","brand":"KOGEDO","offers":[{"title":"Default Title","offer_id":53958554779987,"sku":"K95","price":65.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0937\/8562\/0819\/files\/poupee-japonaise-kokeshi-shingata-chrysanthemes-ryosaku-26cm.jpg?v=1781007912"},{"product_id":"natsume-laque-yamanaka-noir-motif-hanaikada-momiji-sakura-soko","title":"Yamanaka lacquer Natsume tea caddy – Hanaikada (flower raft) design – maki-e \u0026 nashi-ji – signed Sōkō","description":"\u003cp\u003eThe natsume is a luxurious small tea caddy traditionally used to present matcha in the tea ceremony (\u003cspan\u003e茶の湯) in Japan.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3 data-end=\"1078\" data-start=\"422\"\u003e\u003cstrong data-end=\"445\" data-start=\"422\"\u003e📐 Characteristics\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-end=\"1078\" data-start=\"422\"\u003e\u003cstrong data-end=\"461\" data-start=\"448\"\u003eOrigin:\u003c\/strong\u003e Japan – Yamanaka-nuri tradition, discovered in Hiroshima Prefecture\u003cbr data-end=\"532\" data-start=\"529\"\u003e\u003cstrong data-end=\"552\" data-start=\"532\"\u003eEstimated Period:\u003c\/strong\u003e Shōwa\/Heisei Era 1980-2000\u003cbr data-end=\"565\" data-start=\"562\"\u003e\u003cstrong data-end=\"578\" data-start=\"565\"\u003eMaterial:\u003c\/strong\u003e Finely turned wood, genuine black urushi lacquer and gold powders\u003cbr data-end=\"724\" data-start=\"721\"\u003e\u003cstrong data-end=\"740\" data-start=\"724\"\u003eTechniques:\u003c\/strong\u003e Maki-e 蒔絵 and nashi-ji 梨地\u003cbr data-end=\"776\" data-start=\"773\"\u003e\u003cstrong data-end=\"787\" data-start=\"776\"\u003eMotif:\u003c\/strong\u003e Hanaikada 花筏, flower raft on flowing water\u003cbr data-end=\"839\" data-start=\"836\"\u003e\u003cstrong data-end=\"861\" data-start=\"839\"\u003eDimensions\/Weight:\u003c\/strong\u003e Approx. Ø 7 cm × H 7.5 cm, 48 g\u003cbr data-end=\"893\" data-start=\"890\"\u003e\u003cstrong data-end=\"906\" data-start=\"893\"\u003eArtisan:\u003c\/strong\u003e Signed Sōkō-zō 宗廣造, probably Michiba Sōkō 道場宗廣 or affiliated workshop\u003cbr data-end=\"965\" data-start=\"962\"\u003e\u003cstrong data-end=\"976\" data-start=\"965\"\u003eBox:\u003c\/strong\u003e Original Tomobako signed\u003cstrong\u003e \u003c\/strong\u003e共箱 「花筏絵　中棗　宗廣造」\u003cbr data-end=\"1024\" data-start=\"1021\"\u003e\u003cstrong data-end=\"1039\" data-start=\"1024\"\u003eCondition:\u003c\/strong\u003e Excellent vintage condition, no notable defects, no scratches, no chips. Lacquer's brilliance very well preserved.\u003c\/p\u003e\n\u003ch3 data-end=\"1098\" data-start=\"1080\"\u003e\u003cstrong data-end=\"1098\" data-start=\"1080\"\u003eDescription\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-end=\"1273\" data-start=\"1100\"\u003eThis \u003cstrong data-end=\"1118\" data-start=\"1103\"\u003echū-natsume \u003c\/strong\u003e(medium-sized natsume) is an elegant piece, emblematic of Japanese lacquerware's refinement.\u003cbr data-end=\"1195\" data-start=\"1192\"\u003eIts soft and luminous silhouette highlights the deep sheen of the black urushi lacquer.\u003c\/p\u003e\n\u003cp data-end=\"1625\" data-start=\"1275\"\u003eThe \u003cstrong data-end=\"1300\" data-start=\"1284\"\u003eHanaikada 花筏\u003c\/strong\u003e motif, literally \"flower raft,\" evokes petals gathered on the water, as if carried away by the current.\u003cbr data-end=\"1493\" data-start=\"1490\"\u003eSakura flowers, momiji leaves, and gold create a seasonal, vibrant, and contemplative decor.\u003c\/p\u003e\n\u003cp data-end=\"1625\" data-start=\"1275\"\u003eThe techniques used by the artisan are \u003cstrong data-start=\"447\" data-end=\"460\"\u003emaki-e 蒔絵\u003c\/strong\u003e, which consists of drawing in lacquer with fine gold powders, and \u003cstrong data-start=\"537\" data-end=\"552\"\u003enashi-ji 梨地,\u003c\/strong\u003e a delicate shimmering effect created with gold flakes, known as \"pear skin.\"\u003c\/p\u003e\n\u003cp data-end=\"1780\" data-start=\"1627\"\u003eThe ensemble plays on a fluid composition where water lines, floating flowers, and foliage naturally accompany the round shape.\u003c\/p\u003e\n\u003cp data-end=\"2146\" data-start=\"1782\"\u003eThis natsume bears the signature \u003cstrong data-start=\"76\" data-end=\"93\"\u003e宗廣造 \/ Sōkō-zō\u003c\/strong\u003e, \"made by Sōkō,\" with the seal \u003cstrong data-start=\"126\" data-end=\"139\"\u003e宗廣 \/ Sōkō\u003c\/strong\u003e. The most probable attribution points to \u003cstrong data-start=\"182\" data-end=\"205\"\u003e道場宗廣 \/ Michiba Sōkō\u003c\/strong\u003e, a master lacquerer associated with \u003cstrong data-start=\"233\" data-end=\"254\"\u003eYamanaka-nuri \u003c\/strong\u003eor an artisan affiliated with his workshop. The presence of the original \u003cstrong data-start=\"331\" data-end=\"346\"\u003etomobako\u003c\/strong\u003e, the signature, and the \u003cstrong data-start=\"386\" data-end=\"404\"\u003e花筏 \/ hanaikada\u003c\/strong\u003e motif attest to an authentic piece, crafted for the demanding world of the tea ceremony, \u003cstrong data-start=\"474\" data-end=\"489\"\u003echanoyu.\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch3 data-end=\"2390\" data-start=\"2148\"\u003e\u003cstrong data-end=\"2175\" data-start=\"2148\"\u003e🧽 Care instructions\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-end=\"2390\" data-start=\"2148\"\u003eClean gently by hand, without detergent or abrasive\u003cbr data-end=\"2239\" data-start=\"2236\"\u003eDry immediately with a soft cloth\u003cbr data-end=\"2278\" data-start=\"2275\"\u003eAvoid prolonged immersion and direct heat\u003cbr data-end=\"2335\" data-start=\"2332\"\u003eStore in a dry place, away from light\u003c\/p\u003e\n\u003ch3 data-end=\"2409\" data-start=\"2392\"\u003e\u003cstrong data-end=\"2409\" data-start=\"2392\"\u003e🦝 Our opinion\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-is-only-node=\"\" data-is-last-node=\"\" data-end=\"2560\" data-start=\"2411\"\u003eWe love this natsume with its poetic \u003cstrong data-end=\"2443\" data-start=\"2430\"\u003ehanaikada\u003c\/strong\u003e motif, its sakura, its golden momiji, and its beautiful nashi-ji effect. A true work of art in traditional Yamanaka lacquer!\u003c\/p\u003e\n\u003cp data-start=\"2590\" data-end=\"2906\"\u003eOther unique items await you in the \u003ca href=\"https:\/\/kogedo.com\/collections\/decoration-objets-art\" title=\"Selection of ancient and contemporary Japanese art objects, between beauty of gesture and timeless elegance. KOGEDO Collection.\"\u003e\u003cstrong data-start=\"635\" data-end=\"660\"\u003eJapanese Art Objects\u003c\/strong\u003e\u003c\/a\u003e collection.\u003c\/p\u003e\n\u003cp data-start=\"2590\" data-end=\"2906\"\u003eor discover the entire world of tea in our \u003cstrong\u003e\u003ca href=\"https:\/\/kogedo.com\/collections\/arts-de-la-table\" title=\"tableware collection at KOGEDO Japanese antique shop: ceramics, lacquerware, porcelain and much more\"\u003e“Tableware” collection.\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"KOGEDO","offers":[{"title":"Default Title","offer_id":53960422457683,"sku":"T20","price":235.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0937\/8562\/0819\/files\/natsume-chunatsume-hanaikada-makie-tomobako-soko.jpg?v=1781015301"},{"product_id":"tokkuri-carafe-sake-japonaise-ancienne-bizen-sueishi-kosen-13cm","title":"Antique Japanese Tokkuri – Bizen ware – signed Sueishi Kōsen 末石高仙 – 13 cm – Shōwa period","description":"\u003ch3 data-section-id=\"1im32lf\" data-start=\"182\" data-end=\"205\"\u003e\u003cstrong\u003e📐 Features\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-start=\"207\" data-end=\"800\"\u003e\u003cstrong data-start=\"207\" data-end=\"219\"\u003eEstimated period:\u003c\/strong\u003e Showa 20th century, between 1970 and 1990\u003cbr data-start=\"259\" data-end=\"262\"\u003e\u003cstrong data-start=\"262\" data-end=\"275\"\u003eOrigin:\u003c\/strong\u003e Japan, unearthed in Kyoto Prefecture\u003cbr data-start=\"323\" data-end=\"326\"\u003e\u003cstrong data-start=\"326\" data-end=\"339\"\u003eArtisan:\u003c\/strong\u003e \u003cstrong data-start=\"340\" data-end=\"357\"\u003eSueishi Kōsen\u003c\/strong\u003e 末石高仙\u003cbr data-start=\"362\" data-end=\"365\"\u003e\u003cstrong data-start=\"365\" data-end=\"379\"\u003eMaterial:\u003c\/strong\u003e Japanese ceramic, \u003cstrong data-start=\"401\" data-end=\"418\"\u003eBizen stoneware\u003c\/strong\u003e\u003cbr data-start=\"418\" data-end=\"421\"\u003e\u003cstrong data-start=\"421\" data-end=\"436\"\u003eTechnique:\u003c\/strong\u003e \u003cstrong data-start=\"437\" data-end=\"455\"\u003eBizen-yaki 備前焼\u003c\/strong\u003e, \u003cstrong data-start=\"465\" data-end=\"482\"\u003eyakishime 焼締め\u003c\/strong\u003e firing, no applied glaze\u003cbr data-start=\"503\" data-end=\"506\"\u003e\u003cstrong data-start=\"506\" data-end=\"517\"\u003eUsage:\u003c\/strong\u003e \u003cstrong data-start=\"518\" data-end=\"532\"\u003eTokkuri 徳利\u003c\/strong\u003e, sake bottle\/carafe\u003cbr data-start=\"559\" data-end=\"562\"\u003e\u003cstrong data-start=\"562\" data-end=\"578\"\u003eDimensions:\u003c\/strong\u003e Height approx. \u003cstrong data-start=\"592\" data-end=\"601\"\u003e13 cm\u003c\/strong\u003e – Diameter at widest point approx. \u003cstrong data-start=\"632\" data-end=\"640\"\u003e9 cm\u003c\/strong\u003e\u003cbr data-start=\"640\" data-end=\"643\"\u003e\u003cstrong data-start=\"643\" data-end=\"654\"\u003eWeight:\u003c\/strong\u003e approx. \u003cstrong data-start=\"660\" data-end=\"669\"\u003e267 g\u003c\/strong\u003e\u003cbr data-start=\"669\" data-end=\"672\"\u003e\u003cstrong data-start=\"672\" data-end=\"682\"\u003eCondition:\u003c\/strong\u003e \u003cstrong data-start=\"683\" data-end=\"708\"\u003eExcellent vintage condition\u003c\/strong\u003e, no notable flaws.\u003cbr data-start=\"741\" data-end=\"744\"\u003e\u003cstrong data-start=\"744\" data-end=\"756\"\u003eMark:\u003c\/strong\u003e Potter's seal\/signature under the base\u003c\/p\u003e\n\u003ch3 data-section-id=\"3h1ku8\" data-start=\"802\" data-end=\"817\"\u003e\u003cstrong\u003eDescription\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-start=\"819\" data-end=\"1132\"\u003eThis \u003cstrong data-start=\"825\" data-end=\"860\"\u003eJapanese Bizen-yaki tokkuri\u003c\/strong\u003e is a handcrafted piece signed by \u003cstrong data-start=\"893\" data-end=\"910\"\u003eSueishi Kōsen\u003c\/strong\u003e 末石高仙, a renowned Bizen ceramist. \u003cstrong data-start=\"948\" data-end=\"966\"\u003eBizen-yaki 備前焼\u003c\/strong\u003e is one of the \u003cstrong data-start=\"983\" data-end=\"1013\"\u003eSix Ancient Kilns of Japan\u003c\/strong\u003e, one of the archipelago's fundamental ceramic traditions, renowned for its strong, simple, unglazed stoneware.\u003c\/p\u003e\n\u003cp data-start=\"1134\" data-end=\"1396\"\u003eThe piece is made using \u003cstrong data-start=\"1159\" data-end=\"1176\"\u003eyakishime 焼締め\u003c\/strong\u003e, a high-temperature firing without glaze: the clay is directly transformed by fire, ash, and the kiln atmosphere. No decoration is added; the nuances appear naturally during firing.\u003c\/p\u003e\n\u003cp data-start=\"1398\" data-end=\"1713\"\u003eThe shape is simple, balanced and rounded with a \u003cstrong data-start=\"1464\" data-end=\"1497\"\u003eshort, slightly constricted neck\u003c\/strong\u003e and a \u003cstrong data-start=\"1505\" data-end=\"1529\"\u003ethick, flared rim\u003c\/strong\u003e, designed for serving sake. The turning marks from the \u003cstrong data-start=\"1589\" data-end=\"1602\"\u003erokuro 轆轤\u003c\/strong\u003e remain visible in the material, giving this bottle a rustic, elegant, and very Japanese presence.\u003c\/p\u003e\n\u003cp data-start=\"1715\" data-end=\"2038\"\u003eThe surface offers beautiful natural variations: \u003cstrong data-start=\"1766\" data-end=\"1780\"\u003ereddish-brown\u003c\/strong\u003e, \u003cstrong data-start=\"1782\" data-end=\"1795\"\u003edark brown\u003c\/strong\u003e, \u003cstrong data-start=\"1797\" data-end=\"1812\"\u003ebluish-grey\u003c\/strong\u003e, ash tones, and darker areas. It embodies the spirit of \u003cstrong data-start=\"1876\" data-end=\"1893\"\u003eBizen stoneware\u003c\/strong\u003e, with effects similar to \u003cstrong data-start=\"1922\" data-end=\"1933\"\u003egoma 胡麻\u003c\/strong\u003e, \u003cstrong data-start=\"1938\" data-end=\"1952\"\u003esangiri 桟切\u003c\/strong\u003e and \u003cstrong data-start=\"1959\" data-end=\"1971\"\u003eyōhen 窯変\u003c\/strong\u003e, these sought-after firing effects that make each piece unique.\u003c\/p\u003e\n\u003cp data-start=\"2040\" data-end=\"2310\"\u003eThis is an \u003cstrong data-start=\"2178\" data-end=\"2213\"\u003eauthentic Japanese ceramic\u003c\/strong\u003e, usable as a \u003cstrong data-start=\"2232\" data-end=\"2250\"\u003esake tokkuri\u003c\/strong\u003e, but also very beautiful as a small vase or wabi-sabi object.\u003c\/p\u003e\n\u003ch3 data-section-id=\"aaopqc\" data-start=\"2312\" data-end=\"2346\"\u003e\u003cstrong\u003eThe artisan: Sueishi Kōsen 末石高仙\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-start=\"2348\" data-end=\"2634\"\u003e\u003cstrong data-start=\"2348\" data-end=\"2365\"\u003eSueishi Kōsen\u003c\/strong\u003e 末石高仙, whose real name was \u003cstrong data-start=\"2388\" data-end=\"2407\"\u003eSueishi Takashi\u003c\/strong\u003e 末石孝, was a Japanese ceramist born in \u003cstrong data-start=\"2445\" data-end=\"2453\"\u003e1926\u003c\/strong\u003e in Bizen, Okayama Prefecture. He trained with \u003cstrong data-start=\"2515\" data-end=\"2538\"\u003eFujiwara Rakuzan II\u003c\/strong\u003e, a great master of \u003cstrong data-start=\"2556\" data-end=\"2570\"\u003eBizen-yaki\u003c\/strong\u003e, particularly renowned for his work with \u003cstrong data-start=\"2617\" data-end=\"2633\"\u003eAo-Bizen 青備前\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp data-start=\"2636\" data-end=\"2925\"\u003eFujiwara Rakuzan II was recognized as a \u003cstrong data-start=\"2674\" data-end=\"2754\"\u003eholder of Okayama Prefecture's Important Intangible Cultural Property\u003c\/strong\u003e for Bizen ceramics. This lineage places Sueishi Kōsen within a prestigious artisanal tradition, directly linked to one of the great names of 20th-century Bizen.\u003c\/p\u003e\n\u003cp data-start=\"2927\" data-end=\"3275\"\u003eBecoming independent in \u003cstrong data-start=\"2949\" data-end=\"2957\"\u003e1972\u003c\/strong\u003e, Sueishi Kōsen established his own kiln and developed a well-regarded production. Now deceased, he remains sought after by enthusiasts of \u003cstrong data-start=\"3185\" data-end=\"3199\"\u003eBizen-yaki\u003c\/strong\u003e, \u003cstrong data-start=\"3204\" data-end=\"3241\"\u003ecollectible Japanese ceramics\u003c\/strong\u003e, and sake-related items.\u003c\/p\u003e\n\u003ch3 data-section-id=\"1j05u96\" data-start=\"3277\" data-end=\"3294\"\u003e\u003cstrong\u003e🦝 Our opinion\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-start=\"3296\" data-end=\"3547\"\u003eA superb tokkuri in a raw Bizen style we love: ash, flames, mineral nuances, deep browns and bluish-greys. The effects are very successful on this piece.\u003c\/p\u003e\n\u003cp data-start=\"3549\" data-end=\"3934\" data-is-last-node=\"\" data-is-only-node=\"\"\u003eAnd all by a Bizen artisan who is no longer with us: \u003cstrong data-start=\"3565\" data-end=\"3582\"\u003eSueishi Kōsen\u003c\/strong\u003e, student of master \u003cstrong data-start=\"3607\" data-end=\"3630\"\u003eFujiwara Rakuzan II.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"3549\" data-end=\"3934\" data-is-last-node=\"\" data-is-only-node=\"\"\u003eWith this tokkuri, your sake will taste even better!\u003c\/p\u003e","brand":"KOGEDO","offers":[{"title":"Default Title","offer_id":53975004119379,"sku":"DT17","price":129.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0937\/8562\/0819\/files\/tokkuri-bizen-sueishi-kosen-yohen-gres-brun-gris.jpg?v=1781160310"},{"product_id":"estampe-japonaise-katsushika-hokusai-fuji-depuis-kanaya-sur-le-tokaido-36-vues-du-mont-fuji-edition-showa-yuyudo","title":"Japanese print – Katsushika Hokusai – Fuji from Kanaya on the Tōkaidō – Thirty-six Views of Mount Fuji series – Shōwa Yūyūdō Edition","description":"\u003cdiv class=\"text-base my-auto mx-auto [--thread-content-margin:var(--thread-content-margin-xs,calc(var(--spacing)*4))] @w-sm\/main:[--thread-content-margin:var(--thread-content-margin-sm,calc(var(--spacing)*6))] @w-lg\/main:[--thread-content-margin:var(--thread-content-margin-lg,calc(var(--spacing)*16))] px-(--thread-content-margin)\"\u003e\n\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\"\u003e\n\n\u003cdiv class=\"flex max-w-full flex-col gap-4 grow\"\u003e\n\n\u003cdiv data-message-author-role=\"assistant\" data-message-id=\"228e0f3e-9b74-48f8-9ea1-85e876de0eb7\" dir=\"auto\" data-message-model-slug=\"gpt-5-3\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal outline-none keyboard-focused:focus-ring [.text-message+\u0026amp;]:mt-1\"\u003e\n\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden\"\u003e\n\n\u003cdiv class=\"markdown prose dark:prose-invert w-full wrap-break-word dark markdown-new-styling\"\u003e\n\n\u003cp data-end=\"58\" data-start=\"0\"\u003e\u003cstrong\u003eUkiyo-e print, woodblock print.\u003c\/strong\u003e \u003cspan style=\"text-decoration: underline;\"\u003e[Shōwa era reissue using traditional woodblock printing techniques]\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp data-end=\"58\" data-start=\"0\"\u003e\u003cstrong data-end=\"18\" data-start=\"0\"\u003eType of print\u003c\/strong\u003e: scenes and landscapes: \u003cstrong data-end=\"58\" data-start=\"42\"\u003eFūkei-ga 風景画\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp data-end=\"146\" data-start=\"60\"\u003e🎨 \u003cstrong data-end=\"74\" data-start=\"63\"\u003eArtist\u003c\/strong\u003e: \u003cstrong data-end=\"104\" data-start=\"77\"\u003eKatsushika Hokusai 葛飾北斎\u003c\/strong\u003e, signed 前北斎為一筆 Zen Hokusai Iitsu hitsu\u003c\/p\u003e\n\n\u003cp data-end=\"225\" data-start=\"148\"\u003e\u003cstrong data-end=\"166\" data-start=\"148\"\u003eDate of publication\u003c\/strong\u003e: \u003cstrong data-end=\"186\" data-start=\"177\"\u003eShōwa\u003c\/strong\u003e Period, circa 1965. Original edition 1830-32.\u003c\/p\u003e\n\n\u003cp data-end=\"453\" data-start=\"227\"\u003e📜 \u003cstrong data-end=\"241\" data-start=\"230\"\u003ePublisher\u003c\/strong\u003e: Yūyūdō 悠々洞出版\u003cbr data-end=\"263\" data-start=\"260\"\u003e\u003cstrong data-end=\"289\" data-start=\"263\"\u003eEditorial supervision\u003c\/strong\u003e: Yoshida Eiji 吉田暎二 (great expert in Japanese prints)\u003cbr data-end=\"354\" data-start=\"351\"\u003e\u003cstrong data-end=\"376\" data-start=\"354\"\u003eEngraver (Hori-shi)\u003c\/strong\u003e:\u003cstrong\u003e \u003c\/strong\u003e松田寅蔵 Matsuda Torazō\u003cbr data-end=\"405\" data-start=\"402\"\u003e\u003cstrong data-end=\"429\" data-start=\"405\"\u003ePrinter (Suri-shi)\u003c\/strong\u003e: 遠藤忠雄 Endō Tadao\u003c\/p\u003e\n\n\u003cp data-end=\"528\" data-start=\"455\"\u003e📏 \u003cstrong data-end=\"468\" data-start=\"458\"\u003eFormat\u003c\/strong\u003e: 32 x 21.5 cm (ōban yoko-e) supplied with passe-partout\u003c\/p\u003e\n\n\u003cp data-end=\"608\" data-start=\"530\"\u003e\u003cstrong data-end=\"539\" data-start=\"530\"\u003eSeries\u003c\/strong\u003e: \u003cstrong\u003e富嶽三十六景 (Fugaku Sanjūrokkei\u003c\/strong\u003e): Thirty-six Views of Mount Fuji\u003c\/p\u003e\n\n\u003cp data-end=\"763\" data-start=\"610\"\u003e\u003cstrong data-end=\"619\" data-start=\"610\"\u003eTitle\u003c\/strong\u003e: \u003cstrong data-end=\"659\" data-start=\"622\"\u003e東海道金谷の不二 (Tōkaidō Kanaya no Fuji) No. 45 of the series\u003c\/strong\u003e\u003cbr data-end=\"662\" data-start=\"659\"\u003eFuji from Kanaya on the Tōkaidō, with the crossing of the Ōi River.\u003c\/p\u003e\n\n\u003ch3 data-end=\"776\" data-start=\"765\"\u003e\u003cstrong\u003eSubject:\u003c\/strong\u003e\u003c\/h3\u003e\n\n\u003cp data-end=\"1033\" data-start=\"778\"\u003eThis print is among the most dynamic and spectacular compositions in the series. Hokusai depicts \u003cstrong\u003eMount Fuji\u003c\/strong\u003e from \u003cstrong\u003eKanaya\u003c\/strong\u003e, on the great \u003cstrong\u003eTōkaidō road\u003c\/strong\u003e, as a crowd of travelers crosses the powerful waters of the \u003cstrong\u003eŌi River\u003c\/strong\u003e.\u003c\/p\u003e\n\n\u003cp data-end=\"1323\" data-start=\"1035\"\u003eThe scene is of \u003cstrong\u003egreat intensity\u003c\/strong\u003e: porters advance through the current, laden with travelers, luggage, and palanquins, while blue waves fill almost the entire composition. This audacious construction creates a fascinating movement between mountain, water, and passage.\u003c\/p\u003e\n\n\u003cp data-end=\"1588\" data-start=\"1325\"\u003eOn the riverbanks, small groups wait or make their way to the village of Kanaya. Houses, trees, and relief are rendered with \u003cstrong\u003egreat precision of line\u003c\/strong\u003e. The numerous silhouettes further emphasize the collective energy of the scene.\u003c\/p\u003e\n\n\u003cp data-end=\"1872\" data-start=\"1590\"\u003eThe composition rests on a remarkable contrast between Fuji, stable and majestic, and the human agitation, lively and almost theatrical. The sky and water are treated with powerful bokashi gradations, while the deep blues recall all the decorative strength of the series.\u003c\/p\u003e\n\n\u003cp data-end=\"2105\" data-start=\"1874\"\u003eThis \u003cstrong data-end=\"1911\" data-start=\"1880\"\u003eauthentic Japanese print\u003c\/strong\u003e, an \u003cstrong data-end=\"1944\" data-start=\"1913\"\u003eauthentic Shōwa reissue\u003c\/strong\u003e published by \u003cstrong data-end=\"1967\" data-start=\"1957\"\u003eYūyūdō\u003c\/strong\u003e, is of very good quality, made by renowned artisans: \u003cstrong data-end=\"2052\" data-start=\"2034\"\u003eMatsuda Torazō\u003c\/strong\u003e for the engraving and \u003cstrong data-end=\"2086\" data-start=\"2072\"\u003eEndō Tadao\u003c\/strong\u003e for the printing.\u003c\/p\u003e\n\n\u003cp data-end=\"2267\" data-start=\"2107\"\u003e\u003cstrong data-end=\"2115\" data-start=\"2107\"\u003eCondition\u003c\/strong\u003e: Print in perfect condition, presented with passe-partout. Fresh and balanced colors, very beautiful print quality typical of Yūyūdō editions.\u003c\/p\u003e\n\n\u003ch3 data-end=\"2288\" data-start=\"2269\"\u003e\u003cstrong\u003e🦝 Our opinion:\u003c\/strong\u003e\u003c\/h3\u003e\n\n\u003cp data-end=\"2954\" data-start=\"2290\"\u003eThis print by the \u003cstrong\u003emaster Hokusai\u003c\/strong\u003e is impressive! Here, everything is movement, energy, and travel! It's a spectacular, almost cinematic composition, where you really feel the difficulty of crossing the Ōi River before modern bridges!\u003c\/p\u003e\n\n\u003cp data-is-only-node=\"\" data-is-last-node=\"\" data-end=\"3081\" data-start=\"2956\"\u003eA superb Yuyudo reissue with beautiful colors! For those who love Hokusai, Fuji, or the vivid landscapes of old Japan on the Tōkaidō road!\u003c\/p\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003cp data-end=\"2917\" data-start=\"2756\"\u003e\u003cem\u003eEach print tells a unique story. To discover other woodblock prints from Japan, browse our collection of \u003ca href=\"https:\/\/kogedo.com\/collections\/estampes-japonaises\" title=\"Ancient and authentic Japanese prints\"\u003e\u003cstrong data-start=\"1907\" data-end=\"1940\"\u003eancient Japanese prints\u003c\/strong\u003e.\u003c\/a\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"KOGEDO","offers":[{"title":"Default Title","offer_id":53980023718227,"sku":"E171","price":175.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0937\/8562\/0819\/files\/authentique-estampe-japonaise-yuyudo-hokusai-fuji-kanaya-tokaido-fugaku-sanjurokkei.png?v=1781191761"},{"product_id":"kokeshi-japonaise-vintage-souvenir-omiyage-bandaisan-aizu-sato-kouson-25cm","title":"Vintage Japanese Kokeshi – Omiyage souvenir お土産 – Aizu sumi-e – Sato Kōson 佐藤香村 – 25 cm","description":"\u003cdiv class=\"qMYqUG_convSearchResultHighlightRoot\"\u003e\n\n\u003cdiv data-is-intersecting=\"true\" data-turn-id-container=\"request-WEB:a20d098c-c2e4-4c97-bb9d-a27d98c3ac41-17\" class=\"\"\u003e\n\n\u003csection data-turn=\"assistant\" data-scroll-anchor=\"false\" data-testid=\"conversation-turn-8\" data-turn-id-container=\"request-WEB:a20d098c-c2e4-4c97-bb9d-a27d98c3ac41-17\" data-turn-id=\"request-WEB:a20d098c-c2e4-4c97-bb9d-a27d98c3ac41-17\" dir=\"auto\" class=\"text-token-text-primary w-full focus:outline-none has-data-writing-block:pointer-events-none [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto R6Vx5W_threadScrollVars scroll-mb-[calc(var(--scroll-root-safe-area-inset-bottom,0px)+var(--thread-response-height))] scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto pb-10 [--thread-content-margin:var(--thread-content-margin-xs,calc(var(--spacing)*4))] @w-sm\/main:[--thread-content-margin:var(--thread-content-margin-sm,calc(var(--spacing)*6))] @w-lg\/main:[--thread-content-margin:var(--thread-content-margin-lg,calc(var(--spacing)*16))] px-(--thread-content-margin)\"\u003e\n\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\" data-conversation-screenshot-content=\"\"\u003e\n\n\u003cdiv class=\"flex max-w-full flex-col gap-4 grow\"\u003e\n\n\u003cdiv data-turn-start-message=\"true\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal outline-none keyboard-focused:focus-ring [.text-message+\u0026amp;]:mt-1\" data-message-model-slug=\"gpt-5-5-thinking\" dir=\"auto\" data-message-id=\"6091a471-f85d-46e1-949f-d4e301da7586\" data-message-author-role=\"assistant\" tabindex=\"0\"\u003e\n\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden\"\u003e\n\n\u003cdiv class=\"markdown prose dark:prose-invert wrap-break-word w-full dark markdown-new-styling\"\u003e\n\n\u003ch3 data-end=\"81\" data-start=\"59\" data-section-id=\"1aajrc0\"\u003e\u003cstrong\u003e📐 Characteristics\u003c\/strong\u003e\u003c\/h3\u003e\n\n\u003cp data-end=\"558\" data-start=\"83\"\u003e\u003cstrong data-end=\"96\" data-start=\"83\"\u003eOrigin:\u003c\/strong\u003e Japan, Fukushima Prefecture, Aizu region 会津\u003cbr data-end=\"148\" data-start=\"145\"\u003e\u003cstrong data-end=\"160\" data-start=\"148\"\u003ePeriod:\u003c\/strong\u003e vintage, probably Shōwa era\u003cbr data-end=\"195\" data-start=\"192\"\u003e\u003cstrong data-end=\"206\" data-start=\"195\"\u003eStyle:\u003c\/strong\u003e Kokeshi omiyage \/ Japanese souvenir doll お土産こけし\u003cbr data-end=\"252\" data-start=\"249\"\u003e\u003cstrong data-end=\"266\" data-start=\"252\"\u003eArtisan:\u003c\/strong\u003e Sato Kōson 佐藤香村\u003cbr data-end=\"285\" data-start=\"282\"\u003e\u003cstrong data-end=\"300\" data-start=\"285\"\u003eSignature:\u003c\/strong\u003e 香村, read here Kômura\u003cbr data-end=\"322\" data-start=\"319\"\u003e\u003cstrong data-end=\"335\" data-start=\"322\"\u003eHeight:\u003c\/strong\u003e 25 cm\u003cbr data-end=\"344\" data-start=\"341\"\u003e\u003cstrong data-end=\"358\" data-start=\"344\"\u003eMaterial:\u003c\/strong\u003e turned wood, hand-painted decoration\u003cbr data-end=\"396\" data-start=\"393\"\u003e\u003cstrong data-is-only-node=\"\" data-end=\"407\" data-start=\"396\"\u003eDecoration:\u003c\/strong\u003e sumi-e 墨絵 painting of Mount Bandai 磐梯山 in Aizu\u003cbr data-end=\"455\" data-start=\"452\"\u003e\u003cstrong data-end=\"465\" data-start=\"455\"\u003eCondition:\u003c\/strong\u003e beautiful vintage condition, with patina, small signs of age and natural wood irregularities.\u003c\/p\u003e\n\n\u003ch3 data-end=\"574\" data-start=\"560\" data-section-id=\"rmw5tv\"\u003e\u003cstrong\u003eDescription\u003c\/strong\u003e\u003c\/h3\u003e\n\n\u003cp data-end=\"904\" data-start=\"576\"\u003eThis \u003cstrong data-end=\"611\" data-start=\"582\"\u003eJapanese omiyage kokeshi\u003c\/strong\u003e is a very beautiful piece signed \u003cstrong data-end=\"650\" data-start=\"644\"\u003e香村\u003c\/strong\u003e, made by \u003cstrong data-end=\"684\" data-start=\"665\"\u003eSato Kôson 佐藤香村\u003c\/strong\u003e, a creative kokeshi and souvenir artisan from \u003cstrong data-end=\"756\" data-start=\"743\"\u003eFukushima\u003c\/strong\u003e. Its decoration pays tribute to \u003cstrong data-end=\"803\" data-start=\"784\"\u003eMount Bandai 磐梯山\u003c\/strong\u003e, an emblematic mountain in the \u003cstrong data-end=\"853\" data-start=\"842\"\u003eAizu 会津\u003c\/strong\u003e region, depicted here in a sober and poetic style.\u003c\/p\u003e\n\n\u003cp data-end=\"1288\" data-start=\"906\"\u003eThe body retains a beautiful appearance of \u003cstrong data-end=\"966\" data-start=\"945\"\u003eraw textured wood\u003c\/strong\u003e, evoking bark and mountainous landscapes. On the central part, the ink painting in \u003cstrong data-end=\"1082\" data-start=\"1069\"\u003esumi-e 墨絵\u003c\/strong\u003e style depicts a Japanese landscape with mountains, a tree, calligraphy, and a white waterfall. The contrast between the brown tones of the wood, the black ink, and the white touch gives the piece a lot of depth.\u003c\/p\u003e\n\n\u003cp data-end=\"1498\" data-start=\"1290\"\u003eThe face is very gentle, with a calm and childlike expression typical of \u003cstrong data-end=\"1385\" data-start=\"1366\"\u003eomiyage kokeshi\u003c\/strong\u003e. The round head, black hairstyle, and hand-painted motifs enhance its popular and authentic charm.\u003c\/p\u003e\n\n\u003ch3 data-end=\"1530\" data-start=\"1500\" data-section-id=\"16b2um5\"\u003e\u003cstrong\u003eAbout Sato Kôson 佐藤香村\u003c\/strong\u003e\u003c\/h3\u003e\n\n\u003cp data-end=\"1816\" data-start=\"1532\"\u003e\u003cstrong data-end=\"1546\" data-start=\"1532\"\u003eSato Kôson\u003c\/strong\u003e is one of the rare female artisans recognized in the world of \u003cstrong data-end=\"1643\" data-start=\"1615\"\u003esosaku creative kokeshi\u003c\/strong\u003e and souvenir kokeshi. Based in \u003cstrong data-end=\"1695\" data-start=\"1682\"\u003eFukushima\u003c\/strong\u003e, she is appreciated by collectors for her very soft faces and her expressive pictorial approach.\u003c\/p\u003e\n\n\u003cp data-end=\"2119\" data-start=\"1818\"\u003eHer works are often recognized by their confidently painted decorations: \u003cstrong data-end=\"1915\" data-start=\"1905\"\u003esumi-e\u003c\/strong\u003e landscapes, autumn leaves, camellias, chrysanthemums, bamboos, and sometimes Japanese zodiac characters. Even on an omiyage kokeshi, this sensibility is found here: a simple, yet very evocative decoration.\u003c\/p\u003e\n\n\u003ch3 data-end=\"2152\" data-start=\"2121\" data-section-id=\"kutufz\"\u003e\u003cstrong\u003eOmiyage Kokeshi\u003c\/strong\u003e\u003c\/h3\u003e\n\n\u003cp data-end=\"2415\" data-start=\"2154\"\u003e\u003cstrong data-end=\"2177\" data-start=\"2158\"\u003eOmiyage kokeshi\u003c\/strong\u003e were sold as artisanal souvenirs in tourist regions of Japan, especially near mountains, temples, hot springs, and famous places. They often evoke a specific landscape, a city, or a travel memory.\u003c\/p\u003e\n\n\u003cp data-end=\"2596\" data-start=\"2417\"\u003eThis piece linked to \u003cstrong data-end=\"2444\" data-start=\"2436\"\u003eAizu\u003c\/strong\u003e and \u003cstrong data-end=\"2466\" data-start=\"2451\"\u003eMount Bandai\u003c\/strong\u003e retains this precious dimension: that of a popular Japanese object, at once decorative, regional, and deeply nostalgic.\u003c\/p\u003e\n\n\u003ch3 data-end=\"2614\" data-start=\"2598\" data-section-id=\"r7grop\"\u003e\u003cstrong\u003e🦝 Our opinion\u003c\/strong\u003e\u003c\/h3\u003e\n\n\u003cp data-is-only-node=\"\" data-is-last-node=\"\" data-end=\"2997\" data-start=\"2616\"\u003eAn \u003cstrong data-end=\"2661\" data-start=\"2620\"\u003eadorable omiyage kokeshi from Fukushima\u003c\/strong\u003e, signed by a sought-after artisan!\u003cbr data-end=\"2702\" data-start=\"2699\"\u003eWe really like its gentle face, its textured raw wood body, and especially its very poetic and beautifully executed \u003cstrong data-end=\"2821\" data-start=\"2796\"\u003esumi-e landscape of Mount Bandai\u003c\/strong\u003e. A beautiful piece for kokeshi collectors, those who have visited the beautiful Aizu region, but also for anyone looking for an \u003cstrong data-end=\"2964\" data-start=\"2934\"\u003eauthentic Japanese object\u003c\/strong\u003e, full of charm and memory.\u003c\/p\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003cdiv class=\"mt-3 w-full empty:hidden\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003c\/section\u003e\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\u003cp\u003e\u003cem\u003eWant to dive deeper into the world of traditional Japanese dolls?\u003c\/em\u003e\u003cbr data-start=\"298\" data-end=\"301\"\u003e\u003cem\u003e→ Discover all our \u003cstrong data-start=\"324\" data-end=\"347\"\u003eartisan kokeshi\u003c\/strong\u003e in \u003ca href=\"https:\/\/kogedo.com\/collections\/kokeshi\" title=\"Discover our collection of handmade Japanese kokeshi: traditional wooden dolls from Tōhoku, unique signed pieces, Naruko, Tsuchiyu, Yajirō styles…\"\u003eour KOGEDO collection\u003c\/a\u003e\u003c\/em\u003e\u003c\/p\u003e","brand":"KOGEDO","offers":[{"title":"Default Title","offer_id":53986294595923,"sku":"K137","price":65.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0937\/8562\/0819\/files\/kokeshi-omiyage-sato-koson-mont-bandai-aizu-sumi-e.jpg?v=1781258321"},{"product_id":"bol-a-the-japonais-chawan-beni-shino-yaki-keizan-gama-tomobako-signe","title":"Japanese Chawan Tea Bowl Beni Shino 紅志野 – Keizan Kiln 桂山窯 – Signed Tomobako","description":"\u003ch3 data-start=\"549\" data-end=\"1078\"\u003e\u003cstrong\u003e📐 Characteristics\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-start=\"549\" data-end=\"1078\"\u003e\u003cstrong data-start=\"575\" data-end=\"586\"\u003eHeight\u003c\/strong\u003e: approx. 9 cm\u003cbr data-start=\"598\" data-end=\"601\"\u003e\u003cstrong data-start=\"601\" data-end=\"613\"\u003eDiameter\u003c\/strong\u003e: approx. 12.7 cm\u003cbr data-start=\"628\" data-end=\"631\"\u003e\u003cstrong data-start=\"631\" data-end=\"640\"\u003eWeight\u003c\/strong\u003e: approx. 546 g\u003cbr data-start=\"653\" data-end=\"656\"\u003e\u003cstrong data-start=\"656\" data-end=\"665\"\u003eShape\u003c\/strong\u003e: \u003cstrong data-start=\"668\" data-end=\"690\"\u003ehantsutsu-gata 半筒型\u003c\/strong\u003e, semi-cylindrical shape\u003cbr data-start=\"714\" data-end=\"717\"\u003e\u003cstrong data-start=\"717\" data-end=\"726\"\u003eStyle\u003c\/strong\u003e: \u003cstrong data-start=\"729\" data-end=\"743\"\u003eBeni Shino\u003c\/strong\u003e 紅志野, \u003cstrong data-start=\"749\" data-end=\"763\"\u003eShino-yaki\u003c\/strong\u003e 志野焼, \u003cstrong data-start=\"779\" data-end=\"792\" data-is-only-node=\"\"\u003eMino-yaki\u003c\/strong\u003e 美濃焼 tradition\u003cbr data-start=\"796\" data-end=\"799\"\u003e\u003cstrong data-start=\"799\" data-end=\"817\"\u003eKiln \/ workshop\u003c\/strong\u003e: \u003cstrong data-start=\"820\" data-end=\"839\"\u003e桂山窯 Keizan-gama\u003c\/strong\u003e, signature 東山 under the bowl, likely a potter affiliated with the kiln.\u003cbr data-start=\"881\" data-end=\"884\"\u003e\u003cstrong data-start=\"884\" data-end=\"895\"\u003eOrigin\u003c\/strong\u003e: Japan, found in Osaka Prefecture\u003cbr data-start=\"936\" data-end=\"939\"\u003e\u003cstrong data-start=\"939\" data-end=\"947\"\u003eCondition\u003c\/strong\u003e: Excellent overall condition. No cracks or visible chips. Comes with \u003cstrong data-start=\"1020\" data-end=\"1035\"\u003etomobako 共箱,\u003c\/strong\u003e its workshop \u003cstrong data-start=\"1053\" data-end=\"1067\"\u003eshiori しおり\u003c\/strong\u003e and cloth.\u003c\/p\u003e\n\u003ch3 data-section-id=\"rmw5tv\" data-start=\"1080\" data-end=\"1094\"\u003e\u003cstrong\u003eDescription\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-start=\"1096\" data-end=\"1339\"\u003eThis \u003cstrong data-start=\"1099\" data-end=\"1120\"\u003echawan Beni Shino\u003c\/strong\u003e 紅志野茶碗 is a beautiful Japanese matcha bowl made by the \u003cstrong data-start=\"1181\" data-end=\"1200\"\u003e桂山窯 Keizan-gama\u003c\/strong\u003e kiln, accompanied by a \u003cstrong data-start=\"1219\" data-end=\"1247\"\u003etomobako box\u003c\/strong\u003e and its \u003cstrong data-start=\"1258\" data-end=\"1268\"\u003eshiori.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"1341\" data-end=\"1528\"\u003e\u003cstrong data-end=\"683\" data-start=\"665\"\u003eBeni Shino 紅志野\u003c\/strong\u003e is a variation of \u003cstrong data-end=\"718\" data-start=\"704\"\u003eShino-yaki\u003c\/strong\u003e where a \u003cstrong data-end=\"747\" data-start=\"725\"\u003eferruginous slip\u003c\/strong\u003e is applied under a thick white feldspathic glaze, resulting in red, pink, and rust-brown hues during firing.\u003c\/p\u003e\n\u003cp data-start=\"1530\" data-end=\"1791\"\u003eThe \u003cstrong data-start=\"1539\" data-end=\"1561\"\u003ehantsutsu-gata 半筒型\u003c\/strong\u003e, semi-cylindrical shape, typical of Shino-yaki, gives the bowl a stable, understated, and generous presence. It is very well suited for preparing matcha.\u003c\/p\u003e\n\u003cp data-start=\"1793\" data-end=\"2175\"\u003eThe surface features a beautiful clear, almost milky glaze, punctuated by small ferruginous spots and large areas especially visible near the foot. There is also a subtle \u003cstrong data-start=\"2034\" data-end=\"2050\"\u003eyuzuhada 柚子肌\u003c\/strong\u003e effect, this slightly pitted and granular texture, compared to yuzu skin, which brings a lot of life to the Shino glaze.\u003c\/p\u003e\n\u003cp data-start=\"2177\" data-end=\"2408\"\u003eThe subtly irregular rim maintains a pleasant softness in hand. The well-turned ring foot \u003cstrong data-start=\"2267\" data-end=\"2279\"\u003ekōdai 高台\u003c\/strong\u003e ensures the bowl's stability.\u003c\/p\u003e\n\u003ch3 data-start=\"3072\" data-end=\"3097\"\u003e📦 \u003cstrong data-start=\"3075\" data-end=\"3097\"\u003eTomobako and shiori\u003c\/strong\u003e\n\n\u003c\/h3\u003e\n\u003cp data-start=\"3099\" data-end=\"3292\"\u003eThe wooden \u003cstrong data-start=\"3102\" data-end=\"3117\"\u003etomobako 共箱\u003c\/strong\u003e bears the inscription \u003cstrong data-start=\"3146\" data-end=\"3157\"\u003e茶盌 \/ 茶碗\u003c\/strong\u003e, the signature \u003cstrong data-start=\"3172\" data-end=\"3178\"\u003e桂山\u003c\/strong\u003e and the workshop's red seal. It accompanies the bowl with its traditional cord and protective cloth.\u003c\/p\u003e\n\u003cp data-start=\"3294\" data-end=\"3464\"\u003eThe \u003cstrong data-start=\"3297\" data-end=\"3311\"\u003eshiori しおり\u003c\/strong\u003e (document accompanying the bowl) highlights the historical importance of ancient \u003cstrong data-end=\"2493\" data-start=\"2485\"\u003eMino\u003c\/strong\u003e ceramics: since the \u003cstrong data-end=\"2528\" data-start=\"2518\"\u003eTenpyō\u003c\/strong\u003e and \u003cstrong data-end=\"2547\" data-start=\"2535\"\u003eMomoyama\u003c\/strong\u003e periods, this tradition has developed a brilliant style. Great lords, starting with \u003cstrong data-end=\"2650\" data-start=\"2634\"\u003eOda Nobunaga\u003c\/strong\u003e and \u003cstrong data-end=\"2676\" data-start=\"2654\"\u003eToyotomi Hideyoshi\u003c\/strong\u003e, particularly appreciated \u003cstrong data-end=\"2730\" data-start=\"2721\"\u003eShino\u003c\/strong\u003e, \u003cstrong data-end=\"2741\" data-start=\"2732\"\u003eOribe\u003c\/strong\u003e, and \u003cstrong data-end=\"2756\" data-start=\"2745\"\u003eTenmoku\u003c\/strong\u003e glazes, admired for their mystical depth, their \u003cstrong data-end=\"2812\" data-start=\"2803\"\u003eyūgen\u003c\/strong\u003e 幽玄.\u003c\/p\u003e\n\u003ch3 data-start=\"3466\" data-end=\"3483\"\u003e\u003cstrong\u003e🦝 Our opinion\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-start=\"3485\" data-end=\"3824\" data-is-last-node=\"\" data-is-only-node=\"\"\u003eA superb \u003cstrong data-start=\"3498\" data-end=\"3519\"\u003echawan Beni Shino\u003c\/strong\u003e that exudes true power and is quite substantial! We love its thick white glaze punctuated with rust-brown spots and its more burnt areas near the foot! An ideal piece for matcha enthusiasts, Japanese ceramic collectors, or lovers of \u003cstrong data-start=\"3810\" data-end=\"3823\"\u003ewabi-sabi\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp data-start=\"2388\" data-end=\"2696\"\u003eDiscover the world of tea in our \u003ca href=\"https:\/\/kogedo.com\/collections\/arts-de-la-table\" title=\"tableware collection at KOGEDO Japanese antique shop: ceramics, lacquerware, porcelain and much more\"\u003e\u003cstrong data-start=\"2372\" data-end=\"2430\"\u003e\"Tableware\" collection.\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e","brand":"KOGEDO","offers":[{"title":"Default Title","offer_id":53993364029779,"sku":"T75","price":135.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0937\/8562\/0819\/files\/chawan-beni-shino-avec-boite-bois-tomobako-et-shiori-keizan.jpg?v=1781334418"},{"product_id":"e-hon-japonais-original-utagawa-yoshikazu-santo-kyozan-bijin-roku-edo-1857","title":"Original illustrated book (e-hon) – Utagawa Yoshikazu \u0026 Santō Kyōzan – The Register of Beauties to the Sound of the Koto – Edo 1857","description":"\u003cp data-start=\"364\" data-end=\"428\"\u003eBook of traditional \u003cstrong\u003eoriginal\u003c\/strong\u003e Ukiyo-e prints, woodblock prints. [\u003cspan style=\"text-decoration: underline;\"\u003eThis work is not a modern reproduction\u003c\/span\u003e]\u003c\/p\u003e\n\u003csection data-turn=\"assistant\" data-scroll-anchor=\"false\" data-testid=\"conversation-turn-16\" data-turn-id=\"request-69f44c72-2e74-8325-89c2-41e7f6f631be-0\" dir=\"auto\" class=\"text-token-text-primary w-full focus:outline-none [--shadow-height:45px] has-data-writing-block:pointer-events-none has-data-writing-block:-mt-(--shadow-height) has-data-writing-block:pt-(--shadow-height) [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto [content-visibility:auto] supports-[content-visibility:auto]:[contain-intrinsic-size:auto_100lvh] R6Vx5W_threadScrollVars scroll-mb-[calc(var(--scroll-root-safe-area-inset-bottom,0px)+var(--thread-response-height))] scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto pb-10 [--thread-content-margin:var(--thread-content-margin-xs,calc(var(--spacing)*4))] @w-sm\/main:[--thread-content-margin:var(--thread-content-margin-sm,calc(var(--spacing)*6))] @w-lg\/main:[--thread-content-margin:var(--thread-content-margin-lg,calc(var(--spacing)*16))] px-(--thread-content-margin)\"\u003e\n\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\"\u003e\n\n\u003cdiv class=\"flex max-w-full flex-col gap-4 grow\"\u003e\n\n\u003cdiv data-turn-start-message=\"true\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal outline-none keyboard-focused:focus-ring [.text-message+\u0026amp;]:mt-1\" data-message-model-slug=\"gpt-5-5-thinking\" dir=\"auto\" data-message-id=\"aad70bc8-044d-4594-96ed-68b698dcdd03\" data-message-author-role=\"assistant\" tabindex=\"0\"\u003e\n\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden\"\u003e\n\n\u003cdiv class=\"markdown prose dark:prose-invert w-full wrap-break-word dark markdown-new-styling\"\u003e\n\n\u003cp data-start=\"164\" data-end=\"288\"\u003e\u003cstrong\u003eObject type\u003c\/strong\u003e: \u003cstrong data-start=\"184\" data-end=\"207\"\u003eE-hon 絵本 \/ gōkan 合巻\u003c\/strong\u003e, old Edo manga, original Japanese illustrated book printed by woodblock\u003c\/p\u003e\n\n\u003cp data-start=\"290\" data-end=\"382\"\u003e\u003cstrong\u003eTitle\u003c\/strong\u003e: \u003cstrong data-start=\"312\" data-end=\"339\"\u003eKinsei Bijin-roku 琴声美人録\u003c\/strong\u003e — \u003cem data-start=\"342\" data-end=\"382\"\u003eThe Register of Beauties to the Sound of the Koto\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp data-start=\"452\" data-end=\"537\"\u003e\u003cstrong\u003eVolume\u003c\/strong\u003e: Thirteenth part, lower\/second volume \u003cstrong data-start=\"515\" data-end=\"537\"\u003e十三編 下 Jūsan-ben ge\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp data-start=\"539\" data-end=\"644\"\u003e\u003cstrong\u003eAuthor\u003c\/strong\u003e: \u003cstrong data-start=\"553\" data-end=\"574\"\u003eSantō Kyōzan 山東京山\u003c\/strong\u003e\u003cbr data-start=\"574\" data-end=\"577\"\u003eCover cartouche: \u003cstrong data-start=\"608\" data-end=\"627\"\u003e京山作 Kyōzan saku\u003c\/strong\u003e, work by Kyōzan\u003c\/p\u003e\n\n\u003cp data-start=\"646\" data-end=\"769\"\u003e\u003cstrong\u003eIllustrator\u003c\/strong\u003e: \u003cstrong data-start=\"666\" data-end=\"692\"\u003eUtagawa Yoshikazu 歌川芳員\u003c\/strong\u003e\u003cbr data-start=\"692\" data-end=\"695\"\u003eCover cartouche: \u003cstrong data-start=\"726\" data-end=\"746\"\u003e芳員画 Yoshikazu ga\u003c\/strong\u003e, drawn by Yoshikazu\u003c\/p\u003e\n\n\u003cp data-start=\"771\" data-end=\"894\"\u003e\u003cstrong\u003ePublisher\u003c\/strong\u003e: \u003cstrong data-start=\"786\" data-end=\"810\"\u003eSano-ya Kihei 佐野屋喜兵衛\u003c\/strong\u003e, publishing house \u003cstrong data-start=\"829\" data-end=\"845\"\u003eKikakudō 喜鶴堂\u003c\/strong\u003e\u003cbr data-start=\"845\" data-end=\"848\"\u003ePublisher's seal: \u003cstrong data-start=\"871\" data-end=\"894\"\u003e喜鶴堂梓 Kikakudō azusa\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp data-start=\"896\" data-end=\"1065\"\u003e\u003cstrong\u003eCensorship date\u003c\/strong\u003e: 9th month of the Year of the Rabbit, \u003cstrong data-start=\"948\" data-end=\"959\"\u003eAnsei 2\u003c\/strong\u003e, October 1855\u003cbr data-start=\"973\" data-end=\"976\"\u003eCensor seals: \u003cstrong data-start=\"1001\" data-end=\"1014\"\u003e改 Aratame\u003c\/strong\u003e, approved, and \u003cstrong data-start=\"1029\" data-end=\"1040\"\u003e卯九 U-Ku\u003c\/strong\u003e, Year of the Rabbit, 9th month\u003c\/p\u003e\n\n\u003cp data-start=\"1067\" data-end=\"1213\"\u003e\u003cstrong\u003eCommercial publication date\u003c\/strong\u003e: New Year of the Year of the Snake, \u003cstrong data-start=\"1139\" data-end=\"1150\"\u003eAnsei 4\u003c\/strong\u003e, early 1857\u003cbr data-start=\"1162\" data-end=\"1165\"\u003eFinal catalog mention: \u003cstrong data-start=\"1199\" data-end=\"1213\"\u003e安政四年丁巳孟春新録\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp data-start=\"1215\" data-end=\"1254\"\u003e\u003cstrong\u003eFormat\u003c\/strong\u003e: approx. \u003cstrong data-start=\"1237\" data-end=\"1254\"\u003e12 cm x 18 cm, \u003c\/strong\u003e\u003cstrong data-start=\"1274\" data-end=\"1286\"\u003e20 pages\u003c\/strong\u003e, all illustrated\u003c\/p\u003e\n\n\u003cp data-start=\"1307\" data-end=\"1339\"\u003e\u003cstrong\u003eOrigin\u003c\/strong\u003e: Japan, Edo period, discovered in Kyoto prefecture\u003c\/p\u003e\n\n\u003ch3 data-start=\"1341\" data-end=\"1368\"\u003e\u003cstrong\u003eAbout the series:\u003c\/strong\u003e\u003c\/h3\u003e\n\n\u003cp data-start=\"1370\" data-end=\"1759\"\u003e\u003cstrong data-start=\"1370\" data-end=\"1397\"\u003eKinsei Bijin-roku 琴声美人録\u003c\/strong\u003e, also abbreviated \u003cstrong data-start=\"1412\" data-end=\"1430\"\u003eBijin-roku 美人録\u003c\/strong\u003e, is a long series of popular illustrated novels of the \u003cstrong data-start=\"1492\" data-end=\"1504\"\u003egōkan 合巻\u003c\/strong\u003e type, published at the end of the Edo period. The \u003cstrong data-start=\"1543\" data-end=\"1552\"\u003egōkan\u003c\/strong\u003e is an illustrated narrative book, printed by woodblock, very popular in the 19th century: a form of visual serialized novel that can clearly be considered the \u003cstrong\u003eancestor of manga\u003c\/strong\u003e!\u003c\/p\u003e\n\n\u003cp data-start=\"1761\" data-end=\"2272\"\u003eThe complete series comprises \u003cstrong data-start=\"1786\" data-end=\"1816\"\u003e17 parts for 68 volumes\u003c\/strong\u003e, which indicates its publishing success. As often in large gōkan series, several illustrators from the Utagawa school succeed each other throughout the volumes, notably \u003cstrong data-start=\"1996\" data-end=\"2016\"\u003eUtagawa Toyokuni\u003c\/strong\u003e, \u003cstrong data-start=\"2018\" data-end=\"2038\"\u003eUtagawa Kuniteru\u003c\/strong\u003e, \u003cstrong data-start=\"2040\" data-end=\"2065\"\u003eTachikawasaï Kunisato\u003c\/strong\u003e and \u003cstrong data-start=\"2069\" data-end=\"2090\"\u003eUtagawa Yoshikazu\u003c\/strong\u003e. A particularly interesting point: \u003cstrong data-start=\"2134\" data-end=\"2182\"\u003eYoshikazu only appears in the 13th part\u003c\/strong\u003e, which makes this copy a specific volume!\u003c\/p\u003e\n\n\u003ch3 data-start=\"2274\" data-end=\"2301\"\u003e\u003cstrong\u003eAbout the author:\u003c\/strong\u003e\u003c\/h3\u003e\n\n\u003cp data-start=\"2303\" data-end=\"2594\"\u003e\u003cstrong data-start=\"2303\" data-end=\"2324\"\u003eSantō Kyōzan 山東京山\u003c\/strong\u003e, born \u003cstrong data-start=\"2329\" data-end=\"2349\"\u003eIwase Kyōji 岩瀬京治\u003c\/strong\u003e, is one of the great figures of popular literature from the late Edo period. Younger brother of the famous \u003cstrong data-start=\"2459\" data-end=\"2480\"\u003eSantō Kyōden 山東京伝\u003c\/strong\u003e, he built a long and prolific career, mainly in the field of \u003cstrong data-start=\"2565\" data-end=\"2574\"\u003egōkan\u003c\/strong\u003e and \u003cstrong data-start=\"2582\" data-end=\"2593\"\u003eyomihon\u003c\/strong\u003e.\u003c\/p\u003e\n\n\u003cp data-start=\"2596\" data-end=\"3214\"\u003eHis stories mix sentimental intrigues, family dramas, filial piety, vendettas, loyalty, pleasure quarters and social scenes. Less satirical than his brother, Kyōzan excelled in melodramatic stories accessible to the general public of Edo. He collaborated with great artists of the Utagawa school, including \u003cstrong data-start=\"2914\" data-end=\"2941\"\u003eKunisada \/ Toyokuni III\u003c\/strong\u003e, \u003cstrong data-start=\"2943\" data-end=\"2956\"\u003eKuniyoshi\u003c\/strong\u003e, \u003cstrong data-start=\"2958\" data-end=\"2971\"\u003eHiroshige\u003c\/strong\u003e and here \u003cstrong data-start=\"2979\" data-end=\"3000\"\u003eUtagawa Yoshikazu\u003c\/strong\u003e. He died in 1858 at the remarkable age of 89, embodying almost single-handedly the living memory of Edo's cultural golden age. This volume, commercially published in 1857, therefore belongs to the very end of his career.\u003c\/p\u003e\n\n\u003ch3 data-start=\"3216\" data-end=\"3244\"\u003e\u003cstrong\u003eAbout the artist:\u003c\/strong\u003e\u003c\/h3\u003e\n\n\u003cp data-start=\"3246\" data-end=\"3552\"\u003e\u003cstrong data-start=\"3246\" data-end=\"3272\"\u003eUtagawa Yoshikazu 歌川芳員\u003c\/strong\u003e is an artist from the Utagawa school, active in the mid-19th century. A student of \u003cstrong data-start=\"3349\" data-end=\"3370\"\u003eUtagawa Kuniyoshi\u003c\/strong\u003e, he is known for his narrative scenes, warrior prints, illustrations for popular books, and later, his images related to the opening of Japan and Yokohama-e.\u003c\/p\u003e\n\n\u003cp data-start=\"3554\" data-end=\"3797\"\u003eIn this volume, Yoshikazu accompanies the narrative with a wealth of detail: women in kimonos, interior scenes, Japanese gardens, boat rides, high-ranking figures, popular characters and a dramatic confrontation scene.\u003c\/p\u003e\n\n\u003ch3 data-start=\"3799\" data-end=\"3811\"\u003e\u003cstrong\u003eSubject:\u003c\/strong\u003e\u003c\/h3\u003e\n\n\u003cp data-start=\"3813\" data-end=\"4058\"\u003eThis old Japanese illustrated book belongs both to the world of \u003cstrong data-start=\"3883\" data-end=\"3899\"\u003ebijin-ga 美人画\u003c\/strong\u003e, with its numerous representations of elegant women in kimonos, and \u003cstrong data-start=\"3973\" data-end=\"3990\"\u003efūzoku-ga 風俗画\u003c\/strong\u003e, with its scenes of life, travel, receptions and society.\u003c\/p\u003e\n\n\u003cp data-start=\"4060\" data-end=\"4513\"\u003eThe episode visible in this volume seems to open around \u003cstrong data-start=\"4119\" data-end=\"4140\"\u003eKiyokawa 清川 \/ きよ川\u003c\/strong\u003e and the ladies of her house, who welcome \u003cstrong data-start=\"4187\" data-end=\"4201\"\u003eKurōta 九郎太\u003c\/strong\u003e, vassal of the Imadegawa house. The following pages unfold a refined world of late Edo: conversations in interiors, women in kimonos under flowers, procession with servants, boat ride in a Japanese garden, reception, exchanges between characters and scenes of aristocratic life.\u003c\/p\u003e\n\n\u003cp data-start=\"4515\" data-end=\"4797\"\u003eThen the narrative seems to turn to discord, \u003cstrong data-start=\"4563\" data-end=\"4573\"\u003eKurōta\u003c\/strong\u003e seems to be unmasked or compromised. The most spectacular scene then shows \u003cstrong data-start=\"4711\" data-end=\"4744\"\u003eKiyokawa armed with a naginata\u003c\/strong\u003e, confronting Kurōta, who appears wounded and subdued.\u003c\/p\u003e\n\n\u003cp data-start=\"4799\" data-end=\"5155\"\u003eThis is one of the strongest images in the volume: Kiyokawa is not depicted as a simple beautiful woman, but as a true \u003cstrong data-start=\"4947\" data-end=\"4965\"\u003eaction heroine\u003c\/strong\u003e, almost a warrior. She seems to confront, defeat, and arrest the antagonist, before the women go to Lord \u003cstrong data-start=\"5097\" data-end=\"5126\"\u003eImadegawa 今出川\u003c\/strong\u003e to report to him.\u003c\/p\u003e\n\n\u003ch3 data-start=\"5157\" data-end=\"5183\"\u003eHistorical particularity:\u003c\/h3\u003e\n\n\u003cp data-start=\"5185\" data-end=\"5375\"\u003eThis volume bears a particularly interesting dating. The censorship seals \u003cstrong data-start=\"5267\" data-end=\"5280\"\u003eAratame 改\u003c\/strong\u003e and \u003cstrong data-start=\"5284\" data-end=\"5295\"\u003e卯九\u003c\/strong\u003e indicate validation of the woodblock prints in October 1855.\u003c\/p\u003e\n\n\u003cp data-start=\"5377\" data-end=\"5787\"\u003eA few weeks later, the \u003cstrong data-start=\"5409\" data-end=\"5433\"\u003eGreat Ansei Earthquake\u003c\/strong\u003e struck Edo on November 11, 1855, devastating many artisan, publisher, and printer districts. However, the final catalog of this copy bears a commercial date of \u003cstrong data-start=\"5615\" data-end=\"5636\"\u003eAnsei 4 New Year\u003c\/strong\u003e, early 1857. This 18-month delay suggests publication or re-release after the major disruptions caused by the disaster.\u003c\/p\u003e\n\n\u003ch3 data-start=\"5789\" data-end=\"5800\"\u003eCondition:\u003c\/h3\u003e\n\n\u003cp data-start=\"5802\" data-end=\"6118\"\u003eVery beautiful antique copy, the cover is in perfect condition, the colors are very nice. The pages are very well preserved with no tears. There are some signs of handling on the page edges and 2 small wormholes present on all right-hand pages (see photos.)\u003c\/p\u003e\n\n\u003ch3 data-start=\"6297\" data-end=\"6322\"\u003e🦝 Our opinion:\u003c\/h3\u003e\n\n\u003cp data-start=\"6324\" data-end=\"6532\"\u003eAn exceptional piece for KOGEDO: a true \u003cstrong data-start=\"6381\" data-end=\"6402\"\u003eantique Edo manga\u003c\/strong\u003e, printed in Japan almost 170 years ago, blending popular literature, ukiyo-e prints, scenes of life and renowned artists!\u003c\/p\u003e\n\n\u003cp data-start=\"6534\" data-end=\"6859\"\u003eWe particularly love \u003cstrong data-start=\"6801\" data-end=\"6858\"\u003eKiyokawa, the \"badass\" heroine of this volume! We love that she's not just beautiful but also strong, armed with her naginata, she's the one who stops Kurōta\u003c\/strong\u003e.\u003c\/p\u003e\n\n\u003cp data-start=\"6861\" data-end=\"7134\"\u003eA surprisingly modern image in a popular book from the Edo period!\u003c\/p\u003e\n\n\u003cp data-start=\"7136\" data-end=\"7450\" data-is-last-node=\"\" data-is-only-node=\"\"\u003eA rare original illustrated book at the crossroads of \u003cstrong data-start=\"7186\" data-end=\"7209\"\u003eJapanese antiquity\u003c\/strong\u003e, \u003cstrong data-start=\"7214\" data-end=\"7237\"\u003ecollectible books\u003c\/strong\u003e, \u003cstrong data-start=\"7244\" data-end=\"7274\"\u003eold Japanese prints\u003c\/strong\u003e and \u003cstrong\u003ethe history of manga!\u003c\/strong\u003e\u003c\/p\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003c\/section\u003e\n\u003cp\u003eDiscover all our authentic prints in our collection of \u003ca title=\"Authentic Japanese prints by Kunisada and other masters\" href=\"https:\/\/kogedo.com\/collections\/estampes-japonaises\"\u003e\u003cstrong data-end=\"1322\" data-start=\"1299\"\u003eJapanese prints\u003c\/strong\u003e.\u003c\/a\u003e\u003c\/p\u003e","brand":"KOGEDO","offers":[{"title":"Default Title","offer_id":54009728860499,"sku":"E248","price":310.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0937\/8562\/0819\/files\/kinsei-bijinroku-couverture-manga-edo-utagawa-yoshikazu.jpg?v=1781604811"},{"product_id":"tasse-antique-porcelaine-ko-imari-tojin-zu-karako-edo-meiji","title":"Tasse japonaise antique en porcelaine Ko-Imari 伊万里 – Scène Tōjin-zu 唐人図 érudit chinois et enfant – XVIIIe -XIXe","description":"\u003ch3\u003e\u003cstrong\u003eCaractéristiques\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eOrigine :\u003c\/strong\u003e Japon, Arita (有田), ancienne province de Hizen\u003cbr\u003e\u003cstrong\u003eÉpoque :\u003c\/strong\u003e Époque Edo tardive ou tout début Meiji, fin XVIIIe – moitié XIXe siècle\u003cbr\u003e\u003cstrong\u003eType :\u003c\/strong\u003e Ko-Imari (古伊万里) – Imari-yaki (伊万里焼)\u003cbr\u003e\u003cstrong\u003eMatériau :\u003c\/strong\u003e Porcelaine japonaise\u003cbr\u003e\u003cstrong\u003eDécor :\u003c\/strong\u003e Tōjin-zu (唐人図), érudit chinois et enfant karako (唐子)\u003cbr\u003e\u003cstrong\u003eCouleurs :\u003c\/strong\u003e Bleu cobalt sous couverte, rouge aka-e, vert, brun manganèse, rehauts dorés\u003cbr\u003e\u003cstrong\u003eDiamètre :\u003c\/strong\u003e env. 8,3 cm\u003cbr\u003e\u003cstrong\u003eHauteur :\u003c\/strong\u003e env. 7,5 cm\u003cbr\u003e\u003cstrong\u003ePoids :\u003c\/strong\u003e env. 152 g\u003cbr\u003e\u003cstrong\u003eÉtat :\u003c\/strong\u003e Très bon état antique, légères traces du temps, petites irrégularités de cuisson liée à la fabrication ancienne artisannale, sans défaut majeur\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eDescription\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eTrès belle \u003cstrong\u003etasse Ko-Imari en porcelaine japonaise\u003c\/strong\u003e, produite dans l’esprit des ateliers d’\u003cstrong\u003eArita\u003c\/strong\u003e, dans l’ancienne province de Hizen.\u003c\/p\u003e\n\u003cp\u003eUne pièce ancienne, probablement de \u003cstrong\u003el’époque Edo tardive\u003c\/strong\u003e, que l’on peut situer prudemment entre la \u003cstrong\u003efin du XVIIIe siècle et la première moitié du XIXe siècle\u003c\/strong\u003e. Elle appartient à ces porcelaines Imari peintes à la main, à la fois raffinées, vivantes et pleines de caractère.\u003c\/p\u003e\n\u003cp\u003eLa forme est simple et équilibrée : une tasse à thé japonaise \u003cstrong\u003eyunomi,\u003c\/strong\u003e adoptant la forme traditionnelle et épurée des gobelets choko, avec un pied annulaire discret et une silhouette légèrement évasée. Son format agréable permet aussi bien un usage décoratif ou dans une collection d’art de la table japonais.\u003c\/p\u003e\n\u003cp\u003eLe décor extérieur représente une scène chinoise, appelée \u003cstrong\u003eTōjin-zu 唐人図\u003c\/strong\u003e, avec un \u003cstrong\u003elettré chinois accompagné d’un enfant karako 唐子\u003c\/strong\u003e dans un jardin. On y retrouve un pin stylisé, une barrière rouge, des éléments d’architecture et un élégant médaillon bleu rehaussé d’or dans le style \u003cb\u003eKinrande\u003c\/b\u003e (金襴手). Ces scènes étaient très appréciées pendant la période Edo.\u003c\/p\u003e\n\u003cp\u003eLa palette est typique de l’univers \u003cstrong\u003eImari ancien\u003c\/strong\u003e : bleu cobalt sous couverte, rouge de fer, verts émaillés et touches dorées. Les feuillages verts, les frises géométriques bleues et les réserves décoratives donnent à l’ensemble beaucoup de rythme.\u003c\/p\u003e\n\u003cp\u003eÀ la loupe, on observe de charmantes \u003cstrong\u003eirrégularités d’atelier\u003c\/strong\u003e, visibles sur les photos : traces de cuisson, traces ponctuelles de bleu sous couverte, variations dans les émaux et rehauts dorés appliqués à la main. Ces détails renforcent l’authenticité de cette porcelaine japonaise ancienne.\u003c\/p\u003e\n\u003cp\u003eLe revers n’est pas marqué, ce qui est fréquent pour ce type de production \u003cstrong\u003eArita \/ Imari\u003c\/strong\u003e. Le pied présente une usure cohérente avec l’âge de la pièce.\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003e🦝 Notre avis\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eUne très belle \u003cstrong\u003etasse Imari antique\u003c\/strong\u003e, pleine de charme et de personnalité.\u003cbr\u003eOn aime particulièrement son décor typique de la période Edo : \u003cstrong\u003eTōjin-zu\u003c\/strong\u003e, le duo du lettré et du petit \u003cstrong\u003ekarako\u003c\/strong\u003e, ainsi que les belles irrégularités qui racontent la main de l’artisan. \u003c\/p\u003e\n\u003cp\u003eUne superbe pièce âgée de près de 2 siècles pour sublimer votre table ou simplement pour exposer !\u003c\/p\u003e\n\u003cp\u003e\u003ca title=\"collection arts de la table chez KOGEDO brocante japonaise : céramiques, laques, porcelaines et bien plus\" href=\"https:\/\/kogedo.com\/collections\/arts-de-la-table\"\u003e\u003cstrong\u003eDécouvrez également notre collection “Art de la Table”\u003c\/strong\u003e\u003c\/a\u003e, où d’autres procelaines, mais également laques et céramiques perpétuent l’élégance et la délicatesse de l’artisanat japonais.\u003c\/p\u003e","brand":"KOGEDO","offers":[{"title":"Default Title","offer_id":54018620490067,"sku":"TAP25","price":98.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0937\/8562\/0819\/files\/tasse-porcelaine-japonaise-imari-ancienne-tojinzu-karako-arita.jpg?v=1781683652"},{"product_id":"kokeshi-japonaise-vintage-style-tsuchiyu-sabako-signee-inage-yutaka-24cm","title":"Kokeshi japonaise vintage – Style Tsuchiyu Sabako – signée Inage Yutaka 稲毛豊 – 24 cm","description":"\u003ch3\u003e📐 \u003cstrong\u003eCaractéristiques :\u003c\/strong\u003e\n\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eOrigine :\u003c\/strong\u003e Japon, Iizaka, préfecture de Fukushima, déniché dans la préfecture de Tokyo\u003cbr\u003e\u003cstrong\u003eÉpoque :\u003c\/strong\u003e Ère Shōwa, estimée \u003cstrong\u003eannées 1970\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eStyle :\u003c\/strong\u003e \u003cstrong\u003eDento kokeshi Tsuchiyu\u003c\/strong\u003e, sous-style \u003cstrong\u003eSabako \/ 鯖湖型\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eArtisan :\u003c\/strong\u003e \u003cstrong\u003eInage Yutaka\u003c\/strong\u003e 稲毛豊, 1929–1985\u003cbr\u003e\u003cstrong\u003eMatériau :\u003c\/strong\u003e Bois tourné, peinture traditionnelle\u003cbr\u003e\u003cstrong\u003eHauteur :\u003c\/strong\u003e 24 cm\u003cbr\u003e\u003cstrong\u003eSignature :\u003c\/strong\u003e Signée sous la base Iizaka 飯坂 Inage Yutaka 稲毛豊\u003cbr\u003e\u003cstrong\u003eÉtat :\u003c\/strong\u003e Bel état ancien. Patine naturelle visible sur le corps et la tête, couleur verte passée, état cohérent avec son âge.\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eL’artisan : Inage Yutaka 稲毛豊, 1929–1985\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eInage Yutaka est un artisan important de la tradition \u003cstrong\u003eTsuchiyu\u003c\/strong\u003e, né à Iizaka, dans la préfecture de Fukushima. Avant de devenir \u003cstrong\u003ekokeshi kōjin\u003c\/strong\u003e, il aurait travaillé comme cuisinier, puis demanda à entrer en apprentissage auprès de \u003cstrong\u003eWatanabe Kihei\u003c\/strong\u003e, dont l’atelier se trouvait près de chez lui.\u003c\/p\u003e\n\u003cp\u003eIl commence sa formation au tournage du bois en \u003cstrong\u003e1972\u003c\/strong\u003e, puis réalise ses premières kokeshi la même année. En \u003cstrong\u003e1974\u003c\/strong\u003e, il devient indépendant et se consacre pleinement à son travail. Il se distingue rapidement par ses restaurations et interprétations des anciennes kokeshi \u003cstrong\u003eSabako\u003c\/strong\u003e, dont il parvient à retrouver l’esprit avec une grande justesse : traits souples, expression vivante, équilibre du dessin. Il sera considéré comme \u003cstrong\u003el’un des meilleurs, sinon le meilleur, auteur du type Sabako\u003c\/strong\u003e. Sa carrière fut malheureusement courte, puisqu’il disparaît en 1985, à seulement 57 ans.\u003c\/p\u003e\n\u003ch3\u003e🌸 \u003cstrong\u003eDétails :\u003c\/strong\u003e\n\u003c\/h3\u003e\n\u003cp\u003eCette kokeshi présente les marqueurs de l’univers \u003cstrong\u003eTsuchiyu-Sabako\u003c\/strong\u003e : un corps élancé, une tête ronde à la présence douce, un visage finement dessiné et un décor sobre floral rouge, noir et bois naturel. Le sommet de la tête est orné du motif \u003cstrong\u003ejanome\u003c\/strong\u003e 蛇の目, “œil de serpent”, formé de cercles concentriques noirs. Elle présente une belle patine ancienne.\u003c\/p\u003e\n\u003ch3\u003e🦝 \u003cstrong\u003eOn aime :\u003c\/strong\u003e\n\u003c\/h3\u003e\n\u003cp\u003eUne très belle \u003cstrong\u003ekokeshi dento Tsuchiyu\u003c\/strong\u003e signée par \u003cstrong\u003eInage Yutaka\u003c\/strong\u003e, artisan rare, reconnu comme le meilleur du style \u003cstrong\u003eSabako-gata\u003c\/strong\u003e. On aime particulirement son visage très bien réalisé et l'\u003cstrong\u003eoriginalité\u003c\/strong\u003e du style Sabako. Une pièce idéale pour une collection de pièces originales comme pour une décoration japonaise sensible et chaleureuse ou un cadeau japonais.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eEnvie de plonger plus loin dans l’univers des poupées traditionnelles japonaises ?\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e→ Découvrez toutes nos \u003cstrong\u003ekokeshi artisanales\u003c\/strong\u003e dans la \u003ca title=\"Découvrez notre collection de kokeshi artisanales japonaises : poupées en bois traditionnelles du Tōhoku, pièces uniques signées, styles Naruko, Tsuchiyu, Yajirō…\" href=\"https:\/\/kogedo.com\/collections\/kokeshi\"\u003enotre collection KOGEDO\u003c\/a\u003e\u003c\/em\u003e\u003c\/p\u003e","brand":"KOGEDO","offers":[{"title":"Default Title","offer_id":54019421634899,"sku":"K140","price":55.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0937\/8562\/0819\/files\/kokeshi-traditionnelle-japonaise-tsuchiyu-inage-yutaka-24cm.jpg?v=1781689423"},{"product_id":"eventail-pliant-japonais-sensu-bleu-nuit-or-motif-kamon-dore","title":"Eventail pliant japonais Sensu 扇子 – Bleu nuit \u0026 or – Motif kamon doré","description":"\u003cdiv class=\"qMYqUG_convSearchResultHighlightRoot\"\u003e\n\u003cdiv class=\"\"\u003e\n\u003csection class=\"text-token-text-primary w-full focus:outline-none has-data-writing-block:pointer-events-none [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto R6Vx5W_threadScrollVars scroll-mb-[calc(var(--scroll-root-safe-area-inset-bottom,0px)+var(--thread-response-height))] scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\" dir=\"auto\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto pb-10 [--thread-content-margin:var(--thread-content-margin-xs,calc(var(--spacing)*4))] @w-sm\/main:[--thread-content-margin:var(--thread-content-margin-sm,calc(var(--spacing)*6))] @w-lg\/main:[--thread-content-margin:var(--thread-content-margin-lg,calc(var(--spacing)*16))] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col gap-4 grow\"\u003e\n\u003cdiv dir=\"auto\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal outline-none keyboard-focused:focus-ring [.text-message+\u0026amp;]:mt-1\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden\"\u003e\n\u003cdiv class=\"markdown prose dark:prose-invert wrap-break-word w-full dark markdown-new-styling\"\u003e\n\u003ch3\u003e\u003cstrong\u003eCaractéristiques :\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eÉpoque :\u003c\/strong\u003e Estimée fin de l'Ère Shōwa ou début Heisei (années 90-2000)\u003cbr\u003e\u003cstrong\u003eType :\u003c\/strong\u003e Sensu 扇子 (éventail pliant japonais)\u003cbr\u003e\u003cstrong\u003eDimensions :\u003c\/strong\u003e 29 cm de long fermé × 51 cm d’envergure ouvert\u003cbr\u003e\u003cstrong\u003eMatériaux :\u003c\/strong\u003e Papier cartonné décoré et bois laqué noir\u003cbr\u003e\u003cstrong\u003eDécor :\u003c\/strong\u003e Dégradé bleu et or, \u003cstrong\u003ekamon\u003c\/strong\u003e 家紋 抱き菊の葉に酢漿草, inscription japonaise\u003cbr\u003e\u003cstrong\u003eÉtat :\u003c\/strong\u003e Excellent état vintage (voir photos)\u003cbr\u003e\u003cstrong\u003eOrigine :\u003c\/strong\u003e Japon, déniché dans la préfecture de Yamaguchi.\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eDescription :\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eÉventail japonais pliant (\u003cstrong\u003esensu\u003c\/strong\u003e 扇子) en papier cartonné, décoré d’un dégradé bleu et or aux reflets métallisés, avec un élégant \u003cstrong\u003ekamon\u003c\/strong\u003e 家紋 doré.\u003cbr\u003eLa monture est en bois laqué noir, sobre et bien finie.\u003c\/p\u003e\n\u003cp\u003eLe blason représenté est un \u003cstrong\u003eDaki-kiku-no-ha ni Katabami\u003c\/strong\u003e 抱き菊の葉に酢漿草 : deux feuilles de chrysanthème \u003cstrong\u003ekiku-no-ha\u003c\/strong\u003e 菊の葉 “embrassent” le motif central de \u003cstrong\u003ekatabami\u003c\/strong\u003e 酢漿草, une oxalis stylisée souvent associée aux blasons familiaux japonais. Les 2 faces sont décorées.\u003c\/p\u003e\n\u003cp\u003eL’éventail porte aussi une inscription manuscrite, probablement le nom de son ancienne propriétaire : Komori Kiku 小森 キク.\u003c\/p\u003e\n\u003ch3\u003e🦝 \u003cstrong\u003eNotre avis :\u003c\/strong\u003e\n\u003c\/h3\u003e\n\u003cp\u003eUn très bel éventail japonais traditionnel, ses couleurs bleu et or sont très belles et le kamon doré lui donne un côté chic très sympa ! On aime l'inscription avec le nom de l'ancienne propriétaire qui donne tout de suite plus d'âme à cet objet vintage.\u003c\/p\u003e\n\u003cp\u003eIl sera très beau en décoration murale, ou simplement posé pour apporter une touche japonaise authentique.\u003c\/p\u003e\n\u003cp\u003eEt évidemment il fonctionne très bien pour se\u003cstrong\u003e rafraichir lors des chaleurs estivales\u003c\/strong\u003e !\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003eVous aimez la déco japonaise ? Alors venez découvrir toute notre \u003ca title=\"collection objets d'art et de décoration chez KOGEDO. Pièces uniques\" href=\"https:\/\/kogedo.com\/collections\/decoration-objets-art\"\u003ecollection décoration et objets d'arts KOGEDO.\u003c\/a\u003e\u003c\/p\u003e","brand":"KOGEDO","offers":[{"title":"Default Title","offer_id":54020661182803,"sku":"EV03","price":49.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0937\/8562\/0819\/files\/eventail-japonais-sensu-bleu-or-kamon-floral.jpg?v=1781701733"},{"product_id":"yukata-vintage-coton-kimono-japonais-motifs-ichimatsu-sakura","title":"Yukata vintage 浴衣 en coton – Kimono japonais d'été motif damier et fleurs de sakura 桜","description":"\u003cp\u003eCe \u003cstrong\u003eyukata 浴衣 vintage 100 % coton\u003c\/strong\u003e, kimono japonais léger traditionnel, séduit par son beau contraste entre un \u003cstrong\u003efond damier ichimatsu 市松 gris et noir\u003c\/strong\u003e et un décor floral lumineux de \u003cstrong\u003esakura 桜\u003c\/strong\u003e, fleurs de cerisier japonais. Les nuances de rose, rouge, bleu et crème apportent de la fraîcheur au motif, tandis que le damier donne une présence graphique très élégante. Léger, souple et respirant, ce yukata est une très belle pièce pour l’été.\u003c\/p\u003e\n\u003ch3\u003e🌸 \u003cstrong\u003eMotif extérieur\u003c\/strong\u003e\n\u003c\/h3\u003e\n\u003cp\u003eLe tissu présente un motif de \u003cstrong\u003efleurs de sakura\u003c\/strong\u003e, pétales et petites fleurs stylisées, disposés sur un fond en \u003cstrong\u003edamier japonais ichimatsu\u003c\/strong\u003e gris foncé et noir. L’ensemble mélange douceur et structure géométrique, dans un esprit traditionnel et facile à porter. Les fleurs roses, rouges et bleues ressortent joliment sur le fond sombre.\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eFinitions et intérieur\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eComme beaucoup de yukata traditionnels, cette pièce est \u003cstrong\u003enon doublée\u003c\/strong\u003e, ce qui la rend particulièrement agréable lors des beaux jours et des chaleurs estivales. Le coton offre un tombé simple et naturel, avec une sensation légère sur la peau. Ce type de vêtement est idéal pour l’été, les moments de détente, les festivals japonais \u003cstrong\u003ematsuri !\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch3\u003e📏 \u003cstrong\u003eDimensions\u003c\/strong\u003e\n\u003c\/h3\u003e\n\u003cp\u003eEnvergure, manche à manche : \u003cstrong\u003e122 cm\u003c\/strong\u003e\u003cbr\u003eHauteur, épaule jusqu’en bas : \u003cstrong\u003e161 cm\u003c\/strong\u003e\u003cbr\u003eLargeur coutures d’épaule à épaule : \u003cstrong\u003e63 cm\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eMatière\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003e100 % coton\u003c\/strong\u003e – tissu japonais léger, respirant et agréable à porter. Le coton est la matière classique des \u003cstrong\u003eyukata d’été\u003c\/strong\u003e, appréciée pour sa simplicité, sa fraîcheur et son confort. Il accompagne les mouvements avec souplesse tout en gardant une belle tenue.\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eÉtat\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eTrès bon état vintage\u003c\/strong\u003e – Aucune imperfection notable observée.\u003c\/p\u003e\n\u003cp\u003eOrigine : \u003cstrong\u003eJapon, \u003c\/strong\u003edéniché dans la préfecture de Yamaguchi\u003c\/p\u003e\n\u003cp\u003eLe \u003cstrong\u003eobi visible sur la photo portée n’est pas inclus, \u003ca href=\"https:\/\/kogedo.com\/products\/maru-hanhaba-obi-ivoire-argent-motif-seigaiha-brocart-or\" title=\"maru hanhaba obi Kogedo ivoire argent et brocart seigaiha doré\" rel=\"noopener\" target=\"_blank\"\u003emais disponible ici !\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch3\u003e🦝 \u003cstrong\u003eNotre avis\u003c\/strong\u003e\n\u003c\/h3\u003e\n\u003cp\u003eCe yukata plaît tout de suite : le \u003cstrong\u003edamier gris et noir\u003c\/strong\u003e donne du caractère, et les \u003cstrong\u003esakura\u003c\/strong\u003e viennent casser le côté graphique avec des touches plus douces. C’est un vrai \u003cstrong\u003eyukata d’été\u003c\/strong\u003e, léger, simple à porter, avec ce bon mélange entre motif traditionnel japonais et présence visuelle. Pas besoin d’en faire trop : il a juste ce qu’il faut !\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEnvie de découvrir d'autres pièces ?\u003c\/strong\u003e\u003cspan\u003e Parcourez notre sélection complète de \u003c\/span\u003e\u003ca href=\"https:\/\/kogedo.com\/collections\/kimono\" title=\"Découvrez notre collection de haori japonais anciens pour homme et femme : vestes kimono authentiques en soie, doublures raffinées et pièces uniques.\"\u003ehaori et kimono japonais anciens\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003eMais comment porter un Yukata ? \u003ca href=\"https:\/\/kogedo.com\/blogs\/kogedo-le-blog\/comment-porter-un-yukata-ou-un-kimono-japonais-guide-illustre-etape-par-etape\" title=\"Article de blog Kogedo, guide étape par étape pour porter son yukata\" rel=\"noopener\" target=\"_blank\"\u003eRetrouvez notre article, on vous explique tout !\u003c\/a\u003e\u003c\/p\u003e","brand":"KOGEDO","offers":[{"title":"Default Title","offer_id":54042821722451,"sku":"YUK08","price":75.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0937\/8562\/0819\/files\/yukata-traditionnel-japonais-sakura-damier-gris-noir-col-croise.jpg?v=1781879978"},{"product_id":"maru-hanhaba-obi-ivoire-argent-motif-seigaiha-brocart-or","title":"Maru Hanhaba Obi ivoire argenté en soie 絹 – Motif vagues seigaiha 青海波 en brocart doré","description":"\u003cdiv class=\"qMYqUG_convSearchResultHighlightRoot\"\u003e\n\u003cdiv class=\"\"\u003e\n\u003csection class=\"text-token-text-primary w-full focus:outline-none has-data-writing-block:pointer-events-none [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto R6Vx5W_threadScrollVars scroll-mb-[calc(var(--scroll-root-safe-area-inset-bottom,0px)+var(--thread-response-height))] scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\" dir=\"auto\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto pb-10 [--thread-content-margin:var(--thread-content-margin-xs,calc(var(--spacing)*4))] @w-sm\/main:[--thread-content-margin:var(--thread-content-margin-sm,calc(var(--spacing)*6))] @w-lg\/main:[--thread-content-margin:var(--thread-content-margin-lg,calc(var(--spacing)*16))] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col gap-4 grow\"\u003e\n\u003cdiv dir=\"auto\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal outline-none keyboard-focused:focus-ring [.text-message+\u0026amp;]:mt-1\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden\"\u003e\n\u003cdiv class=\"markdown prose dark:prose-invert wrap-break-word w-full dark markdown-new-styling\"\u003e\n\u003cp\u003eLe \u003cstrong\u003ehanhaba obi\u003c\/strong\u003e est une ceinture japonaise traditionnelle “demi-largeur”, plus étroite qu’un obi formel, utilisée pour fermer un yukata ou un kimono décontracté avec un nouage plus simple et léger. Il accompagne parfaitement un \u003cstrong\u003eyukata\u003c\/strong\u003e, un kimono casual ou une tenue inspirée du Japon. Son format est idéal pour les débutants comme pour les amateurs de coordination kimono.\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eCaractéristiques :\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eLongueur :\u003c\/strong\u003e env. 340 cm\u003cbr\u003e\u003cstrong\u003eLargeur :\u003c\/strong\u003e env. 15,5 cm\u003cbr\u003e\u003cstrong\u003eType :\u003c\/strong\u003e maru hanhaba obi, motifs sur les \u003cstrong\u003e2 faces\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eMatière :\u003c\/strong\u003e 100% soie\u003cbr\u003e\u003cstrong\u003eMotif :\u003c\/strong\u003e vagues japonaises \u003cstrong\u003eseigaiha\u003c\/strong\u003e en brocart doré\u003cbr\u003e\u003cstrong\u003eCouleurs :\u003c\/strong\u003e ivoire argenté, rose poudré, doré\u003cbr\u003e\u003cstrong\u003eÉpoque :\u003c\/strong\u003e Estimé fin Shôwa\/ Heisei (1980-2000)\u003cbr\u003e\u003cstrong\u003eÉtat :\u003c\/strong\u003e très bon état vintage – tissu propre, lumineux, aucun défaut majeur notable\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOrigine \u003c\/strong\u003e: Japon, déniché dans la préfecture de Kanagawa\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eMotif\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eCe \u003cstrong\u003emaru hanhaba obi\u003c\/strong\u003e présente un superbe motif de vagues japonaises \u003cstrong\u003eseigaiha\u003c\/strong\u003e, tissé en \u003cstrong\u003ebrocart doré\u003c\/strong\u003e sur un fond doux mêlant \u003cstrong\u003eivoire argenté\u003c\/strong\u003e et \u003cstrong\u003erose poudré\u003c\/strong\u003e. Les reflets du fil doré apportent beaucoup de lumière, tout en conservant une esthétique délicate, raffinée et facile à associer.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e100% soie, motifs sur les deux faces\u003c\/strong\u003e\u003cbr\u003eRéalisé en \u003cstrong\u003esoie\u003c\/strong\u003e, cet obi offre un toucher souple et élégant, avec une belle tenue au nouage. Sa construction \u003cstrong\u003emaru hanhaba\u003c\/strong\u003e signifie que le tissu est décoré sur les deux faces, ce qui permet de jouer avec les plis, les revers et les nœuds visibles selon le style recherché.\u003c\/p\u003e\n\u003ch3\u003e🦝 \u003cstrong\u003eNotre avis :\u003c\/strong\u003e\n\u003c\/h3\u003e\n\u003cp\u003eUn superbe obi en \u003cstrong\u003esoie\u003c\/strong\u003e, très chic mais qui reste sobre. Evidemment on adore son motif \u003cstrong\u003eseigaiha doré ! \u003c\/strong\u003eParfait pour une tenue japonaise, pour ceinturer une robe avec caractère ou en déco\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eEnvie de découvrir d'autres pièces ?\u003c\/strong\u003e\u003cspan\u003e Parcourez notre sélection complète de \u003c\/span\u003e\u003ca href=\"https:\/\/kogedo.com\/collections\/kimono\" title=\"Découvrez notre collection de haori japonais anciens pour homme et femme : vestes kimono authentiques en soie, doublures raffinées et pièces uniques.\"\u003ehaori et kimono japonais anciens\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"pointer-events-none -mt-px h-px translate-y-[calc(var(--scroll-root-safe-area-inset-bottom)-14*var(--spacing))]\"\u003e\u003cbr\u003e\u003c\/div\u003e","brand":"KOGEDO","offers":[{"title":"Default Title","offer_id":54043677819219,"sku":"OB08","price":55.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0937\/8562\/0819\/files\/ceinture-kimono-japonaise-maru-hanhaba-obi-vagues-seigaiha.jpg?v=1781933263"},{"product_id":"jinbei-coton-kimono-japonais-enfant-bleu-motif-hanabi","title":"Jinbei enfant vintage 甚平 en coton – Kimono japonais d'été bleu – motifs hanabi 花火","description":"\u003cp\u003eCe \u003cstrong\u003ejinbei 甚平 japonais pour enfant en coton\u003c\/strong\u003e, ensemble d’été traditionnel composé d’une \u003cstrong\u003eveste croisée et d’un short\u003c\/strong\u003e, séduit par son beau bleu lumineux et son motif \u003cstrong\u003ehanabi 花火\u003c\/strong\u003e, les feux d’artifice japonais.\u003c\/p\u003e\n\u003ch3\u003e\u003cem\u003e\u003cstrong\u003eUn jinbei, c'est quoi ?\u003c\/strong\u003e\u003c\/em\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cem\u003eUn \u003cstrong\u003ejinbei 甚平\u003c\/strong\u003e est une tenue japonaise légère d’été, composée d’une veste croisée à nouer et d’un short assorti, souvent portée par les enfants lors des journées chaudes, des moments de détente ou des festivals \u003cstrong\u003ematsuri\u003c\/strong\u003e. \u003cstrong\u003eAussi bien porté par les filles que les garçons.\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003ch3\u003e🌸 \u003cstrong\u003eMotif extérieur\u003c\/strong\u003e\n\u003c\/h3\u003e\n\u003cp\u003eLe tissu présente un motif de \u003cstrong\u003efeux d’artifice japonais hanab\u003c\/strong\u003e\u003cstrong\u003ei \u003c\/strong\u003e\u003cstrong\u003e花火\u003c\/strong\u003e\u003cstrong\u003e\u003c\/strong\u003e, avec de grands éclats ronds, des lignes blanches verticales rappelant les fusées dans le ciel, et de petites étoiles colorées. Le fond bleu donne beaucoup de fraîcheur à l’ensemble, tandis que les motifs apportent une ambiance estivale joyeuse et traditionnelle, évoquant les soirées d’été au Japon, les fêtes populaires et les \u003cstrong\u003ematsuri 祭り\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eFinitions et intérieur\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eLa veste se ferme par des liens à nouer, dans la forme classique du \u003cstrong\u003ejinbei enfant\u003c\/strong\u003e. Les manches courtes et la coupe ample permettent de bouger facilement, ce qui rend cette tenue très confortable pour l’été, les moments de détente, les fêtes japonaises ou les journées chaudes. Le short assorti possède une taille élastiquée, simple et pratique à enfiler.\u003c\/p\u003e\n\u003ch3\u003e📏 \u003cstrong\u003eTaille\u003c\/strong\u003e\n\u003c\/h3\u003e\n\u003cp\u003eTaille indiquée sur l’étiquette japonaise : \u003cstrong\u003e95 cm \/ 14 kg\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eCorrespondance estimée : \u003cstrong\u003eenviron 3 ans\u003c\/strong\u003e, selon la morphologie de l’enfant.\u003c\/p\u003e\n\u003cp\u003eConvient généralement à un enfant mesurant autour de \u003cstrong\u003e90 à 95 cm\u003c\/strong\u003e. Pour Fille ou garçon.\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eMatière\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003e100% Coton\u003c\/strong\u003e – tissu léger, respirant et agréable à porter. Le coton est idéal pour ce type de vêtement japonais d’été : il laisse la peau respirer, reste souple et accompagne bien les mouvements. Sa texture légèrement visible donne aussi beaucoup de charme au tissu bleu.\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eÉtat\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eTrès bon état vintage\u003c\/strong\u003e – aucune tache, aucun accroc, aucune imperfection notable observée.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOrigine : Japon, \u003c\/strong\u003edéniché dans la préfecture de Nagasaki\u003c\/p\u003e\n\u003ch3\u003e🦝 \u003cstrong\u003eNotre avis\u003c\/strong\u003e\n\u003c\/h3\u003e\n\u003cp\u003eOn adore ce petit jinbei pour son motif \u003cstrong\u003ehanabi\u003c\/strong\u003e très estival : il a tout de suite cette ambiance de soirée d’été japonaise, entre feux d’artifice, yukata, stands de festival et rires d’enfants. Une adorable tenue japonaise, les tous petits seront super kawaii ! Cadeau parfait pour des parents fans de Japon.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEnvie de découvrir d'autres pièces ?\u003c\/strong\u003e\u003cspan\u003e Parcourez notre sélection complète de \u003c\/span\u003e\u003ca href=\"https:\/\/kogedo.com\/collections\/kimono\" title=\"Découvrez notre collection de haori japonais anciens pour homme et femme : vestes kimono authentiques en soie, doublures raffinées et pièces uniques.\"\u003ehaori et kimono japonais anciens\u003c\/a\u003e\u003c\/p\u003e","brand":"KOGEDO","offers":[{"title":"Default Title","offer_id":54061071335763,"sku":"JB04","price":39.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0937\/8562\/0819\/files\/jinbei-enfant-bleu-coton-veste-short-motif-feux-artifice-japon.jpg?v=1782111048"},{"product_id":"estampe-japonaise-originale-utagawa-kuniteru-minamoto-no-yoshitsune-yakusha-e-edo-1867","title":"Estampe japonaise originale – Utagawa Kuniteru II – Minamoto no Yoshitsune – Edo 1867","description":"\u003cp\u003eEstampe Ukiyo-e traditionnelle \u003cstrong\u003eoriginale\u003c\/strong\u003e, gravure sur bois. [\u003cspan style=\"text-decoration: underline;\"\u003eCette estampe n'est pas une reproduction moderne\u003c\/span\u003e]\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eType d’estampe :\u003c\/strong\u003e Yakusha-e 役者絵 (portrait d’acteur kabuki)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTechnique :\u003c\/strong\u003e Nishiki-e 錦絵 (gravure sur bois polychrome japonaise)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArtiste :\u003c\/strong\u003e Utagawa Kuniteru II 国輝二代 (signé Kuniteru hitsu 国輝筆)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSérie :\u003c\/strong\u003e 詞花開末広\u003cbr\u003eKotoba no hana hiraku suehiro —\u003cbr\u003e« Éventails s’ouvrant avec des mots fleuris »\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTitre :\u003c\/strong\u003e 源九郎義経\u003cbr\u003eMinamoto Kurô Yoshitsune\u003c\/p\u003e\n\u003cp\u003e📅 \u003cstrong\u003eDate d’édition :\u003c\/strong\u003e août 1867, fin époque Edo\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eÉditeur :\u003c\/strong\u003e Kagaya Kichibei 加〻や\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGraveur :\u003c\/strong\u003e Hori Ei 彫栄 (Watanabe Eizō 渡辺栄蔵)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSceau de censure :\u003c\/strong\u003e unique 改 (Aratame) + date zodiacale — année du Lapin, 8ᵉ mois\u003c\/p\u003e\n\u003cp\u003e📏 \u003cstrong\u003eFormat :\u003c\/strong\u003e Ōban Tate-e 大判竪絵 (dimensions à compléter)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOrigine :\u003c\/strong\u003e Japon, déniché dans la préfecture de Kanagawa\u003c\/p\u003e\n\u003ch3\u003e\u003cem\u003e\u003cstrong\u003eÀ propos de l’artiste :\u003c\/strong\u003e\u003c\/em\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eUtagawa Kuniteru II\u003c\/strong\u003e est un artiste de l’école Utagawa, actif à la fin de l'ère Edo. Élève de Kunisada, il travailla d’abord sous le nom de Kunitsuna II avant d’adopter le nom Kuniteru.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSon œuvre s’inscrit dans la grande tradition ukiyo-e, avec estampes d’acteurs, scènes historiques, vues urbaines et compositions narratives populaires.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSes yakusha-e de la fin d’Edo sont aujourd'hui recherchées.\u003c\/em\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eSujet :\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eCette estampe représente un acteur de kabuki dans le rôle de \u003cstrong\u003eMinamoto Kurô Yoshitsune\u003c\/strong\u003e, aussi appelé \u003cstrong\u003eMinamoto no Yoshitsune.\u003c\/strong\u003e Figure majeure du Japon médiéval, Yoshitsune est un \u003cstrong\u003ecélèbre guerrier du clan Minamoto\u003c\/strong\u003e, héros de la guerre de Genpei.\u003c\/p\u003e\n\u003cp\u003eIl est resté dans l’imaginaire japonais comme un stratège brillant, courageux et tragique, célébré dans la littérature, le théâtre nô, le kabuki et les estampes ukiyo-e.\u003c\/p\u003e\n\u003cp\u003eLa composition met en valeur un \u003cstrong\u003epuissant portrait de scène\u003c\/strong\u003e : visage concentré, coiffure théâtrale, sabre, armure et \u003cstrong\u003ecostume bleu richement décoré de motifs japonais.\u003c\/strong\u003e Les détails du kimono, les nuances d’indigo et la présence de l’éventail, illustrant la série, sont superbes !\u003c\/p\u003e\n\u003cp\u003eLa série \u003cstrong\u003eKotoba no hana hiraku suehiro, « Éventails s’ouvrant avec des mots fleuris »,\u003c\/strong\u003e associe portrait d’acteur, poésie visuelle et références au théâtre kabuki. Ici, l’image unit la force du héros guerrier à une mise en page raffinée de la\u003cstrong\u003e fin d’Edo\u003c\/strong\u003e.\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eÉtat :\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eTrès bon état général\u003c\/strong\u003e pour une estampe originale de 1867. Légères usures et petits défauts en bordure. Couleurs bleues très bien préservées.\u003c\/p\u003e\n\u003ch3\u003e🦝 \u003cstrong\u003eNotre avis :\u003c\/strong\u003e\n\u003c\/h3\u003e\n\u003cp\u003eOn adore cette estampe originale de \u003cstrong\u003eUtagawa Kuniteru II\u003c\/strong\u003e, un \u003cstrong\u003etrès beau yakusha-e \u003c\/strong\u003e: acteur kabuki, héros samouraï légendaire, costume bleu et vraie présence théâtrale ! Le rôle de \u003cstrong\u003eYoshitsune\u003c\/strong\u003e apporte une dimension historique superbe. Mention spéciale pour le \u003cstrong\u003eKimono et son bleu magnifique\u003c\/strong\u003e !\u003c\/p\u003e\n\u003cp\u003eUne estampe ukiyo-e authentique, datée et signée, avec sceau aratame, graveur identifié et sujet mythique du Japon. Un beau morceau d’Edo pour collectionneur ou amoureux d’art japonais !\u003c\/p\u003e\n\u003cp\u003eDécouvrez toutes nos estampes authentiques dans notre collection d’\u003ca href=\"https:\/\/kogedo.com\/collections\/estampes-japonaises\" title=\"Estampes japonaises authentiques de Kunisada et autres maîtres\"\u003e\u003cstrong\u003eestampes japonaises\u003c\/strong\u003e.\u003c\/a\u003e\u003c\/p\u003e","brand":"KOGEDO","offers":[{"title":"Default Title","offer_id":54061275447635,"sku":"E165","price":270.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0937\/8562\/0819\/files\/ukiyo-e-kabuki-minamoto-kuro-yoshitsune-kuniteru-ii.png?v=1782117039"},{"product_id":"kokeshi-japonaise-vintage-souvenir-omiyage-arima-onsen-peinture-montagne-riviere-30cm","title":"Kokeshi japonaise vintage – Souvenir Omiyage お土産 – Arima onsen 有馬温泉 – 30 cm","description":"\u003cdiv class=\"qMYqUG_convSearchResultHighlightRoot\"\u003e\n\u003cdiv class=\"\"\u003e\n\u003csection class=\"text-token-text-primary w-full focus:outline-none has-data-writing-block:pointer-events-none [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto R6Vx5W_threadScrollVars scroll-mb-[calc(var(--scroll-root-safe-area-inset-bottom,0px)+var(--thread-response-height))] scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\" dir=\"auto\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto pb-10 [--thread-content-margin:var(--thread-content-margin-xs,calc(var(--spacing)*4))] @w-sm\/main:[--thread-content-margin:var(--thread-content-margin-sm,calc(var(--spacing)*6))] @w-lg\/main:[--thread-content-margin:var(--thread-content-margin-lg,calc(var(--spacing)*16))] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col gap-4 grow\"\u003e\n\u003cdiv dir=\"auto\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal outline-none keyboard-focused:focus-ring [.text-message+\u0026amp;]:mt-1\" tabindex=\"0\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden\"\u003e\n\u003cdiv class=\"markdown prose dark:prose-invert wrap-break-word w-full dark markdown-new-styling\"\u003e\n\u003ch3\u003e\u003cstrong\u003e📐 Caractéristiques\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eOrigine \u003c\/strong\u003e: Japon, Arima Onsen (有馬温泉), déniché dans la préfecture d'Osaka\u003cbr\u003e\u003cstrong\u003eÉpoque estimée \u003c\/strong\u003e: ère Shōwa, vers 1950–1990\u003cbr\u003e\u003cstrong\u003eStyle \u003c\/strong\u003e: Kokeshi omiyage \/ souvenir d’onsen (お土産)\u003cbr\u003e\u003cstrong\u003eHauteur \u003c\/strong\u003e: 30 cm\u003cbr\u003e\u003cstrong\u003eMatériau \u003c\/strong\u003e: Bois de bouleau japonais tourné, peinture à la main, écorce naturelle conservée\u003cbr\u003e\u003cstrong\u003eSignature \u003c\/strong\u003e: étiquette “Arima Onsen” sur le corps\u003cbr\u003e\u003cstrong\u003eÉtat \u003c\/strong\u003e: Très bon état vintage, aucun défaut majeur notable.\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eDescription\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eCette \u003cstrong\u003ekokeshi souvenir\u003c\/strong\u003e rend hommage à \u003cstrong\u003eArima Onsen\u003c\/strong\u003e (有馬温泉), station thermale historique du Japon proche de Kobe, réputée pour ses sources chaudes et atmosphère paisible. Son corps présente un \u003cstrong\u003epaysage peint à la main\u003c\/strong\u003e, avec rivière sinueuse, pins verts et montagnes bleutées, évoquant les décors naturels des vallées de la région.\u003c\/p\u003e\n\u003cp\u003eSon esthétique associe la douceur d’un visage souriant, typique des kokeshi omiyage, à un corps en bois gardant par endroits son écorce de bouleau claire. Cette kokeshi incarne ainsi le charme simple des souvenirs d’onsen de l’ère Shōwa, entre \u003cstrong\u003eartisanat populaire japonais\u003c\/strong\u003e, décor régional et présence chaleureuse.\u003c\/p\u003e\n\u003ch3\u003e\u003cem\u003e\u003cstrong\u003eÀ propos des kokeshi omiyage\u003c\/strong\u003e\u003c\/em\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cem\u003eLes \u003cstrong\u003ekokeshi omiyage\u003c\/strong\u003e étaient des souvenirs artisanaux proposés dans les régions touristiques japonaises durant l’ère Shōwa. Chaque pièce évoque un lieu connu, une station thermale, une spécialité locale ou un paysage représentatif.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eCelles liées aux onsen comme \u003cstrong\u003eArima Onsen\u003c\/strong\u003e sont particulièrement attachantes, car elles gardent la mémoire des voyages, des bains chauds et des paysages contemplés sur place. Aujourd’hui, elles sont recherchées pour leur authenticité, leur poésie régionale et leur lien direct avec le Japon populaire.\u003c\/em\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003e🦝 Notre avis\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eUne kokeshi pleine de douceur, attachée à un lieu emblématique du Japon : \u003cstrong\u003eArima Onsen\u003c\/strong\u003e et ses sources chaudes !\u003cbr\u003eSon décor de rivière, montagnes et pins est délicat et met en valeur sa silhouette en bois naturel, typique des \u003cstrong\u003ekokeshi omiyage\u003c\/strong\u003e ! La \u003cstrong\u003epeinture \u003c\/strong\u003eet les \u003cstrong\u003ecouleurs \u003c\/strong\u003esont très belles ! Une pièce idéale pour ceux qui aiment les onsen japonais, les souvenirs de voyage authentiques ou la déco japonaise avec une histoire !\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"mt-3 w-full empty:hidden\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cem\u003eEnvie de plonger plus loin dans l’univers des poupées traditionnelles japonaises ?\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e→ Découvrez toutes nos \u003cstrong\u003ekokeshi artisanales\u003c\/strong\u003e dans la \u003ca title=\"Découvrez notre collection de kokeshi artisanales japonaises : poupées en bois traditionnelles du Tōhoku, pièces uniques signées, styles Naruko, Tsuchiyu, Yajirō…\" href=\"https:\/\/kogedo.com\/collections\/kokeshi\"\u003enotre collection KOGEDO\u003c\/a\u003e\u003c\/em\u003e\u003c\/p\u003e","brand":"KOGEDO","offers":[{"title":"Default Title","offer_id":54064477765971,"sku":"K141","price":72.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0937\/8562\/0819\/files\/kokeshi-omiyage-arima-onsen-poupee-japonaise-bois-paysage-riviere-montagne-30cm.jpg?v=1782137829"},{"product_id":"eventail-uchiwa-japonais-mitsukoshi-bijin-kimono-bleu","title":"Eventail Uchiwa japonais vintage 団扇 – 300 ans de Mitsukoshi 三越 – Motif Bijin en kimono","description":"\u003ch3\u003e\u003cstrong\u003eCaractéristiques :\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eÉpoque :\u003c\/strong\u003e Ère Shōwa, années 1970-75\u003cbr\u003e\u003cstrong\u003eType :\u003c\/strong\u003e Uchiwa, éventail rigide japonais\u003cbr\u003e\u003cstrong\u003eDimensions :\u003c\/strong\u003e environ 26 cm de largeur × 24 cm de hauteur pour la partie ronde + manche en bois de 14 cm\u003cbr\u003e\u003cstrong\u003eMatériaux :\u003c\/strong\u003e Papier imprimé, fine structure rayonnante et manche en bois\u003cbr\u003e\u003cstrong\u003eÉtat :\u003c\/strong\u003e Bon état vintage, avec traces du temps, petites taches et marques d’usage visibles, surtout au verso\u003cbr\u003e\u003cstrong\u003eOrigine :\u003c\/strong\u003e Japon, déniché dans la préfecture de Kanagawa\u003c\/p\u003e\n\u003cp\u003eCet éventail a été réalisé pour les \u003cstrong\u003e300 ans de Mitsukoshi 三越\u003c\/strong\u003e, l’une des enseignes les plus connues du Japon. Mitsukoshi, ce n’est pas seulement un grand magasin : c’est une maison historique, née à Edo en 1673 sous le nom \u003cstrong\u003eEchigoya\u003c\/strong\u003e, à l’origine spécialisée dans les tissus et les kimonos. Avec le temps, elle est devenue une véritable institution japonaise, associée au raffinement, aux beaux objets, à la mode, au kimono et à l’art de vivre urbain.\u003c\/p\u003e\n\u003cp\u003eAu recto, on découvre une \u003cstrong\u003efemme japonaise en kimono\u003c\/strong\u003e, le visage doux, la coiffure traditionnelle ornée de \u003cstrong\u003ekushi et kanzashi\u003c\/strong\u003e. Elle tient elle-même un \u003cstrong\u003esensu\u003c\/strong\u003e, l’éventail pliant japonais. Les couleurs sont très charmantes : bleu, turquoise, noir profond dans la chevelure, petites touches rouges et vertes dans les ornements. L’ensemble évoque l’univers des \u003cstrong\u003ebijin-ga\u003c\/strong\u003e, ces images de belles femmes japonaises que l’on retrouve dans l’estampe et les objets décoratifs.\u003c\/p\u003e\n\u003cp\u003eAu verso, l’inscription rouge indique :\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e創業三百年\u003c\/strong\u003e\u003cbr\u003e\u003cem\u003eSōgyō sanbyaku-nen\u003c\/em\u003e\u003cbr\u003e\u003cstrong\u003e300 ans depuis la fondation\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eDans le cercle, on lit :\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e三越\u003c\/strong\u003e\u003cbr\u003e\u003cem\u003eMitsukoshi\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eOn est donc devant un \u003cstrong\u003eobjet commémoratif japonais\u003c\/strong\u003e, pour l’occasion des 300 ans de cette grande maison. C’est aussi ce qui fait son charme : ce n’est pas un objet luxueux, mais un objet populaire, publicitaire, pensé pour être utilisé, gardé, accroché, collectionné. Un petit morceau du Japon commercial et élégant de l’ère Shōwa.\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003e🦝 Notre avis :\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eUn très bel \u003cstrong\u003euchiwa Mitsukoshi\u003c\/strong\u003e avec ce mélange qu’on adore chez KOGEDO : un bel objet du quotidien, une esthétique japonaise Shôwa, et une histoire cachée. Parfait pour une décoration murale, un coin dédié au Japon vintage ou tout simplement pour se rafraichir avec classe sous la chaleur estivale !\u003c\/p\u003e\n\u003cp\u003eVous aimez la déco japonaise ? Alors venez découvrir toute notre \u003ca title=\"collection objets d'art et de décoration chez KOGEDO. Pièces uniques\" href=\"https:\/\/kogedo.com\/collections\/decoration-objets-art\"\u003ecollection décoration et objets d'arts KOGEDO.\u003c\/a\u003e\u003c\/p\u003e","brand":"KOGEDO","offers":[{"title":"Default Title","offer_id":54074028982611,"sku":"EV11","price":42.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0937\/8562\/0819\/files\/uchiwa-japonais-ancien-mitsukoshi-femme-kimono-sensu.jpg?v=1782205874"},{"product_id":"eventail-uchiwa-japonais-vintage-mitsukoshi-bijin-style-shin-hanga","title":"Eventail Uchiwa japonais vintage 団扇 – Mitsukoshi 三越 – Motif Bijin moderne","description":"\u003ch3\u003e\u003cstrong\u003eCaractéristiques :\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eÉpoque :\u003c\/strong\u003e Ère Shōwa, estimée années 1970\u003cbr\u003e\u003cstrong\u003eType :\u003c\/strong\u003e Uchiwa, éventail rigide japonais\u003cbr\u003e\u003cstrong\u003eDimensions :\u003c\/strong\u003e environ 26 cm de largeur × 24 cm de hauteur pour la partie ronde + manche en bois de 14 cm\u003cbr\u003e\u003cstrong\u003eMatériaux :\u003c\/strong\u003e Papier imprimé, fine structure rayonnante et manche en bois\u003cbr\u003e\u003cstrong\u003eÉtat :\u003c\/strong\u003e Bon état vintage, avec quelques traces du temps (cf.photos)\u003cbr\u003e\u003cstrong\u003eOrigine :\u003c\/strong\u003e Japon, déniché dans la préfecture de Kanagawa\u003c\/p\u003e\n\u003cp\u003eCet éventail \u003cstrong\u003euchiwa japonais \u003c\/strong\u003eprovient de l’une des enseignes les plus célèbres du Japon : \u003cstrong\u003eMitsukoshi 三越.\u003c\/strong\u003e Mitsukoshi n’est pas seulement un grand magasin : c’est une maison historique, née à Edo en 1673 sous le nom \u003cstrong\u003eEchigoya\u003c\/strong\u003e, à l’origine spécialisée dans les tissus et les kimonos. Avec le temps, elle est devenue une véritable institution japonaise, associée au raffinement, aux beaux objets, à la mode, au kimono et à l’art de vivre urbain. Au verso de l'éventail, on retrouve le \u003cstrong\u003esceau rouge Mitsukoshi.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAu recto, le décor représente une \u003cstrong\u003ebijin\u003c\/strong\u003e, une belle femme japonaise. Son visage pâle, ses \u003cstrong\u003elongs cheveux noirs\u003c\/strong\u003e, sa petite bouche rouge et les quelques touches de couleur donnent à l’ensemble une atmosphère très douce, un peu mystérieuse. Il y a peu d’éléments, mais justement : tout repose sur le regard, la ligne du visage et le grand aplat sombre de la chevelure.\u003c\/p\u003e\n\u003cp\u003eCette bijin n’est pas traitée dans un style Edo ancien, mais plutôt dans une esthétique \u003cstrong\u003emoderne du XXème siècle\u003c\/strong\u003e, proche de l’esprit des \u003cstrong\u003eshin-hanga\u003c\/strong\u003e. Ces estampes japonaises modernes ont repris les thèmes classiques, comme les \u003cstrong\u003ebijin-ga\u003c\/strong\u003e, en leur donnant une sensibilité plus intime, plus épurée, parfois presque cinématographique. Cet uchiwa n’est pas une estampe, bien sûr, mais il en partage quelque chose : le calme, l’élégance du trait, le visage lumineux sur fond doux.\u003c\/p\u003e\n\u003cp\u003eC’est un \u003cstrong\u003eobjet publicitaire japonais ancien\u003c\/strong\u003e, mais dans le meilleur sens du terme : un objet pensé pour circuler, être utilisé, offert, conservé. Le marquage Mitsukoshi reste au dos, presque secret, tandis que le recto garde toute sa force décorative.\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003e🦝 Notre avis :\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eUn \u003cstrong\u003euchiwa Mitsukoshi\u003c\/strong\u003e très chic, avec un charme calme qu’on adore. Le portrait de bijin dans l’esprit shin-hanga en font un bel objet de décoration japonaise, parfait pour une collection d’éventails anciens, un mur japonisant ou un coin dédié au Japon Shōwa. Et surtout il vous rafraîchira pendant les chaleurs de l'été !\u003c\/p\u003e\n\u003cp\u003eVous aimez la déco japonaise ? Alors venez découvrir toute notre \u003ca title=\"collection objets d'art et de décoration chez KOGEDO. Pièces uniques\" href=\"https:\/\/kogedo.com\/collections\/decoration-objets-art\"\u003ecollection décoration et objets d'arts KOGEDO.\u003c\/a\u003e\u003c\/p\u003e","brand":"KOGEDO","offers":[{"title":"Default Title","offer_id":54074261668179,"sku":null,"price":39.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0937\/8562\/0819\/files\/eventail-japonais-ancien-mitsukoshi-portrait-bijin-moderne.jpg?v=1782210121"},{"product_id":"yukata-vintage-coton-kimono-japonais-ete-blanc-motif-bambou-momiji-indigo","title":"Yukata vintage 浴衣 en coton blanc – Kimono japonais d'été motif bambou, érables et fleurs stylisés.","description":"\u003cdiv class=\"qMYqUG_convSearchResultHighlightRoot\"\u003e\n\u003cdiv class=\"\" data-turn-id-container=\"request-WEB:06bf4fcd-d2ac-4573-bed9-8fd1b2d817d1-5\" data-is-intersecting=\"true\"\u003e\n\u003csection class=\"text-token-text-primary w-full focus:outline-none has-data-writing-block:pointer-events-none [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto R6Vx5W_threadScrollVars scroll-mb-[calc(var(--scroll-root-safe-area-inset-bottom,0px)+var(--thread-response-height))] scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\" dir=\"auto\" data-turn-id=\"request-WEB:06bf4fcd-d2ac-4573-bed9-8fd1b2d817d1-5\" data-turn-id-container=\"request-WEB:06bf4fcd-d2ac-4573-bed9-8fd1b2d817d1-5\" data-testid=\"conversation-turn-12\" data-turn=\"assistant\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto pb-10 [--thread-content-margin:var(--thread-content-margin-xs,calc(var(--spacing)*4))] @w-sm\/main:[--thread-content-margin:var(--thread-content-margin-sm,calc(var(--spacing)*6))] @w-lg\/main:[--thread-content-margin:var(--thread-content-margin-lg,calc(var(--spacing)*16))] px-(--thread-content-margin)\"\u003e\n\u003cdiv data-conversation-screenshot-content=\"\" class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col gap-4 grow\"\u003e\n\u003cdiv data-message-author-role=\"assistant\" data-message-id=\"c33369a2-ce32-4653-a246-130246a7b4c8\" dir=\"auto\" data-message-model-slug=\"gpt-5-5-thinking\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal outline-none keyboard-focused:focus-ring [.text-message+\u0026amp;]:mt-1\" data-turn-start-message=\"true\" tabindex=\"0\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden\"\u003e\n\u003cdiv class=\"markdown prose dark:prose-invert wrap-break-word w-full dark markdown-new-styling\"\u003e\n\u003cp data-start=\"128\" data-end=\"603\" class=\"PDq2pG_selectionAnchorContainer\"\u003eCe \u003cstrong data-start=\"131\" data-end=\"164\"\u003eyukata 浴衣 vintage 100 % coton\u003c\/strong\u003e, véritable \u003cstrong data-start=\"176\" data-end=\"201\"\u003ekimono japonais d’été\u003c\/strong\u003e, séduit par son fond blanc légèrement bleuté et son décor bleu indigo très graphique. On y retrouve des \u003cstrong data-start=\"325\" data-end=\"338\"\u003emomiji 紅葉\u003c\/strong\u003e, feuilles d’érable japonais, des \u003cstrong data-start=\"372\" data-end=\"390\"\u003esasa no ha 笹の葉\u003c\/strong\u003e, feuilles de bambou, ainsi que de petites fleurs stylisées. Les traits fins bleu clair créent un effet de nervures sur le coton. Léger, ample et respirant, ce yukata \u003cstrong\u003emixte\u003c\/strong\u003e accompagne parfaitement la belle saison.\u003cspan aria-hidden=\"true\" class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3 data-start=\"605\" data-end=\"627\"\u003e🌿 \u003cstrong data-start=\"608\" data-end=\"627\"\u003eMotif extérieur\u003c\/strong\u003e\n\u003c\/h3\u003e\n\u003cp data-start=\"629\" data-end=\"994\"\u003eLe décor associe longues feuilles de bambou, érables japonais momiji et fleurs en silhouettes \u003cstrong\u003eindigo\u003c\/strong\u003e, répartis sur toute la surface du vêtement. Le dessin possède un mouvement très vivant, presque tracé au pinceau, avec de grandes courbes végétales et des détails plus délicats. Le fond clair apporte beaucoup de lumière, tandis que le bleu profond donne du relief.\u003c\/p\u003e\n\u003ch3 data-start=\"996\" data-end=\"1022\"\u003e\u003cstrong data-start=\"996\" data-end=\"1022\"\u003eFinitions et intérieur\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-start=\"1024\" data-end=\"1410\"\u003eCe \u003cstrong data-start=\"1027\" data-end=\"1059\"\u003eyukata traditionnel japonais\u003c\/strong\u003e est réalisé sans doublure, une construction classique pour ce vêtement estival. Sa coupe droite, ses manches larges et son coton souple permettent de le porter facilement, aussi bien en tenue d’intérieur raffinée qu’en habit d’été. Il convient aussi aux sorties estivales et aux ambiances de \u003cstrong data-start=\"1350\" data-end=\"1361\"\u003ematsuri !\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch3 data-start=\"1412\" data-end=\"1429\"\u003e📏 \u003cstrong data-start=\"1415\" data-end=\"1429\"\u003eDimensions\u003c\/strong\u003e\n\u003c\/h3\u003e\n\u003cp data-start=\"1431\" data-end=\"1551\"\u003eEnvergure, manche à manche : 130 cm\u003cbr data-start=\"1466\" data-end=\"1469\"\u003eHauteur, épaule jusqu’en bas : 163 cm\u003cbr data-start=\"1506\" data-end=\"1509\"\u003eLargeur coutures d’épaule à épaule : 67 cm\u003c\/p\u003e\n\u003ch3 data-start=\"1553\" data-end=\"1564\"\u003e\u003cstrong data-start=\"1553\" data-end=\"1564\"\u003eMatière\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-start=\"1566\" data-end=\"1834\"\u003e100 % coton – matière naturelle, légère et agréable, idéale pour un \u003cstrong data-start=\"1634\" data-end=\"1653\"\u003eyukata japonais\u003c\/strong\u003e. Le tissu laisse respirer la peau, garde une tenue simple et donne ce tombé droit typique des vêtements japonais traditionnels. Son toucher souple le rend confortable au quotidien.\u003c\/p\u003e\n\u003ch3 data-start=\"1836\" data-end=\"1844\"\u003e\u003cstrong data-start=\"1836\" data-end=\"1844\"\u003eÉtat\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-start=\"1846\" data-end=\"1922\"\u003eTrès bon état vintage – Pas de défaut important relevé lors de l’inspection.\u003c\/p\u003e\n\u003cp data-start=\"1924\" data-end=\"1965\"\u003eOrigine : Japon, déniché pour KOGEDO\u003c\/p\u003e\n\u003cp data-start=\"1967\" data-end=\"2064\"\u003eLe \u003cstrong data-start=\"1970\" data-end=\"1977\"\u003eobi\u003c\/strong\u003e présenté sur la photo portée n’est pas fourni, mais il est \u003ca href=\"https:\/\/kogedo.com\/products\/kaku-obi-homme-violet-coton-motif-hakata-kenjo\" target=\"_blank\" title=\"kaku obi violet en coton motif hakata kenjo\" rel=\"noopener\"\u003edisponible séparément ici !\u003c\/a\u003e\u003c\/p\u003e\n\u003ch3 data-start=\"2066\" data-end=\"2083\"\u003e🦝 \u003cstrong data-start=\"2069\" data-end=\"2083\"\u003eNotre avis\u003c\/strong\u003e\n\u003c\/h3\u003e\n\u003cp data-start=\"2085\" data-end=\"2399\" data-is-last-node=\"\" data-is-only-node=\"\"\u003eCe yukata a ce charme simple des beaux textiles japonais : un fond clair très frais, des motifs indigo qui accrochent tout de suite le regard, et ce mélange végétal de \u003cstrong data-end=\"289\" data-start=\"279\"\u003emomiji\u003c\/strong\u003e et de \u003cstrong data-end=\"311\" data-start=\"296\"\u003ebambou sasa\u003c\/strong\u003e qui lui donne une belle identité. Il se porte facilement, sans être trop sage ni trop chargé !\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eEnvie de découvrir d'autres pièces ?\u003c\/strong\u003e\u003cspan\u003e Parcourez notre sélection complète de \u003c\/span\u003e\u003ca href=\"https:\/\/kogedo.com\/collections\/kimono\" title=\"Découvrez notre collection de haori japonais anciens pour homme et femme : vestes kimono authentiques en soie, doublures raffinées et pièces uniques.\"\u003ehaori et kimono japonais anciens\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003eMais comment porter un Yukata ? \u003ca href=\"https:\/\/kogedo.com\/blogs\/kogedo-le-blog\/comment-porter-un-yukata-ou-un-kimono-japonais-guide-illustre-etape-par-etape\" title=\"Article de blog Kogedo, guide étape par étape pour porter son yukata\" rel=\"noopener\" target=\"_blank\"\u003eRetrouvez notre article, on vous explique tout !\u003c\/a\u003e\u003c\/p\u003e","brand":"KOGEDO","offers":[{"title":"Default Title","offer_id":54081553858899,"sku":"YUK15","price":75.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0937\/8562\/0819\/files\/kimono-ete-japonais-yukata-blanc-motifs-vegetaux-bleus.jpg?v=1782283060"},{"product_id":"kaku-obi-homme-violet-coton-motif-hakata-kenjo","title":"Obi homme en coton 角帯 violet – Motif traditionnel Hakata kenjō 博多献上","description":"\u003cdiv class=\"qMYqUG_convSearchResultHighlightRoot\"\u003e\n\u003cdiv class=\"\"\u003e\n\u003csection dir=\"auto\" class=\"text-token-text-primary w-full focus:outline-none has-data-writing-block:pointer-events-none [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto R6Vx5W_threadScrollVars scroll-mb-[calc(var(--scroll-root-safe-area-inset-bottom,0px)+var(--thread-response-height))] scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto pb-10 [--thread-content-margin:var(--thread-content-margin-xs,calc(var(--spacing)*4))] @w-sm\/main:[--thread-content-margin:var(--thread-content-margin-sm,calc(var(--spacing)*6))] @w-lg\/main:[--thread-content-margin:var(--thread-content-margin-lg,calc(var(--spacing)*16))] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col gap-4 grow\"\u003e\n\u003cdiv class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal outline-none keyboard-focused:focus-ring [.text-message+\u0026amp;]:mt-1\" dir=\"auto\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden\"\u003e\n\u003cdiv class=\"markdown prose dark:prose-invert wrap-break-word w-full dark markdown-new-styling\"\u003e\n\u003cp class=\"PDq2pG_selectionAnchorContainer\" data-end=\"543\" data-start=\"98\"\u003eLe \u003cstrong data-end=\"116\" data-start=\"101\"\u003ekaku obi 角帯\u003c\/strong\u003e est une \u003cstrong data-end=\"173\" data-start=\"125\"\u003eceinture japonaise traditionnelle pour homme\u003c\/strong\u003e, plus étroite et assez rigide. Il se porte avec un \u003cstrong data-end=\"255\" data-start=\"242\"\u003eyukata 浴衣\u003c\/strong\u003e, un kimono masculin ou une tenue japonaise décontractée. Sa forme droite et structurée permet un nouage net, souvent placé dans le dos, avec une allure sobre, élégante et très japonaise. Celui-ci, en coton violet, accompagne parfaitement un yukata d’été ou une coordination kimono homme.\u003cspan class=\"PDq2pG_selectionAnchor\" aria-hidden=\"true\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3 data-end=\"567\" data-start=\"545\"\u003e\u003cstrong data-end=\"567\" data-start=\"545\"\u003eCaractéristiques :\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-end=\"963\" data-start=\"569\"\u003e\u003cstrong\u003eLongueur \u003c\/strong\u003e: 325 cm\u003cbr data-end=\"594\" data-start=\"591\"\u003e\u003cstrong\u003eLargeur \u003c\/strong\u003e: 14 cm\u003cbr data-end=\"618\" data-start=\"615\"\u003e\u003cstrong\u003eType \u003c\/strong\u003e: kaku obi 角帯, obi homme traditionnel\u003cbr data-end=\"663\" data-start=\"660\"\u003e\u003cstrong\u003eMatière \u003c\/strong\u003e: 100 % coton\u003cbr data-end=\"687\" data-start=\"684\"\u003e\u003cstrong\u003eMotif \u003c\/strong\u003e: Hakata kenjō 博多献上\u003cbr data-end=\"715\" data-start=\"712\"\u003e\u003cstrong\u003eCouleurs \u003c\/strong\u003e: violet profond, écru\u003cbr data-end=\"749\" data-start=\"746\"\u003e\u003cstrong\u003eUsage \u003c\/strong\u003e: obi pour yukata homme, kimono homme, tenue japonaise traditionnelle\u003cbr data-end=\"827\" data-start=\"824\"\u003e\u003cstrong\u003eÉpoque \u003c\/strong\u003e: vintage, période estimée Shōwa \/ Heisei\u003cbr data-end=\"878\" data-start=\"875\"\u003e\u003cstrong\u003eÉtat \u003c\/strong\u003e:Bon état vintage – tissu propre, belle tenue, aucun défaut majeur notable\u003c\/p\u003e\n\u003cp data-end=\"1001\" data-start=\"965\"\u003e\u003cstrong\u003eOrigine \u003c\/strong\u003e: Japon, déniché dans la préfecture de Tokyo\u003c\/p\u003e\n\u003ch3 data-end=\"1012\" data-start=\"1003\"\u003e\u003cstrong data-end=\"1012\" data-start=\"1003\"\u003eMotif\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-end=\"1544\" data-start=\"1014\"\u003eCe \u003cstrong data-end=\"1029\" data-start=\"1017\"\u003ekaku obi\u003c\/strong\u003e présente le célèbre motif \u003cstrong data-end=\"1077\" data-start=\"1056\"\u003eHakata kenjō 博多献上\u003c\/strong\u003e, un grand classique des obi japonais. Ce décor se reconnaît à ses bandes verticales régulières, à ses fines rayures écrues et à ses motifs géométriques centraux. Traditionnellement, le kenjō-gara 献上柄 reprend des formes inspirées d’objets bouddhiques, notamment le \u003cstrong data-end=\"1354\" data-start=\"1342\"\u003edokko 独鈷\u003c\/strong\u003e, symbole en forme de vajra, et le \u003cstrong data-end=\"1404\" data-start=\"1389\"\u003ehanazara 華皿\u003c\/strong\u003e, motif floral stylisé. Le résultat est à la fois très graphique, sobre et immédiatement identifiable pour les amateurs de textile japonais.\u003c\/p\u003e\n\u003ch3 data-end=\"1582\" data-start=\"1546\"\u003e\u003cstrong data-end=\"1582\" data-start=\"1546\"\u003e100 % coton, souple et structuré\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-end=\"1963\" data-start=\"1584\"\u003eRéalisé en \u003cstrong data-end=\"1604\" data-start=\"1595\"\u003ecoton\u003c\/strong\u003e, cet obi offre une texture agréable, avec suffisamment de tenue pour former un beau nœud sans être trop rigide. Le tissage côtelé donne du relief au tissu, tandis que le contraste entre le violet profond et les motifs blancs apporte une élégance sans excès. C’est une pièce facile à associer avec un yukata clair, bleu, gris, noir ou à motifs indigo.\u003c\/p\u003e\n\u003ch3 data-end=\"1984\" data-start=\"1965\"\u003e🦝 \u003cstrong data-end=\"1984\" data-start=\"1968\"\u003eNotre avis :\u003c\/strong\u003e\n\u003c\/h3\u003e\n\u003cp data-is-only-node=\"\" data-is-last-node=\"\" data-end=\"2320\" data-start=\"1986\"\u003eUn \u003cstrong data-end=\"2002\" data-start=\"1989\"\u003eobi homme\u003c\/strong\u003e classique et efficace ! Couleur profonde, motif Hakata kenjō traditionnel, belle texture de coton et style facile à porter. Il a ce côté sobre et graphique qu’on aime beaucoup sur les kaku obi. Parfait pour compléter un yukata ou un kimono !\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEnvie de découvrir d'autres pièces ?\u003c\/strong\u003e\u003cspan\u003e Parcourez notre sélection complète de \u003c\/span\u003e\u003ca title=\"Découvrez notre collection de haori japonais anciens pour homme et femme : vestes kimono authentiques en soie, doublures raffinées et pièces uniques.\" href=\"https:\/\/kogedo.com\/collections\/kimono\"\u003ehaori et kimono japonais anciens\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"KOGEDO","offers":[{"title":"Default Title","offer_id":54081673691475,"sku":"OB09","price":45.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0937\/8562\/0819\/files\/obi-homme-japonais-violet-coton-hakata-kenjo.jpg?v=1782286504"},{"product_id":"estampe-japonaise-ukiyo-e-keisai-eisen-station-de-kuragano-69-stations-du-kisokaido-showa","title":"Estampe japonaise Ukiyo-e – Keisai Eisen – Station de Kuragano, rivière Karasu – 69 Stations du Kisokaidō – Édition Shōwa","description":"\u003cp data-end=\"739\" data-start=\"688\"\u003e\u003cstrong\u003eEstampe Ukiyo-e, gravure sur bois\u003c\/strong\u003e\u003cstrong data-start=\"247\" data-end=\"285\"\u003e.\u003c\/strong\u003e [\u003cspan style=\"text-decoration: underline;\"\u003eRéédition de l'ère Shôwa en utilisant les techniques artisanales traditionnelles Ukiyo-e d'impression issue de gravure sur bois\u003c\/span\u003e]\u003c\/p\u003e\n\u003cp data-end=\"321\" data-start=\"208\"\u003e\u003cstrong data-end=\"228\" data-start=\"208\"\u003eType d’estampe :\u003c\/strong\u003e Fūkei-ga 風景画 — paysage japonais\/Meisho-e 名所絵 lieu célèbre\u003c\/p\u003e\n\u003cp data-end=\"418\" data-start=\"323\"\u003e\u003cstrong data-end=\"334\" data-start=\"323\"\u003eSérie :\u003c\/strong\u003e \u003cstrong data-end=\"367\" data-start=\"335\"\u003eLes 69 stations du Kisokaidō (\u003c\/strong\u003e木曾街道六拾九次之内 \/ \u003cem data-end=\"418\" data-start=\"383\"\u003eKisokaidō rokujūkyū tsugi no uchi). \u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-end=\"418\" data-start=\"323\"\u003eUne série majeure de l’ukiyo-e de paysage, réalisée par \u003cstrong data-end=\"492\" data-start=\"476\"\u003eKeisai Eisen\u003c\/strong\u003e et \u003cstrong data-end=\"517\" data-start=\"496\"\u003eUtagawa Hiroshige\u003c\/strong\u003e, deux grands maîtres de l’estampe japonaise de l’époque Edo.\u003c\/p\u003e\n\u003cp data-end=\"640\" data-start=\"580\"\u003e\u003cstrong data-end=\"614\" data-start=\"583\"\u003eArtiste : \u003c\/strong\u003eKeisai Eisen 渓斎英泉 Signé Eisen ga 英泉画.\u003c\/p\u003e\n\u003cp data-end=\"1190\" data-start=\"1086\"\u003e\u003cstrong data-end=\"1109\" data-start=\"1089\"\u003eDate d’édition :\u003c\/strong\u003e ère Shōwa, vers 1960-1980.\u003cbr data-end=\"1139\" data-start=\"1136\"\u003e\u003cstrong data-end=\"1162\" data-start=\"1139\"\u003eÉdition originale :\u003c\/strong\u003e époque Edo, vers 1835-1838.\u003c\/p\u003e\n\u003cp data-end=\"1320\" data-start=\"1192\"\u003e\u003cstrong data-end=\"1206\" data-start=\"1195\"\u003eTitre :\u003c\/strong\u003e n°13 倉賀野宿 烏川之図 Kuragano-shuku, Karasugawa no zu\u003cbr data-end=\"1267\" data-start=\"1264\"\u003e\u003cstrong data-end=\"1320\" data-start=\"1267\"\u003eLa station de Kuragano : vue de la rivière Karasu\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-end=\"1454\" data-start=\"1322\"\u003e\u003cstrong data-end=\"1338\" data-start=\"1325\"\u003eÉditeur :\u003c\/strong\u003e Hōdō Shuppan 報道出版\u003cbr data-end=\"1359\" data-start=\"1356\"\u003e\u003cstrong data-end=\"1380\" data-start=\"1359\"\u003eArtisan graveur :\u003c\/strong\u003e 伊藤進 — \u003cstrong data-end=\"1401\" data-start=\"1387\"\u003eItō Susumu\u003c\/strong\u003e\u003cbr data-end=\"1404\" data-start=\"1401\"\u003e\u003cstrong data-end=\"1427\" data-start=\"1404\"\u003eArtisan imprimeur :\u003c\/strong\u003e 梶川芳雄 — \u003cstrong data-end=\"1454\" data-start=\"1435\"\u003eKajikawa Yoshio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-end=\"1567\" data-start=\"1456\"\u003e📏 \u003cstrong data-end=\"1471\" data-start=\"1459\"\u003eFormat :\u003c\/strong\u003e Ōban yoko-e : avec marges : \u003cstrong data-end=\"1518\" data-start=\"1500\"\u003e27,5 × 40,5 cm\u003c\/strong\u003e environ ; sans marges : \u003cstrong data-end=\"1559\" data-start=\"1543\"\u003e22 × 34,5 cm\u003c\/strong\u003e environ\u003c\/p\u003e\n\u003cp data-end=\"1626\" data-start=\"1569\"\u003e\u003cstrong data-end=\"1582\" data-start=\"1569\"\u003eOrigine :\u003c\/strong\u003e Japon, déniché dans la préfecture de Kyōto.\u003c\/p\u003e\n\u003ch3 data-end=\"1626\" data-start=\"1569\"\u003e\u003cem\u003eA propos de l'artiste : Keisai Eisen\u003c\/em\u003e\u003c\/h3\u003e\n\u003cp data-end=\"1626\" data-start=\"1569\"\u003e\u003cem\u003e\u003cstrong data-end=\"357\" data-start=\"341\"\u003eKeisai Eisen\u003c\/strong\u003e, né à Edo en \u003cstrong data-end=\"379\" data-start=\"371\"\u003e1790\u003c\/strong\u003e et mort en \u003cstrong data-end=\"399\" data-start=\"391\"\u003e1848\u003c\/strong\u003e, est l’un des grands maîtres de l’ukiyo-e de la fin de l’époque Edo. Issu de la famille Ikeda, fils d’un calligraphe reconnu, il reçoit d’abord une formation liée à l’école Kanō avant d’étudier auprès de \u003cstrong data-end=\"622\" data-start=\"604\"\u003eKikukawa Eizan\u003c\/strong\u003e. Il développe ensuite un style très personnel, immédiatement reconnaissable, en particulier dans ses \u003cstrong data-end=\"736\" data-start=\"724\"\u003ebijin-ga\u003c\/strong\u003e — portraits de belles femmes — où il impose des figures plus sensuelles, plus modernes et plus expressives que celles de la génération précédente. \u003cspan data-state=\"closed\" class=\"\"\u003e\u003c\/span\u003e\u003cspan class=\"PDq2pG_selectionAnchor\" aria-hidden=\"true\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-end=\"1490\" data-start=\"923\"\u003e\u003cem\u003eEisen est aussi un artiste extrêmement complet : créateur de \u003cstrong data-end=\"997\" data-start=\"984\"\u003enishiki-e\u003c\/strong\u003e, de \u003cstrong data-end=\"1014\" data-start=\"1002\"\u003esurimono\u003c\/strong\u003e, d’illustrations de livres, d’estampes érotiques \u003cstrong data-end=\"1074\" data-start=\"1064\"\u003eshunga\u003c\/strong\u003e, mais aussi de paysages. Il est notamment l’artiste qui commence la série des \u003cstrong data-end=\"1181\" data-start=\"1153\"\u003e69 stations du Kisokaidō\u003c\/strong\u003e, ensuite achevée par Hiroshige. Dans cette estampe de Kuragano, son talent de paysagiste dialogue avec son génie du \u003cstrong data-end=\"1310\" data-start=\"1298\"\u003ebijin-ga\u003c\/strong\u003e : les femmes sont dessinées avec élégance, précision et présence, tandis que la scène de rivière garde une fraîcheur populaire pleine de vie\u003c\/em\u003e\u003c\/p\u003e\n\u003ch3 data-end=\"1641\" data-start=\"1633\" data-section-id=\"xn5314\"\u003e\u003cstrong\u003eSujet\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-end=\"1846\" data-start=\"1643\"\u003eCette estampe représente \u003cstrong data-end=\"1686\" data-start=\"1668\"\u003eKuragano-shuku\u003c\/strong\u003e, la treizième station du \u003cstrong data-end=\"1725\" data-start=\"1712\"\u003eKisokaidō\u003c\/strong\u003e, aussi appelé \u003cstrong data-end=\"1753\" data-start=\"1740\"\u003eNakasendō\u003c\/strong\u003e, l’ancienne route intérieure reliant Edo à Kyōto à travers les montagnes du centre du Japon.\u003c\/p\u003e\n\u003cp data-end=\"2163\" data-start=\"1848\"\u003eLa scène se déroule au bord de la \u003cstrong data-end=\"1900\" data-start=\"1882\"\u003erivière Karasu\u003c\/strong\u003e, dans une atmosphère estivale pleine de fraîcheur. Au premier plan, des enfants jouent et se baignent dans l’eau près d’une petite chute. L’un d’eux plonge, tandis que d’autres rient, discutent ou manipulent une tortue dans le courant !\u003c\/p\u003e\n\u003cp data-end=\"2549\" data-start=\"2165\"\u003eSur la droite, une femme lave un \u003cstrong data-end=\"2225\" data-start=\"2198\"\u003ekama pour le riz\u003c\/strong\u003e, au bord de l’eau. Plus haut, une autre femme en kimono observe la scène depuis un pavillon. Les embarcations, les maisons basses, les arbres et les montagnes en arrière-plan donnent à l’ensemble une impression de vie quotidienne paisible, presque suspendue.\u003c\/p\u003e\n\u003cp data-end=\"2932\" data-start=\"2815\"\u003e\u003cstrong data-end=\"2851\" data-start=\"2815\"\u003eRéédition Shōwa par Hōdō Shuppan\u003c\/strong\u003e, réalisée selon les techniques traditionnelles de la gravure sur bois japonaise.\u003c\/p\u003e\n\u003ch3 data-end=\"3624\" data-start=\"3617\" data-section-id=\"1xtgzwt\"\u003e\u003cstrong\u003eÉtat\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-end=\"3665\" data-start=\"3626\"\u003e\u003cstrong data-end=\"3642\" data-start=\"3626\"\u003eParfait état\u003c\/strong\u003e, aucun défaut notable.\u003c\/p\u003e\n\u003ch3 data-end=\"3695\" data-start=\"3672\" data-section-id=\"mfil5w\"\u003e\u003cstrong\u003e🦝Notre avis\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-end=\"3933\" data-start=\"3697\"\u003eOn est fan de cette estampe, une de nos préférées du la série du Kisokaido ! Les enfants qui jouent dans la rivière, la femme qui lave son kama, celle qui regarde la scène depuis le pavillon, la beauté de l'arrière plan… tout respire l’été, l’eau et la vie quotidienne de l'époque Edo ! On retrouve tout le talent de Eisen, pour les beautés féminines Bijin-ga mais aussi pour les scènes et paysages animés !\u003c\/p\u003e\n\u003cp data-is-only-node=\"\" data-is-last-node=\"\" data-end=\"4476\" data-start=\"4132\"\u003eLa série des \u003cstrong data-end=\"4173\" data-start=\"4145\"\u003e69 stations du Kisokaidō ou Nakasendō\u003c\/strong\u003e, collaboration entre Eisen et Hiroshige, est souvent vue comme la petite sœur du Tōkaidō, mais elle n’a vraiment rien à lui envier ! \u003c\/p\u003e\n\u003cp data-end=\"2992\" data-start=\"2557\"\u003eEt si vous recherchez d'autres estampes de maitres de l'ukiyo-e, venez voir notre sélection d’\u003ca title=\"Estampes japonaises authentiques à découvrir\" href=\"https:\/\/kogedo.com\/collections\/estampes-japonaises\"\u003e\u003cstrong data-end=\"826\" data-start=\"790\"\u003eestampes japonaises authentiques\u003c\/strong\u003e.\u003c\/a\u003e\u003c\/p\u003e","brand":"KOGEDO","offers":[{"title":"Default Title","offer_id":54100578140499,"sku":"E64","price":165.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0937\/8562\/0819\/files\/estampe-japonaise-eisen-kuragano-riviere-karasu-kisokaido.png?v=1782412813"},{"product_id":"kokeshi-japonaise-vintage-naruko-ginzan-oshin-chrysanthemes-signee-mamoru-izu-31cm","title":"Kokeshi japonaise vintage rare – Naruko Ginzan Oshin – Chrysanthèmes – signée Mamoru Izu 伊豆守 – 31 cm","description":"\u003ch3 data-start=\"18\" data-end=\"41\" class=\"PDq2pG_selectionAnchorContainer\"\u003e📐 \u003cstrong data-start=\"21\" data-end=\"41\"\u003eCaractéristiques\u003c\/strong\u003e\u003cspan aria-hidden=\"true\" class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cp data-start=\"43\" data-end=\"377\"\u003e\u003cstrong data-start=\"43\" data-end=\"56\"\u003eOrigine :\u003c\/strong\u003e Japon, Ginzan Onsen (Yamagata), dénichée dans la préfecture de \u003cbr data-start=\"129\" data-end=\"132\"\u003e\u003cstrong data-start=\"132\" data-end=\"143\"\u003eStyle :\u003c\/strong\u003e Kokeshi traditionnelle – Naruko (sous-style Ginzan-kei)\u003cbr data-start=\"199\" data-end=\"202\"\u003e\u003cstrong data-start=\"202\" data-end=\"215\"\u003eArtisan :\u003c\/strong\u003e Mamoru Izu (伊豆護)\u003cbr data-start=\"232\" data-end=\"235\"\u003e\u003cstrong data-start=\"235\" data-end=\"247\"\u003eÉpoque estimée :\u003c\/strong\u003e Années 1980 (ère Shōwa)\u003cbr data-start=\"271\" data-end=\"274\"\u003e\u003cstrong data-start=\"274\" data-end=\"288\"\u003eMatériau :\u003c\/strong\u003e Bois tourné, peint à la main\u003cbr data-start=\"317\" data-end=\"320\" data-is-only-node=\"\"\u003e\u003cstrong data-start=\"320\" data-end=\"333\"\u003eHauteur :\u003c\/strong\u003e 31 cm\u003cbr data-start=\"339\" data-end=\"342\"\u003e\u003cstrong data-start=\"342\" data-end=\"352\"\u003eÉtat :\u003c\/strong\u003e Excellent état vintage\u003c\/p\u003e\n\u003ch3 data-start=\"379\" data-end=\"423\"\u003e\u003cstrong data-start=\"382\" data-end=\"423\"\u003eL’artisan Mamoru Izu (伊豆護, 1925–2019)\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-start=\"99\" data-end=\"498\" class=\"PDq2pG_selectionAnchorContainer\"\u003eMamoru Izu est une figure importante de la lignée \u003cstrong data-start=\"149\" data-end=\"159\"\u003eNaruko\u003c\/strong\u003e, et plus particulièrement du style \u003cstrong data-start=\"195\" data-end=\"209\"\u003eGinzan-kei\u003c\/strong\u003e. Né en 1925 à \u003cstrong data-start=\"224\" data-end=\"243\"\u003eGinzan Shinhata\u003c\/strong\u003e, il grandit dans une famille d’artisans du bois. Son frère aîné, \u003cstrong data-start=\"309\" data-end=\"322\"\u003eIzu Sadao\u003c\/strong\u003e, avait appris le tournage auprès d’\u003cstrong data-start=\"358\" data-end=\"374\"\u003eAndō Reitarō\u003c\/strong\u003e, mais disparaît prématurément en 1938. Mamoru Izu se forme donc en grande partie seul au \u003cstrong data-start=\"464\" data-end=\"476\"\u003ekijibiki\u003c\/strong\u003e, le tournage du bois.\u003cspan aria-hidden=\"true\" class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-start=\"500\" data-end=\"849\"\u003eAprès la guerre, il reprend son activité d’artisan à Ginzan, fabriquant d’abord jouets, toupies et petits objets en bois. Sa production de \u003cstrong data-start=\"639\" data-end=\"650\"\u003ekokeshi\u003c\/strong\u003e débute probablement entre la fin des années 1940 et les années 1950. À partir des années 1960, il étudie les œuvres de son frère, enrichit ses motifs et développe progressivement ses propres formes.\u003c\/p\u003e\n\u003cp data-start=\"851\" data-end=\"1089\" data-is-last-node=\"\" data-is-only-node=\"\"\u003eIl est aujourd’hui particulièrement recherché pour ses \u003cstrong data-start=\"906\" data-end=\"930\"\u003ekokeshi Ginzan Oshin\u003c\/strong\u003e, reconnaissables à leur coiffure \u003cstrong data-start=\"964\" data-end=\"974\"\u003eokappa\u003c\/strong\u003e, leurs grands yeux expressifs, leur douceur sobre et leur lien avec l’univers du célèbre drama japonais \"\u003cstrong data-start=\"1079\" data-end=\"1088\"\u003eOshin\"\u003c\/strong\u003e.\u003c\/p\u003e\n\u003ch3 data-start=\"854\" data-end=\"869\"\u003e\u003cstrong data-start=\"854\" data-end=\"869\"\u003eDescription\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-start=\"871\" data-end=\"1347\"\u003eCette \u003cstrong data-start=\"877\" data-end=\"899\"\u003ekokeshi Ginzan-kei\u003c\/strong\u003e révèle un bel équilibre entre présence du \u003cstrong data-start=\"942\" data-end=\"955\"\u003ebois brut\u003c\/strong\u003e et finesse du \u003cstrong\u003edécor peint\u003c\/strong\u003e. Son visage, sobrement tracé avec douceur, exprime une sérénité calme, presque rêveuse. La coiffure noire \u003cstrong data-start=\"1088\" data-end=\"1098\"\u003eokappa\u003c\/strong\u003e est ponctuée d’un discret \u003cstrong data-start=\"1125\" data-end=\"1135\"\u003ejanome\u003c\/strong\u003e rouge sur le sommet. Le corps laisse voir les veines et nœuds du bois tourné, enrichi de \u003cstrong data-start=\"1225\" data-end=\"1249\"\u003echrysanthèmes rouges\u003c\/strong\u003e de différents styles assez originaux.\u003c\/p\u003e\n\u003cp data-start=\"1349\" data-end=\"1590\"\u003eCe style de \u003cstrong data-start=\"1361\" data-end=\"1378\"\u003ekokeshi Oshin\u003c\/strong\u003e est lié au personnage d’Oshin, héroïne du feuilleton japonais culte des années 1980. Dans la série, une poupée proche lui est offerte par sa mère, devenant un symbole fort d’amour, de mémoire et de transmission.\u003c\/p\u003e\n\u003ch3 data-start=\"1592\" data-end=\"1611\"\u003e🦝 \u003cstrong data-start=\"1595\" data-end=\"1611\"\u003eNotre avis :\u003c\/strong\u003e\n\u003c\/h3\u003e\n\u003cp data-start=\"1613\" data-end=\"1820\" data-is-last-node=\"\" data-is-only-node=\"\"\u003eUn style de \u003cstrong data-start=\"1625\" data-end=\"1636\"\u003ekokeshi\u003c\/strong\u003e rare et très attachant. On adore le bois verni, le beau veinage naturel et les chrysanthèmes rouges pleins de charme. Une vraie pièce authentique de collection, lumineuse et moderne !\u003c\/p\u003e\n\u003cp\u003eEnvie de plonger plus loin dans l’univers des poupées traditionnelles japonaises ?\u003cbr data-start=\"298\" data-end=\"301\"\u003e→ Découvrez toutes nos \u003cstrong data-start=\"324\" data-end=\"347\"\u003ekokeshi artisanales\u003c\/strong\u003e dans \u003ca href=\"https:\/\/kogedo.com\/collections\/kokeshi\" title=\"Découvrez notre collection de kokeshi artisanales japonaises : poupées en bois traditionnelles du Tōhoku, pièces uniques signées, styles Naruko, Tsuchiyu, Yajirō…\"\u003enotre collection KOGEDO\u003c\/a\u003e\u003c\/p\u003e","brand":"KOGEDO","offers":[{"title":"Default Title","offer_id":54115034890579,"sku":"K133","price":79.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0937\/8562\/0819\/files\/kokeshi-traditionnelle-ginzan-onsen-mamoru-izu-31cm.jpg?v=1782545252"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0937\/8562\/0819\/collections\/nouveautes-kogedo-brocante-japonaise-nouveaux-produits.png?v=1755701430","url":"https:\/\/kogedo.com\/en\/collections\/nouveautes-brocante-japonaise.oembed","provider":"KOGEDO","version":"1.0","type":"link"}